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Relevant bibliographies by topics / Hollywood (Los Angeles)

Academic literature on the topic 'Hollywood (Los Angeles)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Dissertations / Theses
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Journal articles on the topic "Hollywood (Los Angeles)"

1

Thabet, Andrea. "“From Sagebrush to Symphony”." Pacific Historical Review 89, no. 4 (2020): 557–99. http://dx.doi.org/10.1525/phr.2020.89.4.557.

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This article explores the founding of the Hollywood Bowl and the multiple visions of its founding generation, tracing the cultural negotiations they engaged in between 1918 and 1926. These aims included disseminating high culture to ordinary citizens, democratizing access to music, providing spiritual uplift, unifying Hollywood’s diverse populace, and offering legitimacy to Hollywood as an emerging symbol of the U.S. film industry. By 1926, the Hollywood Bowl that emerged from a contentious planning process reflected aspects of all of the founders’ goals, but did not entirely fulfill those of any one of them. I argue that, despite their disagreements, the Bowl’s founders believed that their collective cultural enterprise had the potential to encourage a sense of cohesion and community among Hollywood’s—and more generally Los Angeles’s—inhabitants. The Hollywood Bowl was the first of many large-scale efforts to give culture permanence in Los Angeles, and its success helped redefine its urban identity by replacing negative images of the region with a growing reputation as a noteworthy cultural metropolis.

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Frazier, Robeson Taj, and Jessica Koslow. "Krumpin’ In North Hollywood." Boom 3, no. 1 (2013): 1–16. http://dx.doi.org/10.1525/boom.2013.3.1.1.

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This article examines the cultural politics and labor of the 818 Session, a krump and street dancing collective that appropriates and repurposes a North Hollywood parking lot for dance sessions on Wednesday nights. In the face of the general culture of spatial domination and regulation in Los Angeles, most especially regarding the experiences of youth of color, the 818 Session promotes a culture of dance and play that collectively reshapes their environment and challenges much of what constitutes public space in Los Angeles. Here, in an empty Ralphs grocery store parking lot late-at-night, krump dancers interact with space, identifying interstices to produce racial and spatial formations anew.

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Biggart, A. R., J. Hawley, and J. Townsend. "The North Hollywood Project, Los Angeles." Proceedings of the Institution of Civil Engineers - Transport 141, no. 1 (February 2000): 43–56. http://dx.doi.org/10.1680/tran.2000.141.1.43.

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Karimi, Ali A., James C. Vickers, and Richard F. Harasick. "Microfiltration goes Hollywood: the Los Angeles experience." Journal - American Water Works Association 91, no. 6 (June 1999): 90–103. http://dx.doi.org/10.1002/j.1551-8833.1999.tb08651.x.

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Sternheimer, Karen. "Hollywood: Doesn't Threaten Family Values." Contexts 7, no. 4 (November 2008): 44–48. http://dx.doi.org/10.1525/ctx.2008.7.4.44.

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In 1992, then-Vice President Dan Quayle charged that Murphy Brown, a fictional character on the CBS sitcom of the same name, glamorized single motherhood by having a child outside marriage. His comment ignited a national debate about not just single parenthood, but the influence Hollywood and celebrities have over the choices Americans make in their lives. In a speech about civil unrest in Los Angeles, Quayle charged that characters like Brown indirectly contribute to central city problems by “mocking the importance of fathers.”

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Serna, Laura I. "“As a Mexican I Feel It’s My Duty:” Citizenship, Censorship, and the Campaign Against Derogatory Films in Mexico, 1922–1930." Americas 63, no. 2 (October 2006): 225–44. http://dx.doi.org/10.1017/s0003161500062982.

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In June of 1930, Dr. J. M. Puig Casauranc, who held the post of Jefe del Departamento del Distrito Federal (a post then somewhat akin to mayor) received a lengthy letter from theConfederación de Sociedades Mexicanasin Los Angeles, California. The letter asked Dr. Puig if a Committee for the Supervision of Film could be constituted in Los Angeles, a committee to be made up of members of the Confederation and the Mexican consulate in Los Angeles. In their letter members of the Confederation’s steering committee displayed a clear understanding of the history of Mexico’s struggle to exert some control over the content of Hollywood films.

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Hallett, Hilary A. "Based on a True Story: New Western Women and the Birth of Hollywood." Pacific Historical Review 80, no. 2 (May 1, 2011): 177–210. http://dx.doi.org/10.1525/phr.2011.80.2.177.

