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Author: Grafiati

Published: 26 July 2024

Last updated: 28 July 2024

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1

Thomas, Craig. A hooded crow. London: Book Club Associates, 1991.

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2

Thomas, Craig. A hooded crow. London: HarperCollins, 1996.

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Thomas, Craig. A hooded crow. New York: Harper Collins, 1992.

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Thomas, Craig. A hooded crow. London: HarperCollins, 1992.

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5

Thomas, Craig. A hooded crow. New York, N.Y: HarperPaperbacks, 1993.

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Thomas, Craig. A hooded crow. New York: HarperCollins, 1992.

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Thomas, Craig. A hooded crow. London: Fontana, 1993.

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8

Thomas, Craig. A hooded crow. London: Fontana, 1992.

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9

Red riding hood for all ages: A fairy-tale icon in cross-cultural contexts. Detroit: Wayne State University Press, 2008.

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10

Campbell, Barnes Margaret. The passionate brood: Richard the Lionheart, an outcast hero, and a dynasty of sinners and saints. Naperville, Ill: Sourcebooks Landmark, 2010.

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11

Larkin, M. J. Hooded Crows: Chronicles of the Crooked Man, Volume Two. Independently Published, 2018.

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12

A hooded crow. New York: HarperPaperbacks, 1992.

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13

Thomas, Craig. A Hooded Crow. Chivers North Amer, 1992.

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14

Thomas, Craig. A Hooded Crow. John Curley & Assoc, 1993.

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15

A Hooded Crow. John Curley & Assoc, 1993.

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16

A Hooded Crow. Book Club Associates, 1991.

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17

Thomas, C. A Hooded Crow. BCA, 1992.

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18

Vickery, Keith. Hooked Cross. Book Guild Publishing, Limited, 2007.

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19

Cross Club-Hooded-Xlg-Ash. Not Avail, 1994.

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20

By Craig Thomas A Hooded Crow (First Edition By Number S) [Hardcover]. HarperCollins, 1992.

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21

Kincaid, Lesley. Forced to Be a Cross-Dressed Hooker in Tijuana. Lulu Press, Inc., 2013.

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22

White Crow's Louisiana Hoodoo: Traditions, Tools, Spells, Potions and Brews. Independently Published, 2019.

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23

Romualdo, Ricardo. Faith Cross Handwriting Tattoo Style Pullover Hoodie: Sudoku Puzzles Easy to Hard 6X9inch_120Page. Independently Published, 2022.

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24

Rosenthal, Alexander S. Crown under Law: Richard Hooker, John Locke, and the Ascent of Modern Constitutionalism. Lexington Books/Fortress Academic, 2008.

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25

Crown under law: Richard Hooker, John Locke, and the ascent of modern constitutionalism. Lanham, MD: Lexington Books, 2008.

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26

Williamson, Arthur. David Hume, Richard Verstegan, and the Battle for Britain. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.19.

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This chapter considers the debate about Anglo-Scottish union that accompanied James VI’s accession to the southern Crown. Through an analysis of David Hume of Godscroft’sDe Unione insulae Britannicaeand Richard Verstegan’sA Restitution of decayed intelligence, both published on 1605, it argues that the prospective union was far more politically fraught and intellectually significant than commonly recognized. Unionists like Hume urged ethnic erasure through the forging of a common British identity within an integrated British state. Brito-Sceptics like Verstegan stressed ethnic difference to the point of adopting Tacitean racial vocabularies. Precocious historical linguistics underlay each side. Each carried at its center a competing religious agenda. These matrices provide a frame for understanding the contemporary writings of such figures as Richard Hooker, William Camden, and William Shakespeare.

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27

Wingpude, Pissana D. Easy Cross Word Puzzle Books: Beginners Crossword Puzzle Books for Adults, Luck Easy Crosswords Fun Puzzles to Get You Hooked! with Cleverly Hidden Puzzles. Independently Published, 2019.

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28

Horne, Gerald. War Changes. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041198.003.0005.

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This chapter discusses how the U.S. entry into World War II marked a watershed for both the Negro press generally and the Associated Negro Press (ANP) specifically. The “Double V” campaign among African Americans targeting fascism abroad and Jim Crow at home was a simple continuation and escalation of ANP prewar policy. Despite the racial progress propelled by the antifascist war, there were contrary disquieting notes that did not escape the gaze of Claude Barnett. The Negro press could hardly ignore the ambivalence, if not outright support, within their constituency for Tokyo. This factor helped to further propel black militancy at a moment when Washington was demanding stolid acquiescence in the face of the external threat. This widespread sentiment had led FBI leader J. Edgar Hoover to demand Espionage Act indictments of certain Negro papers.

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29

You ain't my preacher: A white pastor's gleanings from a cross-racial ministry. Catawba, N.C: Sandime, 2013.

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30

DiNunzio, Mario R. The Great Depression and New Deal. ABC-CLIO, LLC, 2014. http://dx.doi.org/10.5040/9798400659034.

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The political ideas that resulted from confronting the crisis of the Great Depression and the New Deal of the early 20th century reshaped America. This documentary history collects a range of primary sources to illuminate this critical period in U.S. history. This accessibly written work provides a wide range of primary documents, offering American history students and teachers alike a handy reference volume that examines all important aspects of the Great Depression and New Deal—a core curriculum topic. By modeling how an expert scholar interacts with primary sources, the book enables readers to pick apart and critically evaluate firsthand the key documents chronicling this major American movement. The book leads with an introductory essay that outlines the scope of the volume, explains how the primary documents were selected, and identifies thematic trends and controversies. Annotations by scholars translate difficult passages into language that is easily comprehensible to modern readers and compare key passages throughout, encouraging the reader to cross-reference documents within the volume and connect the dots between them. Readers will be able to interpret the flow of events during the Great Depression, assess the legislative and executive actions that attempted to deal with the economic crisis, and perceive the differences between the fiscal ideas of Presidents Hoover and Roosevelt.

