Relevant bibliographies by topics / Hollywood

Academic literature on the topic 'Hollywood'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hollywood.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hollywood"

1

Kitamura, Hiroshi. "Hollywood's America, America's Hollywood." American Quarterly 58, no. 4 (2006): 1263–73. http://dx.doi.org/10.1353/aq.2007.0011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Berliner, Todd. "Hollywood Aesthetic." Projections 14, no. 2 (June 1, 2020): 48–55. http://dx.doi.org/10.3167/proj.2020.140204.

Full text
Abstract:
Hollywood Aesthetic: Pleasure in American Cinema investigates the Hollywood film industry’s chief artistic accomplishment: providing aesthetic pleasure to mass audiences. Grounded in film history and supported by research in psychology and philosophical aesthetics, the book explains (1) the intrinsic properties characteristic of Hollywood cinema that induce aesthetic pleasure; (2) the cognitive and affective processes, sparked by Hollywood movies, that become engaged during aesthetic pleasure; and (3) the exhilarated aesthetic experiences afforded by an array of persistently entertaining Hollywood movies. Hollywood Aesthetic addresses four fundamental components of Hollywood’s aesthetic design—narrative, style, ideology, and genre—aiming for a comprehensive appraisal of Hollywood cinema’s capacity to excite aesthetic pleasure. This article outlines the book’s main points and themes. As a précis, it is heavy on ideas and light on evidence, which is to be found in the book itself.
APA, Harvard, Vancouver, ISO, and other styles
3

Thabet, Andrea. "“From Sagebrush to Symphony”." Pacific Historical Review 89, no. 4 (2020): 557–99. http://dx.doi.org/10.1525/phr.2020.89.4.557.

Full text
Abstract:
This article explores the founding of the Hollywood Bowl and the multiple visions of its founding generation, tracing the cultural negotiations they engaged in between 1918 and 1926. These aims included disseminating high culture to ordinary citizens, democratizing access to music, providing spiritual uplift, unifying Hollywood’s diverse populace, and offering legitimacy to Hollywood as an emerging symbol of the U.S. film industry. By 1926, the Hollywood Bowl that emerged from a contentious planning process reflected aspects of all of the founders’ goals, but did not entirely fulfill those of any one of them. I argue that, despite their disagreements, the Bowl’s founders believed that their collective cultural enterprise had the potential to encourage a sense of cohesion and community among Hollywood’s—and more generally Los Angeles’s—inhabitants. The Hollywood Bowl was the first of many large-scale efforts to give culture permanence in Los Angeles, and its success helped redefine its urban identity by replacing negative images of the region with a growing reputation as a noteworthy cultural metropolis.
APA, Harvard, Vancouver, ISO, and other styles
4

Lyu, Siyi. "Opportunities and Challenges: Hollywoodisation and Asian Cinema’s Ascent." Journal of Education, Humanities and Social Sciences 23 (December 13, 2023): 848–52. http://dx.doi.org/10.54097/ehss.v23i.14121.

Full text
Abstract:
With the drive towards globalisation, Hollywood has had a profound impact on Asian films, including their production methods, storytelling, and film presentation. This paper delves into the multilayered impact of Hollywood on Asian cinema, analysing its origins, consequences, and potential impact. In addition, this research examines the positive aspects of Hollywood's influence, such as raising the international profile of Asian cinema, fostering cross-cultural collaboration, and enriching global cinematic diversity. Simultaneously, it also discusses potential challenges, including the risk of cultural homogenisation and the impact of Hollywood's commercial hegemony on the local film industry. In short, the development of the Asian film industry under the influence of Hollywood is a complex story of opportunities and challenges. By actively embracing openness, innovation, and cultural diversity, Asian cinema can continue to play a unique role on the global stage, presenting engaging and diverse cinematic experiences.
APA, Harvard, Vancouver, ISO, and other styles
5

Wang, Youran. "An Analysis of the Development of Hollywood Science Fiction Films in Chinas Mainland Market in 2010s." Communications in Humanities Research 5, no. 1 (September 14, 2023): 196–200. http://dx.doi.org/10.54254/2753-7064/5/20230197.