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This article explores early publicity about Hollywood that promoted Los Angeles as a New West supporting a New Western Woman who became a key, if often slighted, element in the “grounding of modern feminism.” The New Western Woman was both an image that sought to attract more women into movie audiences and a reality that dramatized the unconventional and important roles played by women workers in the early motion picture industry. By describing these women as expertly navigating the city, the West, and professional ambitions simultaneously, this publicity created a booster literature that depicted Los Angeles as an urban El Dorado for single white women on the make. In response, tens of thousands of women moved west to work in the picture business, helping to make Los Angeles the first western boomtown where women outnumbered men.

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Soligo, Marta, and David R. Dickens. "Rest in Fame: Celebrity Tourism in Hollywood Cemeteries." Tourism Culture & Communication 20, no. 2 (July 3, 2020): 141–50. http://dx.doi.org/10.3727/109830420x15894802540214.

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This research is a critical study of tourism at four cemeteries in the Los Angeles area between 2013 and 2019: Hollywood Forever, Forest Lawn in Glendale, Forest Lawn in Hollywood, and Pierce Brothers Westwood Village Memorial Park Cemetery. We examined these venues through the lens of celebrity tourism, since they are known as "Hollywood memorial parks," hosting the graves of some of the most famous stars in the world. Through participant observation, informal conversations, and content analysis of texts we aimed to understand how the relationship between these venues and the entertainment industry works as a "pull factor" for tourists. Our data collection and analysis led to three main findings. Firstly, we identified the motivations behind the increasing number of tourists who add Los Angeles cemeteries to their must-see list. Although scholars often define cemeteries as dark tourism destinations, our investigation shows that Hollywood memorial parks are more related to celebrity tourism. Secondly, employing the notion of "cult of celebrity," we described how the experience of tourists visiting their favorite celebrity's grave can be seen as a modern pilgrimage centered on a collective experience. Thirdly, we analyzed the cemetery as a commodity in which executives work to promote the site as the perfect location where one can spend the "eternal life." In this sense, we also investigated how memorial parks are often used as venues for cultural events, attracting a large number of tourists. As described in the findings section, initiatives such as movie screenings and guided tours transform cemeteries into much more than just peaceful places where to honor the dead, becoming venues for both commodification and spectacle.

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Johnson, Lorin, and Donald Bradburn. "Fleeing the Soviet Union, Dancing on the West Coast." Experiment 20, no. 1 (October 27, 2014): 297–316. http://dx.doi.org/10.1163/2211730x-12341266.

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In the 1970s and 1980s, Los Angeles audiences saw Soviet defectors Mikhail Baryshnikov, Alexander Godunov, Natalia Makarova, and Rudolf Nureyev in the prime of their careers at the Hollywood Bowl, The Dorothy Chandler Pavilion and the Greek Theater. Dance photographer Donald Dale Bradburn, a local Southern California dancer describes his behind-the-scenes access to these dancers in this interview. Perfectly positioned as Dance Magazine’s Southern California correspondent, Bradburn offers a candid appraisal of the Southern California appeal for such high-power Russian artists as well as their impact on the arts of Los Angeles. An intimate view of Russian dancers practicing their craft on Los Angeles stages, Bradburn’s interview is illustrated by fourteen of his photographs, published for the first time in this issue of Experiment.

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Ribeiro, Roberta Do Carmo. "A COMÉDIA SÉRIA DE WOODY ALLEN: NOVA YORK COMO NEGAÇÃO DE LOS ANGELES/HOLLYWOOD EM ANNIE HALL (1977)." Revista Mediação (ISSN 1980-556X) 16, no. 2 (February 18, 2022): 47–66. http://dx.doi.org/10.31668/mediacao.2021.v16e2.12507.

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Resumo: O presente artigo trabalha a evolução das representações de Nova York no cinema de Woody Allen, destacando o que chamo de Tetralogia de Nova York, uma série de longas-metragens que formam um conjunto coerente onde a cidade é usada como cenário para se discutir determinadas concepções de narrativa, visão de história e perspectiva de memória. O foco é o filme Annie Hall (1977), o primeiro que transforma a cidade em personagem. Em Annie Hall (1977), a cidade de Nova York é comparada a Los Angeles, estando Los Angeles num lugar de inferioridade: enquanto Nova York é uma cidade viva e real, Los Angeles seria uma cidade artificial e movida pela vaidade. Palavras-chave: Woody Allen. Cidade. Nova York. Los Angeles.

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Dissertations / Theses on the topic "Hollywood (Los Angeles)"

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Oltmann, Katrin. "Remake - Premake : Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960 /." Bielefeld : transcript, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm.

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Sannah, Bassim. "The characteristic features of Hollywood's scenographical stylization (1930-1939)." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972588477.

