Journal articles: 'History of and Architecture'

1

Anderson, Stanford. "Architectural History in Schools of Architecture." Journal of the Society of Architectural Historians 58, no. 3 (September 1999): 282–90. http://dx.doi.org/10.2307/991520.

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Benkari, Naima. "THE FORMATION AND INFLUENCE OF THE MILITARY ARCHITECTURE IN OMAN DURING AL-YA'ARIBA PERIOD (1034-1162 AH/1624–1749 AD)." Journal of Islamic Architecture 6, no. 4 (December 26, 2021): 217–28. http://dx.doi.org/10.18860/jia.v6i4.12104.

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Despite its richness, the research corpus published about Islamic architecture presents some discontinuities in the knowledge of the architecture in the lands ruled by Muslims. Similarly, the dynamics of influence that might have operated between the "monumental" architecture in these lands and their popular architectures are insufficiently addressed. Moreover, the material culture related to the Islamic civilization is almost exclusively studied as a product that has stopped evolving. The architecture produced during Al-Ya'ariba (Al- Ya'rubi) Imamate (1624-1749) is an instance of these understudied topics in the history of Islamic architecture. This research argues that Al-Ya'rubi Imamate is not only an important chapter in the history of Oman, the Arabian Peninsula, Indian Ocean, and Eastern Africa, but also the architecture of this period has created the identity of Omani architecture as we know it today. Nonetheless, there is no architectural production in this era both in the major references and scientific publications of Islamic architecture in the 17th and 18th centuries. Through field research, comparative analysis, and literature review of the history of Omani architecture, especially in the 17th -18th centuries, this research examines the military architecture in Oman during Al-Ya'ariba Imamate including its reference, and its influence on other architectures. It is a contribution to the scientific endeavour to address this specific architectural typology from the perspective of its mechanism of (trans) formation and its continuity of forms until the contemporary architecture of Oman.

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Зарекор, Кимберли, Владимир Кулич, and Николай Андреевич Ерофеев. "The President of our Country is a Real Estate Developer." Городские исследования и практики 3, no. 4 (July 3, 2020): 12–17. http://dx.doi.org/10.17323/usp34201812-17.

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Professors of Iowa State University and specialists in Socialist architecture and urban development, Kimberly Zarecor and Vladimir Kulić spoke in their interview about their approach to research and teach socialist architecture. They see the aim of their research in reintegrating the history of Eastern European and Soviet architecture into the general history of architecture. The main contribution of Soviet architects, they argue, was on developing typologies of public architecture, in contrast to the canonical Western architectural history, which celebrates private buildings. Soviet architects developed an entire culture of original, functional and economic public design. They see their course ‘The Architectures of Global Socialism,’ taught at Iowa State University, not only as an opportunity to learn from social legacies but also to start a broader discussion about socialism today.

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Figueira, Jorge, and Bruno Gil. "Biographies of Power: Personalities and Architectures." Joelho Revista de Cultura Arquitectonica, no. 8 (December 26, 2017): 170–200. http://dx.doi.org/10.14195/1647-8681_8_11.

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This section displays the work produced by the students of the Department of Architecture of the University of Coimbra (DARQ, UC) for the courses History of Architecture III and History of Architecture IV in the academic year 2016-2017. The main theme for the practical works of both course units was Biographies of Power: Personalities and Architectures. The work was exhibited in the gallery of DARQ, UC in September 2017. The works presented for Biographies of Power: Personalities were focused on the passage of testimony between Louis Sullivan and F. L. Wright. While they crucially contributed to the identity of a modern and American architecture, they carried out a professional and personal relationship that was also guided by the measurement of forces. The work done by the students for Biographies of Power: Architectures resulted from an observation of a set of buildings that goes beyond their architectural and physical contours, or which precisely searches for their actual description, in the light of any ideology that is ultimately represented or even reinforced by its own architectural condition.

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Sagdic, Zafer, and Ipek Kosova. "Learning Architectural History by Movie Making: Ottoman Architecture." Procedia - Social and Behavioral Sciences 106 (December 2013): 1753–59. http://dx.doi.org/10.1016/j.sbspro.2013.12.197.

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Bhatt, Dulari, Chirag Patel, Hardik Talsania, Jigar Patel, Rasmika Vaghela, Sharnil Pandya, Kirit Modi, and Hemant Ghayvat. "CNN Variants for Computer Vision: History, Architecture, Application, Challenges and Future Scope." Electronics 10, no. 20 (October 11, 2021): 2470. http://dx.doi.org/10.3390/electronics10202470.

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Computer vision is becoming an increasingly trendy word in the area of image processing. With the emergence of computer vision applications, there is a significant demand to recognize objects automatically. Deep CNN (convolution neural network) has benefited the computer vision community by producing excellent results in video processing, object recognition, picture classification and segmentation, natural language processing, speech recognition, and many other fields. Furthermore, the introduction of large amounts of data and readily available hardware has opened new avenues for CNN study. Several inspirational concepts for the progress of CNN have been investigated, including alternative activation functions, regularization, parameter optimization, and architectural advances. Furthermore, achieving innovations in architecture results in a tremendous enhancement in the capacity of the deep CNN. Significant emphasis has been given to leveraging channel and spatial information, with a depth of architecture and information processing via multi-path. This survey paper focuses mainly on the primary taxonomy and newly released deep CNN architectures, and it divides numerous recent developments in CNN architectures into eight groups. Spatial exploitation, multi-path, depth, breadth, dimension, channel boosting, feature-map exploitation, and attention-based CNN are the eight categories. The main contribution of this manuscript is in comparing various architectural evolutions in CNN by its architectural change, strengths, and weaknesses. Besides, it also includes an explanation of the CNN’s components, the strengths and weaknesses of various CNN variants, research gap or open challenges, CNN applications, and the future research direction.