Full text
Abstract:
Hollywood science fiction movies have long been popular with audiences in the Chinese market, and even reached their peak before the outbreak of the Covid-19 pandemic. 2019 saw a record $4.25 billion box office for imported movies in Chinas mainland for Avengers IV: Endgame. However, after the 2019 epidemic, Hollywood movies are declining in the Chinese market. This paper attempts to provide a concise summary of the multifaceted social reasons behind the popularity of science fiction films, in order to find out the way to improve the current situation of Hollywoods science-fiction movies market in Chinas mainland. By investigating the literature, this paper analyzed the cause of the popularity of Hollywood science fiction films in China from 2010 to 2019, the analysis involves four aspects: politics, economy, society and technology. Through this analysis, it can be found that the popularity of Hollywood science fiction movies is closely related to those four macro factors.
APA, Harvard, Vancouver, ISO, and other styles
6

Palis, Eleni. "Uploading the Archive, Copy/Pasting the “Classical”." Frames Cinema Journal 19 (February 18, 2022): 301–7. http://dx.doi.org/10.15664/fcj.v19i0.2392.

Full text
Abstract:
This video essay combines a series of fiction feature films, made between the late-1990s and 2010s, in which futuristic androids and robots trade in digitised classical Hollywood archival film fragments as pedagogical and expressive traces, amassing an amateur archive. I call these fragments “film quotations” to denote the process of selection, citation, and reappropriation in these film-within-a-film moments. In this video essay, Flubber (Mayfield, 1997), S1m0ne (Niccol, 2002), Teknolust (Leeson, 2002), WALL-E (Stanton, 2008), and Prometheus (Scott, 2012) all “quote” classical Hollywood films, in the form of short excerpts of sound and image, projecting (or uploading?) Hollywood’s archival past onto their imagined versions of the future. As this cohort of robots explore and amass personal visual archives, mining Hollywood history for meaning and mimicry, their viewership reveals several interrelated classical Hollywood ideologies and biases: the robot-amassed archives replicate hyper-traditional behaviour, both in conforming to strict copyright rules and in depictions of gender, sexuality, and monogamy. While only Teknolust self-consciously and critically replicates hegemonic, heternormative media logics, this essay seeks to reveal how these robots’ sensorial experience of the archive select and project a misleading selection of history into the future. While touting a paradoxically easy-to-access Hollywood history, these robots cling to a tightly limited, licensed, entirely white and compulsorily cis-het digitised Hollywood archive.
APA, Harvard, Vancouver, ISO, and other styles
7

Viljoen, Jeanne-Marie. "Re-forming Hollywood's imagination: beyond the box office and into the boardroom." Image & Text, no. 36 (May 5, 2022): 1–17. http://dx.doi.org/10.17159/2617-3255/2022/n36a2.

Full text
Abstract:
Despite the commercial success of Black Panther (Coogler 2018) and its ostensible achievement of making Hollywood more representative of black people and "their" narratives, the film is limited in terms of the progress on inclusion it can achieve. This is because, as a Hollywood superhero film, its success is predicated upon perpetuating the colonisation of the imagination of its (still largely white) spectators and it does not represent black people on their own terms. A close focus on form exposes the film as retaining the spectacular and action-orientated visual language of Hollywood that engenders cinema as fundamentally voyeuristic and imperial. In this way, a close examination of Black Panther supports the examination of limits of what the commercial structure of an industry established upon the colonial gaze of spectacle is currently able to produce. This paper goes further and also argues that decolonisation in cinema should involve a more radical confrontation of Hollywood aesthetics and the formal language of Hollywood's gaze itself, so that the embodied visual languages of global cinema and New Black cinema may be more widely employed to reveal the world of those colonised by Hollywood as materially different, on their own terms. It is only by going beyond the success of films like Black Panther in the box office and through a radical investigation of form and haptic visuality that the considerably unequal structure of the Hollywood boardroom - which produces such films in the first place - may be transformed.
APA, Harvard, Vancouver, ISO, and other styles
8

Gates, Racquel. "SUBVERTING HOLLYWOOD FROM THE INSIDE OUT." Film Quarterly 68, no. 1 (2014): 9–21. http://dx.doi.org/10.1525/fq.2014.68.1.9.