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Dammann, Lars. "Kino im Aufbruch : New Hollywood 1967-1976 /." Marburg : Schüren, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016300992&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Joniak, Elizabeth A. ""On the street" and "of the street" the daily lives of unhoused youth in Hollywood /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023832501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Lewis, Shane. "Orry-Kelly : an Australian in Hollywood : producing meaning through costume." Thesis, Queensland University of Technology, 1997.

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Costume designer Orry-Kelly has a unique place in Hollywood history as one of the few designers to win three or more Academy Awards and one of the few Australians to succeed in the Hollywood studio system. His work was a major factor in the success of Bette Davis at Warner Bros. However, Orry-Kelly and his work have received little critical attention. This study examines the function of Orry-Kelly's costumes in a selection of Bette Davis vehicles produced at Warner Bros. between 1938 and 1942. In order to assess the value of Orry-Kelly's contributions, the thesis charts the development of the role of the Hollywood studio costume designer and summarises theories relevant to the function of costume in classical Hollywood narrative. Films analysed are Jezebel, Dark Victory, The Letter, The Little Foxes, Now, Voyager, The Great Lie and In This Our Life. Sources consulted for background to Orry-Kelly's life and career include records in the Orry-Kelly File in the Warner Bros. Archives at the University of Southern California, and material gathered in Australia which has not been previously presented in an academic study. The study concludes that Orry-Kelly's costume concepts display an intuitive understanding of processes of human perception and behaviour, and knowledge of the requirements of the film medium, to convey the preferred meanings about characters and aid in story-telling.

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Contreras, Gilbert Joseph 1974. "Ending teen homelessness : a case study of Los Angeles Youth Network in Hollywood, California." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/65246.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1998.
In subtitle, the copyright symbol appears after the word California on t.p.
Includes bibliographical references (leaves 79-81).
by Gilbert Joseph Contreras, Jr.
M.C.P.

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Sterckx, Laurent S. S. "Systèmes de signification dans le cinéma classique hollywoodien: l'exemple de la comédie sophistiquée." Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212325.

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Granville, Scott. "Mapping the Geographical and Literary Boundaries of Los Angeles: A Real and Imagined City." The University of Waikato, 2007. http://hdl.handle.net/10289/2359.

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In Los Angeles, the influence of Hollywood and the film industry, combined with a non-stop barrage of media images, has blurred the line between the real and imaged. The literature reveals a city exploding with cultural, racial and social differences, making Los Angeles a confusing and alienating place. The literature of Los Angeles reflects the changing face of the city. Los Angeles was always a city with a promising future, economic booms and optimism seemed to suggest that here was a place where the American Dream really could come true. Thousands travelled west in search of sunshine, oranges and a life that formerly, they could only dream of having. Yet, the literature of Los Angeles has highlighted the city's actual history together with a realization of undercurrents of violence, prejudice, depression and shattered dreams. The past, present and future is used to reveal a city that is in stark opposition to the Los Angeles, waves of immigrants came to find. This thesis explores the idea of the dreamer coming west to Los Angeles within the literature and the variety of ways in the travellers' romantic notions of Los Angeles as a city of promise, is betrayed, leaving a desperate people in its wake. The literature shows that beneath the shiny surface of a city founded on sunshine and prosperity, corruption reached all levels of society and the 'mean streets' abound. Later, influenced by an overwhelming feeling of powerlessness caused by Post-war nuclear depression, McCarthyism, loss of identity, and living in a city fragmented by racial tension and an ever growing gap between the very rich and the very poor, the literature of Los Angeles reflects not only the fears of that city, but of American society as a whole. The collision of technology, rapid progression and population explosion turned Los Angeles into a disconnected city, where the real and imagined merge in a cityscape that demonstrates a conflicting combination of historical replication, original design and movie-set inspiration. Nothing is ever what it appears to be in Los Angeles.

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9

Oltmann, Katrin. "Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960." Bielefeld Transcript, 2006. http://d-nb.info/984273557/04.

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Mills, Jane Kathryn. "Hollywood and its others porous borders and creative tensions in the transnational screenscape /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.

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Thesis (Ph.D) -- University of Western Sydney, 2007.
A thesis submitted to the University of Western Sydney, College of Arts, School of Humanities and Languages, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.

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Books on the topic "Hollywood (Los Angeles)"

1

Leppikson, Krista, ed. Hollywood. Tallinn, Estonia: Hotger, 2007.

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Bukowski, Charles. Hollywood. New York: HarperCollins, 2007.

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Weisbrod, Carl. Hollywood, Los Angeles, California: A strategy for Hollywood's comeback. Washington, D.C: ULI-the Urban Land Institute., 2001.