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Koleva, Donka. "The Architectural Cultural Values of Veliko Tarnovo - A Window to History." Cultural and Historical Heritage: Preservation, Representation, Digitalization 7, no. 1 (2021): 199–208. http://dx.doi.org/10.26615/issn.2367-8038.2021_1_015.

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Old Capital Veliko Tarnovo - the historical and spiritual capital of Bulgaria has preserved extremely valuable evidence of its history, architecture and arts. Tarnovo architecture reveals the spiritual development and masterful genius of the Bulgarians, interesting facts, continuity and creative development in the construction of temples, schools, community centers and other civic buildings over the centuries, as well as the formation of two architectural schools: medieval Tarnovo architecture with picturesque style and Tarnovo Revival architecture in baroque style by master Nikola Fichev. Keywords: Tarnovo Architecture, Master Nikola Fichev, Architectural Schools, Architectural Value

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Tavernor, Robert. "Architectural history and computing." Architectural Research Quarterly 1, no. 1 (1995): 56–61. http://dx.doi.org/10.1017/s1359135500000105.

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This paper is based largely on a document presented at a conference celebrating the 25th anniversary of the Martin Centre, held at the University of Cambridge in October 1992. It takes as its point of departure Sir Leslie Martin's essay, ‘Architects’ approach to architecture' (Martin, 1967). Commencing with his argument that ‘intentions and processes’ in architecture are more fundamental than form, this paper questions past attempts at relating history to architectural process, and outlines the potential offered by more recent advances in technology – especially, photogrammetry and the computer – for achieving a more objective and broader base for architectural criticism and consensus.

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Puchkov, Andrii. "UKRAINIAN ACADEMY OF ARCHITECTURE: HISTORY, PROFITS AND LOSSES, EXPECTATIONS AND PROSPECTS To the history of the Academy’s functioning in 1945–2021." Urban development and spatial planning, no. 78 (October 29, 2021): 7–30. http://dx.doi.org/10.32347/2076-815x.2021.78.7-30.

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The article makes an attempt to highlight the main features, achievements and problems of the Academy of Architecture on the territory of Ukraine, starting from 1945 to the present, using a historical-chronological method. We are talking about the Academy of Architecture of the Ukrainian SSR, reorganized in 1945 from the Ukrainian branch of the Academy of Architecture of the USSR (1944), about the Academy of Civil Engineering and Architecture of the Ukrainian SSR, reorganized from the Academy of Architecture in 1955, about the liquidation of this Academy in 1963, about the restoration of the Academy in 1992 in the status of the Ukrainian Academy of Architecture. On the basis of little-known factual material, the activities of five presidents of the Academy of Architecture are outlined — Vladimir Zabolotny (1945–1955), Anatoly Komar (1955–1959), Pavel Bakuma (1959–1963) Valentin Shtolko (1992– 2020), Oleg Sleptsov (from September 2021), — as well as the features of actual achievements related to the historical context, lost perspectives, unfulfilled desires and urgent needs of the architectural and architectural workshops of Ukraine for almost eighty years. Among other things, the achievements of the Academy on the path of researching the architectural heritage of Ukraine are shown, V. Zabolotny’s concern for research in this particular area; highlights the dynamics of the transformation of candidate dissertations in architecture from design-descriptive to scientific, which they are now; shows the range of problems that accompanied the Ukrainian Academy of Architecture after its restoration in 1992, as well as the broad and important scientific and creative heritage of its academicians and corresponding members, in particular in the field of publishing fundamental scientific works; for the first time, a visual representation of the general picture of the formation and formation of the forms of activity of the Academy of Architecture during its existence was proposed; outlined the prospects for further functioning and highlighted aspects of understanding the role of the Ukrainian Academy of Architecture in the modern architectural world, not only Ukrainian.

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Schwarting, Andreas. "Die ganze Breite architekturgeschichtlicher Forschung." architectura 50, no. 1-2 (November 25, 2022): 24–27. http://dx.doi.org/10.1515/atc-2020-1005.

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Abstract In 1976, Wulf Schirmer, professor of architectural history at the University of Karlsruhe (TH), followed Heinrich Klotz as editor of the architectura and headed the editorial team until 2002. During this time, the journal developed into an open forum for the most diverse forms of research in architectural history – chronologically from the ruins of the 4th millennium BC to the architecture of the late 20th century, topographically from Europe, the Mediterranean, Mesopotamia, Asia and Russia to North and South America, and methodologically from architectural research to art history, architectural theory and the preservation of historical monuments.

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Fabricius, Daniela. "Architecture before architecture: Frei Otto's ‘Deep History’." Journal of Architecture 21, no. 8 (November 16, 2016): 1253–73. http://dx.doi.org/10.1080/13602365.2016.1254667.

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Petcu, Elizabeth J. "Amorphous Ornament:." Journal of the Society of Architectural Historians 77, no. 1 (March 1, 2018): 29–55. http://dx.doi.org/10.1525/jsah.2018.77.1.29.

