Relevant bibliographies by topics / Homosexuality and art

Academic literature on the topic 'Homosexuality and art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Homosexuality and art"

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Easton, Richard. "Canonical Criminalizations: Homosexuality, Art History, Surrealism, and Abjection." differences 4, no. 3 (November 1, 1992): 133–75. http://dx.doi.org/10.1215/10407391-4-3-133.

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Zhang, Wanrong. "The Daoist Art of the Bedchamber of Male Homosexuality in Ming and Qing Literature." Religions 15, no. 7 (July 12, 2024): 841. http://dx.doi.org/10.3390/rel15070841.

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The Daoist art of the bedchamber (fangzhong shu 房中術) constitutes a form of cultivation practice with the objective of promoting health and longevity through sexual techniques, generally applied within heterosexual contexts. However, with the evolution of male homosexuality culture during the Ming and Qing dynasties, depictions of the art of the bedchamber related to male homosexuality emerged in the literature of that era. This art was imaginatively traced back to Laozi and his disciple Yin Xi 尹喜. The sources explained the beneficial outcomes of these techniques by referring to classical Chinese cosmology: underage males were considered to have yin energy in their bodies, a condition similar to that in females, aligning with the fundamental principles of the heterosexual art of the bedchamber. Serving as a religious interpretation of emerging cultural trends rather than representing a new cultivation technique, this fictive art legitimizes homosexual practices among males, particularly those adhering to Daoism.
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Van der Lee, Jolanda. "Bezield door gedeelde afkeer." Religie & Samenleving 11, no. 2 (September 1, 2016): 122–40. http://dx.doi.org/10.54195/rs.12208.

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On an international conference in Amsterdam in 1901, criminologist Arnold Aletrino explained the newest theory on homosexuality, which stated that it was not a disease or perversion, but an innate, ‘natural’ phenomenon. This theory shocked important politicians among whom Dutch prime minister Abraham Kuyper, who therefore started a political debate on legislation on homosexuality. Ultimately this debate led to art. 248 bis of the Dutch Penal Code in 1911 that prohibited – under certain circumstances – ‘indecency’ between people of the same sex. In this article I discuss how between 1901 and 1911 the aversion to homosexuality was so obvious in the Netherlands for almost everyone, that right-wing politicians could deploy the existence of the new theory on homosexuality as a stick to beat the left-wing dog. Confessional politicians used it as a means to prove that the Christian ‘Free University’ should be entitled to award academic degrees and to illustrate the dangers of public libraries and of the plans for change in the judicial system. Socialists and Liberals had no defence against this weapon, because they shared the moral judgment on homosexuality with the right-winged politicians. Therefore, in the political debate on the ‘anti-gay-article’, the dispute was not about what Troelstra called “the abhorrence of homosexuality that we all share”, but whether legislation on homosexuality was appropriate.
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Solomon, Howard M., and James M. Saslow. "Ganymede in the Renaissance: Homosexuality in Art and Society." American Historical Review 93, no. 1 (February 1988): 185. http://dx.doi.org/10.2307/1865781.

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Schneider, Laurie, and James M. Saslow. "Ganymede in the Renaissance. Homosexuality in Art and Society." Art Bulletin 69, no. 4 (December 1987): 653. http://dx.doi.org/10.2307/3051007.

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Arya, Rina. "Constructions of Homosexuality in the Art of Francis Bacon." Journal for Cultural Research 16, no. 1 (January 2012): 43–61. http://dx.doi.org/10.1080/14797585.2011.633836.

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Jackowiak, Adrianna. "Poetyka (nie)wyrażalnego pożądania, czyli zarys historii powie- ści gejowskiej w Polsce na tle socjologiczno-kulturowym." Studia Europaea Gnesnensia, no. 10 (January 1, 2014): 169–94. http://dx.doi.org/10.14746/seg.2014.10.9.

