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Relevant bibliographies by topics / Hong Kong.Political culture

Academic literature on the topic 'Hong Kong.Political culture'

Author: Grafiati

Published: 26 July 2024

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Journal articles on the topic "Hong Kong.Political culture"

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Bridges, Brian. "Hong Kong and Japan: Commerce, Culture and Contention." China Quarterly 176 (December 2003): 1052–67. http://dx.doi.org/10.1017/s0305741003000614.

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This article analyses the nature of contemporary Hong Kong–Japan relations in their economic, political and cultural dimensions, setting the relationship within the broader context of Sino-Japanese relations, concerns about identity and nationalism within Hong Kong, and changing Japanese commercial priorities. While the commercial and popular cultural ties between Japan and Hong Kong remain dominant, since the mid-1990s political issues have become more visible in Hong Kong–Japan relations. Changing moods within Hong Kong about the handover and, after 1997, about the nature of the redefined relationship with China have had an important influence on the political economy of Hong Kong–Japan relations.

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Chao, Long. "Hong Kong as Alternative Sinophone Articulation: Translation and Literary Cartography in Dung Kai-Cheung’S Atlas: The Archaeology of an Imaginary City." Open Cultural Studies 2, no. 1 (December 1, 2018): 771–80. http://dx.doi.org/10.1515/culture-2018-0069.

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Abstract Following the 2014 Umbrella Movement, Hong Kong society has witnessed a series of fights between social (youth) activists and its Special Administrative Government (SAR). What was at stake really boils down to the issue of Hong Kong’s self-positioning vis-a-vis the rising economic and political strength of Mainland China. This issue is certainly nothing new, given that most cultural discourses in the 1990s, both within and outside Hong Kong, have focused on the city’s postcolonial status after the handover. This article therefore proposes to approach such an issue from the perspective of the Sinophone to bring to light how cultural production in Hong Kong can generate alternative thinking. It considers specifically a literary work by a native Hong Kong writer, namely, Dung Kai-cheung’s Atlas: The Archaeology of an Imaginary City (Atlas), through the lens of translation. By analysing how Dung Kai-cheung engages in three levels of translation to paint a kaleidoscopic image of Hong Kong, this article shows how the concept of Sinophone can inspire, enlighten and even question existing knowledge about Hong Kong’s history and culture. Eventually, Atlas, shown as deprived of a nativist or nationalistic discourse, creates new epistemic possibilities for understanding Hong Kong. As part of the ongoing global Sinophone cultures, Atlas also exemplifies how Hong Kong can be imagined to hold an equally important position vis-a-vis Mainland China.

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Luk, Y. T. "Postcolonial Culture Policy in Hong Kong." Media International Australia 94, no. 1 (February 2000): 147–55. http://dx.doi.org/10.1177/1329878x0009400114.

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This paper is concerned with the arts and culture policy in Hong Kong in the postcolonial context, after the 1997 reversion to Chinese sovereignty. It addresses itself to the main concerns of arts policy with a view not only to making cultural activities flourish, but also to shaping— if possible — a Hong Kong identity as a special administrative region of China, taking into account Hong Kong and its people as a cultural, political, economic and social location.

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Hung-Kay, Luk. "Hong Kong History and Culture." Chinese Sociology & Anthropology 30, no. 3 (April 1998): 13–24. http://dx.doi.org/10.2753/csa0009-4625300313.

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Lee, Francis L. F., and Joseph M. Chan. "Making Sense of Participation: The Political Culture of Pro-democracy Demonstrators in Hong Kong." China Quarterly 193 (March 2008): 84–101. http://dx.doi.org/10.1017/s0305741008000052.

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AbstractA wave of large-scale demonstrations from 2003 to 2006 has given rise to a new pro-democracy movement in Hong Kong and raised important questions about the political activism of the Hong Kong public. This study aims at achieving a better understanding of the cultural underpinnings of Hong Kong people's protest participation (and non-participation). Following a tradition of constructivist analysis which sees culture as a set of shared and more or less structured ideas, symbols, feelings and common senses, this study examines how participants in the pro-democracy protests make sense of their experiences and the ongoing political and social changes in Hong Kong. It shows that the 1 July 2003 demonstration has indeed empowered many of its participants, but feelings of efficacy became more complicated and mixed as people continued to monitor changes in the political environment and interpret the actions of others. At the same time, beliefs and ideas that can be regarded as part of Hong Kong's culture of de-politicization remain prevalent among the protesters. The findings of the study allow us to understand why many Hong Kong people view protests as important means of public opinion expression and yet participate in them only occasionally.

