Journal articles on the topic 'History of Prints'
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Morris, David. "The Clough Collection of Prints at the Whitworth Institute." Bulletin of the John Rylands Library 92, no. 2 (September 2016): 167–85. http://dx.doi.org/10.7227/bjrl.92.2.10.
Full textKrishnan, Nirmal. "Personal Identification through Lip Prints." International Journal of Forensic Sciences 7, no. 4 (2022): 1–5. http://dx.doi.org/10.23880/ijfsc-16000279.
Full textBox, Louise Voll. "Enlightened “Museums of Images” or Decorative Displays? Elizabeth Seymour Percy and the Eighteenth-Century Print Room." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 135–57. http://dx.doi.org/10.1215/00982601-9273027.
Full textYang, Xiangmin. "The Classification, Artistic Status, and Extended Significance of Chinese Landscape Woodblock Prints-An Elaboration on the Value of the Collection “Landscape Woodblock Prints of the Ming and Qing Dynasties”." Journal of Ancient Chinese Arts and Crafts 1, no. 1 (2023): 1–13. http://dx.doi.org/10.59528/ms.jacac2023.0802a1.
Full textPerry, T. S. "'PostScript' prints anything: a case history." IEEE Spectrum 25, no. 5 (May 1988): 42–46. http://dx.doi.org/10.1109/6.4550.
Full textLaing, Ellen Johnston. "Picturing Men and Women in the Chinese 1911 Revolution." Nan Nü 15, no. 2 (2013): 265–316. http://dx.doi.org/10.1163/15685268-0152p0003.
Full textTůmová, Adéla. "Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum." Annals of the Náprstek Museum 43, no. 2 (2022): 107–31. http://dx.doi.org/10.37520/anpm.2022.012.
Full textDas, Arit, Jocelyn A. Riet, Michael J. Bortner, and Claire McIlroy. "Rheology, crystallization, and process conditions: The effect on interlayer properties in three-dimensional printing." Physics of Fluids 34, no. 12 (December 2022): 123108. http://dx.doi.org/10.1063/5.0128660.
Full textDippie, Brian W., and Ron Tyler. "Prints of the West." Western Historical Quarterly 27, no. 1 (1996): 81. http://dx.doi.org/10.2307/969929.
Full textCochran, Robert, and Mike Disfarmer. "Disfarmer: The Vintage Prints." Arkansas Historical Quarterly 65, no. 4 (2006): 449. http://dx.doi.org/10.2307/40028096.
Full textLevy, Evonne. "Eyewitnessed Historia and the Renaissance Media Revolution: Visual Histories of the Council of Trent." Representations 145, no. 1 (2019): 55–79. http://dx.doi.org/10.1525/rep.2019.145.1.55.
Full textFluda-Krokos, Agnieszka. "Stare druki pozyskane do Biblioteki Książąt Czartoryskich z leżajskiego klasztoru oo. Bernardynów w świetle spisu z roku 1875." Galicja. Studia i materiały 8 (2022): 337–55. http://dx.doi.org/10.15584/galisim.2022.8.22.
Full textSilver, Larry, and Jan Van der Stock. "Early Prints: The Print Collection of the Royal Library of Belgium." Sixteenth Century Journal 35, no. 3 (October 1, 2004): 846. http://dx.doi.org/10.2307/20477062.
Full textSawyerr, Naa Omai, Richard Acquaye, and Cynthia Agyeiwaa Kusi. "Semiotics of Factory Printed Wax Prints across West Africa." International Journal of Cultural and Art Studies 7, no. 2 (October 31, 2023): 64–76. http://dx.doi.org/10.32734/ijcas.v7i2.12684.
Full textHollinger, Marian J., and Stephanie S. Dickey. "Rembrandt Portraits in Prints." Sixteenth Century Journal 37, no. 4 (December 1, 2006): 1091. http://dx.doi.org/10.2307/20478140.
Full textZhang, Hao, and Hongyan Zheng. "The Application and Teaching of Digital Technology in Printmaking." Security and Communication Networks 2022 (January 19, 2022): 1–7. http://dx.doi.org/10.1155/2022/3271860.