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Wodehouse, P. G. The Hollywood omnibus. London: Hutchinson, 1993.

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My Hollywood. London: Corsair, 2012.

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Strick, David. Our Hollywood. London: Arrow, 1988.

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Hollywood Station. New York: Little, Brown and Company, 2006.

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8

Collins, Jackie. Hollywood Husbands. London, United Kingdom: Simon & Schuster Ltd, 2012.

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Schmidt-Brummer, Horst. Los Angeles: Hollywood, Venice, Santa Monica. 3rd ed. Koln: DuMont, 1985.

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1899-1968, Weegee, Museum of Contemporary Art (Los Angeles, Calif.), and Pacific Standard Time (Exhibition), eds. Naked Hollywood: Weegee in Los Angeles. New York, NY: Skira Rizzoli Publications, 2011.

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Book chapters on the topic "Hollywood (Los Angeles)"

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Kolthoff, Steven H., Michael F. Mills, and Roy J. Shlemon. "Neotectonics of the Hollywood Fault, Central Hollywood District, Los Angeles, California, U.S.A." In IAEG/AEG Annual Meeting Proceedings, San Francisco, California, 2018 - Volume 5, 13–20. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93136-4_2.

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Scott, Ian. "“This Is Not America: This Is Los Angeles”: Crime, Space, and History in the City of Angels." In Hollywood and the American Historical Film, 192–207. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35789-1_11.

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Wagner, Karin. "Von Höselberg nach Hollywood. Exil in der Filmmetropole Los Angeles." In “Glück, das mir verblieb”, 105–34. Wien: Böhlau Verlag, 2022. http://dx.doi.org/10.7767/9783205215226.105.

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Purkis, Charlotte. "The Other Gates: Anglo-American Influences on and from Dublin." In Cultural Convergence, 107–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_5.

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Abstract An important influence on the foundation of the Dublin Gate Theatre in 1928 was the London Gate Theatre Studio. This chapter offers a historiographical survey concerning how the range of connections between these theatres have been treated by theatre commentators up to the present. Alongside this re-examination is a discussion of two other theatres that were also inspired by the London Gate, but established independently by the two London co-directors, Peter Godfrey and Velona Pilcher. Godfrey revived the early programming from London in 1943 at his ‘transplanted’ theatre in Hollywood, which also connected Los Angeles emigré culture back to Ireland. In London, Pilcher worked with a group of women associates to found a ‘new Gate’, the Watergate Theatre Club in 1949, which, with its avant-garde artistic ethos, had a cultural impact on the post-war London scene similar to the achievements of the earlier Gate theatres.

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Shiel, Mark. "‘Los Angeles and Hollywood in Film and French Theory: Agnès Varda’s Lions Love… and Lies (1969) and Edgar Morin’s Journal de Californie (1970)’." In Cinematic Urban Geographies, 245–68. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-46084-4_13.

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Robnik, Drehli. "Wrestling with the Angels und Engelmord: Hollywoods Hollowing Histories von antirassistischen Kämpfen (Steven Spielberg, Spike Lee, Jordan Peele)." In Genre und Race, 143–57. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-32187-1_8.

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"Los Angeles: Hollywood." In The Americas, 356–59. Routledge, 2013. http://dx.doi.org/10.4324/9781315073828-91.

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"Hollywood." In Los Angeles in the 1930sThe WPA Guide to the City of Angels, 227–37. University of California Press, 2011. http://dx.doi.org/10.1525/california/9780520268838.003.0019.

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Clark, Walter Aaron. "Hollywood." In Los Romeros, 94–114. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041907.003.0007.

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The Romeros moved to Hollywood in 1958, where they established a studio for teaching guitar. Starting in 1960, the quartet performed in Los Angeles, San Francisco, Chicago, and New York, and was making recordings on the Contemporary and Mercury labels. The guitar had become the dominant instrument of that period, and there was a ready market for a quartet of Spaniards playing classical and flamenco favorites. They were soon touring throughout the U.S., in cities large and small. The highlight of the 1960s was their appearance on the Ed Sullivan Show, in 1967, a decade after their arrival in California and the year in which they became U.S. citizens. This was also the year in which they premiered Joaquín Rodrigo’s Concierto andaluz, written for the quartet. Pepe and Angel were deemed unsuited for military service and not drafted.

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Rhodes, Chip. "Hollywood fictions." In The Cambridge Companion to the Literature of Los Angeles, 135–44. Cambridge University Press, 2010. http://dx.doi.org/10.1017/ccol9780521514705.012.

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