Full text
Abstract:
This article examines the production of Watermelon Man (1970), director Melvin Van Peebles’s only Hollywood film. While the film is often overlooked in scholarly circles in favor of Van Peebles’s more famous Sweet Sweetback’s Baadasssss Song (1971), Watermelon Man demonstrates that degree to which Van Peebles was able to produce a film that was aesthetically and narratively subversive in spite of the studio’s attempts to turn the film into a standard, mainstream comedy. Further, combining historical and theoretical approaches, including details about the film’s production from Van Peebles himself, the article contends that the film provides a link between the worlds of Hollywood and black independent film production. Finally, the article explores the ways that Van Peebles uses conventions of Hollywood filmmaking, including racial stereotypes, to criticize mainstream America’s own racism and Hollywood’s role in maintaining it.
APA, Harvard, Vancouver, ISO, and other styles
9

Moon, Hwy-Chang, Wenyan Yin, and Feihu Zheng. "Revitalising the Chinese Film Industry through Internationalisation and Interplay with Hollywood Films." China: An International Journal 21, no. 3 (August 2023): 105–28. http://dx.doi.org/10.56159/chn.2023.a904729.

Full text
Abstract:
Abstract: Previous studies have emphasised mainly the competitive relationship and the resistance of host governments to the expansion of foreign firms in the film industry. Adopting the competitiveness approach, this article, by contrast, analyses how internationalisation has enhanced the competitiveness of China's film industry. It shows that Chinese filmmakers leverage Hollywood's resources via three channels of internationalisation—trade, foreign direct investment and international co-productions. The enhanced competitiveness of China's film industry serves as the foundation for its bargaining power vis-à-vis Hollywood, enabling China to respond more effectively to Hollywood's expansion into its film market. However, the Chinese government's recent tightening of censorship on film production has negatively affected the sustainable relationship between China and Hollywood and hinders China's pursuit of achieving global appeal for Chinese films.
APA, Harvard, Vancouver, ISO, and other styles
10

Tanaka, Melis, and J. A. Wempi. "Hegemoni Hollywood Pada Film American Sniper." Jurnal Komunikasi Global 8, no. 1 (July 29, 2019): 17–37. http://dx.doi.org/10.24815/jkg.v8i1.13523.

Full text
Abstract:
Most movies shown in Indonesian cinemas are Hollywood movies. From existing genres, war movies tend to be used by Hollywood to spread their hegemonic practices. American Sniper, which was released in 2014, is one of the examples. The heroic scene acted by the main lead persuades the audience that America has a hero involved in Navy SEALs. This study was qualitative research using a critical paradigm. Hollywood’s hegemony in the film American Sniper (2014) could be understood by elaborating the three dimensions of Critical Discourse Analysis by Norman Fairclough, along with the theory of hegemony by Antonio Gramsci. The result of the research shows that in microanalysis, there are universal and idealist elements such as patriotism, nationalism, and loyalty. Meso analysis found that PT. Omega Film is a registered distributor of Film Censorship Institute (LSF) as part of the Political Society, according to Gramsci, which plays a significant role in the distribution of Hollywood films in Indonesia. Based on the macro analysis, the American Sniper (2014) film is one of the hegemonic practices of Hollywood in the era of neo-conservative that contains American centric.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Hollywood"

1

Vaughan, Nathan Marc. "Hollywood synergy." Thesis, Loughborough University, 2006. https://dspace.lboro.ac.uk/2134/36125.

Full text
Abstract:
This thesis is a theoretically informed and empirical analysis of synergistic processes within Hollywood production and circulation. Drawing on the distinction between economic and cultural synergy, the thesis proposes an argument concerning the homology and interaction of these modes and how they have developed from an intensive to an extensive form. The study combines theoretical perspectives from the political economy of culture and cultural analysis with film studies. It also draws upon the sociology of organisations and notes how synergy has been somewhat neglected in management theory as well as in media studies.
APA, Harvard, Vancouver, ISO, and other styles
2

Glancy, H. Mark. "Hollywood and Britain : the Hollywood 'British' film, 1939-1945." Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333476.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Davison, Annette. "Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310816.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jönsson, Andreas, and Camilla Lawitz. "Hollywood som historielärare." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-32139.