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Leon Battista Alberti famously likened the relationship between architectural structure and superstructure to the dualism of skeleton and skin. In Amorphous Ornament: Wendel Dietterlin and the Dissection of Architecture, Elizabeth J. Petcu scrutinizes how the Architectura treatise (1593–98) of Strasbourg artist Wendel Dietterlin the Elder (ca. 1550–99) subverted Alberti's theory and the aesthetic of stability it promoted by popularizing a style of amorphous architectural motifs that recall bone, cartilage, muscle, and flesh, melding built framework with decorative surface. Drawing these corporeal conceits from contemporary anatomical publications, Dietterlin inspired buildings, architectural prints, and objects that challenged tectonic conventions, upset the traditional split between exterior and interior, and emulated the figural arts’ involvement in representing interior human forms. In assessing how Dietterlin's Architectura turned the proverbial body of architecture inside out, Petcu demonstrates that Renaissance comparisons between body and building did not always project ideals of architectural beauty and reveals overlooked origins of baroque-era fusions of architecture and the figural arts.

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Sagdic, Zafer, and Ipek Kosova. "Learning Architectural History by Movie Making: World Contemporary Architecture." Procedia - Social and Behavioral Sciences 106 (December 2013): 1760–70. http://dx.doi.org/10.1016/j.sbspro.2013.12.198.

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Nizomova, Mohinur B., and Ogabek R. Choliyev. "THE HISTORY OF UZBEK ARCHITECTURE AND ITS PLACE TODAY." European International Journal of Multidisciplinary Research and Management Studies 02, no. 11 (November 1, 2022): 136–39. http://dx.doi.org/10.55640/eijmrms-02-11-32.

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This article provides brief information about the architectural structures built in the history of Uzbekistan and their specific aspects. Architectural styles, trends and monuments in ancient cities are described. After independence, monuments will be taken under state protection.

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Sedalishcheva, Sargylana Nikolaevna. "The role of the local history school expedition in the study of the national architecture of the wooden architecture of the Yansk Yakuts." Педагогика и просвещение, no. 4 (April 2022): 116–25. http://dx.doi.org/10.7256/2454-0676.2022.4.36851.

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The subject of the study is the national architecture of the wooden architecture of the Yan Yakuts, which were studied during the organization and conduct of local history research expeditions of schoolchildren under the project "Along the paths of ancestors". The article describes the content of the work of local history school expeditions that were carried out in the Verkhoyansky district of the Republic of Sakha (Yakutia) to fix wooden architecture, the methodology of the expedition, the history of the material traditional culture of the Yansk Yakuts. The purpose of the article is to familiarize with the uniqueness of the national architecture of the Yan Yakuts. The methods of studying the national architecture of wooden architecture in the conditions of local history school expeditions are field research, photofixation of wooden architecture, architectural measurements, sketching on the preserved remains of summer and winter estates. The scientific novelty of the research lies in the fact that the wooden architectures of antiquity are becoming relevant for the preservation as an ethnic cultural heritage, as an understanding of the preservation of ethnic components in modern society. Thus, the description and reconstruction of the traditional dwellings of the Yan Yakuts is not only the preservation of national architecture, but also the revival of ethnic and cultural traditions of the Yakuts as a whole in the era of globalization. Local history research expeditions of schoolchildren play an important role in the study of the small homeland. It is these forms of organizing local history expeditions that personally bring modern students closer to the history of their ancestors, their way of life.

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Hejazi, Mehrdad, Bina Hejazi, and Saba Hejazi. "EVOLUTION OF PERSIAN TRADITIONAL ARCHITECTURE THROUGH THE HISTORY." Journal of Architecture and Urbanism 39, no. 3 (September 29, 2015): 188–207. http://dx.doi.org/10.3846/20297955.2015.1088415.

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The architecture of Iran is wholly based on the comprehensive use of knowledge of both metaphysical and physical sciences. Architecture and structural engineering in Iran involve a great range of buildings distributed over a vast area from the borders of China to the Mediterranean coastlines. Certain design elements, developed by Iranian architecture and aesthetics, persisted for thousands of years and exerted a marked effect on other successive styles of construction throughout the world. Architecture in Iran solved complicated structural problems and created magnificent architectural masterpieces. In this paper, the evolution of Persian traditional architecture is discussed and a general overview of the paramount virtues of the traditional architecture and historical buildings of Iran with emphasis on structural and scientific features will be presented.

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Verma, Neena. "Insecurity in architecture." Architectural Research Quarterly 18, no. 2 (June 2014): 106–9. http://dx.doi.org/10.1017/s1359135514000414.

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‘I myself do not believe in explaining anything’, wrote Shel Silverstein. It seems that architecture is always looking to explain itself. Definitions of architecture seem almost common knowledge; ask a bartender, biologist, computer scientist, economist, legislator, birdwatcher, quilter or scientist, each of whom analogises their field with respect to architecture. And several within the profession can themselves define architecture's limits quite elegantly. Most recently Steven Holl defined architecture as consisting simply of abstract, use, space and idea. However, seeking a rationale or explanation for architecture – its role in society, its impact, its value – remains an open debate. This debate has consumed the field, in academia and practice, for centuries. It suggests a dire insecurity.Shifts in architecture's self-perception and self-explanation often relate to formal styles. Any text on architectural history covers these styles, from Neolithic to contemporary, including accompanying sub-movements such as, for the early modern category, Expressionist architecture, Art Deco, and the so-called ‘International Style’. Each style is often imagined a product of, or reaction to, a preceding style, and much the same can be said of accompanying trends in the explanation of architecture. This essay, and its underlying argument, is itself a reaction to the current state of affairs.

