Relevant bibliographies by topics / Home theater room

Academic literature on the topic 'Home theater room'

Author: Grafiati
Published: 30 May 2022
Last updated: 31 May 2022

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Journal articles on the topic "Home theater room"

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Andrick, John M. "“Home Is The Theater Of Life”: Scenographic Poetics And American Living Room Ambience, 1900–1925." Home Cultures 18, no. 1 (January 2, 2021): 1–24. http://dx.doi.org/10.1080/17406315.2021.1961414.

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S., Afrian Prasetya, Soepono Sasongko, and Bambang Sulistyono. "PENGARUH KEARIFAN LOKAL PADA RUMAH ACEH." Haluan Sastra Budaya 33, no. 2 (January 19, 2017): 69. http://dx.doi.org/10.20961/hsb.v33i2.4260.

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<p><em>Aceh house developed based on the concept of the Islamic community life is holy. The concept of this holy cause Aceh house on stilts. In terms of religious values, various sources mention these stilts to avoid unclean animals such as dogs. More on laying such a toilet room is dirty or wet areas as well. Based on the story of the ancestors of the people of Aceh, the toilet and the well needed to be far from home</em></p><p><em>The concept is further adjustments to the procedures of worship in Islam. Prayer habits cause Aceh home placement longitudinal follow Qiblah (to the west) until clearing house can accommodate many people bersholat. The concept of Islamic brotherhood or a close relationship between citizens and open cause rumoh distance close relative of Aceh and the absence of a permanent fence or no fence at all in the surrounding area of Aceh rumoh. In addition to the concept of Islamic philosophy, in essence different format in Aceh house occupant response is the result of geographical conditions. Aceh home theater has shaped type provide comfort to the occupants. This house type also make unobstructed views and facilitate mutual fellow citizens keep order between home and village. Up home theater can be used as a controller to guarantee peace, order.</em></p><p> </p><em>Various concepts are finally able to establish various forms of Aceh house. Habit mention the people of Aceh Aceh in just for homes that are very high as contained in Aceh Museum. Differences mention of Acehnese houses and houses on stilts which contrasted sharply since the height of the stage floor was causing incorrect understanding of the definition of the term. For the Acehnese both ancestors and those still occupying the house Aceh to date, building a house is like building a life. That's what led to the construction of the house to go through some particular procession</em>
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Abe, Yuichiro, Manabu Ito, Kuniyoshi Abumi, Yoshihisa Kotani, Hideki Sudo, and Akio Minami. "A novel cost-effective computer-assisted imaging technology for accurate placement of thoracic pedicle screws." Journal of Neurosurgery: Spine 15, no. 5 (November 2011): 479–85. http://dx.doi.org/10.3171/2011.6.spine10721.

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Object Use of computer-assisted spine surgery (CASS) technologies, such as navigation systems, to improve the accuracy of pedicle screw (PS) placement is increasingly popular. Despite of their benefits, previous CASS systems are too expensive to be ubiquitously employed, and more affordable and portable systems are desirable. The aim of this study was to introduce a novel and affordable computer-assisted technique that 3-dimensionally visualizes anatomical features of the pedicles and assists in PS insertion. The authors have termed this the 3D-visual guidance technique for inserting pedicle screws (3D-VG TIPS). Methods The 3D-VG technique for placing PSs requires only a consumer-class computer with an inexpensive 3D DICOM viewer; other special equipment is unnecessary. Preoperative CT data of the spine were collected for each patient using the 3D-VG TIPS. In this technique, the anatomical axis of each pedicle can be analyzed by volume-rendered 3D models, as with existing navigation systems, and both the ideal entry point and the trajectory of each PS can be visualized on the surface of 3D-rendered images. Intraoperative guidance slides are made from these images and displayed on a TV monitor in the operating room. The surgeon can insert PSs according to these guidance slides. The authors enrolled 30 patients with adolescent idiopathic scoliosis (AIS) who underwent posterior fusion with segmental screw fixation for validation of this technique. Results The novel technique allowed surgeons, from office or home, to evaluate the precise anatomy of each pedicle and the risks of screw misplacement, and to perform 3D preoperative planning for screw placement on their own computer. Looking at both 3D guidance images on a TV monitor and the bony structures of the posterior elements in each patient in the operating theater, surgeons were able to determine the best entry point for each PS with ease and confidence. Using the current technique, the screw malposition rate was 4.5% in the thoracic region in corrective surgery for AIS. Conclusions The authors found that 3D-VG TIPS worked on a consumer-class computer and easily visualized the ideal entry point and trajectory of PSs in any operating theater without costly special equipment. This new technique is suitable for preoperative planning and intraoperative guidance when performing reconstructive surgery with PSs.
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Olizko, Olena. "THE ROLE OF EDUCATIONAL SOCIETIES IN THE DEVELOPMENT OF EDUCATION IN ELISAVETGRAD REGION: SECOND HALF OF XIX–EARLY XX CENTURY." PEDAGOGY AND EDUCATION MANAGEMENT REVIEW, no. 1 (October 21, 2020): 13–20. http://dx.doi.org/10.36690/2733-2039-2020-1-13.