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The aim of the paper is to show the history of Polish gay novel and explain the very term. However, the essence of the research problem is not the history itself, but drawing attention to the need of adopting a multidimensional perspective in the deliberations concerning homosexuality in general (including gay novel). An interdisciplinary approach to the issue enables one to make observations concerning the impact of social and political realities on literature, while at the same time to analyse a work of art as a statement in public debate on homosexuality and homosexuals.
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Delille, Damien F. "Symbolist Androgyny: On the Origins of a Proto-Queer Vision." Arts 13, no. 3 (May 20, 2024): 90. http://dx.doi.org/10.3390/arts13030090.

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This article focuses on artistic and aesthetic practices within the idealist and symbolist movements of the late 19th century in France. It investigates how artists and art critics embraced androgynous imaginaries derived from Greco-Roman antiquity and the Platonic myth, transforming them into tools for social and sexual emancipation and giving rise to a proto-queer vision. An analysis of the art of Alexandre Séon, Odilon Redon, Jeanne Jacquemin, and Léonard Sarluis, in conjunction with the symbolist theories of Joséphin Péladan, Gabriel-Albert Aurier, and Émile Verhaeren, reveals an idealistic pursuit grounded in the union of the masculine and the feminine through the act of creation. Through the examination of artworks, contemporary critical discourse, and the personal correspondence of these art figures, this study posits that the androgyne serves as a heuristic model for a queer art history. The ideal androgyne, as theorized in Freud’s psychoanalytic writings, can function as a methodological paradigm in art studies as a tool for visualizing and conceptualizing homosexuality in art.
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Abdo, Carmita H. N. "STATE OF THE ART SUMMARIES: Homosexuality: From Conception to Treatment." Journal of Sexual Medicine 3 (March 2006): 72. http://dx.doi.org/10.1111/j.1743-6109.2006.00177.x.

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Stoneley, Peter. "Young Men and the Symmetrical Life." New England Quarterly 87, no. 2 (June 2014): 191–227. http://dx.doi.org/10.1162/tneq_a_00367.

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Denman Waldo Ross (1853–1935), professor at Harvard, was one of the most influential American art theorists and collectors of the early twentieth century. Drawing on archival texts and images, this essay places Ross's innovative work within its contexts of Platonic theory, racial anthropology, and homosexuality.
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Dissertations / Theses on the topic "Homosexuality and art"

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Mueller, Mark A. "Understanding gay cultures." Diss., Columbia, Mo. : University of Missouri-Columbia, 2004. http://hdl.handle.net/10355/4100.

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Thesis (M.F.A) University of Missouri-Columbia, 2004.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (June 30, 2006) Vita. Includes bibliographical references.
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Heiford, Dana. "Me, myself and I an artist exploration of notions of identity : this exegesis [thesis] is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), February 2002." Full thesis. Abstract, 2002.

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Cheung, Yuk-ting, and 張旭廷. "The glocal queer in Singaporean gay writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46701114.

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Woods, Christopher Huia. "Masqueulinities [sic] an [sic] MA thesis by practice /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1368/.

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Bond, Richard P. "Sexual Orientation and the Advanced Placement Art History Survey." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700015/.

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This two-part study included a content analysis of an AP art history text and a survey together with interviews with AP art history teachers that embraced both quantitative and qualitative research methodologies. The first phase of the study examined one of the more popular art history survey texts in the AP art history program, Gardner’s Art through the Ages, in terms of how inclusive it is in addressing issues of sexual orientation and, particularly, same-sex perspectives. In addition, the text was examined for evidence of sexual orientation ignored – particularly same-sex perspectives ignored and for heteronormative hegemonies. The second phase investigated the understandings and opinions of AP art history teachers toward the inclusion of sexual orientation and same-sex perspectives in their curriculums and classrooms. Recent recognition of gay, lesbian, and same-sex perspectives in the study of art history has challenged art educators and art historians to begin to consider opening up their curriculums and writings to include these perspectives. These ignored perspectives produce important understandings that enrich and deepen the discourse of art history. The inclusion of gay and lesbian content and same-sex perspectives to the study of AP art history, not only effectively serves the needs of AP art history teachers, but it provides a more equitable and comprehensive visual arts education to students. The implications of this study are broad and complex. If students are to be well and comprehensively educated in the history of the visual arts, including discussions about the sexual orientation of gay and lesbian artists as well as artworks depicting same-sex perspectives is important. Similarly, their teachers must be well-informed and believe that including such material in the curriculum is important. There is definitely a need for designing more balanced and equitable AP art history programs that include gay and lesbian artists as well as same-sex perspectives. From a multicultural art education perspective, this study reveals that gays and lesbians are marginalized in a major AP art history survey text. It illuminates how an AP art history survey text and AP art history teachers’ attitudes and knowledge base on same-sex perspectives inform their curriculums, specifically concerning what’s important to teach in an AP art history classroom. If approved AP art history survey texts as well as the influential annual AP College Board art history exam included issues of sexual orientation, particularly same-sex perspectives, it would encourage more AP art history teachers to include gay and lesbian artists and same-sex perspectives in their curriculums.
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Honeychurch, Kenn Gardner. "Inside out/outside in, sexual diversity : a comparative case study of two post-secondary visual art students." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0030/NQ27164.pdf.