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31

Scott, Walter. Ivanhoe. Edited by Ian Duncan. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538409.001.0001.

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More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother’s crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott’s manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics.

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32

Slide, Anthony. Some Joe You Don't Know. Greenwood Publishing Group, Inc., 1996. http://dx.doi.org/10.5040/9798216016526.

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Americans have been watching and enjoying British television programming since the mid-1950s, but the information on the personalities involved is difficult, if not impossible, to find in the United States. This guide provides biographical essays, complete with bibliographies, on 100 of the best known and loved actors and actresses from Richard Greene (Robin Hood) and William Russell (Sir Lancelot) in the 1950s through stars of Masterpiece Theatre, including Robin Ellis and Jean Marsh, to the new generation of British comedy performers such as Alexei Sayle and Jennifer Saunders. Not only are serious dramatic actors and actresses, such as Joan Hickson and Roy Marsden, to be found here, but also the great comedy stars, including Benny Hill and John Inman. Among the many shows discussed in the text are Absolutely Fabulous; You Being Served?; Dad's Army; Doctor Who; ; Fawlty Towers; The Good Life; The Jewel in the Crown; Poldark; Rumpole of the Bailey; Upstairs, Downstairs; and Yes, Minister. The guide offers not only factual information but also samplings of contemporary critical commentary and in-depth interviews with Terence Alexander, Richard Briers, Benny Hill, Wendy Richard, Prunella Scales, and Moray Watson. This is a reference source that also serves as fascinating entree into the wonderful world of British television, one that is as fun to browse as it is to use for factual documentation.

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33

Konstam, Angus. Royal Navy Home Fleet 1939–41. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781472861474.

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Packed with illustrations, this is a new history and analysis of how the Royal Navy's most important fleet operated and fought the German Navy in the crucial first years of World War II. Throughout its history, the Royal Navy's most powerful fleet has been the one guarding home waters. In this book, naval historian Angus Konstam explores the fighting power, the roles, and the battles of the Home Fleet, in the crucial first years of World War II when it was Britain's most powerful fighting force, anchored in the northern bastion of Scapa Flow. He explains the complex responsibilities of the fleet, charged simultaneously with preventing the powerful German Navy from breaking out into the Atlantic; preparing to challenge any cross-Channel invasion force; and attacking German naval operations in the North Sea. Home Fleet actions included the loss of HMS Hood, the sinking of the Bismarck and countering the invasion of Norway, Germany's biggest amphibious operation of the war. Packed with striking new artwork and 3D diagrams and maps, this book offers a detailed portrait of the Home Fleet during these most crucial years of the war, from the capabilities of the warships to logistics and intelligence-gathering, to how the fleet was organized and commanded, and how and why it fought as it did.

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34

Barnes, Margaret C. Passionate Brood. Amereon Limited, 1989.

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35

Stamey, Emily. Gilded: Contemporary Artists Explore Value and Worth. Weatherspoon Art Museum, 2022. http://dx.doi.org/10.5149/9781890949198_stamey.

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This exhibition catalogue accompanies Gilded: Contemporary Artists Explore Value and Worth, organized by the Weatherspoon Art Museum at UNC Greensboro, on view September 10, 2022 - April 8, 2023. Across time and cultures, gold has served as a metaphor for what we value most. Symbolically, it stands in for goodness, excellence, brilliance, and wealth. He has a heart of gold. She is going for gold. It shone like gold. They struck gold. Found in crowns and regalia that bestow power, rings that signal matrimony, and currency traded among peoples, the metal has profound social significance. Across the arts, craftspeople have long pounded gold into thin sheets called leaves, which are applied in a process called gilding. In realms of the spiritual, gilding illuminates sacred texts, gives otherworldly luster to holy spaces, and allows religious sculptures to shine. While we most often associate gold leaf with historic traditions, the material appears frequently in the work of contemporary artists. Specifically, the artists represented in this exhibition turn to gilding as a means to reconsider our value systems. Gilding images of graffiti and sidewalks, cardboard boxes and architectural fragments, they ask us to see the beauty in what we so often overlook and honor that which we so often throw away. Gilding images of people—often those who have been disempowered or forgotten—they ask us to hold up our collective humanity. If, as the saying goes, “all that glitters is not gold,” the artists represented here offer an inverse proposition: perhaps that which does not always shine is most worthy of our attention. Gilded features the work of Radcliffe Bailey, Larissa Bates, william cordova, Angela Fraleigh, Gajin Fujita, Nicholas Galanin, Liz Glynn, Shan Goshorn, Sherin Guirguis, Titus Kaphar, Hung Liu, James Nares, Ronny Quevedo, Shinji Turner-Yamamoto, Danh Vo, Stacy Lynn Waddell, and Summer Wheat. After its Weatherspoon debut, the project will travel to the Hunter Museum of Art in Chattanooga, TN and the Hood Museum of Art at Dartmouth in Hanover, NH.

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36

Contemporary Musicians. Thomson Gale, 2001.

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