Full textKreneck, Thomas H., and Ron Tyler. "Prints and Printmakers of Texas: Proceedings of the Twentieth Annual North American Print Conference." Journal of Southern History 64, no. 4 (November 1998): 730. http://dx.doi.org/10.2307/2587530.
Full textCummins, D. Duane, and Ron Tyler. "Prints and Printmakers of Texas: Proceedings of the Twentieth Annual North American Print Conference." Western Historical Quarterly 29, no. 2 (1998): 260. http://dx.doi.org/10.2307/971368.
Full textSpeck, W. A. "English Prints and Portraits 1600–1832." History 72, no. 235 (June 1987): 284–86. http://dx.doi.org/10.1111/j.1468-229x.1987.tb01466.x.
Full textBrückner, Martin. "Map, Paper, Prints." Winterthur Portfolio 56, no. 4 (December 1, 2022): 185–202. http://dx.doi.org/10.1086/725137.
Full textHults, Linda C., and Giulia Bartrum. "German Renaissance Prints, 1490-1550." Sixteenth Century Journal 28, no. 3 (1997): 853. http://dx.doi.org/10.2307/2543009.
Full textSilver, Larry. ":Rembrandt’s Religious Prints." Sixteenth Century Journal 50, no. 2 (June 1, 2019): 615–17. http://dx.doi.org/10.1086/scj5002148.
Full textOtter, Samuel, and Robert K. Wallace. "The "Material Autobiography" of Melville's Print Collection Online." Leviathan 25, no. 2 (June 2023): 86–106. http://dx.doi.org/10.1353/lvn.2023.a904376.
Full textKinsey, Joni L., and Ron Tyler. "Prints of the West." Journal of the Early Republic 15, no. 4 (1995): 708. http://dx.doi.org/10.2307/3124051.
Full textBodnar, Ivanna, and Hanna Bondarchuk. "FORENSIC IDENTIFICATION BY LIP PRINTS. HISTORY, METHODS, THE QUESTION THAT ARE SOLVED." Forensic-medical examination, no. 1 (August 5, 2022): 4–17. http://dx.doi.org/10.24061/2707-8728.1.2022.1.
Full textJames, Sara Nair, Mark Roskill, and John Oliver Hand. "Hans Holbein: Paintings, Prints, and Reception." Sixteenth Century Journal 35, no. 1 (April 1, 2004): 318. http://dx.doi.org/10.2307/20476934.
Full textSalman, Jeroen. "An Early Modern Mass Medium: The Adventures of Cartouche in Dutch Penny Prints (1700–1900)." Cultural History 7, no. 1 (April 2018): 20–47. http://dx.doi.org/10.3366/cult.2018.0157.
Full textO'Brien, John, Mark E. Neely, Harold Holzer, and Gabor S. Boritt. "The Confederate Image: Prints of the Lost Cause." Journal of Southern History 55, no. 1 (February 1989): 131. http://dx.doi.org/10.2307/2209743.
Full textGuo, Nanyan. "A Flow of Christian Images from the Shanghai Jesuits to the Paris Foreign Missions in Japan: Imitation, Alteration, and Returning to the Roots." Journal of Jesuit Studies 10, no. 4 (August 10, 2023): 605–39. http://dx.doi.org/10.1163/22141332-10040005.
Full textCary, Louise D. "Hamlet Recycled, Or the Tragical History of the Prince's Prints." ELH 61, no. 4 (1994): 783–805. http://dx.doi.org/10.1353/elh.1994.0032.
Full textWalker, Joan M., and Ronel Namde. "The History and Chemistry of Platinum-toned Salted Paper Prints." Journal of the American Institute for Conservation 59, no. 3-4 (October 3, 2019): 194–210. http://dx.doi.org/10.1080/01971360.2019.1612724.
Full textDiment, Judith A., and Linda Newington. "Botanical prints and drawings at the British Museum (Natural History)." Art Libraries Journal 10, no. 1 (1985): 5–28. http://dx.doi.org/10.1017/s0307472200004053.
Full textBello, R. W., D. A. Olubummo, Z. Seiyaboh, O. C. Enuma, A. Z. Talib, and A. S. A. Mohamed. "Cattle identification: the history of nose prints approach in brief." IOP Conference Series: Earth and Environmental Science 594 (December 18, 2020): 012026. http://dx.doi.org/10.1088/1755-1315/594/1/012026.
