Books on the topic 'Hollywood'

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1

Bukowski, Charles. Hollywood, Hollywood!. Milan: Feltrinelli, 1992.

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2

McClelland, Doug. Hollywood on Hollywood. London: Faber, 1985.

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3

Royot, Daniel. Hollywood. Paris: Presses universitaires de France, 1992.

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Leppikson, Krista, ed. Hollywood. Tallinn, Estonia: Hotger, 2007.

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5

Bukowski, Charles. Hollywood. New York: HarperCollins, 2007.

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6

Karen, Jeanne. Hollywood. San Luis Potosí [Mexico]: Editorial Ponciano Arriaga, 2008.

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Hollywood. San Luis Potosí [Mexico]: Editorial Ponciano Arriaga, 2008.

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8

Lebrun, Dominique. Hollywood. [Paris]: Hazan, 1996.

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9

Collection, Kobal, ed. Hollywood. London: DK Pub., 2004.

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10

Hollywood scandals: A Hollywood headlines mystery. [Place of publication not identified]: Gemma Halliday, 2010.

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11

Hollywood moon: Hollywood Station bk. 3. N.Y: Hatchette Publishing Group, 2009.

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12

Guerra, Gloria. Hollywood: Hollywood. Independently Published, 2019.

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13

Cohan, Steven. Hollywood by Hollywood. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865788.001.0001.

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The backstudio picture, or movie about filmmaking, is a genre as old and as recent as commercial filmmaking itself. This genre’s longevity is due to its function in branding filmmaking with the mystique of Hollywood. As the backstudio picture depicts it, Hollywood is simultaneously (1) an actual locale in the Los Angeles metropolitan area, (2) a business dedicated to the standardized production of motion pictures, and (3) an enduring cultural fantasy about fame, leisure, consuming, sexuality, artistry, and modernity. This overlapping of the literal (the locale) onto the material (the business) and the symbolic (the fantasy) has registered the impact of the film industry’s transformations as an institution even when the genre mystifies these changes in story terms. It is also the means by which the genre authenticates while glamorizing the industry’s representation of labor. Although Hollywood by Hollywood roughly follows the four major cycles of the genre’s development from the 1920s through the present day, it also loops back and forth in this chronology. Individual chapters discuss the genre’s self-reflexivity, its representations of Hollywood as a geographically specific yet imaginary place, narratives about movie-struck girls, narratives about has-been female stars, the masculinization of Hollywood through the focus on white male filmmakers, the genre’s recounting of the industry’s history in stories set in 1929, 1951, and 1962, and, finally, how Hollywood’s filmmaking practices have been moved offscreen, whether to break the fourth wall of the virtual world of film or to supply a cover for covert governmental actions.
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14

Hollywood S/W Set: Hollywood Kids, Hollywood Husbands, Hollywood Wives. Simon & Schuster, Limited, 2013.

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15

Collins, Jackie. Hollywood Husbands/Hollywood Wives. Audio Literature, 1994.

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16

Nbb, Nbb. Hollywood Hollywood: Kapitel Drei. Independently Published, 2019.

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17

joseph-wambaugh. Hollywood Station & Hollywood Crows. Quercus, 2008.

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18

Society, Hollywood Historical. Hollywood. Arcadia Publishing, 2009.

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19

Wierzbicki, James. Hollywood. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040078.003.0005.

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This chapter explores one of the ironies that color the history of the American film industry—the fact that its most glorious years, in terms of profitability, were those during which the entire nation struggled desperately to pull itself out of the depths of the Great Depression. Hollywood was as hard hit as any other industry by the stock market crash of 1929. But the captains of the film industry took advantage of several of the “New Deal” offers extended in 1933 by President Franklin D. Roosevelt. Owing in part to smart business practices and in large part to an audience desperately in need of inexpensive escapist entertainment, the American film industry after 1933 thrived on a circle of economic dependence on attendance, exhibition, and production; only after World War II did the circle reverse itself and turn vicious.
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20

Wheeler, Mark. Hollywood. British Film Institute, 2006. http://dx.doi.org/10.5040/9781838711405.

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21

Vidal, Gore. Hollywood. Ediciones B, 1994.

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22

Hollywood. Books On Tape, 1990.

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23

Bessière. Hollywood. Nouveau Monde, 2007. http://dx.doi.org/10.14375/np.9782847362305.

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24

Viviani. Hollywood. Nouveau Monde, 2007. http://dx.doi.org/10.14375/np.9782847362312.

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25

Cendrars, Blaise, and Jean Guérin. Hollywood. Edited by Garrett White. University of California Press, 1995. http://dx.doi.org/10.1525/9780520340527.

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26

Dolce, Domenico, Stefano Gabbana, and Eve Claxton. Hollywood. Assouline, 2003.

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27

Hollywood. Edinburgh, UK: Canongate Books, 2007.

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28

Gore, Vidal. Hollywood. Andre Deutsch Ltd, 1989.

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29

Gore, Vidal. Hollywood. Modern Library, 1999.

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30

Gore, Vidal. Hollywood. Ballantine Books, 1991.

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31

O'Brien, Derek. Hollywood. Penguin Books,India, 2004.

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32

Bukowski, Charles. Hollywood. HarperCollins Publishers, 2007.

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33

Bukowski, Charles. Hollywood. Anagrama, 1992.

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34

Thoret, Jean-Baptiste. Hollywood. Kara Karga Yayinlari, 2018.

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35

Publishing, RH Value. Hollywood. Random House Value Publishing, 1988.

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36

Gavin, Tiffany Sophia. Hollywood. PublishAmerica, 2006.

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37

Gore, Vidal. Hollywood. Hoffmann & Campe, 1991.

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38

Hollywood. Istanbul, Turkey: Parantez, 2011.

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39

Bukowski, Charles. Hollywood. Anagrama, 1996.

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40

Hollywood. Canongate Books, 2019.

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41

Decherney, Peter. Hollywood. Dost Kitabevi, 2019.

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42

Bendis, Brian Michael. Hollywood. Tandem Library, 2004.

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43

Bukowski, Charles. Hollywood. HarperCollins Publishers, 2009.

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44

Hollywood. LibriVox, 2012.

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45

Hollywood. Ballantine Books, 1991.

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46

Gore, Vidal. Hollywood. Random House Audio, 1990.

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47

Hardy-Gould, Janet. Hollywood. Oxford Univ Pr, 2014.

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48

Burling, Alexis. Hollywood. Abdo Publishing, 2019.

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49

Hardy-Gould, Janet, and Oxford Dictionaries Staff. Hollywood. Oxford University Press, 2019.

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50

Gore, Vidal. Hollywood. Ballantine Books, 1991.

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