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Books on the topic 'History of modes of production'

Author: Grafiati
Published: 9 March 2023

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1

Modes of production in world history. London: Routledge, 1989.

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2

Modes of production of Victorian novels. Chicago: University of Chicago Press, 1986.

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3

Zingarelli, Andrea Paula, and Laura da Graca. Studies on pre-capitalist modes of production. Leiden: Brill, 2015.

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4

Banaji, Jairus. Theory as history: Essays on modes of production and exploitation. Leiden: Brill, 2010.

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5

Banaji, Jairus. Theory as history: Essays on modes of production and exploitation. Leiden: Brill, 2010.

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6

Banaji, Jairus. Theory as history: Essays on modes of production and exploitation. Leiden: Brill, 2010.

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7

1920-, Sharma Ram Sharan, Gupta D. N, and Hindu College (Delhi India), eds. Changing modes of production in India: An historical analysis. Delhi: Hindu College, 1995.

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8

Doujon, Jean-Pierre. Histoire des faits économiques et sociaux: Une analyse par les modes de production. Alger: Office des publications universitaires, 1993.

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9

Hamel, Dany. Les modes de fabrication des terres cuites communes de production locale à Québec à la fin du XVIIe siècle. Québec: CELAT, 2009.

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10

Marion, Doug. Chevy II, Nova: Production details, history, and performance for every model. Iola, Wis: Krause Publications, 2008.

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11

Marion, Doug. Chevy II, Nova: Production details, history, and performance for every model. Iola, Wis: Krause Publications, 2008.

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12

Elsa, Marmursztejn, ed. La fabrique de la norme: Lieux et modes de production des normes au Moyen Âge et à l'époque moderne. Rennes: Presses universitaires de Rennes, 2012.

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13

Adam, Everett E. Production and operations management: Concepts, models, and behavior. 5th ed. Englewood Cliffs, NJ: Prentice Hall, 1992.

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14

J, Ebert Ronald, ed. Production and operations management: Concepts, models, and behavior. 3rd ed. Englewood Cliffs, NJ: Prentice-Hall, 1986.

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15

J, Ebert Ronald, ed. Production and operations management: Concepts, models and behaviour. 3rd ed. Englewood Cliffs: Prentice-Hall International, 1986.

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16

J, Ebert Ronald, ed. Production and operations management: Concepts, models and behavior. 4th ed. Englewood Cliffs: Prentice-Hall, 1989.

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17

Adam, Everett E. Production and operations management: Concepts, models and behavior. 5th ed. Englewood Cliffs: Prentice-Hall, 1992.

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18

Adam, Everett E. Production and operations management: Concepts, models, and behavior. 4th ed. Englewood Cliffs, N.J: Prentice Hall, 1989.

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19

Adam, Everett E. Production and operations management: Concepts, models, and behavior. 5th ed. Englewood Cliffs, N.J: Prentice Hall, 1992.

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20

O'Leary, Brendan. The Asiatic mode of production: Oriental despotism, historical materialism, and Indian history. Oxford, UK: B. Blackwell, 1989.

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21

Ajia-teki seisan yōshiki ronsōshi: Nihon, Chūgoku, Seiō ni okeru tenkai = History of debates on the Asiatic mode of production. Tōkyō: Shakai Hyōronsha, 2015.

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22

Seminar of the IGU Study Group on World Political Map (1987 Warsaw, Poland). The State, modes of production and world political map: Seminar of the IGU Study Group on World Political Map, Warsaw, October 1987. Warszawa: PAN, IGiPZ, 1989.

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23

Pre-colonial mode of production in India. Kolkata: Granthamitra, 2013.

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24

Peter, Morgan. Original Porsche 911: [the guide to all production models 1963-98]. Devon, England: Bay View Books from MBI Pub., 1998.

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25

Falloon, Ian. The Kawasaki story: Racing and production models from 1963 to the present day. Sparkford, Nr Yeovil, Somerset: Haynes, 2000.