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Tian, Mengyao, and Xu Xiao. "The influence of Chinese and Western cultural traditions on ancient architecture." Pacific International Journal 5, no. 4 (December 31, 2022): 105–11. http://dx.doi.org/10.55014/pij.v5i4.231.

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Architecture is a frozen music, a visual art, and a visual object whose existence is witnessed by history. Some classic ancient architectures including the pyramids of ancient Egypt, the Parthenon of ancient Greece, the Pantheon of ancient Rome, the Forbidden City, the Great Wall, the Hanging Temple of China and other world-famous traditional Chinese and Western architectures reflect ancient philosophical thoughts of the times. Architecture has formed a unique culture with the passage of time, and in turn culture plays an influential role to the formation of architecture. Geographical differences cause diversity to architectural cultures all round the world. In terms of Chines and western ancient architecture, the two differ each other on appearance, connotation, space and structure, which indicate not only the culture characteristics but also the aesthetic changes behind the architectures between China and the West.The West's passion for stone architecture and the East's passion for wood architecture are determined by national culture and geographical environment. It is difficult to judge which one is superior, sine such designs are developed to adapt to the environment and living habits. Ancient people built their characteristic architecture to meet the needs of the local people and living conditions.

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Puchkov, Andrii. "UKRAINIAN ACADEMY OF ARCHITECTURE: HISTORY, PROFITS AND LOSSES, EXPECTATIONS AND PROSPECTS." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 4–20. http://dx.doi.org/10.32347/2519-8661.2021.22-23.4-20.

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An attempt has been made to outline in a historical and chronological way the main features, achievements and problems of the Academy of Architecture in Ukraine, from 1945 to the present. These are the Academy of Architecture of the USSR, transformed in 1945 from the Ukrainian branch of the Academy of Architecture of the USSR (1944), the Academy of Civil Engineering and Architecture of the USSR, transformed from the Academy of Architecture in 1955, the liquidation of this Academy in 1963, the restoration of the Academy in 1992. year in the status of the Ukrainian Academy of Architecture. Based on the involvement of little-known factual material outlines the activities and practical and theoretical guidelines of the five presidents of the Academy of Architecture - Vladimir Zabolotny (1945-1955), Anatoly Komar (1955-1959), Pavel Bakuma (1959-1963), Valentyn Shtolko (1992–2020), Oleg Sleptsov (since September 2021), as well as the peculiarities of actual achievements and radiant delusions of lost perspectives, unfulfilled desires and urgent needs of the architectural and architectural shops of Ukraine during the last almost eighty years. Among other things, the achievements of the Academy on the way of researching the architectural heritage of Ukraine, the care of V. Zabolotny for research in this area are shown; highlights the dynamics of transformation of candidate dissertations in architecture from design and descriptive to the actual scientific, as they are now; the range of problems that accompanied the Ukrainian Academy of Architecture after its restoration in 1992 is depicted, as well as the vastness of important scientific and creative achievements of its academics and corresponding members, in particular in the field of publishing basic scientific works; finally, for the first time, it is proposed to illustrate the general picture of the formation and formation of the forms of activity of the Academy of Architecture during its existence; the prospects of further functioning are outlined and aspects of understanding the role of the Ukrainian Academy of Architecture in the modern architectural world, not only the Ukrainian one, are singled out.

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Imaah, Napoleon Ono. "The Architecture of History." Dialogue and Universalism 19, no. 3 (2009): 307–23. http://dx.doi.org/10.5840/du2009193/570.

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Gaber, Tammy. "Mamluk History through Architecture." American Journal of Islam and Society 29, no. 4 (October 1, 2012): 98–102. http://dx.doi.org/10.35632/ajis.v29i4.1184.

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This exhaustive series of fifteen essays, all produced by the author during1989-2005, covers many relevant facets of the Mamluk slave dynasty (1250–1517). By collecting these previously published essays in a single volume, atrajectory of interpretation can be contextualized and understood. Nasser Rabbat,a key figure in the contemporary study of Islamic architecture, is directorof the Aga Khan Program for Islamic Architecture at MIT. The essays, organizedinto four thematic parts, begin with a conceptual understanding of the Mamluks and their role and then look at their architecture through the lensesof history, language, and cultural index ...

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Dyer, Christopher. "History and Vernacular Architecture." Vernacular Architecture 28, no. 1 (June 1997): 1–8. http://dx.doi.org/10.1179/030554797786050428.

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Harris, Howard, and Alan Lipman. "Architecture ‐ Heritage, History, Memory." Social Dynamics 24, no. 2 (June 1998): 159–78. http://dx.doi.org/10.1080/02533959808458656.

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Petrulis, Vaidas. "STYLISTIC PRECONDITIONS FOR EVALUATING SOVIET ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (June 30, 2006): 134–42. http://dx.doi.org/10.3846/13921630.2006.10697074.

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The paper analyses the Lithuanian architecture of the soviet period through the prism of stylistic development and history of architectural ideas. The main task of the work is to determine the heritage values of the soviet period from the point of view of architectural history. Before going into deeper analysis of separate stylistic aspects some key problems of the soviet time heritage evaluation are discussed. Particular attention is given to the need of separation of the soviet time architectural history from the political history as well as to the problem of integration of the soviet heritage into contemporary city life. Three main approaches on the architecture of the soviet period are pointed out: socialist realism, soviet industrial modernism and plurality of stylistic attitudes during the last decades of the soviet period. The paper follows an assumption that some characteristic buildings of each architectural outlook should be saved in order to have an example of authentic way of development in the Lithuanian architecture during the 20th century.