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Chu, Yiu-Wai. "Introduction: Mediating borders: New boundaries for Hong Kong studies." Global Media and China 5, no. 2 (June 2020): 103–8. http://dx.doi.org/10.1177/2059436420927647.

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There are myriad methods and tactics to study and examine Hong Kong as a former crown colony and a current Chinese special administrative region. Using the idea of border as a critical tool as well as the subject of critique, this special issue highlights and addresses a political and historical fact that the bordering, debordering and transbordering of Hong Kong, as long taken-for-granted through the media, has never been a fixed and stable boundary. If political binarism and cultural parochialism have walled up Hong Kong cultures from national or transnational transformations, the essays in this special issue seek to initiate new discussions and revisit old discovery of Hong Kong amid the ebb and flow of nationality, transnationality and globality. They respond to cross-border ventures in various ways, offering different views and engaging with one another as to shed light on how the changing borderscape might have impacts on the future development of Hong Kong culture.

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Chan, Selina Ching. "Tea cafés and the Hong Kong identity: Food culture and hybridity." China Information 33, no. 3 (May 11, 2018): 311–28. http://dx.doi.org/10.1177/0920203x18773409.

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This article examines the meanings of caa caan teng (茶餐廳, local cafés) in Hong Kong and the implications of such cafés on the Hong Kong identity. It argues that the local café is a representation of Hong Kong culture because it reflects Hong Kong’s political, economic, and social developmental paths and mirrors the everyday life of its people. I investigate how the interaction of different immigrant cultures in Hong Kong has resulted in the invention of hybrid foods at the local café. These foods demonstrate hybridity as the transgression of boundaries through the negotiation of cultural differences among migrants, as well as those between migrants and colonialists. I argue that hybridity in local cafés reflects the power relations among the locals in Hong Kong, between locals and colonialists, and between locals and the new authorities in Beijing. Hybridity found in local cafés symbolizes the Hong Kong identity, as an entanglement between the multiplicity of Chinese ethnicities and the colonial modernity as characterized by flexibility, efficiency, choice, and diversity. These features differentiate the Hong Kong people from the colonialists and the mainlanders, thus constructing their identity and subjectivity, as former colonial subjects now living in the ‘periphery’ of the motherland.

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Kin, Au Chi. "The Academic Role of Hong Kong in the Development of Chinese Culture, 1950s–70s." China Report 54, no. 1 (December 28, 2017): 66–80. http://dx.doi.org/10.1177/0009445517744408.

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For many people, ‘Hong Kong is a cultural desert’. However, we find that Hong Kong plays an important academic role and acts as a cultural bridge between China and Western countries, especially when China experiences unstable political, economic, social and cultural situations. The People’s Republic of China was established in 1949. During this time, numerous scholars fled China and selected Hong Kong as a ‘shelter’. Some decided to stay for good, whereas others viewed the territory as a stepping stone. Regardless of their reasons, their academic performance has significantly influenced Hong Kong. Two of the most famous scholars in this period were Luo Xianglin (羅香林 Lo Shan Lin) and Qian Mu (錢穆). Luo taught at the Department of Chinese of the University of Hong Kong. Qian was a faculty member at the New Asia College, which was one of the founding members of the Chinese University of Hong Kong. This study will examine the following issues: (i) why these two scholars selected Hong Kong, (ii) what role they played in the development of tertiary education with regard to Chinese studies in Hong Kong, (iii) how they developed the role of Hong Kong as a haven for the protection of Chinese culture and (iv) how Qian Mu developed New Asia College as a vehicle for spreading the ‘New’ Asian culture in the 1960s.

