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Relevant bibliographies by topics / Hogarth, William

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Academic literature on the topic 'Hogarth, William'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Hogarth, William"

1

KRYSMANSKI, B. W. "WILLIAM HOGARTH." Notes and Queries 44, no. 2 (June 1, 1997): 241—a—241. http://dx.doi.org/10.1093/nq/44-2-241a.

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KRYSMANSKI, B. W. "WILLIAM HOGARTH." Notes and Queries 44, no. 2 (1997): 241—a—241. http://dx.doi.org/10.1093/nq/44.2.241-a.

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Rykov, Anatolii V. "William Hogarth, Frederick Antal and Deconstruction." Actual Problems of Theory and History of Art 10 (2020): 595–601. http://dx.doi.org/10.18688/aa200-4-53.

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Erwin, Timothy. "William Hogarth and the Aesthetics of Nationalism." Huntington Library Quarterly 64, no. 3/4 (January 2001): 383–410. http://dx.doi.org/10.2307/3817918.

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New, Melvyn. "William Hogarth andjohn Baldessari: Ornamenting Sterne'sTristram Shandy." Word & Image 11, no. 2 (April 1995): 182–95. http://dx.doi.org/10.1080/02666286.1995.10435912.

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Gilley, Sheridan. "The Legacy of William Hogarth, 1786–1866." Recusant History 25, no. 2 (October 2000): 249–62. http://dx.doi.org/10.1017/s0034193200030065.

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William Hogarth was born on 25 March 1786 of a small landowning family in Dodding Green, near Kendal, in Westmorland. He and his older brother Robert were among the earliest students, in 1796, to enter the new northern seminary of Crook Hall, established in 1794 on its removal from Douai in northern France, in the bloody aftermath of the French Revolution. He and his contemporaries such as George Brown, the first Bishop of Liverpool, felt themselves to be foundationers, the very inaugurators of the next stage of the tradition. The Ushaw discipline was a strong one: rising at six, meditation in chapel until 7am, then Mass to 7.30, then study until breakfast at a quarter to nine, school from 9.30, dinner at 1.00, study at 3.00, prayer at 7.00 till supper, second prayers at 9.15, and then bed. There were two play days a week. The simple austerity of this life, pursued over thirteen impressionable years from the age of ten, left its mark. On the other hand, Hogarth or his fellow future bishop George Brown recorded his enormous educational debt to his brilliant young preceptor, the historian John Lingard: ‘I learned more in one month’, the writer recalled, ‘than I had done in six, under my former pedagogue; and I also remember that, while he [Lingard] was listening to me translating Latin into English, he was turning over the leaves of a large folio, and making notes for his history, and yet nothing escaped him of what I was reading.’

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Ramos, Artur. "A linha da beleza de William Hogarth." Revista Filosófica de Coimbra 17, no. 33 (2008): 147–57. http://dx.doi.org/10.14195/0872-0851_33_6.

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Taylor, Brian. "A Portrait of Daniel Locke by William Hogarth." Antiquaries Journal 77 (March 1997): 401–6. http://dx.doi.org/10.1017/s0003581500075296.

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Santesso, Aaron. "William Hogarth and the Tradition of Sexual Scissors." SEL Studies in English Literature 1500-1900 39, no. 3 (1999): 499–521. http://dx.doi.org/10.1353/sel.1999.0030.

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Santesso, Aaron. "William Hogarth and the Tradition of Sexual Scissors." Studies in English Literature, 1500-1900 39, no. 3 (1999): 499. http://dx.doi.org/10.2307/1556217.

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Dissertations / Theses on the topic "Hogarth, William"

1

Krysmanski, Bernd W. "Hogarth's "Enthousiasm delineated" : Nachahmung als Kritik am Kennertum : eine Werkanalyse : zugleich ein Einblick in das sarkastich-aufgeklärte Denken eines "Künstlerebellen" im englischen 18. Jahrhundert /." Hildesheim ; Zürich ; New York : G. Olms, 1996. http://catalogue.bnf.fr/ark:/12148/cb37536828v.

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Moore, Emily Renn. ""Take in Hogarths Mathematiks to Your Aid": Perceptions of William Hogarth in Eighteenth-Century America." W&M ScholarWorks, 2003. https://scholarworks.wm.edu/etd/1539720306.