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Bazilevich, Evgeny M. "HISTORICAL ARCHITECTURAL HERITAGE AND HISTORY PRESERVED IN STUDENT DRAWINGS." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 24. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-24.

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The articles presents the experiences of the fine art teaching staff at the Institute of Architecture and Design, the Pacific State University, in the study of historical architectural environment and history based on an archive of preserved student drawings. The author considers this approach as one of the possible ways of organizing research work in the university in the areas of "Architecture" and "Design of Architectural Environment".

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Pelkonen, Eeva-Liisa. "Vincent Scully Detonates the Past." Joelho Revista de Cultura Arquitectonica, no. 13 (March 10, 2022): 67–82. http://dx.doi.org/10.14195/1647-8681_13_4.

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The essay discusses the role which art historian Vincent Scully (1920‑2017) played in revisioning modern architecture’s relationship to time and history. The focus is on the psychoanalytical turn in his scholarship, which dictated that architecture was a product of collective memories rather than of historical processes. It makes a larger argument that art history, since Freud introduced the idea of “unconscious” architectural history, often became written from the perspective and for the benefit of the present.

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Tragbar, Klaus. "Heinrich Klotz und die architectura – und was in 50 Jahren aus ihr wurde." architectura 50, no. 1-2 (November 25, 2022): 10–23. http://dx.doi.org/10.1515/atc-2020-1004.

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Abstract In 1971, Heinrich Klotz, who had returned from a stay as a visiting professor at Yale University in New Haven, Connecticut, founded architectura. Zeitschrift für Geschichte der Baukunst/Journal of the History of Architecture with the financial support of the Deutsche Forschungsgemeinschaft (DFG). Klotz experiments with different formats of essays but retires as editor in 1976. Under subsequent editors, architectura continues to develop into the leading journal for the history of architecture, whose essays are not subject to any temporal or local limitations and reflect the entire breadth of research in the history of architecture.

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UYSAL BİLGE, Fulay. "IDEOLOGY – ARCHITECTURE RELATIONSHIP: NAZI ARCHITECTURE." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 25 (2022): 0. http://dx.doi.org/10.17365/tmd.2022.turkey.25.05.

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Hitler’s Germany witnessed the most influential political power activities in world history before and during the Second World War. Germany’s collapse both politically and economically in the early 1930s enabled Hitler to take action. This structure, which relied on the new political stance behind it, has ensured its legitimacy and ideology with propaganda works. Nazis used the social power of architecture as a tool to support the new order that they were establishing. Aim: This study aims to investigate the effects on the forming and shaping of the city and the designed buildings, planned according to the Nazi ideology fundamentals. Method: In the article, concepts of ideology and propaganda are discussed. The propaganda methods used during the Hitler period are briefly explained. Through the relationship between ideology and architecture, the reflections of ideology on Nazi architecture have been determined. By evaluating the relationship of Hitler's architectural preferences with ideology, it was determined how it was treated as a propaganda tool. Findings: It was determined that the effects of Hitler's ideology on the shaping of Nazi architecture had an independent style of national socialism and classicism established on European typology and morphology. The relationship between the monumental architecture utilized in Nazi Germany and the styles in the history of architecture was detected. Although it is impossible to classify Hitler's architectural preferences under a single title and to say that the Third Reich has an official architectural style, it was determined that Nazi Architecture, founded on the neoclassical basis, was developed and changed around this framework. Conclusion: For architecture to thrive, it needs an innovative, unrestricted and creative environment rather than a repressive one. Politics is expected to be supportive rather than conflicting with architecture. Instead of imitation, supporting historical searches with creativity will develop architecture.

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Akcan, Esra. "Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi." ARTMargins 4, no. 1 (February 2015): 79–101. http://dx.doi.org/10.1162/artm_r_00105.

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This article comparatively discusses the 14th International Architecture Biennale of Venice, directed by Rem Koolhaas, and the pilot exhibit and architectural design of Louvre Abu Dhabi undertaken by Jean Nouvel, in the context of recent big art events and world museums. Curatorial, historiographical, and installation strategies in these venues are differentiated in order to think through the question of displaying a global history of architecture. I make a distinction between the curatorial practices carried out in the Fundamentals and Absorbing Modernity sections of Venice's Central and National Pavilions as curator-as-author and curators-as-chorus, which I map onto recent historiographical and museum design practices, including the Louvre Abu Dhabi, to discuss the geopolitical implications of its installation strategies. I also argue that six methodological perspectives for displaying architectural history emerge from the curator-chorus of Absorbing Modernity, which can be identified as survey, nationalist history, case study, thematic history, archive metaphor, and deferment, all of which contribute to and raise questions about the ongoing project towards a global architectural history. After suggesting a difference between “world” and “global” history of architecture, I call for a more geopolitically conscious and cosmopolitan global history of architecture, by exposing the intactive bonds between the history of modernism and of colonization, as well as the continuing legacy of geopolitical and economic inequalities that operate in such venues.

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Tumanik, A. G. "ARCHITECTURE AND HISTORY OF ZHYTOMYR TRANSFIGURATION CATHEDRAL." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 74–84. http://dx.doi.org/10.31675/1607-1859-2019-21-1-74-84.

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This article in the historical and professional context reconstructs the process of creating, characterizes the architectural and artistic quality of the Orthodox Cathedral in the name of the Transfiguration of Christ in Zhytomyr, created in the second half of the 19th century and is currently one of the category of the rarest monuments of the historic Russian temple architecture, but exists outside the bounds of the cultural space of modern Russia.