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Mao, Bingxi. "Cultural, Business, and Political Characteristics of Hong Kong Street Art: A Mini Review." Frontiers in Business, Economics and Management 2, no. 2 (October 25, 2021): 15–18. http://dx.doi.org/10.54097/fbem.v2i2.171.

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With its towering skyscrapers and busy streets, many people think that Hong Kong is all that it appears to be. But look closely and you'll see that behind all this glitz and glamour, Hong Kong has a wealth of fascinating things to offer. As Asia's most vibrant centre for art and culture, Hong Kong has demonstrated its creative spirit in everything from world-class galleries and exhibitions to international art events, especially in street art. Over the past few years, street art has given Hong Kong's cityscape a bold and innovative look - the East meets West murals in Central, the graffiti art in Wong Chuk Hang Industrial Estate, the colourful and creative works in Sham Shui Po. The paper explains and demonstrates cultural and business aspects of Hong Kong Street Art based on its characteristics. Further recommendation of the continuing transformation of Hong Kong Street Art is proposed in the last section of this paper as well.

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Tsoi, Ling Yu Debbie, and Fung Ming Christy Liu. "Translation, culture and politics." Translation Spaces 8, no. 2 (November 5, 2019): 280–99. http://dx.doi.org/10.1075/ts.18009.tso.

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Abstract This article analyzes the election slogans of Hong Kong chief executives and the titles of their policy addresses since Hong Kong’s handover to mainland China in 1997, from the point of view of translation methods, cultural implications and reader responses. It finds that literal translation dominates in the translation of election slogans and policy address titles, that translated slogans and titles portray Hong Kong as a collectivist society with low power distance, and that choices between domestication and foreignization are dependent upon individual chief executives (or nominees). The article discusses the growing importance of the role of readers and proposes an inductive framework of interactive responses to represent the reality of political translation in the new era brought about by digitalization.

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Dissertations / Theses on the topic "Hong Kong.Political culture"

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Lam, Wai-man, and 林蔚文. "Rediscovering politics in Hong Kong (1949-1979): the paradox of political indifference." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31241918.

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Lam, Wai-man. "Rediscovering politics in Hong Kong (1949-1979) the paradox of political indifference /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22805485.

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莫詠儀 and Wing-yee Heronie Mok. "De-institutionalizing culture: a study of there-institutionalization of the cultural apparatuses of Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31966937.

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Hui, Kin-kan. "A comparative study of the political culture of postcolonial Hong Kong and Macau." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3194114X.

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陳曉昕 and Hiu-yun Joyce Chan. "Making news: a cultural study of the text, production and political implication of Apple Daily and Ming Pao." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31225664.

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宮翠棉 and Chui-min Koon. "The politics of popular culture: a study of aHong Kong comic strip, McMug." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B43894884.

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Kwong, Hoi Ying. "Party-group relations in Hong Kong : comparing the DAB and the DP /." View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?SOSC%202004%20KWONG.

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Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004.
Includes bibliographical references (leaves 132-137). Also available in electronic version. Access restricted to campus users.

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Tang, Wai-yan, and 鄧惠欣. "Hong Kong: an unidentified subject under colonialism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951181.

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Chan, Natalia Sui Hung. "City on the edge of time : Hong Kong culture and the 1997 issue /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3027045.

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Kong, Travis Shiu-ki. "The voices in between ... : the body politics of Hong Kong gay men." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327067.

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Books on the topic "Hong Kong.Political culture"

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Louis, Augustin-Jean, and Padovani Florence, eds. Hong Kong: Economie, société, culture. Paris: Harmattan, 2007.

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Ma, Chieh-wei. Culture, politics, and television in Hong Kong. London: Routledge, 1999.

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Nedilsky, Lida V. Converts to civil society: Christianity and political culture in contemporary Hong Kong. Waco, Texas: Baylor University Press, 2014.

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Wai-man, Lam. Understanding the political culture of Hong Kong: The paradox of activism and depoliticization. Armonk, NY: M.E. Sharpe, 2004.

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Ng, Janet. Paradigm city: Space, culture, and capitalism in Hong Kong. Albany: State University of New York Press, 2009.

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F, Ash Robert, ed. Hong Kong in transition: One country, two systems. New York: Routledge, 2002.