Full text
Abstract:
I det här arbetet vill vi ta reda på hur historiska spelfilmer förhåller sig till historiemedvetande. Det vi främst fokuserar på är hur högstadieelever relaterar till historisk spelfilm och hur deras historiemedvetande påverkas av den audiovisuella historieförmedlingen i skolan, i avsikt att framställa en matris för hur undervisning med hjälp av film ska ske. Ytterligare ett inslag i denna uppsats utgörs av en redogörelse kring hur man praktiskt går till väga när man arbetar med film i undervisningssammanhang. För att uppfylla syftet har vi använt oss av en kvalitativ metod med semistrukturerade intervjuer. Idag konkurrerar skolans kunskapsmonopol med populärkulturen. I takt med medievärldens expansion har den tekniska utvecklingen och intresset för tekniska medel ökat i samhället. Filmtekniken har förbättrats, vilket har lett till att spelfilmer framstår som mer autentiska än vad de tidigare har gjort. Vårt intryck är att den historiska spelfilmen som ett hjälpmedel i undervisningen får en allt större plats i den svenska skolan. Få läromedel kan få elever att leva sig in i historiska miljöer och ännu färre kan beröra elever emotionellt som just spelfilmen. En annan fördel med spelfilm i skolan är att eleverna får verktyg så att de kan hantera mediernas bild av världen ur ett källkritiskt perspektiv.
With this essay we want to examine the relation between historical movies and historical conciousness. Our main focus is on how seniors of compulsory school relates to historical movies and how their historical conciousness is effected by the audiovisual funds in teaching of history, in purpose to develope a matrix for teaching involving movies. An additional element of our studie represents a short account of how to practically use movies in shool. In order to do this we have chosen a qualatative method with semistructured interviews. Today, school is challenged by e.g. popular cultur. In a time of an increasing flow of media in society, the interest for technical aid has increased in the society. The technical methods in moviemaking has been improved and has conveyed to movies beeing more authentic than they ever been before. Our impression is that movies based on historical events becomes more inported in school. Few didactical aids enables pupils to embrace the historical enviroment and even fewer can touch pupils’ emotions. Another advantage is that movie gives the pupils tools to create a critical thinking when relating to the medias’ perception of the world.
APA, Harvard, Vancouver, ISO, and other styles
5

Macedo, Litiane Barbosa. "Hollywood romantic comedies." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/123434.

Full text
Abstract:
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014.
Made available in DSpace on 2014-08-06T18:12:08Z (GMT). No. of bitstreams: 1 326765.pdf: 1947912 bytes, checksum: 24a5ffd6256800c0a39b95337f4997fd (MD5) Previous issue date: 2014
Comédias românticas têm sido produzidas no cinema popular desde os primeiros filmes com som (Grindon, 2012). Considerando a popularidade deste gênero (Abbott & Jermyn, 2009), e o papel da mídia na construção de identidades como provedor de modelos de como ser e agir (Gauntlett, 2008), a investigação destes tipos de filme pode ajudar a desvendar as representações de gênero de contextos sociais específicos. Além disso, uma perspectiva social semiótica para analisar textos fílmicos pode contribuir para interpretar criticamente como os recursos semióticos são usados em contextos distintos, e como esses recursos constroem a realidade através de discursos, dando oportunidade para questionar estas representações nas quais são normalmente consideradas como naturais. Portanto, o objetivo desta pesquisa é analisar criticamente a representação das protagonistas, Ellie Andrews e Margaret Tate das comédias românticas Aconteceu Aquela Noite (1934) e A Proposta (2009), com base nos estudos de Semiótica Social e Multimodalidade, Linguística Sistêmica-Funcional, Estudos de Gênero e Filme. Este estudo pretende desvendar a construção semiótica-discursiva destas representações, e então contrastá-las a modo de indicar se os discursos sobre feminidade mudaram com o passar dos anos, assim como os papéis das mulheres dentro do contexto de relacionamentos íntimos heterossexuais. Os procedimentos da pesquisa envolvem uma análise verbal e visual detalhada das cenas selecionadas através do sistema de transitividade (LSF) e significados representacionais (GV), e a interpretação dos resultados sob a perspectiva das referencias teóricas deste estudo. Os resultados mostram que, apesar de algumas mudanças progressivas com relação à representação da mulher, ambos os filmes reforçam normas tradicionais de gênero e papeis de feminidade em relações amorosas.
APA, Harvard, Vancouver, ISO, and other styles
6

Shanadi, Govind. "Hollywood representations of biotechnology /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421624771&sid=3&Fmt=2&clientId=11238&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Skov, Adam Vincent. "China's Influence on Hollywood." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460984628.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Johnson, Jeb E. Mr. "Exploring Hollywood Cinema: A Look at Cinematic Techniques and the Classical Hollywood Ideology." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/350.