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Hatton, Brian. "Exploring architecture as a critical act, questioning relations between design, criticism, history and theory." Architectural Research Quarterly 8, no. 2 (June 2004): 105–8. http://dx.doi.org/10.1017/s1359135504000132.

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This conference, which took place 25–27 November 2004, was held by the Bartlett School of Architecture in association with the Architectural Humanities Research Association (AHRA). Its stated aim was to examine the relationship between critical practice in architecture and architectural criticism, intending to place architecture in an interdisciplinary context with reference to modes of criticism in other disciplines, specifically art criticism, and to explore modes of critical practice in architecture: buildings, drawings and texts. Brian Hatton attended the second day of the conference; his comments on the first day are based on discussions with colleagues and reading of transcripts.

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Fell Contreras, Stephannie. "The Rise and Fall of Visual Paradigms: An Interview with Mario Carpo." Materia Arquitectura, no. 20 (December 24, 2020): 24. http://dx.doi.org/10.56255/ma.v0i20.477.

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Interview conducted by Stephannie Fell Contrerasat The Bartlett School of Architecture (March 10th, 2020) and via Zoom (April 14th, 2020) Mario Carpo is Reyner Banham Professor of Architectural History and Theory at The Bartlett School of Architecture. He specializes in history of architectural theory and history of cultural technologies, focusing on the early modern period and contemporary digital design theory. He is the author of The Second Digital Turn (MIT Press, 2017), The Alphabet and the Algorithm (MIT Press, 2011), and Architecture in the Age of Printing (MIT Press, 2001), among other books.

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Uduku, Ola. "Other Modernisms: Recording Diversity and Communicating History in Urban West Africa." Modern Africa, Tropical Architecture, no. 48 (2013): 62–69. http://dx.doi.org/10.52200/48.a.8zfoufgc.

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Seminal publications on West African Architecture such as Kulterman’s New Architecture in Africa and the Architectural Review’s New Commonwealth Architecture came to define the African Modern Movement as it was understood internationally. This paper explores the specific context within which this new architecture developed and the actors that helped to shape it. Vaughan–Richards’ Ola–Oluwakitan House and Cubitt’s Elder Dempster Offices are analyzed in terms of their engagement with the socio-cultural context in which they were conceived, the site-specific Modernity of the former contrasting the corporate International Style response of the latter.

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Larson, Julia Diane. "Design and Social Change: An Architectural History of the University of California, Santa Barbara." American Archivist 84, no. 2 (September 1, 2021): 240–55. http://dx.doi.org/10.17723/0360-9081-84.2.240.

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ABSTRACT The University of California, Santa Barbara (UCSB), campus as it stands today appears as an architectural mash-up of midcentury modern institutional buildings, both low rise and high rise; a smattering of World War II–era wooden buildings; 1970s-style double wide trailers; and new science buildings built by a who's who of internationally famous architects. In this case study, the author shows how the UCSB campus's architectural history mirrors the post–World War II boom in educational facilities throughout California and the social, cultural, and architectural history of the region as a whole. The key to discovering this history is archival research, both at the University Archives at the UCSB Library, as well as at the architecture-specific Architecture and Design Collection at the Art, Design & Architecture Museum on campus. In this case study, the author explains how the architectural history can be traced through the archival records to more fully understand the history of the campus.

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TODOROVA, ZINAIDA. "SAINT NICHOLAS CHURCH IN UNEZHMA VILLAGE: HISTORY AND ARCHITECTURE." Studia Humanitatis 21, no. 4 (December 2021): 14–24. http://dx.doi.org/10.15393/j12.art.2021.3784.

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The article deals with a relatively unknown monument of wooden architecture – the Saint Nicholas Church (1824) in Unezhma village of the Onega District in the Arkhangelsk Region. The monument is extremely hard to reach, and it is located in a unique natural environment. The church stands out due to its architecture; however, it is poorly studied in terms of its construction history, architectural and artistic features, and interconnections with regional traditions. The church is described together with the bell tower built in 1792 as an architectural complex existing for more than four hundred years. The study is based on historical archival sources and on-site survey results. The authors traced the construction history of the Saint Nicholas Church and identified its construction stages. The appearance of the building at each construction stage was substantiated and presented through graphical reconstructions. The building was compared to similar structures found in the Onega Pomorye, and its specific architectural features were exposed. The building was also studied from the structural point of view. Based on the results of the comparison with similar structures and the analysis of their historical changes, the author made some conclusions about the original design of the church top. Historical data on the preceding church were interpreted and used to create its graphical reconstruction, together with the analysis of local architectural traditions. Thus, the article brings to light the construction history and development of the Unezhma church complex. The architecture of the Saint Nicholas Church and the bell tower has its distinctive features, but it ultimately conforms to the church-building traditions of the Onega Pomorye.

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Davidson, James. "A Proposal for the Future of Vernacular Architecture Studies." Open House International 38, no. 2 (June 1, 2013): 57–65. http://dx.doi.org/10.1108/ohi-02-2013-b0006.