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Makhubu, Nomusa. "The "other" Africans : re-examining representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1713/.

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Pottmeyer, Ollie W. "Illustrations from the CD collection of Ollie W. Pottmeyer." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1952.

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Thesis (M.F.A.)--West Virginia University, 2001.
Title from document title page. Document formatted into pages; contains iii, 17, [19] p. : col. ill. Includes abstract. Includes bibliographical references (p. 17).
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Giffen, Rebecca Lubarsky Romm. "The effects of art education on low-income youth, youth of color and queer youth." Online pdf file accessible through the World Wide Web, 2009. http://archives.evergreen.edu/masterstheses/Accession89-10MIT/Giffen_RMITthesis2009.pdf.

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Gray, Sally Suzette Clelland School of Art History &amp Theory UNSW. "There's always more: the art of David McDiarmid." Awarded by:University of New South Wales. School of Art History and Theory, 2006. http://handle.unsw.edu.au/1959.4/32495.

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This thesis argues that the work of the artist David McDiarmid is to be read as an enactment of late twentieth century gay male and queer politics. It will analyse how both the idea and the cultural specificity of ???America??? impacted on the work of this Australian artist resident in New York from 1979 to 1987. The thesis examines how African American music, The Beats, notions of ???hip??? and ???cool???, street art and graffiti, the underground dance club Paradise Garage, street cruising and gay male urban culture influenced the sensibility and the materiality of the artist???s work. McDiarmid???s cultural practice of dress and adornment, it is proposed, forms an essential part of his creative oeuvre and of the ???queer worldmaking??? which is the driver of his creative achievements. The thesis proposes that McDiarmid was a Proto-queer artist before the politics of queer emerged in the 1980s and that his work, including his own life-as-art practices of dress and adornment, enact a mobile rather than fixed gay male identity.
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Books on the topic "Homosexuality and art"

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Néret, Gilles. Homo art. Köln: Taschen, 2004.

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Williams, Craig A. Roman homosexuality. 2nd ed. Oxford: Oxford University Press, 2010.

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Henry, Rogers, ed. The art of queering in art. Birmingham [England]: Article Press, 2007.

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Fernandez, Dominique. L' amour qui ose dire son nom: Art et homosexualité. [Paris]: Stock, 2005.

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Quixal, Mari Trini. Museari queer art 5. València: Universitat de València, 2021.

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Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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Döpp, Hans-Jürgen. Sapphic art. London: Parkstone, 2002.

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Marcin, Łakomski, ed. Art pride: Gay art from Poland = Polska sztuka gejowska. Warsaw: Abiekt.pl, 2010.

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College Art Association. Gay and Lesbian Caucus. Bibliography of gay and lesbian art. New York: The Caucus, 1994.

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Christopher, Brown, and Stanley Nick, eds. Out in art. London: GMP, 1986.

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Book chapters on the topic "Homosexuality and art"

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van der Meer, Theo. "‘Are Those People Like Us’ — Early Modern Homosexuality in Holland." In Queer Masculinities, 1550–1800, 58–76. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230524156_4.

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Bos, David J. "Hellish Evil, Heavenly Love: A Long-Term History of Same-Sex Sexuality and Religion in the Netherlands." In Public Discourses About Homosexuality and Religion in Europe and Beyond, 21–58. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56326-4_2.