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Chan, Catherine. The Macanese Diaspora in British Hong Kong. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729253.

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Diaspora transformed the urban terrain of colonial societies, creating polyglot worlds out of neighborhoods, workplaces, recreational clubs and public spheres. It was within these spaces that communities reimagined and reshaped their public identities vis-à-vis emerging government policies and perceptions from other communities. Through a century of Macanese activities in British Hong Kong, this book explores how mixed-race diasporic communities survived within unequal, racialized and biased systems beyond the colonizer-colonized dichotomy. Originating from Portuguese Macau yet living outside the control of the empire, the Macanese freely associated with more than one identity and pledged allegiance to multiple communal, political and civic affiliations. They drew on colorful imaginations of the Portuguese and British empires in responding to a spectrum of changes encompassing Macau’s woes, Hong Kong’s injustice, Portugal’s political transitions, global developments in print culture and the rise of new nationalisms during the inter-war period.

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Tian, Feilong. Hou zhan Zhong zhi Gang: Fa li yu zheng zhi = The governance of Hong Kong after occupy central : legal principles and politics. Xianggang: Xianggang cheng shi da xue chu ban she, 2018.

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1959-, Rowley Chris, and Lewis Mark 1965-, eds. Greater China: Political economy, inward investment, and business culture. London: Frank Cass, 1996.

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Yee, Herbert S. The political culture of China's university students: A comparative study of university students in mainland China, Hong Kong, Macau, and Taiwan. Commack, N.Y: Nova Science Publishers, 1998.

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Book chapters on the topic "Hong Kong.Political culture"

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Kwok, Rowena, and Elaine Chan. "Political Culture and the Prospects of Democratization." In Institutional Change and the Political Transition in Hong Kong, 64–84. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26296-0_3.

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Preston, P. W. "Hong Kong: Living with Distant Masters." In Political Cultural Developments in East Asia, 231–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57221-9_9.

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Yau, Cody Wai Kwok. "Media Political Leanings: Polarised Depictions of Hong Kong Migration in Taiwan." In Palgrave Macmillan Studies on Human Rights in Asia, 177–202. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2867-1_7.

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AbstractThis chapter examines the influences of the Taiwanese media’s political leaning on their coverage of Hong Kong migration by analysing news articles from the five major pro-Blue/Green printed media outlets between 2014 and 2022. Using structural topic modelling, this chapter demonstrates a politicalised trend relating to Hong Kong migration, involving two themes: migration safety and Political Security. Even though the migration safety theme has gained much more attention than the Political Security theme since the 2019 Protests in Hong Kong, the polarisation of the depiction of Hong Kong migration becomes particularly evident when issues related to the People's Republic of China (PRC) are factored in through topic comparison. In other words, compared to the pro-Blue media, which is inclined to portray the Hong Kong migration from a human rights perspective, the pro-Green media, which favours a nativist viewpoint, offer a more security-based narrative, such as cultural Sinicisation and the possibility of Chinese spies entering through Hong Kong migration. The results of sentiment analysis further highlight both media camps’ differences by detecting a positive or negative tendency.

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Chin, Chun-wah. "The Political Uses of Japanese Pop Culture in Hong Kong." In Japan and Asia, 249–82. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-7989-6_7.

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Chow, Yiu Fai, Jeroen de Kloet, and Leonie Schmidt. "The Worst of Times, The Best of Music." In Contemporary East Asian Visual Cultures, Societies and Politics, 71–107. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_3.