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26

Falloon, Ian. The Ducati story: Racing and production models from 1945 to the present day. 5th ed. Sparkford, Yeovil, Somerset: Haynes, 2011.

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27

Davis, Joseph H. The antebellum U. S. iron industry: Domestic production and foreign competition. Cambridge, Mass: National Bureau of Economic Research, 2007.

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28

Minton, David. The Triumph story: Racing and production models from 1902 to the present day. Sparkford: Haynes, 2002.

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29

Falloon, Ian. The Ducati story: Racing and production models from 1945 to the present day. Sparkford, Nr Yeovil, Somerset [England]: Patrick Stephens Ltd., 1996.

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30

Falloon, Ian. The Ducati story: Racing and production models from 1945 to the present day. 2nd ed. Sparkford, Nr Yeovil, Somerset [England]: Haynes Pub., 1998.

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31

Falloon, Ian. The Ducati story: Racing and production models from 1945 to the present day. 3rd ed. Sparkford, Nr Yeovil, Somerset: Haynes, 2000.

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32

Miomir, Jaksić, ed. Iskušenja marksizma: Azijski način proizvodnje i vanevropska društva. Beograd: Ekonomika, 1985.

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33

Falloon, Ian. The Moto Guzzi story: Racing and production models from 1921 to the present day. Sparkford, Nr Yeovil, Somerset, UK: Haynes Pub., 1999.

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34

André, Helbo, ed. Théâtre, modes d'approche. Bruxelles: Editions Labor, 1987.

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35

Taylor, Alan M. Convergence and international factor flows in theory and history. Cambridge, MA: National Bureau of Economic Research, 1996.

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36

Endre, Tanka. Development of land relations in Japanese agriculture prior to the Second World War. Budapest: Institute for World Economics of the Hungarian Academy of Sciences, 1990.

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37

Vali, Abbas. Pre-capitalist Iran: A theoretical history. Washington Square, N.Y: New York University Press, 1993.

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38

Vali, Abbas. Pre-capitalist Iran: A theoretical history. London: I.B. Tauris, 1993.

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39

Moving the mountain: Historical patterns in gay book publishing and academic thesis production : a Canadian model. Toronto: iirg, 2005.

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40

Guynes, Sean, and Dan Hassler-Forest, eds. Star Wars and the History of Transmedia Storytelling. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462986213.

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Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world’s most profitable transmedia franchise.
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41

Nagib, Lúcia. Realist Cinema as World Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987517.

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This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.
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42

A, Simonii͡a︡ N., ed. Gorod v format͡s︡ionnom razvitii stran Vostoka. Moskva: "Nauka," Glav. red. vostochnoĭ lit-ry, 1990.

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43

1930-, Fukutomi Masami, and Katō Kikuyo, eds. Kodai shakaishi to Nihon bunkaron. Tōkyō: Miraisha, 1986.

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44

William, Fogel Robert, Fogel Robert William, Crawford Stephen C, and Engerman Stanley L, eds. Without consent or contract: The rise and fall of American slavery : technical papers. New York: Norton, 1992.

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45

William, Fogel Robert, Engerman Stanley L, and Fogel Robert William, eds. Without consent or contract. New York: Norton, 1991.

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46

William, Fogel Robert, Engerman Stanley L. 1936-, and Fogel Robert William, eds. Without consent or contract: The rise and fall of American slavery. New York: Norton, 1991.

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47

William, Fogel Robert, Engerman Stanley L, and Fogel Robert William, eds. Without consent or contract: The rise and fall of American slavery (technical papers). New York: Norton, 1992.

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48

Estevadeordal, Antoni. Testing trade theory in Ohlin's time. Cambridge, MA: National Bureau of Economic Research, 2002.

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49

Karatani, Kojin, and Michael K. Bourdaghs. Structure of World History: From Modes of Production to Modes of Exchange. Duke University Press, 2014.

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50

Karatani, Kojin, and Michael K. Bourdaghs. Structure of World History: From Modes of Production to Modes of Exchange. Duke University Press, 2014.

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