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AbstractThis chapter offers an overview of changes in Dutch perceptions of, and attitudes toward, same-sex sexuality and the part religion played in them. It discusses landmark events and publications from 1730—when “sodomy” became a public issue—until the present. It describes the evolution of discourse on same-sex sexuality, with special reference to the earliest publications on “homosexuality,” alias “Uranism,” which often referred to religion. In the twentieth century, Roman Catholic and Protestant opposition to homosexual emancipation gradually gave way to sympathy, and in the 1960s some pastors were vocal advocates of acceptance. In the early 1970s, homosexuality became a doctrinal issue, a religious identity marker. Polarization was exacerbated in the late 1970s, which saw the rise of both the gay and lesbian movement and religious fundamentalism. “Discursive associations” between religion—including Judaism and Islam—and homosexuality are brought to light partly by means of quantitative content analysis of newspapers.
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Riddell, Fraser. "‘Now—for a breath I tarry’: Breath, Desire, and Queer Materialism at the fin de siècle." In The Life of Breath in Literature, Culture and Medicine, 345–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_17.

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AbstractRiddell explores how tropes of breath and breathlessness articulate the relationship between materiality, desire, and loss for queer subjects in Victorian literature. The essay presents readings of A. E. Housman’s A Shropshire Lad, John Addington Symonds’s Memoirs, and Walter Pater’s ‘Sebastian van Storck’ (from Imaginary Portraits). It also examines nineteenth-century sexology (including writings by Magnus Hirschfeld) to demonstrate how certain modes of breathing were directly associated with non-normative sexuality in the period. Riddell draws upon insights from contemporary queer theory, in its turns toward negative affect and phenomenology, to examine precarious forms of embodied subjectivity in the history of homosexuality. By doing so, he demonstrates how experiences of embodiment are never universal but closely bound up with individual subject positions (such as sexuality and gender).
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"Prologue: the art of colonial homosexual love." In Colonialism and Homosexuality, 24–29. Routledge, 2008. http://dx.doi.org/10.4324/9780203930175-8.

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"5. “The Killer in Me Is the Killer in You”: Homosexuality and Fascism." In The Queer Art of Failure, 147–72. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822394358-008.

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Elsner, Jaś. "Dover’s ‘Inch’: Reflections on the Art-Historical Method in Greek Homosexuality." In Scholarship and Controversy. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350333482.ch-012.

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Morrison, Benedict. "Queering Articulation." In Complicating Articulation in Art Cinema, 105–27. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894069.003.0005.

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This chapter uses key ideas from queer theory in order to argue that the queerness of Terence Davies’s The Long Day Closes (1992) lies less in its protagonist’s presumed homosexuality and more in its formal arrangement of quotations from disparate cultural texts. This bricolage exposes the operation of a culture committed to reproducing compulsory heterosexuality. Criticism, however, has concentrated on explaining the density and arbitrariness of cultural quotation through reference to Bud, insisting that the scraps of film and popular music that make up The Long Day Closes reflect the boy’s escape into self-expression, offering relief and release from the humdrummery and cruelties of life. Building on Derrida’s post-structuralist theories, this chapter argues that the mosaic of references does not provide a medium through which characters can speak, but rather speaks over characters and limits what is sayable. Far from nostalgic, this articulation-through-quotation constrains the possibilities of individual identity.
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"Toward an Art of Transvestism: Colonialism and Homosexuality in Puerto Rican Literature." In ¿Entiendes?, 137–68. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822399483-009.

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Posso, Karl. "The Ambiguous Art of Vanishing: Abjection and Undecidable Homosexuality in Stella Manhattan." In Artful Seduction, 24–56. Routledge, 2017. http://dx.doi.org/10.4324/9781351197236-2.

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Fortier, Corinne. "Exile, Gender and Empowerment in Jocelyne Saab’s Films: Gender Café and One Dollar a Day." In ReFocus: The Films of Jocelyne Saab, 188–200. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474480413.003.0013.