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The article reveals the role of educational societies of Yelisavetgrad region in the development of education in the region in the second half of the XIX – early XX century. The purpose of the article is to reveal the role of educational societies of Yelisavetgrad region in the development of education in the region in the second half of the XIX – early XX century. The publication uses a historical-retrospective method, which allows for a retrospective analysis of the history of educational societies of Yelisavetgrad region in the period under study and highlight their contribution to the development of education in the region. It was found that a significant contribution to the development of educational processes in the Yelisavetgrad region in this period was made by educational societies opened on the initiative of progressive public figures of the city. Among the greatest achievements of Yelisavetgrad charity in providing various segments of the population with both basic and special knowledge is the rich and diverse activity of the Yelisavetgrad Society for Literacy and Crafts, which on a charitable basis carried out large-scale educational, pedagogical and educational work: progressive literature, conducted significant educational and organizational and advocacy work among the population and students of educational institutions, organized theater performances, concerts, art exhibitions. Through the efforts of the society, a home for young homeless children, the first kindergartens, a free public library-reading room and a public library were opened in the city. Active educational and propaganda activities of the members of the society played a leading role in the spread of education among various segments of the population, contributed to the development of schooling in the region. N. Braker, P. Ryabkov, M. Fedorovsky, V. Khartsiev and others made a significant contribution to reviving the work of the society.
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Zhu, Liying, Junjuan Zhao, Xianhui Li, Bin Zhang, Yueyue Wang, Wenjiang Wang, and Yunan Liu. "Design and simulation of acoustics for the home theatre." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 263, no. 4 (August 1, 2021): 2052–57. http://dx.doi.org/10.3397/in-2021-2039.

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As a typical acoustics room, the sound quality of home theatre is an important standard to evaluate its design. Qualified acoustics design is the guarantee of good sound quality. The volume of home theatre is generally small, so the room size is similar to the low-frequency wavelength. Then the resonance will occur when the excitation of the sound source frequency acts on the natural resonance frequency of the room. At the same time, the secondary reflection of the room also interferes the direct sound emitted by the speaker, thus destroying the sound image. In order to solve the above problems, this paper took a home theatre as an example, analyzed the normal modes of the room by the theory of wave acoustics, and then made an acoustics design and simulation. The simulation results showed that the reverberation time was up to the relevant standards and the room acoustic quality environment was improved obviously after the acoustic design.
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McKendrick, DRA, LJ Snedden, R. Bunch, and H. McGregor. "Pragmatic Recycling of Paper and Cardboard in the Operating Theatre: An Audit." Journal of Perioperative Practice 27, no. 3 (March 2017): 43–49. http://dx.doi.org/10.1177/175045891702700302.

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Despite recent legislation introduced in Scotland and motivated recycling at home, very little recycling exists within theatre environments. This study audited the introduction of recycling of paper and cardboard. All waste within a single operating theatre was collected by a dedicated team for 20 surgical cases. The collection of clean paper and cardboard packaging was limited to the theatre preparation room (TPR) and anaesthetic room (AR). No waste segregation was attempted within the operating theatre itself. The results showed that the AR produced a mean weight of 1.3kg of waste per patient (50% paper and cardboard), and the TPR produced 3.05kg per patient (33% general waste; 44% paper; 23% cardboard). Recycling saved a mean of £0.51 per case. The 54kg of recycled bags produced during the study saved 25kg CO2 emissions. This study describes a pragmatic method to recycle paper and cardboard within the TPR and AR. There are significant potential financial and environmental savings to be achieved.
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Davis, Samara. "Room for Care: Simone Leigh’s Free People’s Medical Clinic." TDR/The Drama Review 59, no. 4 (December 2015): 169–76. http://dx.doi.org/10.1162/dram_a_00503.