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AbstractIn September 2014, thousands of people started occupying different areas of Hong Kong, demanding “true democracy,” ushering in what was known as the “Umbrella Movement.” The popular protest might have taken the world by surprise; for us, it can be read as a logical outcome of a much longer process of postcolonial anxiety. Popular culture, among which popular music, constitutes an important domain to narrate versions of the past, present, and future that present alternatives to official versions. We therefore shift our eyes and ears from the tumultuous and politically explicit street protests to the aestheticised show of popular sentiments: the 2012 and 2017 Tat Ming Pair concerts. How does Tat Ming’s performance imagine the postcolonial city and its histories? How does it negotiate Hong Kong’s current socio-historical moment? And what kinds of futures does it fantasise for Hong Kong? And what differences can we distinguish between both concerts, one before and the other after the Umbrella Movement? For both concert series, we zoom in onto three songs: “Today Could Have Been a Happy Day 今天應該很高興,” “Tonight the Stars are Bright 今夜星光燦爛,” and “It’s My Party.” These three songs present different articulations of temporality; we start with reflecting on how the (colonial) history of Hong Kong is represented, then move on to analyse how Hong Kong’s present-day predicament is articulated, finally to probe into imaginations of the future in the concerts. These three temporalities, in conjunction with the two different moments the concerts took place, 2012 and 2017, are always already implicated with each other. Following our introduction in Chapter 1, they allow us to study how the constructs of the past, the present, and the possible futures of the city, are woven into the fibre of the concerts.

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Chow, Yiu Fai, Jeroen de Kloet, and Leonie Schmidt. "“It’s My Party”." In Contemporary East Asian Visual Cultures, Societies and Politics, 137–63. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_5.

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AbstractIn Hong Kong, despite its overwhelming capitalist logic, pop music makers have established a tradition of political engagement, stretching from the anxiety towards the 1997 Handover, the post-Tiananmen fury and fear, to the more recent articulations against increasing intervention of the Beijing regime. While previous chapters provide a textual analysis and explore the political engagement of Tat Ming Pair’s work—their songs, performances, and music videos—Chapter 5 will take a different approach by conducting a production analysis of Tat Ming’s 2012 and 2017 concerts. The concerts that took place in the Hong Kong Coliseum created a great buzz around the city of Hong Kong and were applauded for their political, musical, and aesthetic standards. This chapter zooms in on these concerts and asks: What considerations, negotiations, tensions, controversies, and compromises on the production side underpin the narratives and aesthetics of Tat Ming’s 2012 and 2017 concerts? As such, Chapter 5 aims to unpack the making of a political pop spectacle in a city that is struggling for its future. To do so, the chapter conducts a two-fold production analysis. First, the chapter builds on a discourse analysis of the reports that have emerged in different media platforms before, during, and after the concerts. Second, we will conduct interviews with Tatming and their close collaborators, ultimately reflecting on the tension between political motivations and commercial considerations, between engagement and entertainment. By drawing on John Corner’s (1999) levels of production, we will investigate how different makers and creative workers negotiate the tension between creating an appealing aesthetic spectacle on the one hand, while trying to convey a political message on the other hand. Our analysis distils three key discourses that we find salient and helpful in furthering our understanding of a concert production. We call them the contingent, the personal, and the calibrational. They recur in the narratives of the three producers and are interwoven through different levels of production.

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Chow, Yiu Fai, Jeroen de Kloet, and Leonie Schmidt. "Documenting the Past, Sustaining the Present, Making the Future." In Contemporary East Asian Visual Cultures, Societies and Politics, 1–34. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_1.

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AbstractThis introductory chapter positions Hong Kong as a unique case to rethink the intricate relationships between politics and popular music in the wider context of the globalised times where collective collection and creative practices are increasingly connected and mutually constitutive. It does so by first presenting to the readers Tat Ming Pair, an electronic duo formed in 1980s, during the so-called Golden Era of Cantopop in colonial Hong Kong. Commercially successful and critically acclaimed—thus regularly and currently censored in mainland China—for their engagements with social and political issues, Tat Ming Pair remains active and relevant especially through their live concerts in the last decade. Chapter 1 will elucidate why an inquiry taking the duo as its lynchpin serves to address the central question: How (far) does music impact on politics, and how (far) does politics impact on music? We will then expand our ideas of writing pop and politics in tandem with writing the past, the present and the future—interlaced with a colonial and post-colonial account of Hong Kong, a rally to resilience and activism, and a dialogue with hope and future, all very makeshift. After outlining the theoretical underpinning, this introduction continues to align our inquiry to the growing body of scholarship that seeks to de-Westernise popular music studies, a field of knowledge production persistently dominated by Anglo-Saxon experience and publications. Finally, this unusual attempt to tease out the empirical and theoretical potentials of one single popular music formation in a book-length study, covering not only its creative output (music) but also the production and reception aspects, will be put forward as a methodological intervention, a possible alternative approach to study popular music. The introduction ends with presenting the organisation logic of the book and the gist of the subsequent chapters.