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Jocelyne Saab was an exceptionally courageous Lebanese filmmaker who dealt with the three main topics of war, exile and gender. She produced many documentaries but also fictions, such as her most famous film, Dunia, shot in Egypt on the theme of the female body, pleasure and Female Genital Mutilation. This film was censored in Egypt and lead to severe problems with Egyptian islamists. The theme of gender was also the main topic of a series of six short documentaries created in 2013 entitled Café du Genre, which dealt with women’s situations in the Arab world, but also with other very complex themes such as homosexuality. The films portrayed artists and researchers from the Middle East, especially from Tunisia, Egypt, Lebanon and Turkey. In this chapter I will focus on the film about Lebanese choregraph Alexandre Paulikevitch, in which Saab deals, in her very own style and approach, with homosexuality and transidentity in the Arab World. Her latest artistic production from 2016, One Dollar a Day, observed daily life in a Syrian refugee camp in Lebanon. This chapter will discuss in detail these three works of art and their common preoccupation with gendered courage in exile.
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Conference papers on the topic "Homosexuality and art"

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Xiao, Yu. "Children’s Attitudes Towards Homosexuality in China." In 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220401.219.

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Aduloju, Bamikole Martins. "Homosexuality and African Criminal Justice System: Exploring the Current Laws and Enforcement Regimes in Nigeria." In The IAFOR International Conference on Arts and Humanities – Hawaii 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2432-4604.2022.3.

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Rudorfer, Lothar Filip. "Homosexuality and Bara Manga in Japan – Representation of the Psychological State of Mind of the Contemporary LGBT+ Plus Size Men in Japan." In The Kyoto Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2436-0503.2023.7.

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"Young People's (16 – 26-year-old) Awareness and Perspectives towards sexual and reproductive health and rights: A cross-sectional study." In International Conference on Public Health and Humanitarian Action. International Federation of Medical Students' Associations - Jordan, 2022. http://dx.doi.org/10.56950/rkjz2732.

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Background: As of 2020, 28 percent of Jordan's population was between the ages of 16 and 30, with Jordanians and Syrians accounting for the majority of the youth population. Nevertheless, the transition to adulthood is getting more complex, especially in meeting their sexual and reproductive health (SRH) needs. Unfortunately, there is still limited data on how youth perceive these challenges and needs. Objective: This study aimed to address SRHR needs and related topics such as gender-based violence among the Jordanian youth. Method: This is a cross-sectional study of a convenience sample of Jordanian adolescents (16 to 26-year-old). Data were collected via a google form filled out physically by the participants. Results: 209 people completed the survey, with 107 (51.2) female respondents. The age ranged from 18 – 26 with a median of 22. The majority were Jordanians 178 (85.2), others were Syrians 28 (13.2), Palestinians 2 (1), and Iraqi 1 (0.5). Most of the respondents are currently studying in college 138 (66). Moreover, 60 out of 209 do not know what we mean by reproductive and sexual health, while 48 (23) think it is sexual satisfaction and safety. Regarding the item that asks about the importance of spreading awareness regarding reproductive and sexual health, 58 (27.8) participants answered that it raises awareness about family planning and reduces the risks of unintended pregnancies. At the same time, 44 (21.1) respondents think it is vital to break the barrier of shame and harmful traditions about these topics (to fight the culture of shame). The most common three family planning methods were condoms, Intrauterine devices (IUDs), contraceptive pills, hormonal patches, or contraceptive injections 117 (56). The most common sexually transmitted diseases (STDs) prevention methods were using condoms 62 (29.7) and staying away from illegal, random relationships, multiple partners, and homosexuality 19 (9.1). 197 (94.3) think society needs to raise awareness of this issue. Conclusion: We found that the majority of abducents in Jordan do not have enough knowledge regarding sexual and reproductive health issues. Therefore, we recommend the government and the NGOs initiate awareness campaigns to raise awareness and help fight the culture of shame. Keywords: sexual reproductive health, Jordan, gender, Sexual and reproductive health and rights, Young people
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Zineb, BOUSSAID. "Suspicions about Women's Rights and Their Status in Islam Comparison between Islamic Discourse and Legal Covenants." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-20.