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In the former home of Dr. Josephine English, the first African American woman to have an OB/GYN practice in New York and founder of the Paul Robeson Theatre in Brooklyn, the unique confluence of forces created in this space through divergent types of labor honored the architecture by adding to its historicity. Simone Leigh and organizers were constantly negotiating the overlapping issues of identity, visibility, labor, interdisciplinarity, artistic practice, and care in this clinic-installation.
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Thorley, Peter. "Acting and Collecting: Imagining Asia through material culture and musical theatre." Museum and Society 13, no. 3 (July 1, 2015): 356–68. http://dx.doi.org/10.29311/mas.v13i3.335.

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This paper explores the link between Asian-inspired material culture and musical theatre through the collections of Anglo-Australian performer Herbert Browne (1895-1975). Brown played lead roles in 1920s Australian musical theatre productions of The Mikado and Chu Chin Chow and re-lived his connection with oriental theatre by collecting and responding to objects performatively in the Chinoiserie room of his Melbourne home. Oriental musical theatre blended exotic cultures and locales in visually spectacular productions which bore little resemblance to reality. The taste for escapist fiction in the theatre took place against a backdrop of museum collecting which aimed to reproduce authentic Asian and Other cultures. In this paper, I draw on French philosopher Merleau-Ponty’s observations on the relationship between thought and the body’s interaction with space to interpret the influence of Browne’s theatricality on collecting choices. From this perspective, objects materialize particular understandings of the world which originate in the body and the body’s performative engagement with space.
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Suhendar, Benny, and Rizki Fatullah. "OTOMATISASI TEKNOLOGI SMART HOME MENGGUNAKAN ARDUINO BERBASIS INTERNET OFF THINGS (IoT)." Journal of Innovation And Future Technology (IFTECH) 2, no. 1 (February 24, 2020): 67–80. http://dx.doi.org/10.47080/iftech.v2i1.830.

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"IOT-based Interactive Monitoring and Monitoring System for home automation" is another technological advance that can control and filter gadgets or other devices to control home automation remotely. Every automation business that uses an inserted system such as a PIC microcontroller provides an intelligent, inexpensive energy protection system, for homes, schools, hospital facilities or others. The main objective of this research is to plan and provide an interesting implementation point of IoT for home applications and also other means to control or control existing equipment in the house such as turning on / off lights, fans, gas, patterns, doors and others by using sensors, which serve to control. In general, we know that we use a number of equipment in homes, theaters, shopping centers, Convention Centers, Hotels and other facilities whose equipment we connect directly to electricity and consume power. Because of this, some equipment has failed due to excess voltage. Here, we use several components to control the excess voltage. In this model we use a micro controller (ATMEGA328P), which is connected to a nodemcu, 4-channel relay board, and liquid crystal display (LCD). Here the input is given to the micro controller via the LCD to display the temperature. The output of this signal is given to the micro controller where the pin becomes active when there is a problem finding room temperature. A 4-channel relay board is connected to control large equipment, meanwhile we connect switches to operate and nodemcu (Wi-Fi module) to control with remote access.
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Roy, L. Somi. "A Window on the World: A Remote Corner of Asia Puts on a Play about 9/11." TDR/The Drama Review 48, no. 2 (June 2004): 68–75. http://dx.doi.org/10.1162/105420404323063409.

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This installment of Critical Acts tours the apartment of Marvin Carlson, where Helen Paris, Leslie Hill, and Lois Weaver offer On the Scent, a piece of installation-theatre of smell-filled rooms; a sumaang leela performance about the events of 9/11 that toured the isolated state of Manipur, India, the home of one of the Trade Tower victims who worked at Windows on the World; and iMumbo Jumbo, a production by Third World Bunfight, a South African theatre troupe.
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Dissertations / Theses on the topic "Home theater room"

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Тищенко, Олена Петрівна. "Акустичне облаштування домашнього кінотеатру." Bachelor's thesis, КПІ ім. Ігоря Сікорського, 2021. https://ela.kpi.ua/handle/123456789/42428.