Full textSecká, Milena. "Educational Prints at the Náprstek Museum." Annals of the Náprstek Museum 39, no. 1 (2018): 75–94. http://dx.doi.org/10.1515/anpm-2018-0006.
Full textLoh, Eva-Maria, Sigrid Eyb-Green, and Wolfgang Baatz. "The Development of Mounts and Mounting Techniques at the Albertina in Vienna from 1805 to 2018." Restaurator. International Journal for the Preservation of Library and Archival Material 40, no. 3-4 (November 18, 2019): 141–71. http://dx.doi.org/10.1515/res-2019-0026.
Full textCzarski, Bartłomiej. "The Poetic Design of the First Cracovian Prints." Acta Academiae Artium Vilnensis, no. 101-102 (September 30, 2020): 69–97. http://dx.doi.org/10.37522/aaav.101.2021.65.
Full textArnade, Peter, and Natalie M. Orenstein. "Pieter Bruegel the Elder: Drawings and Prints." Sixteenth Century Journal 34, no. 1 (April 1, 2003): 297. http://dx.doi.org/10.2307/20061406.
Full textDonahue-Wallace, Kelly. "Picturing Prints in Early Modern New Spain." Americas 64, no. 3 (January 2008): 325–49. http://dx.doi.org/10.1353/tam.2008.0038.
Full textBriggs, Asa. "Review: Reading Popular Prints, 1790–1870." Literature & History 7, no. 2 (September 1998): 109–10. http://dx.doi.org/10.1177/030619739800700219.
Full textJr., Noble E. Cunningham, and Harold Holzer. "Washington and Lincoln Portrayed: National Icons in Popular Prints." Journal of Southern History 61, no. 1 (February 1995): 191. http://dx.doi.org/10.2307/2211424.
Full textBouson, J. Brooks. "Life Prints: A Memoir of Healing and Discovery (review)." Biography 24, no. 4 (2001): 963–67. http://dx.doi.org/10.1353/bio.2001.0080.
Full textGomis, Juan, and Jeroen Salman. "Tall Tales for a Mass Audience." Quaerendo 51, no. 1-2 (May 7, 2021): 95–122. http://dx.doi.org/10.1163/15700690-12341484.
Full textWalsh, Victoria. "Reordering and Redistributing the Visual: The Expanded ‘Field’ of Pattern-Making in Parallel of Life and Art and Hammer Prints." Journal of Visual Culture 12, no. 2 (August 2013): 222–44. http://dx.doi.org/10.1177/1470412913492398.
Full textGrave, Johannes. "Ideal and History. Johann Wolfgang Goethe's Collection of Prints and Drawings." Artibus et Historiae 27, no. 53 (January 1, 2006): 175. http://dx.doi.org/10.2307/20067115.
Full textAlexander, D. "Prints after John Collet: Their Publishing History and a Chronological Checklist." Eighteenth-Century Life 26, no. 1 (January 1, 2002): 136–46. http://dx.doi.org/10.1215/00982601-26-1-136.
Full textArutyunyan, Julia I. "Maps and Guidebooks: 17th-Century Prints in Modern Art History Studies." Actual Problems of Theory and History of Art 12 (2022): 224–35. http://dx.doi.org/10.18688/aa2212-03-15.
Full textDe Luise, Alexandra. "Ploos van Amstel and Christian Josi; two generations of printmakers working in the artful imitation of drawings." Quaerendo 25, no. 3 (1995): 215–26. http://dx.doi.org/10.1163/157006995x00035.
Full textManiura, R. "Early Relief Prints: Beyond the Aesthetic." Oxford Art Journal 34, no. 1 (February 3, 2011): 142–46. http://dx.doi.org/10.1093/oxartj/kcr008.
Full textShattock, Joanne. "Reading Books and Prints as Cultural Objects." Media History 27, no. 2 (March 18, 2021): 266–67. http://dx.doi.org/10.1080/13688804.2021.1902113.
Full textZervigón, Andrés Mario. "The Peripatetic Viewer at Heartfield's Film und Foto Exhibition Room." October 150 (October 2014): 27–48. http://dx.doi.org/10.1162/octo_a_00199.
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