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There is no doubt that the world today is more interested than ever in the discourse of human rights that sheds light on the covenants and legal charters that govern this domain. Besides that, women are the pivotal pillar of the society; consequently, they are the primary concern in the human rights discourse of different generations. Subsequently, their personal, cultural, political, financial and social rights are recognized; furthermore, their rights are strengthened by official charters . Despite the fact that no one can deny the positive aspects of the human rights discourse related to the role and the status of women in society by spreading human rights awareness and building a strong relationship between men and women based on human considerations; nevertheless, real life is another world, it is paradoxical, declarations and covenants advocate for women’s rights, at the same time women suffer from violence, disrespect, and discrimination. In the era of rights, cultural openness, technological revolution and economic development, women are threatened more than ever by other ways of violence that directly target the natural instinct and the moral values by spreading abnormalities such as homosexuality and gender reassignment. These acts can also be seen in official discourses and adopted by official organizations and governments profiting from the lack of the moral discourse that should be undertaken by the monotheistic religions especially the Islam. Moreover, the human rights discourse accuses the religious discourse of violating women’s rights and raises a number of suspicions around it. This leads us to question the credibility and the effectiveness of the human rights discourse? And to look for the alternatives that the Islamic discourse can offer in order to remove all the suspicions raised around it. These are questions that I try to answer through this article by elucidating the essence of the Islamic discourse that works for spreading values and also to reply on the suspicions that have been raised about the status of women in the Islam. I decided to follow these steps: Introduction: defining the problem and determining the outlines. First: Instinct is a guide to family values and drawing up the relationship between men and women. Second: Polygamy. Third: Guardianship and Alimony responsibility for the family. Fourth: Guardianship in the Islamic marriage contract. Fifth: Females decrease in religion and mind. Sixth: The male has the equal of the portion of two females. Conclusion.
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Maia, Mariana Cotta, Mauro Romero Leal Passos, Vandira Maria dos Santos Pinheiro, and Roberto de Souza Salles. "Sexually transmitted diseases in women who aged 50 or older: a retrospective analysis from 2000 to 2017 in a public reference service in Niterói City, Rio de Janeiro State." In XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p081.

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Introduction: Sexually transmitted diseases (STDs) are more common in young people. There are few studies on STDs in the older population, particularly women. Objective: The aim of this study was to evaluate and characterize, with epidemiological variables, the prevalence of STDs in the female population over 50 years old, in a public reference service in Niterói city, Rio de Janeiro State, Brazil. Methods: The study was carried out at the STD Sector of Universidade Federal Fluminense. It was a descriptive retrospective study of quantitative character, carried out with women aged 50 years or older, attended at the aforementioned teaching, research, and extension unit, from 2000 to 2017. Data collection was performed with documentary research from the records of Sexually Transmitted Diseases Sector of Universidade Federal Fluminense. A total of 6,822 records were analyzed, of which 2,363 were of women. Of these, 50 were medical records of women over 50 years old. The variables used were age, education, marital status, use of condom, diagnosis, sexual and behavior characteristics (extramarital relationships and history of homosexuality), skin color, history of STDs, sex education, the number of sexual partners, and family income. Results: There was a higher prevalence of human papillomavirus (HPV) infection in the form of condyloma acuminata in 48% of cases and cervical intraepithelial neoplasia (CIN) I, II, or III in 20%. Syphilis occurred in 14%, genital herpes and trichomoniasis in 6% each, HIV in 4%, and gonorrhea in 2% of cases. Notably, 64% of women had no pathological history of STDs, 6% had a previous diagnosis of syphilis, and 6%, of HPV. The predominant age group was 50–59 (78%), with a higher prevalence in white women (54%). Most patients (66%) reported having one fixed partner, were married (54%), and had no history of extramarital relationships (64%). In addition, 64% of patients had no degree of sex education and 56% lived on less than two minimum wages. Most patients (78%) reported not using condoms. In 50% of cases, the level of education was incomplete primary education and only 8% had concluded higher education. Conclusion: STDs were more frequent in white women who did not use condoms. The most prevalent STD was HPV infection, as condyloma acuminata in pardo women. HPV infection as a cervical intraepithelial neoplasia (CIN) was the second most common STD in white and pardo women.
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Reports on the topic "Homosexuality and art"

1

Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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