Academic literature on the topic 'Holocaust, Jewish (1939-1945), and art'
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Journal articles on the topic "Holocaust, Jewish (1939-1945), and art"
Grimsted, Patricia Kennedy. "Nazi-Looted Art from East and West in East Prussia: Initial Findings on the Erich Koch Collection." International Journal of Cultural Property 22, no. 1 (February 2015): 7–60. http://dx.doi.org/10.1017/s0940739115000065.
Full textButkiewicz, Tomasz. "Synagogues on fire. The end of Polish synagogue architecturein 1939–1941 in the iconography of German soldiers." Res Politicae 14 (2022): 115–39. http://dx.doi.org/10.16926/rp.2022.14.07.
Full textTarnowska, Magdalena. "Zagłada i odrodzenie w twórczości ocalonej – łódzkiej malarki Sary Gliksman-Fajtlowicz (1909–2005)." Studia Judaica, no. 2 (48) (2021): 437–71. http://dx.doi.org/10.4467/24500100stj.21.018.15073.
Full textTanzer, Frances. "European Fantasies: Modernism and Jewish Absence at the Venice Biennale of Art, 1948–1956." Contemporary European History 31, no. 2 (December 14, 2021): 243–58. http://dx.doi.org/10.1017/s0960777321000138.
Full textMorawiec, Arkadiusz. "Józef Hen i Józef Bau." Załącznik Kulturoznawczy, no. 9 (2022): 137–59. http://dx.doi.org/10.21697/zk.2022.9.07.
Full textPeskova, Anna Yu. "Modern Slovak drama about The Second World War." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 268–77. http://dx.doi.org/10.37816/2073-9567-2022-63-268-277.
Full textWhite, Nick. "Gitta Sereny and Albert Speer's ‘Battle with Truth’ on the London Stage." New Theatre Quarterly 17, no. 2 (May 2001): 170–85. http://dx.doi.org/10.1017/s0266464x00014573.
Full textChechi, Alessandro. "THE GURLITT HOARD: AN APPRAISAL OF THE ROLE OF INTERNATIONAL LAW WITH RESPECT TO NAZI-LOOTED ART." Italian Yearbook of International Law Online 23, no. 1 (November 17, 2014): 199–217. http://dx.doi.org/10.1163/22116133-90230044.
Full textStone, Daniel. "Coverage of the Holocaust in Winnipeg’s Jewish and Polish Press 1939–1945." Polin: Studies in Polish Jewry 19, no. 1 (January 2007): 183–203. http://dx.doi.org/10.3828/polin.2007.19.183.
Full textHamrin-Dahl, Tina. "This-worldly and other-worldly: a holocaust pilgrimage." Scripta Instituti Donneriani Aboensis 22 (January 1, 2010): 122–62. http://dx.doi.org/10.30674/scripta.67365.
Full textDissertations / Theses on the topic "Holocaust, Jewish (1939-1945), and art"
Liu, Dan. "Holocaust representation in Art Spiegelman's Maus." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456309.
Full textFrahm, Ole. "Genealogie des Holocaust : Art Spiegelmans Maus - a survivor's tale /." München [u.a.] : Fink, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2637876&prov=M&dok_var=1&dok_ext=htm.
Full textCuri, Fabiano Andrade 1971. "Maus de Art Spiegelman : uma outra historia da Shoah." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270246.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-13T07:42:00Z (GMT). No. of bitstreams: 1 Curi_FabianoAndrade_M.pdf: 5800196 bytes, checksum: fa1306d7a4bd82f8efed9032794645d2 (MD5) Previous issue date: 2009
Resumo: Este texto tem o objetivo de apresentar a obra Maus, de Art Spiegelman, como uma nova forma de transmissão dos traumas da Shoah. Com a proximidade do fim das gerações de sobreviventes, as atenções se voltam para produção daqueles que tiveram contato indireto com a tentativa de aniquilamento de judeus nos campos de extermínio nazistas. Nesse grupo encontra-se o autor da obra que analisamos com um livro no formato de quadrinhos absolutamente inovador não só entre os testemunhos, mas também entre os próprios quadrinhos. A composição de textos e desenhos feita por Spiegelman enfrenta as mesmas limitações de outras obras de testemunhos diretos ou indiretos ao tentar narrar o que não se narra, mas traz elementos bastante interessantes na representação artística da memória, como a adequação dos relatos ao espaço dos quadros, as feições antropomórficas dos personagens e toda a discussão sobre a obra dentro dela mesma. Além disso, Maus traz uma série de experiências nesse tipo de literatura ao justapor a história de sobrevivente de Auschwitz narrada pelo pai com a sua própria vida de filho de sobrevivente com as difíceis implicações dessa situação. Dessa forma, Spiegelman trabalha em diferentes níveis de narrativa, alternando e relacionado biografia e autobiografia.
Abstract: This text aims to present the Art Spiegelman's work, Maus as a new way of transmitting the traumas of the Shoah. With the generations of survivors coming to an end, the attention has turned to the production of the new generations, who have had indirect contact with the attempt of annihilation of Jews in the Nazi?s extermination camps. In this group, there is the author of the work that we look with a comic book format that is absolutely innovative, not only among the Shoah?s narratives, but also among the comics itself. The composition of texts and drawings made by Spiegelman faces the same limitations that other important testimonies direct or indirect have on trying to tell what cannot be told, but has very interesting elements in the artistic representation of the memory and the suitability of reporting the area of the drawings, the anthropomorphic features of the characters and the whole discussion on the work inside itself. Moreover, Maus has a lot of experiences in this type of literature when juxtapose the story of an Auschwitz survivor narrated by his father with his own life as the son of a survivor with the difficult implications of this situation. As a result, Spiegelman works in different levels of narrative, alternating and linking biography and autobiography.