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Cerny, Grant Pearcy. "How to hang an apprentice : the moral problem of industry and idleness re-examined in Victorian illustrated fiction." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310159.

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Barrett, Katy Louise Emily. "The wanton line : Hogarth and the public life of longitude." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648807.

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Arburg, Hans-Georg von. "Kunst-Wissenschaft um 1800 : Studien zu Georg Christoph Lichtenbergs Hogarth-Kommentaren /." Göttingen : Wallstein, 1998. http://catalogue.bnf.fr/ark:/12148/cb38895919t.

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Tomé, Cristina Maria de Sousa 1963. "Entre o burlesco e o sublime-a sátira gráfica de William Hogarth e James Gillray." Master's thesis, Instituições portuguesas -- -Universidade do Minho -- -Instituto Letras e Ciências Humanas, 2000. http://dited.bn.pt:80/29407.

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Haslam, Isobel Fiona. "Medical images in eighteenth-century British art, with special reference to William Hogarth and Thomas Rowlandson." Thesis, University of St Andrews, 1993. http://hdl.handle.net/10023/15252.

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The objective of this thesis is to show that a study of medical images produced by British artists in the eighteenth century can contribute to the knowledge of the social history of medicine of the period, and to show that, by careful analysis of the medical images portrayed, some insight may be obtained into the meaning of works of art in which such images might otherwise be dismissed as merely irrelevant or gratuitous details. The thesis is cast In two main sections preceded by an introductory chapter which provides some background information with regard to the development of medical services in England and sets the scene from which literary and graphic artists drew their images, Works of the artist William Hogarth form the basis of the first section, The artist made extensive and knowing reference to medical imagery in many of his works, some of which are described and interpreted with due regard to the conventions employed, to the world around him, to literary works of his contemporaries and, where appropriate, to contemporary medical literature, Independent control with regard to the validity of the medical images and practices portrayed is provided where descriptions of such practices and Images correspond with each other. It is contended that such integration of written and visual sources of medical Imagery, in an empirical approach, enhances the information to be gained from either source viewed separately. Although mainly satirical in nature, it is argued that the images must have a foundation of truth and therefore deserve to be examined closely so that the truth of the situation portrayed may be revealed. The second section discusses the use of medical images from the late eighteenth century and early nineteenth century, mainly through the works of Thomas Rowlandson, although works of other artists such as James Gillray and George Cruikshank are included. Through their works information may be gleaned about a range of contemporary medical issues including lay perceptions of disease, pain and death, fashions in disease and treatment and the impact that advancing scientific knowledge had upon medical treatment and upon the practitioners involved. In addition, certain contemporary philosophical ideas are highlighted which have some bearing upon contemporary popular and medical opinion. The nature and function of medical images are discussed throughout the thesis. They are read, not as straightforward documents, but within a framework of recognisable practices. Medical and artistic changes took place throughout the century and the effects of some of these changes are commented upon during the course of the thesis, which concludes by assessing the arguments put forward in both sections and indicates how the two disciplines of the History of Art and the social History of Medicine can be bridged or annexed with benefit to both.

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Ogée, Frédéric. "Fielding et l'esthétique : contribution à l'analyse des romans de Henry Fielding à la lumière de l'Analyse de la Beauté de William Hogarth." Paris 10, 1985. http://www.theses.fr/1985PA100036.

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Jobert, Barthélémy. "La réception de l'école anglaise en France, 1802-1878 : un aspect des relations artistiques franco-britanniques au dix-neuvième siècle." Paris 4, 1995. http://www.theses.fr/1995PA040006.

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Au lieu d'analyser les relations artistiques franco-britanniques au XIXe siècle sous l'angle de l'influence,ce qui a jusqu'à présent été presque toujours le cas,ce travail s'appuie sur la notion de réception,définie comme l'ensemble des phénomènes qui accompagnent la connaissance d'une oeuvre,de l'accueil qui lui est primitivement réservé, à la façon dont se construit ensuite l'image d'un peintre,celle d'un courant,d'un genre particulier,pour aboutir en dernier ressort à la notion d'école,"succession de maîtres et de principes procédant directement les uns des autres" dans un cadre national. La connaissance que les Français eurent de la peinture anglaise,soit par un contact direct avec les oeuvres,soit par l'intermédiaire de l'estampe d'interprétation est d'abord analysée. La fortune critique des artistes jugés alors les plus représentatifs est ensuite retracée,de Hogarth,Reynolds et Gainsborough aux préraphaélites,en passant par la génération romantique. La dernière partie est dévolue à l'historiographie de l'école en tant que telle et ensuite dans l'invariance des préjugés qui tempèrent un jugement globalement favorable.