Full text
Abstract:
The focus of this thesis is to explore the ideas behind Hollywood Cinema and techniques used to craft camera shots of today’s cinema. The movie industry is one of the United States’ biggest export profits; because of this, American movies standout above the rest. I will be exploring and demonstrating the researched techniques of American cinema.
APA, Harvard, Vancouver, ISO, and other styles
9

Franz, Norbert. "Hollywood – Moskau – Hollywood : Cirk, Ninotchka und andere. Oder: Ein kleines Kapitel Kinogeschichte als Beziehungsgeschichte." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2011/5743/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Lewis, Shane. "Costume in "New Hollywood" movies /." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17806.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Hollywood"

1

Bukowski, Charles. Hollywood, Hollywood!. Milan: Feltrinelli, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

McClelland, Doug. Hollywood on Hollywood. London: Faber, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Royot, Daniel. Hollywood. Paris: Presses universitaires de France, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Leppikson, Krista, ed. Hollywood. Tallinn, Estonia: Hotger, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bukowski, Charles. Hollywood. New York: HarperCollins, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Karen, Jeanne. Hollywood. San Luis Potosí [Mexico]: Editorial Ponciano Arriaga, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hollywood. San Luis Potosí [Mexico]: Editorial Ponciano Arriaga, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lebrun, Dominique. Hollywood. [Paris]: Hazan, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Collection, Kobal, ed. Hollywood. London: DK Pub., 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Hollywood scandals: A Hollywood headlines mystery. [Place of publication not identified]: Gemma Halliday, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Hollywood"

1

Meisenheimer, Wolfgang. "Hollywood." In Modelle als Denkräume, Beispiele und Ebenbilder, 206–9. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-20115-9_46.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lopes, Cristina Videira. "Hollywood." In Exercises in Programming Style, 117–22. Second edition. | Boca Raton : CRC Press, 2020.: Chapman and Hall/CRC, 2020. http://dx.doi.org/10.1201/9780429343216-15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Álvarez del Blanco, Roberto M. "Hollywood." In Brand Beauty Unleashed, 135–44. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429025495-15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sklar, Robert. "Hollywood about Hollywood: Genre as Historiography." In Hollywood and the American Historical Film, 71–93. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35789-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Radford, Fiona. "Hollywood Ascendant." In A Companion to Ancient Greece and Rome on Screen, 119–44. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118741382.ch5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Osborne, Monica. "Hollywood Rabbi." In A Companion to Woody Allen, 520–38. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2013. http://dx.doi.org/10.1002/9781118514870.ch25.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Borkowski, E. L. "Hollywood Actors." In Encyclopedia of Evolutionary Psychological Science, 1–3. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-16999-6_1698-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Shostak, Seth. "Hollywood Aliens." In ACS Symposium Series, 279–87. Washington, DC: American Chemical Society, 2013. http://dx.doi.org/10.1021/bk-2013-1139.ch023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Grant, Barry Keith. "Why Hollywood?" In Film Genre, 39–64. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003292623-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Gundle, Stephen, and Clino T. Castelli. "Hollywood Lifestyles." In The Glamour System, 62–83. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230510456_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hollywood"

1

Grantham, Charles E. "Hollywood." In the 2000 ACM SIGCPR conference. New York, New York, USA: ACM Press, 2000. http://dx.doi.org/10.1145/333334.333337.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Sverdlov, Eli, and Ilan Bouni. "Orange Hollywood." In ACM SIGGRAPH ASIA 2009 Computer Animation Festival. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1665208.1665259.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ahsan, Saba, Stephen McQuistin, Colin Perkins, and Jörg Ott. "DASHing towards hollywood." In MMSys '18: 9th ACM Multimedia Systems Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3204949.3204959.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Saccio, Damijan, Peter Korian, and Peipei Yuan. "Hollywood and highland." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312955.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

