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1

1941-, Whiteley Sheila, and Rycenga Jennifer, eds. Queering the popular pitch. New York: Routledge, 2006.

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2

Cyr, Brigitte. La musique populaire et les videoclips. Ottawa, Ont: Centre franco-ontarien de ressources pédagogiques, 1993.

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3

Premio-Real. Seize mélodies pour chant et piano. Québec: A. Lavigne, 1993.

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4

Pichette, Marie-Hélène. Musique populaire et identité franco-ontarienne: La Nuit sur l'étang. Sudbury, Ont: Société Historique du Nouvel-Ontario, 2001.

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5

1947-, Yoka Lye Mudaba, ed. Musique populaire et société à Kinshasa: Une ethnographie de l'écoute. Paris: Harmattan, 2010.

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6

Pichette, Marie-Hélène. Musique populaire et identité franco-ontariennes: La Nuit sur l'étang. Sudbury, Ont: Société historique du Nouvel-Ontario, 2001.

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7

Université de Nantes. Centre de recherches "Textes, langages, imaginaires." La ballade, XVIIIe-XXe siècles: Littérature savante, littérature populaire et musique. Nantes: Defaut, 2008.

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8

Giroux, Robert. Guide de la chanson québécoise. Montréal, Qué: Triptyque, 1991.

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9

Rivard, Michel. Chansons naives et autres mots d'amour: Textes choisis, 1973-1994. Outremont, Qué: Lanctôt, 1996.

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10

Mirail, Université de Toulouse-Le, ed. Musique populaire et moyens de communication dans le Vénézuéla des années 40. Lille: A.N.R.T, Université de Lille III, 1994.

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11

Léger, Robert. La chanson québécoise en question. Montréal: Québec / Amérique, 2003.

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12

Côté, Gérald. Processus de création et musique populaire: Un exemple de métissage à la québécoise. Paris: L'Harmatttan, 1998.

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13

Chastagner, Claude. La loi du rock: Ambivalence et sacrifice dans la musique populaire anglo-américaine. Castelnau-le-Lez: Climats, 1998.

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14

Michel, Conte. Évangéline, ou, L'amour en exil: Chansons et récits. Montréal: VLB, 2007.

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15

l'éducation, Ontario Ministère de, ed. La Compétence médiatique: Cycles intermédiaire et supéreur, 1989. Toronto, Ont: Ministère de l'éducation, 1989.

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16

Tremblay, Rémi. Aux chevaliers du nœud coulant: Poèmes et chansons. Québec: Pressses de l'Université Laval, 2007.

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17

1931-, Morgan Elemore, and Rinzler Ralph, eds. Cajun and Creole music makers =: Musiciens cadiens et créoles. Jackson: University Press of Mississippi, 1999.

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18

Julia Elizabeth Volpato de Almeida Levy. A pauta da ilusão: Um estudo antropológico da música popular brasileira. São Paulo: Editora Dialética, 2021.

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19

Asper, Ulrich. Hans Georg Nägeli: Réflexions sur le choeur populaire, léducation artistique et la musique de léglise. Baden-Baden: V. Koerner, 1994.

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20

Finland) International Conference on Popular Music Studies (11th 2001 Turku. Looking back, looking ahead, popular music studies 20 years later: Proceedings of the eleventh biannual IASPM Conference, July 6-10, 2001, Turku, Finland. Turku, Finland: IASPM-Norden, 2002.

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21

Sanzone, Daniele. Camorra sound: La mafia dans la chanson populaire napolitaine, entre justifications exaltations et condamnation. Louvain-La-Neuve: Academia-L'Harmattan, 2016.

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22

Lambert, Alain. Principes de la mélodie: Musiques populaires, philosophie et contre-cultures. Paris: L'Harmattan, 2015.

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23

Pierre, Saka, and Plougastel Yann, eds. La chanson française et francophone. [Paris]: Larousse, 1999.

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24

ye, Yuan. Yi sheng bi zhi de 100 nian liu xing yin yue jing dian. Ha er bin: Hei long jiang mei zhu chu ban she, 2007.

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25

Anne, Laffanour, ed. Territoires de musiques et cultures urbaines: Rock, rap, techno ... l'émergence de la création musicale à l'heure de la mondialisation. Paris: L'Harmattan, 2003.

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26

Ramsey, Guthrie P. Race music: Black cultures from bebop to hip-hop. Berkeley: Calif., 2004.

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27

Miguel, Hugo Alberto. Así nació la cumbia santafesina. Santa Fe, Argentina: Ediciones UNL, 2019.

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28

Simon, Frith, ed. Facing the music. New York, NY: Pantheon Books, 1988.

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29

Simon, Frith, ed. Facing the music: A Pantheon guide to popular culture. New York: Pantheon Books, 1988.

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30

Rudolph, Covach John, and Everett Walter 1954-, eds. Traditions, institutions, and American popular music. [Reading]: Overseas Publishers Association, published by license under the Harwood Academic Publishers imprint, 2000.

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31

Shaw, Arnold. Black popular music in America: From the spirituals, minstrels, and ragtime to soul, disco, and hip-hop. New York: Schirmer Books, 1986.

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32

Boncy, Ralph. La chanson d'Haïti: Tome 1 (1965-1985). Montréal, Québec: CIDIHCA, 1992.

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33

Tremblay-Matte, Cécile. La chanson écrite au féminin: De Madeleine de Verchères à Mitsou, 1730-1990. Laval: Editions Trois, 1990.

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34

Kim, Chang-sil. T'ŭrot ŭi puhwal: Kayo ro ssŭn Han'guk hyŏndaesa. Sŏul: Cho Kap-che Tat K'ŏm, 2021.

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35

Giroux, Robert. En avant la chanson ! Montréal: Triptyque, 1993.

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36

Acosta, Leonardo. Del tambor al sintetizador. La Habana, Cuba: Editorial Letras Cubanas, 1989.

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37

Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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38

Julien, Jacques. Parodie-chanson: L'air du singe. Montréal: Tryptique, 1995.

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39

Laforte, Conrad. La chanson de tradition orale: Une découverte des écrivains du XIXe siècle (en France et au Québec). Montréal: Triptyque, 1995.

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40

1965-, Burston Paul, and Richardson Colin 1959-, eds. A queer romance: Lesbians, gay men, and popular culture. London: Routledge, 1995.

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41

S, Epstein Jonathon, ed. Adolescents and their music: If it's too loud, you're too old. New York: Garland Pub., 1994.

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42

Queering the popular pitch. New York, NY: Routledge, 2006.

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43

Hearing the Political in Popular Music: Queer and Feminist Interventions. Taylor & Francis Group, 2019.

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44

Fast, Susan, and Craig Jennex. Hearing the Political in Popular Music: Queer and Feminist Interventions. Taylor & Francis Group, 2019.

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45

Queering the Popular Pitch. Taylor & Francis Group, 2013.

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46

Queering the Popular Pitch. Routledge, 2006.

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47

Queering the Popular Pitch. Taylor & Francis Group, 2013.

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48

Queering the Popular Pitch. Taylor & Francis Group, 2013.

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49

Queering the Popular Pitch. Routledge, 2013.

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50

Queering the Popular Pitch. Taylor & Francis Group, 2013.

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