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Preston, P. W. "Sitting on the Dock of the Bay: Partial Views of Change—Singapore, Tokyo and Hong Kong." In Political Cultural Developments in East Asia, 27–40. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57221-9_2.

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Bridges, Brian, and David R. Phillips. "A Clash of Colonialisms: Sports Culture in Hong Kong Under the Japanese Occupation." In Japanese Imperialism: Politics and Sport in East Asia, 245–78. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5104-3_9.

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Chow, Yiu Fai, Jeroen de Kloet, and Leonie Schmidt. "Forbidden Love, Forgetting Gender." In Contemporary East Asian Visual Cultures, Societies and Politics, 109–36. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_4.

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AbstractSince their inception, Tat Ming Pair has been famous, or in some circles, notorious, for their gender and sexuality politics. It is of an advantage that when spoken, the Chinese language makes no distinction between “he” or “she,” thus allowing for more gender ambivalence. This ambivalence extents to sexuality; in their campy, extravagant performances, the duo exudes a queer aesthetics, without ever coming out as such—what Helen Leung calls Hong Kong’s “queer undercurrent” (2008). But then, as an unexpected blast that cracks open the undercurrents of queer invisibility and unrepresentability, reality overtook theory, and surprised and challenged it, in the year 2012. The coming out of Anthony Wong during a Tat Ming Pair live performance marked the turning point. This act was soon followed by similar acts of coming out of other pop stars. Chapter 4 investigates the articulation between sexuality and popular music, in particular Tat Ming, in the context of Hong Kong and mainland China. In doing so, we will trace the emergence of a Chinese movement to find indigenous ways of understanding sexual diversity. Interwoven with such resistance against dominant Western theories and practices, particularly the politics of visibility, is a local cultivation of ambivalence and invisibility, itself a complex manifestation of the ongoing interaction between queer identity and Hong Kong identity. Reflecting upon the events in 2012, we will come back to—and try to make sense of—the disruptive surprise of public figures coming out, apparently in accordance with Western models and in contrast to earlier local sexual politics of ambivalence and invisibility. However, as we will finally show, in the years following 2012, the potentiality of this disruptive surprise has shifted and has been, sadly, pushed back. First, by national policies against effeminate masculinities and sexuality- and gender-related activism at large. Second, by increasingly strict policies towards NGOs and social movements. Paradoxically, and again sadly, the political activities of Anthony Wong in and after the Umbrella Movement may have further jeopardised the potentialities of queer politics. Ironically, these political developments may well inspire a strategic move back towards a politics of invisibility and ambivalence.

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Conference papers on the topic "Hong Kong.Political culture"

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Gabrenya, William, Nathalie van Meurs, and Ronald Fischer. "YouTube, the Internet and IACCP: Opportunities and Challenges for Cross-Cultural Psychology." In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2009. http://dx.doi.org/10.4087/jjcy3901.

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We culturalists are an unusual lot! Dispersed geographically and divided socially by potential and real political conflict, economic competition, religious disagreement and vast disparities in wealth and resources, we struggle with the dilemma of studying diversities that can only be understood adequately through effective communication and collaboration. The International Association for Cross-Cultural Psychology was conceptualized by psychologists who recognized and participated in this dialectical context. The Founders set out to create an organization that would provide communication venues in order to facilitate the development of a community of psychologists who would collaborate on cultural research. Communication, indeed, was the starting point of IACCP, in face-to-face interactions at international conferences in the 1960s and through a project begun in 1969 by Harry Triandis, the Cross-Cultural Social Psychology Newsletter. These two types of communication were precursors to the founding of the Association in Hong Kong in 1972.

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Yuan, Xiaowei, Yujue Peng, Shenglong Jiang, Xiaocong Yuan, and Zehua Feng. "America's Hong Kong Policies and Recent Political Trends." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.167.

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Wahyudi, Irfan. "Indonesian Newspaper in Hong Kong and Migrant Activism." In International Conference on Contemporary Social and Political Affairs. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008817601170123.