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В роботі описується та аналізується інформація що до геометрії на плану приміщення домашнього кінотеатру, умов створення задовільного часу реверберації. Були проаналізовані дві концепції приміщень для домашнього кінотеатру. Заглушене приміщення являє собою приміщення з малим значенням часу реверберації, відповідно, більш детальним підбором звукопоглинаючих матеріалів та високим показником звукоізоляції. Приміщення з акустичним полем залу володіє більшим значенням часу реверберації, задовільним значенням сумарного рівню шуму порівняно з допустим рівнем сумарного шуму у суспільних закладах в нічний час та простим набором звукопоглинальних матеріалів.
The work aims to calculate the acoustic design of a damped room and a room with an acoustic field of the hall, which intended for a home theatre. The paper describes and analyses information on the geometry of the layout of the home theatre room, the conditions for creating a satisfactory reverberation time. Two home theatre room concepts were analyzed. A damped room is a room with a short reverberation time, respectively, a more detailed selection of sound-absorbing materials, and a high rate of sound insulation. The room with the acoustic field of the hall has a high value of the reverberation time, a satisfactory value of the total noise level compared to the admissible level of total noise in public institutions at night, and a simple set of sound-absorbing materials.
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Books on the topic "Home theater room"

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Build your own home theater. Indianapolis, Ind: Sams Pub., 1993.

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Build your own home theater. Boston: Newnes, 1997.

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Rooms for fun: Home theaters, music studios, game rooms, and more. New York, NY: Collins Design, 2005.

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Home theater design: Planning and decorating media-savvy interiors. Gloucester, Mass: Rockport, 2004.

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Committee, New Jersey Legislature General Assembly Regulatory Oversight. Committee meeting of Assembly Regulatory Oversight Committee: Testimony concerning the barriers that formerly incarcerated individuals face when trying to reenter New Jersey communities; and testimony on the progress of the Attorney General's stationhouse adjustment mandate : Committee Room 14, State House Annex, Trenton, New Jersey, January 22, 2007, 10:00 a.m. Trenton, NJ: Office of Legislative Services, 2007.

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Build Your Own Home Theater. Elsevier Science & Technology Books, 2001.

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Canizares, Ana G. Fun Rooms: Home Theaters, Music Studios, Game Rooms, and More. Collins Design, 2006.

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Canizares, Ana G. Fun Rooms: Home Theaters, Music Studios, Game Rooms, and More. Collins Design, 2006.

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Home Theater Design: Planning and Decorating Media-Savvy Interiors. Quarry Books, 2006.

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Book chapters on the topic "Home theater room"

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Toole, Floyd E. "Sound in Home Listening Rooms, Home Theaters and Recording Control Rooms." In Sound Reproduction, 337–63. Third edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315686424-12.

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McKee, Sally. "City of Exile." In The Exile's Song. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300221367.003.0006.

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This chapter details how other immigrants, like Edmond Dede, became seemingly out of place in Bordeaux. In late January 1864, Dede was putting the dancers through their paces in the Grand Theatre. The chapter describes how Madame Isaac Louverture at the same time was sitting in her room two blocks away. Over toward the river, at that time, Clarendon Davisson was finishing his letters. Closer to the Grand Theatre, Camille Thierry was sitting in a cafe with friends. Although it is hard to believe that any one of them would have called Bordeaux, much less France, home, the evidence of their actions and the choices they made suggest that the meaning of “home” had shifted since they had been in their native lands.
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Khursandi, Diana C. Strange. "When bad things happen." In Handbook of Communication in Anaesthesia & Critical Care. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199577286.003.0020.