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Spencer, Susan Ambler Ziskin Rochelle. "William Hogarth's The Painter and his pug intent and interpretation /." Diss., UMK access, 2008.

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Thesis (M.A.)--Dept. of Art and Art History. University of Missouri--Kansas City, 2008.
"A thesis in art history." Typescript. Advisor: Rochelle Ziskin. Vita. Title from "catalog record" of the print edition Description based on contents viewed Sept. 12, 2008. Includes bibliographical references (leaves 68-72). Online version of the print edition.

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Books on the topic "Hogarth, William"

1

Musée du Louvre. William Hogarth. Paris: Hazan, 2006.

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Hogarth. New Brunswick: Rutgers University Press, 1991.

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Hogarth. New York: Thames and Hudson, 1985.

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Hogarth. London: Phaidon, 2000.

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5

Menna, Filiberto. William Hogarth, L'analisi della bellezza. Salerno: 10/17, 1988.

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6

Hogarth, William. William Hogarth: Dipinti, disegni, incisioni. 2nd ed. Vicenza: Neri Pozza Editore, 1989.

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Art, McMaster Museum of. The prints of William Hogarth. Hamilton, Ont: McMaster Museum of Art, 2004.

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Till, Kinzel, ed. Über William Hogarth und seine Erklärer. Hannover: Wehrhahn, 2013.

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9

1697-1764, Hogarth William, Wurster Ruth, and Guratzsch Herwig, eds. William Hogarth: Der Kupferstich als moralische Schaubühne. Stuttgart: G. Hatje, 1987.

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10

The lover's progress: Poems after William Hogarth. Erin, Ont: Porcupine's Quill, 2001.

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Book chapters on the topic "Hogarth, William"

1

Müller-Hofstede, Ulrike. "Hogarth, William." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11000-1.

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Heyl, Christoph. "William Hogarth, Science and Human Nature." In Discovering the Human, 29–52. Göttingen: V&R Unipress, 2013. http://dx.doi.org/10.14220/9783737001373.29.

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Müller-Hofstede, Ulrike. "Hogarth, William: The Analysis of Beauty." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11001-1.

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Scholl, Christian. "William Hogarth in Göttingen: Wendungen eines Kultur- und Medientransfers." In Kommunikation und Kulturtransfer im Zeitalter der Personalunion zwischen Großbritannien und Hannover, 161–77. Göttingen: Göttingen University Press, 2014. http://dx.doi.org/10.17875/gup2021-1646.

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Smolderen, Thierry. "William Hogarth." In The Origins of Comics, 2–23. University Press of Mississippi, 2014. http://dx.doi.org/10.14325/mississippi/9781617031496.003.0001.

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"Hogarth, William." In The Visual Dictionary of Illustration, 117. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0105.

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Junod, Karen. "William Hogarth." In ‘Writing the Lives of Painters’, 110–52. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199597000.003.0005.

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"William Hogarth." In The Emergence of Modern Architecture, 355. Routledge, 2004. http://dx.doi.org/10.4324/9780203380512-70.

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Talon-Hugon, Carole. "HOGARTH, William." In Les théoriciens de l'art, 325–28. Presses Universitaires de France, 2017. http://dx.doi.org/10.3917/puf.talon.2017.03.0325.

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"William Hogarth (1697–1764)." In The Emergence of Modern Architecture, 346–54. Routledge, 2004. http://dx.doi.org/10.4324/9780203380512-69.

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Conference papers on the topic "Hogarth, William"

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Knoth, Ina. "Art Criticism and the Professional Perspective: The Functions of Analogies between Music and Painting in Charles Avison’s Essay on Musical Expression and William Hogarth’s Analysis of Beauty." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.118.

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