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Given the broad scale and fundamental transformations occurring to both the natural environment and human condition in the present era, what does the future hold for vernacular architecture studies? In a world where Capital A (sometimes referred to as ‘polite’) architectural icons dominate our skylines and set the agenda for our educational institutions, is the study of vernacular architecture still relevant? What role could it possibly have in understanding and subsequently impacting on architectural education, theory and practice, and in turn, professional built environment design? Imagine for a minute, a world where there is no divide between the vernacular and the ‘polite’, where all built environments, past and present are open to formal research agendas whereby the inherent knowledge in their built histories inform the professional design paradigm of the day – in all built settings, be they formal or informal, Western or non-Western. In this paper, the author is concerned with keeping the flames of intellectual discontent burning in proposing a transformation and reversal of the fortunes of VAS within mainstream architectural history and theory. In a world where a social networking website can ignite a revolution, one can already see the depth of global transformations on the doorstep. No longer is there any excuse to continue intellectualizing global futures solely within a Western (Euro-American) framework. In looking at the history of VAS, the purpose of this paper is to illustrate that the answers for its future pathways lie in an understanding of the intellectual history underpinning its origins. As such, the paper contends that the epistemological divide established in the 1920s by art historians, whereby the exclusion of so-called non-architect architectures from the mainstream canon of architectural history has resulted in an entire architectural corpus being ignored in formal educational institutions and architectural societies today. Due to this exclusion, the majority of mainstream architectural thinkers have resisted theorizing on the vernacular. In the post-colonial era of globalization the world has changed, and along with it, so have many of the original paradigms underpinning the epistemologies setting vernacular environments apart. In exploring this subject, the paper firstly positions this dichotomy within the spectrum of Euro-American architectural history and theory discourse; secondly, draws together the work of scholars who have at some point in the past called for the obsolescence of the term ‘vernacular’ and the erasure of categorical distinctions that impact on the formal study of what are perceived as non-architectural environments; and finally, sets out the form by which curricula for studies of world architecture could take.

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Isakov, O. A., Zh Zh Bapanova, and A. G. Tlegen. "HISTORY OF THE DEVELOPMENT OF KAZAKH ARCHITECTURE IN THE XIX CENTURY." Bulletin of Kazakh Leading Academy of Architecture and Construction 86, no. 4 (December 15, 2022): 19–29. http://dx.doi.org/10.51488/1680-080x/2022.4-02.

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The article presents some results of the study of the history of the development of Kazakh architecture of the XIX century. It presents residential and public buildings of that time, a new type of housing called "Korzhyn", "Modern" urban housing, public buildings, in particular mosque buildings, as well as the development of architecture, a broad understanding of the patterns of architectural compositions. In addition, at present we are talking about the use of architectural elements of buildings of the XIX century.

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Asak, Ilayda. "A study on graduate level education in architecture: Case of Turkey." Global Journal of Arts Education 6, no. 3 (May 31, 2017): 89–100. http://dx.doi.org/10.18844/gjae.v6i3.1702.

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Today, there are 41 universities offering graduate education programs in architecture. Those programs cover a number of different topics including architectural conservation and restoration, architectural restoration, architectural design, informatics in architectural design, architectural planning and design, architecture history, architectural history and theory, architecture and built environment, digital design in architecture and production. The council of higher education presents that 2978 master theses submitted and approved by Council of higher education. In this study, the master theses submitted to the graduate programs have been investigated. Matrix has been developed regarding o the sex, language, topics, universities. The types of graduate school are natural science and social science. The results of the study show that the number of female students is higher than the male students. The number of theses in Turkish is increasing. The increasing number of theses investigating build technology builds physics and building and construction and computational design is of importance. It is possible to determine that the current and popular topics of Turkish graduate programs in Architecture are in parallel with the prevailing agenda of World architecture. Key Words: theses in architecture, graduate level education, architectural education.

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Hajiyeva, Sabina. "AZERBAIJANI TOWN SHUSHA- MONUMENT OF HISTORY, CULTURE, URBAN PLANNING AND ARCHITECTURE." Scientific works/Elmi eserler 1, no. 1 (April 21, 2022): 89–106. http://dx.doi.org/10.58225/sw.si.2022.1.89-106.

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Shusha is a very valuable historical, town-planning, architectural and natural monument. This is one of the richest with architectural monuments cities in Azerbaijan. Shusha was not only the administrative, but also the cultural and economic center of Karabakh. Many remarkable cultural figures of Azerbaijan - composers, singers, musicians, poets - were born and raised here. Built by Panahali Khan 250 years ago, Shusha is the largest monument of history, culture, urban planning and architecture of Azerbaijan, an open- air museum, which was protected as a historical and architectural reserve. The unique town-planning system of the city of Shusha is characterized by a combination of separate quarters, typical for eastern cities.As a result of the occupation of the territory of Karabakh for about 30 years, the medieval city of Shusha, which has a peculiar urban structure, was half destroyed, despite the fact that before the start of the war, the ancient quarters and numerous historical and architectural monuments were in excellent condition. In the fall of 2019, the staff and students of the Faculty of Architecture of the Azerbaijan University of Architecture and Construction had launched the project “Urban Development and Restoration of the Historical and Architectural Heritage of the town of Shusha”, dedicated to the study of the historical past, architectural monuments, and the unique urban structure of this pearl of Azerbaijani architecture. The need to collect a large number of archival materials, the difficulty in finding them, since Shusha was occupied, as well as the fact that the project was developed by students in their free time, led to the fact that the work was completed at the end of 2020. The project, launched at the request of the students and presented to the general public a few weeks ago, also includes proposals for the urban development of the city and the restoration of individual architectural monuments.This article talks about the historical and current state of the city of Shusha, examines various aspects of the historical development of the city associated with the formation of the urban structure, architectural monuments, explores the problems of restoration of individual objects. Some preliminary designs of monument restorations carried out by students within the framework of the above project are given.