Mestrado
Mestre em Teoria e História Literária
Furgang, Lynne Eva Art College of Fine Arts UNSW. "The city that never sleeps." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/43556.
Full textStenekes, Willem Jacob. "History denied a study of David Irving and Holocaust denial /." Sydney : UWS, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030704.164555/.
Full textStenekes, Willem J. "History denied : a study of David Irving and Holocaust denial /." View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030704.164555/index.html.
Full text"A thesis presented to the University of Western Sydney in the fulfillment of the requirement for the degree of Master of Arts (Honours), May 2002." Bibliography: p. 300-333.
Motl, Kevin C. "Victims of Hope: Explaining Jewish Behavior in the Treblinka, Sobibór and Birkenau Extermination Camps." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2558/.
Full textLincoln, Margaret L. "The Online and the Onsite Holocaust Museum Exhibition as an Informational Resource." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5407/.
Full textAltomonte, Jenna A. "The Postmemory Paradigm: Christian Boltanski's Second-Generation Archive." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244047774.
Full textDecoster, Charlotte. "Jewish Hidden Children in Belgium during the Holocaust: A Comparative Study of Their Hiding Places at Christian Establishments, Private Families, and Jewish Orphanages." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5468/.
Full textBooks on the topic "Holocaust, Jewish (1939-1945), and art"
Gilbert, Martin. The Holocaust: The Jewish tragedy. London: Folio Society, 2012.
Find full textZahava, Seewald, and Musée juif de Belgique, eds. Holocaust. Antwerp, Belgium]: Pandora, 2000.
Find full text1946-, DeCoste F. C., and Schwartz Bernard 1937-, eds. The Holocaust's ghost: Writings on art, politics, law, and education. Edmonton, Alta., Canada: University of Alberta Press, 2000.
Find full textBaigell, Matthew. Jewish-American artists and the Holocaust. New Brunswick, N.J: Rutgers University Press, 1997.
Find full textB'nai B'rith Klutznick National Jewish Museum., ed. Art and the Holocaust: Destruction and survival. Washington, DC: B'nai B'rith Klutznick National Jewish Museum, 1995.
Find full textGodfrey, Mark. Abstraction and the Holocaust. New Haven: Yale University Press, 2007.
Find full textToll, Nelly S. When memory speaks: The Holocaust in art. Westport, Conn: Praeger, 1998.
Find full textNagy, Katalin S. Emlékkavicsok: Holocaust a magyar képzőművészetben 1938-1945. Budapest: Glória, 2006.
Find full textBaigell, Matthew. Jewish artists in New York during the Holocaust years. Washington, D.C: United States Holocaust Memorial Museum, Center for Advanced Holocaust Studies, 2001.
Find full textLiberman, Judith Weinshall. The Holocaust wall hangings. [Jerusalem]: Yad Vashem, the Museum, 1992.
Find full textBook chapters on the topic "Holocaust, Jewish (1939-1945), and art"
Antonelli, Valerio, Raffaele D'Alessio, Roberto Rossi, and Warwick Funnell. "Accounting and expropriation of Jewish property in Fascist Italy 1939–1945." In Accounting for the Holocaust, 164–95. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032685328-8.
Full textMichman, Dan. "Understanding the Jewish Dimension of the Holocaust." In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 225–50. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0013.
Full textBrod, Peter. "Avigdor Dagan, Gertrude Hirschler and Lewis Weiner, editors. The Jews of Czechoslovakia. Historical Studies and Surveys. Vol. III. Philadelphia: The Jewish Publication Society of America. 1984. Pp. 700." In Polin: Studies in Polish Jewry Volume 1, 376–77. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781904113171.003.0041.
Full textBauer, Yehuda. "Some Introductory Comments." In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 3–8. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0001.
Full textTrochimczyk, Maja. "Jewish Composers of Polish Music after 1939." In Polin: Studies in Polish Jewry Volume 32, 371–86. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.003.0020.
Full textSTONE, DANIEL. "Coverage of the Holocaust in Winnipeg’s Jewish and Polish Press 1939-1945." In Polin: Studies in Polish Jewry Volume 19, 183–204. The Littman Library of Jewish Civilization, 2022. http://dx.doi.org/10.2307/j.ctv2kcwnw6.14.
Full textDiner, Dan. "Memory and Method: Variance in Holocaust Narrations." In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 84–99. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0007.
Full textLangmuir, Gavin I. "Continuities, Discontinuities and Contingencies of the Holocaust." In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 9–29. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0002.
Full textMarrus, Michael R. "Auschwitz: New Perspectives on the Final Solution." In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 74–83. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0006.
Full textPaulsson, Gunnar S. "The Demography of Jews in Hiding in Warsaw, 1943‒1945." In Polin: Studies in Polish Jewry Volume 13, 78–103. Liverpool University Press, 2000. http://dx.doi.org/10.3828/liverpool/9781874774600.003.0005.
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