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Yeung, Jack. "Hong Kong as a global IFC for China." In 3rd Annual International Conference on Political Science, Sociology and International Relations (PSSIR 2013). Global Science and Technology Forum Pte Ltd, 2013. http://dx.doi.org/10.5176/2251-2853_pssir13.13.

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5

Tsz-lok, Lee Trevor. "Beyond Structure Versus Culture: Class-specific Parenting Practices in Hong Kong." In Culture and Education: Social Transformations and Multicultural Communication. RUDN University Press, 2019. http://dx.doi.org/10.22363/09669-2019-656-665.

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6

Fung, Henry T. Y. "Impacts of the socio-political instability in Hong Kong on university students’ learning experience." In Seventh International Conference on Higher Education Advances. Valencia: Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/head21.2021.12834.

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Since the Anti-Extradition Law Social Movement in 2019, Hong Kong has entered an era of socio-political instability. The conflict between student protestants and the government has become increasingly intense, whereas several universities even became the battlefield of the protest and were abruptly shut down in November 2019. To add fuel to the fire, the outbreak of COVID-19 in early 2020 has prompted all universities in the territory to suspend all face-to-face classes and activities for two semesters. All these have impacted university students in Hong Kong socially, academically and psychologically.In light of this, this study aims to explore the ways to which the learning experience of university students in Hong Kong have been impacted by the socio-political challenges. Through conducting a mixed-methods study at a public university in Hong Kong, it was found that university have a high perceived level of stress, high political involvements, unsatisfactory learning experience and poor learning motivation under this socio-political instability. It is hoped that this study can provide informed insights for teachers to understand students’ burdens, stresses, and emotional instability associated with socio-political unrest.

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Qi, Haodi, Hanyu Jiang, Wende Bu, Chengzi Zhang, and Kyong Jin Shim. "Tracking Political Events in Social Media: A Case Study of Hong Kong Protests." In 2019 IEEE International Conference on Big Data (Big Data). IEEE, 2019. http://dx.doi.org/10.1109/bigdata47090.2019.9006462.

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8

Tracy, Liu Chunxi, and Luk Wai Lam Noah. "The Memory Of Street Hong Kong: History, Culture, Memory And Post-Humanism." In 2022 IEEE VIS Arts Program (VISAP). IEEE, 2022. http://dx.doi.org/10.1109/visap57411.2022.00015.

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Li, Guanrong, Ziwei Wang, Minzhu Zhao, Yunya Song, and Liang Lan. "Sentiment Analysis of Political Posts on Hong Kong Local Forums Using Fine-Tuned mBERT." In 2022 IEEE International Conference on Big Data (Big Data). IEEE, 2022. http://dx.doi.org/10.1109/bigdata55660.2022.10020704.

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Qingling, Wang, and Guo Lanying. "Exploring the Ways of Inheritance and Construction of Chinese Culture in Hong Kong." In Proceedings of the 2019 International Conference on Economic Management and Cultural Industry (ICEMCI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/aebmr.k.191217.110.

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Reports on the topic "Hong Kong.Political culture"

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Blasko, Dennis J., and Ronald N. Montaperto. Hong Kong and China: The Military and Political Implications of Reversion. Fort Belvoir, VA: Defense Technical Information Center, March 1997. http://dx.doi.org/10.21236/ada385774.

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2

Tusor, Anita. Mapping Global Populism — Panel 2: Populism, Macho-Fascism and Varieties of Illiberalism in The Philippines. European Center for Populism Studies (ECPS), June 2023. http://dx.doi.org/10.55271/rp0041.

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This report is based on the second panel of ECPS’s monthly panel series called “Mapping Global Populism” which was held online in Brussels on April 27, 2023. After concluding our “Mapping European Populism” Panel Series, ECPS is moving beyond the borders of Europe and expanding its project to include cases of populism around the world by organizing a new panel series to map global populism, bringing scholars together every month to discuss the state of political populism in a different region of the world. The second panel hosted 4 prominent scholars from Australia, Hong Kong and the Philippines. As a by-product of this fruitful panel, the report consists of brief summaries of the speeches delivered by the speakers.

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