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Wilson, Bronwen, and Ennio Concina. "A History of Venetian Architecture." Sixteenth Century Journal 30, no. 2 (1999): 504. http://dx.doi.org/10.2307/2544728.

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Bhargava, Meena, and Monica Juneja. "Architecture and Study of History." Social Scientist 30, no. 9/10 (September 2002): 88. http://dx.doi.org/10.2307/3517960.

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Gerstein, Linda, and William Craft Brumfield. "A History of Russian Architecture." American Historical Review 99, no. 4 (October 1994): 1360. http://dx.doi.org/10.2307/2168888.

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Wiseman, Mary Bittner, Heinrich Klotz, and Radka Donnell. "The History of Postmodern Architecture." Journal of Aesthetics and Art Criticism 48, no. 2 (1990): 175. http://dx.doi.org/10.2307/430914.

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Schmidt, Albert J., and William Craft Brumfield. "A History of Russian Architecture." Russian Review 54, no. 1 (January 1995): 133. http://dx.doi.org/10.2307/130792.

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Bahromovna, Gadayeva Shaxzoda, Saidkhonova Umida Ziyodullayevna, Arziyev Dilshod Amriddinovich, and Shaumarova Dilnoza Abduhabirovna. "History of central asian architecture." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 12 (2021): 492–94. http://dx.doi.org/10.5958/2249-7137.2021.02707.5.

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Pozniak, H. "Preserve the past [history - architecture]." Engineering & Technology 16, no. 11 (December 1, 2021): 46–49. http://dx.doi.org/10.1049/et.2021.1106.

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Binfield, Clyde. "ARCHITECTURE AND HISTORY: AN INTRODUCTION." Transactions of the Royal Historical Society 13 (November 20, 2003): 187–97. http://dx.doi.org/10.1017/s0080440103000082.

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Diefendorff, Keith. "History of the PowerPC architecture." Communications of the ACM 37, no. 6 (June 1994): 28–33. http://dx.doi.org/10.1145/175208.175211.

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Zakharyna, Yu Y. "Architectural images of history and culture: contemporary interpretation." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 66, no. 1 (February 25, 2021): 87–96. http://dx.doi.org/10.29235/2524-2369-2021-66-1-87-96.

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The problem of recreating historical and cultural events and phenomena in architectural images is raised for the first time in Belarusian art criticism. The work is devoted to the scientific understanding of images of modern architectural objects that reflect the theme of history and culture in the context of the simulated environment of society. Images of modern architecture are interpreted from the point of view of reflecting the world picture in their content and visualizing the memory of peoples about the historical past and cultural assets of human civilization. The research is based on an artistic and imaginative concept that allows us to interpret objects of modern architecture in the unity of three principles – as a cultural phenomenon of the digital age, as a cultural and historical phenomenon, as well as a way, form and product of mastering and reflecting reality. The article reveals the peculiarities of interpretation of historical and cultural themes in the imagery of modern buildings. The research focuses on the technological aspect of building modeling in the context of figurative architecture of the digital age. Through the deciphering of parables, the ideas of a person and society about spiritual values are revealed.

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Mzhelsky, V. M. "CHANGES IN SOVIET ARCHITECTURAL STYLES IN THE 1930s." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 4 (August 28, 2019): 125–37. http://dx.doi.org/10.31675/1607-1859-2019-21-4-125-137.

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Purpose: The aim of the paper is to study the history of Soviet architecture, associated with changes in its stylistic orientation, when instead of the previously dominant constructivist forms other forms began to prevail, namely Art Deco, neoclassicism and eclecticism. The paper explores the processes in architecture of that time, identifies the main prerequisites for the formation of that architectural style.Methodology/approach: The methodological approach includes a comparative analysis of scientific publications and buildings of Soviet architecture of the 1930s. A comprehensive study is conducted to identify the prerequisites, processes and features of the architecture of this period.Research findings: The main results concern the period under study accompanied by both evolutionary and cardinal changes in architecture associated with the general architectural policy of the government and the creativity of architects. All this determines the peculiarities of the controversial, transitional style of Soviet architecture. The analysis of the controversial architectural style considers the individual genesis. This style is formed under specific conditions and has its own history. Architectural competitions of the 1930s demonstrate the stylistic diversity of architecture and the evolutionary transition from constructivism to Soviet neoclassicism observed in the works of those architects who previously designed the style of constructivism. The term post-constructivism means both a purely chronological concept, that is a period in the history of architecture following the epoch of constructivism and the specific architectural and stylistic phenomenon which still combines constructivism and elements of the subsequent style. A search for individual architects determines the style of the 1930s. In this regard, the term post constructivism best reflects the diversity of architecture of that time, taking into account the historical era and national identity, and the use of elements typical to Art Deco, Neo-Renaissance, or Classicism.Practical implications: The research results can be used to further studying the architecture of this period as well as in the preparation of courses on the history of Soviet architecture of the 1930s. This study makes it possible to realize historical, artistic and cultural value of this style, thereby preserving it in the future.Originality/value: The history of the architecture of that period is still not well understood and is of particular interest for researchers. This study considers both well-known and insufficiently studied buildings of Soviet architecture of the 1930s, compares the obtained facts and opinions of other authors‟. As a result, the paper combines, compares and analyzes interesting information on this topic and investigates concrete facts. Also, a comparison is given to the architecture of the studied and previous periods.

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Journal articles on the topic 'History of and Architecture'

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