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When bad things happen, good communication skills and honesty are of supreme importance. Breaking bad news to patients, relatives or staff is never easy. Anaesthetists are most familiar with imparting bad news when they are working in a critical care unit, where the possibility of bad news is implicit. The necessity to do so in anaesthetic practice arises relatively infrequently. When patients are acutely unwell, elderly or frail prior to surgery, the patient and his or her family may be met with beforehand to signal a possible or probable unfavourable outcome related to natural disease processes. If the worst does happen, the patients and relatives will be somewhat prepared. Adverse incidents following anaesthesia require anaesthetists to be skilled in communicating honestly to the patient and relatives. These incidents can range from an unanticipated but treatable complication—for example, dural puncture—to an unexpected major mishap in theatre resulting in a serious adverse outcome (disability or death). Effective communication is as important when the issue is a more minor adverse outcome or side effect as it is when an adverse event has had disastrous consequences. Major mishaps in anaesthesia create stressful and difficult situations, since anaesthetists are required to communicate the bad news. Why is one anaesthetist’s day in court another anaesthetist’s invitation to dinner at a patient’s home? The good news is that breaking bad news is a skill that can be learned and taught. The initial ‘breaking bad news’ communication to the patient and/or relatives about the series of events in a serious adverse outcome will be more thoroughly followed up in the subsequent disclosure process. An investigation into the contributing factors in such events (root cause analysis) may need to occur, and staff members involved in the incident must be supported (critical incident support). Each department or group of anaesthetists should consider designating one of their number to respond to major adverse events. The ‘duty anaesthetist’ may be caught up with other clinical duties, and additional senior support will be required. One anaesthetist will be needed to manage ongoing clinical work, while another will be required to manage the aftermath.
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"Within this field of serial fiction, American product leads, French ranks second, and British third. This triangular force field explains Neighbours’s anomalous position in the French market. American serial fiction is, in the form of Dallas especially, very well known in France. Such American imports are treated with a culturally characteristic ambivalence: admiration for the narrative drive and polish of American product counterposed by distaste for its spectacularization and superficiality. As seen with reference to the American market, a serial fiction market dominated by Dallas and Santa Barbara offers a less than congenial soil for a Neighbours to take root. French serial fiction production offers few more televisual referents to make Neighbours accessible/familiar/popular on French screens. Crucial here is a long history of French distaste for continuous television serial fiction: “you might say that French serial fiction quickly runs out of steam” (Bianchi 1990: 92). One French forte in this field is the series, the sequence of narratively discrete stories engaging the same characters (more or less) across (usually) weekly transmissions for some months. The best known examples are Les cinq dernières minutes, dating from 1958, Commissaire Moulin, and Maigret. Besides the series, the other forte of French television serial production is the mini-series. And the reasons underpinning the dominance of these two modes, especially the mini-series, will explain both the limited field of the French soapscape and the difficulties for a Neighbours. First, a cultural snobbery attaches to the mini-series, indicated by one critic’s sneering at the genre as representing “a serial of interminable insipidity, the television equivalent of the photo-novel or romance, destined above all to housewives [sic]” (Oppenheim 1990: 43; the sexism of this account may further point to certain assumptions about soaps among French television executives). High(er) cultural literature, in other words, commonly supplies the mini-series’ source material and cultural cachet. Second, then, French television scriptwriters have long traditions of the skills of literary compression and visualization of the psychological, skills which would be seen as wasted on scripting soaps. A further occupational/industrial factor working against the imminent success of soaps focuses on the reluctance of directors of mini-series and longer series to cede the dominant creative role to scriptwriters, the major creative force in continuous serials. And finally, actors in a country with vibrant film and theater industries are loath to commit themselves to the lengths of term required by soaps (Bianchi 1990: 96). These factors militate against the continuous fictional serial which involves a large number of characters engaged by multiple, interweaving plot strands of indeterminate duration and with limited resolution at the end of any given episode (usually 30 minutes long, and often stripped across three–five days weekly). Thus there were, at the time of Neighbours’s launch on French television, only four home-grown French soaps, of which the longest-running, Voisin, voisine, launched by La Cinq in September 1988, ran to only 360 episodes; contrast the British Coronation Street which started in 1960 and is still going! French soaps, then, “were far from proven successes” (A.W. 1989: 7). “The French have been uneasy about soaps” (Pélégrin." In To Be Continued..., 126. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-28.

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Conference papers on the topic "Home theater room"

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Falsetti, Marco, and Pina Ciotoli. "Introverted and knotted spaces within modern and contemporary urban fabrics: passages, gallerias and covered squares." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5913.

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The scenic plaza mayor shares with the theater organisms some formative characters, since they both derive from a transformation, by knotting, of pre-existing buildings and fabrics. This architectural transformation is generated, at the beginning, by a change in the modalities of using public space. As for the corral de comedias, the process is due to the sedentarization of the theatrical practice, which abandons the itinerant dimension of the street to move inside the buildings (such as private homes and palaces). The original corral de comedias was in fact set up inside an open place that could be covered, and this feature became permanent over time, creating a new building type. Similarly, since the sixteenth century, squares became the fundamental location of Spanish civic life as well as they hosted all sorts of political, religious and festive representations, but also the venue of executions. For this purpose, namely to allow people to watch such events, the squares were transformed, by raising temporary walls and walkways. In some cases, like Tembleque and San Carlos del Valle, they began to realize permanent continuous balconies, with solutions that seem to have followed the same morphological evolution of corrales de comedias. In both cases it was necessary to unify different elements (buildings or rooms) and connect them to each other, through a process of “knotting”, in order to create a new organism. Over time the physiognomy of the spaces, originally open, assumed the permanent characters of a new type, closed and similar to the courtyard of a “palazzo”.
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