McQuistin, Stephen, Colin Perkins, and Marwan Fayed. "TCP goes to hollywood." In MMSys'16: Multimedia Systems Conference 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2910642.2910648.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Corsaro, Sandro, and Clifford Parrott. "Flash finally hits Hollywood." In ACM SIGGRAPH 2004 Web graphics. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186194.1186221.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Vilk, John, and Naomi T. Fitter. "Jon the Robot Goes Hollywood." In HRI '20: ACM/IEEE International Conference on Human-Robot Interaction. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3371382.3378397.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Wong, Steve, and Bjorn Obermeier. "Blockchain & the Hollywood Supply Chain." In SMPTE Technical Conference. IEEE, 2017. http://dx.doi.org/10.5594/m001761.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kelly, D. H. "40 Years of Image Technology and Vision Research A Personal Memoir." In Applied Vision. Washington, D.C.: Optica Publishing Group, 1989. http://dx.doi.org/10.1364/av.1989.wa1.

Full text
Abstract:
From student days to the present, the author reviews his adventures in designing optics, camouflaging airplanes, simulating the atmosphere, bypassing military procedures, going Hollywood, inventing photographic processes, making interference filters, decoding aerial photographs, building visual stimulators, and finally becoming a visual scientist. The narrative includes episodes from the University of Rochester, USC and UCLA, the wartime Navy in Washington, Mitchell Camera and Technicolor Corporations in Hollywood, Itek Corporation in Lexington and Palo Alto, and SRI International. No scientific material will be presented.
APA, Harvard, Vancouver, ISO, and other styles
10

Hodeghatta, Umesh Rao. "Sentiment analysis of Hollywood movies on Twitter." In ASONAM '13: Advances in Social Networks Analysis and Mining 2013. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2492517.2500290.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Hollywood"

1

Ammerman, Shane. Photovoltaic at Hollywood and Desert Breeze Recreational Centers. Office of Scientific and Technical Information (OSTI), September 2015. http://dx.doi.org/10.2172/1221414.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tan, Hui Ren, and Tianyi Wang. McCarthyism, Media, and Political Repression: Evidence from Hollywood. Cambridge, MA: National Bureau of Economic Research, July 2024. http://dx.doi.org/10.3386/w32682.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Osborne, Bob. Propaganda Tool: The Hollywood War Movie and Its Usurpation by TV. Fort Belvoir, VA: Defense Technical Information Center, February 1990. http://dx.doi.org/10.21236/ada222524.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sánchez-Escalonilla García-Rico, Antonio. Hollywood y el arquetipo del atrincherado. Clave dramática y discurso político del 11-S. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-871-926-937.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lehrer, Steven, and Tian Xie. Box Office Buzz: Does Social Media Data Steal the Show from Model Uncertainty When Forecasting for Hollywood? Cambridge, MA: National Bureau of Economic Research, December 2016. http://dx.doi.org/10.3386/w22959.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Petrocelli, Heather. Portland's "Refugee from Occupied Hollywood": Andries Deinum, his Center for the Moving Image, and Film Education in the United States. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.608.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Berger, Theresa. Just in time for Halloween: LANL science and the atomic movie genre Lab’s legacy weapons test footage used by Hollywood. Office of Scientific and Technical Information (OSTI), October 2021. http://dx.doi.org/10.2172/1826480.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Galenson, David, and Joshua Kotin. From the New Wave to the New Hollywood: The Life Cycles of Important Movie Directors from Godard and Truffaut to Spielberg and Eastwood. Cambridge, MA: National Bureau of Economic Research, June 2008. http://dx.doi.org/10.3386/w14150.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dodd, Molly Catherine, and Patricia Hunt-Hurst. Hollywood's Risque Years: Female Body Exposure in Pre-Code Films. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-30.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Test well installation and water quality, Hollywood Dump area, Memphis, Tennessee. US Geological Survey, 1985. http://dx.doi.org/10.3133/wri844214.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Hollywood' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography