Relevant bibliographies by topics / Historiography of technology

Academic literature on the topic 'Historiography of technology'

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Published: 4 June 2021
Last updated: 19 February 2023

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Journal articles on the topic "Historiography of technology"

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Singer, Bayla. "The Historiography of Contemporary Science and Technology." Technology and Culture 40, no. 2 (1999): 394–95. http://dx.doi.org/10.1353/tech.1999.0092.

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David Edgerton. "Innovation, Technology, or History: What is the Historiography of Technology About?" Technology and Culture 51, no. 3 (2010): 680–97. http://dx.doi.org/10.1353/tech.2010.0007.

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Usselman, S. W. "From Sputnik to SCOT: The Historiography of American Technology." OAH Magazine of History 24, no. 3 (July 1, 2010): 9–14. http://dx.doi.org/10.2307/maghis/24.3.9.

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Rose, Mark H. "Machine Politics: The Historiography of Technology and Public Policy." Public Historian 10, no. 2 (1988): 27–47. http://dx.doi.org/10.2307/3378667.

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Tauber, Alfred I. "Book Review: The Historiography of Contemporary Science and Technology." Science, Technology, & Human Values 24, no. 3 (July 1999): 384–401. http://dx.doi.org/10.1177/016224399902400305.

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Elliott, Clark A. "The Historiography of Contemporary Science and Technology. Thomas Soderqvist." Isis 89, no. 4 (December 1998): 754–55. http://dx.doi.org/10.1086/384214.

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Frymus, Agata, Luca Antoniazzi, and Laurence Carr. "Introductory essay: silent film historiography, digital technology and the archive." Studies in European Cinema 18, no. 3 (September 2, 2021): 189–94. http://dx.doi.org/10.1080/17411548.2021.1957624.

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Hughes, Patrick. "New Media in the ‘New Museums’: Much Technology, Little Historiography." Media International Australia 95, no. 1 (May 2000): 183–90. http://dx.doi.org/10.1177/1329878x0009500116.

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New communications technologies offer museum curators opportunities to create exhibitions that are ‘open’ to diverse interpretations and are ‘democratic’ in privileging no particular interpretation. However, a fascination with the new forms of exhibition that communications technologies offer can distract us from the fact that they inevitably represent a particular view of the past. Reconsidering the collection of articles titled ‘Museums and New Media’ (Media International Australia incorporating Culture and Policy, no. 89) highlights the need to assert the primacy of historiography over the technologies of its representation.
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Zhurba, О. I., and Т. F. Lytvynova. "NARRATIVIZATION OF THE UKRAINIAN PAST IN THE LATE 19TH – EARLY 21ST CENTURY: IS OVERCOMING POSSIBLE?" Вестник Пермского университета. История, no. 3(50) (2020): 27–41. http://dx.doi.org/10.17072/2219-3111-2020-3-27-41.

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The basic strategies for constructing the framework of the Ukrainian national historical and historiographic narratives in the late 19th and early 20th centuries are analyzed in the first part of the paper. The nationalization of Ukrainian history and historical writing and the decisive role in forming the Ukrainian project of the pre-modern Little Russian nation are shown. The main mechanisms of the process are revealed, such as the historiographic expansion of the Little Russian intellectual range, the consolidation and ethnicization of regional history of the metropolises, the building of linear, teleological constructions, and the anthropologization of the ethnic community. Attention is paid to the technology of forming images of neighbors as contouring enemies. The authors demonstrate the methods for implementing the basic principles of constructing a national narrative in the practice of historical writing. Three competing strategies for creating large Ukrainian national histories that have had a decisive influence on the algorithms of modern didactic, affirmative and analytical historiography are presented. In the second part of the paper, contemporary approaches to the modernization of the traditional national narrative determined during the discussion of 2012−2014 are identified: 1) the deconstruction of national narrative, the rejection of the «tyranny» of asynchronous territoriality, and the development of dual research optics (the methodology of regional history and the integration of national history into the contexts of large cultural communities); 2) the decorative updating of the national narrative through the implementation of a multinational approach; 3) the middle position of «pluralistic indifference», consistent with the arguments of the extreme parties. It is noted that the current socio-political situation has formed an increased demand for the modernization of the ethno-national narrative of the early 20th century, which threatens to discard Ukrainian historiography to the standards of historiography at the turn of the 19th and 20th centuries.
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Kokorina, Yulia Georgievna, Machach Mustafaevich Vagabov, and Helena Ivanovna Lelina. "Historiography of Scythian migration in the mirror of information technologies." Linguistics and Culture Review 5, S4 (November 5, 2021): 573–82. http://dx.doi.org/10.21744/lingcure.v5ns4.1679.

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This article is devoted to the insight of the migration process in the diachronic aspect on the example of Scythians history. This choice is caused by the fact that the information about the Scythians, their arrival in Eastern Europe and movements in the ancient Oecumene, is one of the main problems of Scythian archaeology. A significant range of sources contains information about the arrival of the Scythians and their movements in Europe. These sources include both the works of historians of Antiquity and Modern Times, as well as the works of modern archaeologists. The change of ideas about the Scythians migration is reviewed in accordance with the concept of the information technology shifts, which was put forward by Russian scientists Y.L. Shchapova and S.N. Grinchenko, specifically: information technology of articulate speech and language, information technology of writing, information technology of book printing, information technology of computers, information technology of networks. As result, conclusions were drawn from oral traditions about the vision changes on the causes of migration, about the arrival of a mythological hero – first ancestor at an unpopulated land, wars and tribal confrontation in the era of information technology of speech and language and information technology of writing.
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Dissertations / Theses on the topic "Historiography of technology"

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Cabellon, Edmund T. "Redefining Student Affairs Through Digital Technology| A Ten-Year Historiography of Digital Technology Use by Student Affairs Administrators." Thesis, Johnson & Wales University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10013238.

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The student affairs profession is at a crossroads (Torres & Walbert, 2010) given digital technology’s growth and the academy’s administrative expansion (Bowen, 2013). Student affairs administrators must simultaneously respond to digital technology’s implications in students’ lives (Kirschner & Karpinski, 2010) and to new state and federal compliance mandates connected to their expanding campus roles (Dungy & Gordon, 2010). Student affairs leaders acknowledge that these competing priorities demand more nimble responses (Manning, Kinzie, & Schuh, 2013; McClennan & Stringer, 2009). Significant research (Barr, McClennan, & Sandeen, 2014; Elkins, 2015; Dungy & Gordon, 2010; Junco, 2014; Kuk, 2012; Torres & Walbert, 2010) highlights that student affairs administrator‘s digital technology use can augment traditional in-person co-curricular student experiences; yet, minimal research exists on how student affairs administrators utilize digital technology.

This qualitative, historical, interpretive study analyzed student affairs administrators’ digital technology use from 2005 to 2015. Three research questions and three sub-questions framed the research design, which utilized three data sources. The researcher conducted (N=16) interviews with student affairs professionals and educators. Elite interviews (N=5) were conducted with some of the earlier student affairs digital technology adopters, while (N=11) key informant interviews were conducted with administrators who started their professional careers in 2005. (N=206) documents, including conference presentations and publications, were collected through the Student Affairs Administrators in Higher Education (NASPA) and College Student Educators International (ACPA)’s websites. Data were analyzed in-case and across cases to highlight overall themes and a progressive timeline of how student affairs professionals used digital technology throughout their work. Using the futurology lens, the researcher envisioned how student affairs should use technology over the next ten years.

Analysis revealed that since 2005, student affairs administrators utilized digital technology to build capacity in their campus work, augment existing engagement efforts with students, faculty, and staff, and inspire change within and outside of their institution. Additionally, a historic timeline described how NASPA and ACPA provided limited, yet progressive, digital technology professional development education.

Student affairs administrators, professional organizations, and academy leaders leading digital technology implementation efforts might utilize the researcher’s recommendations as a starting point to catalyze the academy’s ongoing evolution.

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Rooney, David, and n/a. "Playing Second Fiddle: A History of the Relationship Between Technology and Organisation in the Australian Music Economy (1901-1990)." Griffith University. School of Arts, 1996. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050920.154417.

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This thesis is a socio-economic history of the relationship between music technology and organisational practices in twentieth-century Australia. It argues that the history of technology in the Australian music economy is dependent not only upon the changing technical characteristics of musical instruments and electronic consumer goods but also upon government policy-making, management practices in music technology manufacturing firms and patterns of music technology consumption. The thesis examines economic statistics regarding the import, export and local production of music technology in Australia. The economic statistics have not previously been examined in relation to the history of music technology in Australia. The historical analysis is structured according to a four-part periodisation which includes the Electric Age (1901-1930), the Electronic Age (1930-1950), the Transistor Age (1950-1970) and the Information Age (1970-1990). This periodisation enables the analysis to continually be refocussed as the key technological and socio-economic dynamics change. With this perspective, the history of the relationship between technology and organisation in the Australian music economy has been demonstrated to be dependent on a number of key technological changes. The thesis examines changes including the shift from acoustic to electric recording; the development of transistor-based consumer electronics goods; and the advent of digital information technology. However, a number of key social determinants, particularly organisational modes, are examined including changes from protectionist to more deregulated trade policy; lack of business skills in areas such as marketing, manufacturing technique and industrial research and development; and the development of a sense of popular modernity which is expressed in the consumption of new, technically advanced and glamorous music technology. In addition to the new perspectives on the history of music technology provided by the analysis of empirical economic data, this thesis contributes to the historiography of technology. The analytical framework it proposes locates music technology within what is described as an assemblage of technologies: technologies of production, technologies of sign systems, technologies of power and technologies of the self. This approach makes clear the interdependence of technological and social factors, and the inadequacy of narrow technological determinist and social constructivist accounts. The notion of an assemblage of technologies is further embellished by drawing upon key elements of recent theories of systems analysis: the seamless web, evolution and chaos theory. Through this analytical framework and the socio-economic analysis of the relationship between music technology and organisational practices, the thesis demonstrates that the history of technology cannot be understood unless it is seen as part of a complex and interacting technical, social, economic and institutional system.
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Amraoui, Touatia. "L’artisanat dans les cités antiques de l’Algérie." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20110.

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Cette étude analyse la place de l’artisanat et des artisans dans les villes antiques de l’Algérie en faisant le point sur la documentation disponible – archives, rapports de fouilles, plans, photos et publications. S’appuyant sur un travail de terrain, les données mises à jour ont apporté des précisions ou des éléments nouveaux sur les ateliers urbains découverts entre le XIXe s. et la seconde moitié du XXe s. : les vestiges de chaque installation sont localisés, décrits et documentés ; une datation est proposée quand cela est possible. Ce travail conduit à nuancer ou à réfuter plusieurs interprétations de nos prédécesseurs puisqu’après examen, des vestiges signalés comme des ateliers s’avèrent finalement avoir eu une autre fonction. En revanche, les installations artisanales identifiées avec certitude permettent d’étudier plus en détail les caractéristiques typologiques et techniques propres à chaque spécialité attestée : les artisanats alimentaires, la production et le traitement des textiles, la production de céramique, d’objets en verre et en métal, et les métiers de la construction. La comparaison entre les spécificités techniques des ateliers antiques algériens et celles des ateliers d’époque romaine découverts ailleurs en Méditerranée permettent de reconnaître des similitudes très fortes mais également quelques différences locales, africaines. Dans un second temps, l’étude de la répartition et de la localisation des ateliers dans le tissu urbain conduit à préciser les raisons de l’implantation des lieux de métier dans un lieu donné notamment selon leur spécialité. Il apparaît que les choix de l’implantation étaient davantage guidés par les besoins d’approvisionnement en matières premières que par les nuisances que ces activités pouvaient éventuellement occasionner : les ateliers étaient localisés aussi bien dans les quartiers périphériques que dans les quartiers résidentiels. D’autre part, l’analyse des inscriptions permet de faire le point sur les informations qu’elles transmettent au sujet des artisans et de leur statut social
This study analyzes the place of crafts and the craftsmen in the antique cities of Algeria by reviewing the available documentation - archival, reports of excavations, plans, photos and publications. Leaning on a field work, the updated data brought precision or new elements on the urban workshops discovered between 19th and second half of 20th centuries: the remains of each installation are located, described and documented; a dating is proposed when it is possible. This work of analysis leads to qualify or to refute several interpretations of our predecessors because after consideration, vestiges indicated as workshops finally appear to have not been correctly identified. On the other hand, the craft installations identified with certainty allow studying more in detail the typological and technical characteristics of every attested speciality: the food crafts, the production and the processing of textile industries, the production of ceramic, glass and metal objects, and the crafts of building. The comparison between the technical specificities of the antique algerian workshops and those roman workshops discovered somewhere else in the Empire bring us to recognize very strong similarities but also some local, african differences. Secondly, the study of the distribution and the location of workshops in the city leads to specify the reasons of the presence of the officinae in a specific place according to their speciality. It seems that the choices of establishment were more guided by the needs for supply of raw materials and not by the nuisances which these activities could possibly cause: workshops were located as well in the suburbs as in the residential districts. To finish, the analysis of the inscriptions brings some information about craftsmen and about their social status
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Aguiar, Leandro Coelho de. "Cultura digital e fazer histórico: estudos dos usos e apropriações das tecnologias digitais de informação e comunicação no ofício do historiador." Universidade Federal do Rio de Janeiro / Instituto Brasileiro de Informação em Ciência e Tecnologia, 2012. http://ridi.ibict.br/handle/123456789/769.

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Made available in DSpace on 2015-10-19T11:50:24Z (GMT). No. of bitstreams: 1 aguiar2012.pdf: 905178 bytes, checksum: 9acf1e251193964bb2391676fab4260e (MD5) Previous issue date: 2012-03-23
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Tries to reconstruct the specific universe of historians the appropriation of new information and communication technologies (ICTs), in digital format, asking the possibilities that digital writing brings to the historigraphical from the identification and mapping of the research projects involving the production and appropriation of new technologies information and communication technologies in this format
Busca reconstruir no universo específico dos historiadores a apropriação das novas TICs em formato digital, indagando as possibilidades que a escrita digital traz ao fazer historiográfico a partir da identificação e mapeamento dos projetos de pesquisa que envolvem a prdoução e apropriação das novas TICs
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Onyekachi, Nnaji John. "Concepts of the 'Scientific Revolution': An analysis of the historiographical appraisal of the traditional claims of the science." Doctoral thesis, Universitat de les Illes Balears, 2013. http://hdl.handle.net/10803/117678.

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´Scientific revolution´, as a concept, is both ´philosophically general´ and ´historically unique´. Both dual-sense of the term alludes to the occurrence of great changes in science. The former defines the changes in science as a continual process while the latter designate them, particularly, as the ´upheaval´ which took place during the early modern period. This research aims to demonstrate how the historicists´ critique of the justification of the traditional claims of science on the basis of the scientific processes and norms of the 16th and 17th centuries, illustrates the historical/local determinacy of the science claims. It argues that their identification of the contextual and historical character of scientific processes warrants a reconsideration of our notion of the universality of science. It affirms that the universality of science has to be sought in the role of such sources like scientific instruments, practical training and the acquisition of methodological routines
"Revolución científica", como concepto, se refiere a la vez a algo «filosóficamente general» e « históricamente único". Ambos sentidos del término aluden a la ocurrencia de grandes cambios en la ciencia. El primero define los cambios en la ciencia como un proceso continuo, mientras que el último los designa, en particular, como la "transformación", que tuvo lugar durante la Edad Moderna. Esta investigación tiene como objetivo demostrar cómo la crítica de los historicistas a la justificación de las características tradicionales de la ciencia sobre la base de los procesos y normas científicos de los siglos XVI y XVII, ilustra la determinación histórica y local de los atributos de la ciencia. Se argumenta que la identificación del carácter contextual e histórico de los procesos científicos justifica una reconsideración de nuestra noción de la universalidad de la ciencia. Se afirma que la universalidad de la ciencia se ha de buscar en el papel de tales fuentes como instrumentos científicos, la formación práctica y la adquisición de rutinas metodológicas
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Chamorro, Trenado Miquel Àngel. "La construcció de l'església de Sant Feliu de Girona al segle XIV. Els llibres d'obra." Doctoral thesis, Universitat de Girona, 2004. http://hdl.handle.net/10803/7836.

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Aquesta tesi doctoral com diu el seu títol es centra en analitzar la construcció de l'església de Sant Feliu de Girona al segle XIV a través de l'anàlisi dels llibres d'obra conservats a l'Arxiu Diòcesa de Girona.
Aquesta tesi doctoral esta dividida en quatre parts. En la primera part s'analitza la historiografia de l'església de Sant Feliu de Girona des del segle XVII fins a l'actualitat. Dins d'aquest apartat s'analitzen les notícies que aporten els diferents autors i es situa el context historiogràfic de cadascun dels segles. S'ha realitzat un estudi molt exhaustiu en les darreres publicacions del segle XX i inicis del segle XXI. Un cop analitzades aquestes fonts - secundàries -, dins d'aquesta primera part del treball s'ha passat a analitzar els llibres d'obra del segle XIV. S'analitzaràn els aspectes formals i els diferents escrivans encarregats de realitzar aquests llibres d'obra. Aquesta serà la documentació bàsica per realitzar aquesta tesi doctoral.
En la segona part del treball es procedirà a analitzar la gestió i el finançament de l'Obra. Es tracta d'una anàlisi, bàsicament dels ingressos, per veure quines són les estratègies que es duen a terme per aconseguir el màxim de recursos per la construcció i per les necessitats "litúrgiques" de l'església de Sant Feliu de Girona. En aquest apartat s'ha analitzat l'Obra com a entitat amb les persones que formen part d'ella i el paper que correspon a cadascuna d'elles (l'obrer, l'escrivà, el mestre d'obres, el questor). També s'han analitzat els promotors i aquells ingressos que, pel seu volum, subministren el nombre més gran de diners a l'Obra ("annates", bacins, etc.).
La tercera part ha consistit en l'elaboració de la cronologia constructiva de l'església de Sant Feliu de Girona partint de la informació obtinguda en els llibres d'obra corresponent a les despeses. S'han analitzat totes aquelles obres, tant pel que fa a la construcció de l'edifici com pel que fa a reparacions i manteniment, que tenen lloc entre l'any 1349 (data del primer llibre d'obra de despeses) i l'any 1391. En aquesta part no s'ha entrat a analitzar de forma exhaustiva les figures que fan possible la construcció de l'església al segle XIV ja que això pertany al contingut de la darrera part del nostre treball.
La darrera part del treball correspon a l'execució de les obres. En aquesta part trobem quatre grans capítols: els mestres d'obra, la mà d'obra, els materials i els mitjans auxiliars. En cadascun d'aquests capítols s'ha incidit sobre el rol dels diferents treballadors durant la construcció del temple, els materials utilitzats i les seves característiques (pedra, fusta, aglomerants, etc.) i els mitjans auxiliars utilitzats per col.locar aquests materials en obra. S'han separat els mestres d'obres de la resta de treballadors ja que els primers juguen un rol diferenciat dels segons. S'ha intentat analitzar en ambdós casos els seus sous i les tasques de cadascun d'ells. Pel que fa als materials també s'ha procedit a analitzar d'on s'extreuen, com han arribat a peu d'obra i on s'emmagatzemen i manipulen o transformen abans d'ésser col.locats en obra. Dels mitjans auxiliars s'ha intentat analitzar les funcions per la qual es fan servir les eines (apareixen totes les de l'ofici de pedrer), els enginys (elevar pesos), les bastides (poder treballar en alçada) i el encofrats (garantir la resistència inicial dels elements constructius).
Evidentment s'han establert unes conclusions de cadascuna de les parts i unes conclusions finals. La tesi també inclou els agraïments corresponents, el prefaci i la bibliografia.
This doctoral thesis how it says their title focuses on analyzing the construction of the church of Saint Feliu of Girona in the 14th century through the analysis of the books of work preserved on the Archive Diòcesa of Girona.
This doctoral thesis esta divided into four deliveries. In the first part the historiography of the church of Saint Feliu de Girona since the 17th century until the present is analyzed. In this section the news that the different authors bring is analyzed and the historiogràfic context of each of the centuries is placed. A very exhaustive study has been carried out in the last publications of the 20th century and beginnings of the 21st century. Once analyzed these fountains|sources? secondary?, in this first part of the work has been gone|passed to analyzing the books of work of the 14th century. The formal aspects and the different court clerks been of carrying out these books of work in charge will be analyzed. This will be the basic documentation to carry out this doctoral thesis.
In the second part of the work people will proceed to analyzing the formality and the funding of the Work. It is about an analysis, in a basic way of the admissions, to see which they are the strategies that they are carried out to achieve the maximum of resources for the construction and from the "liturgical" needs of the church of Saint Feliu de Girona. In this section the Work as an entity with the persons who are part of her and the paper|role that corresponds to each of them (the worker, the court clerk, the master builder, the questor) have been analyzed. The promoters and those admissions|incomes that, for its volume, supply the Work ("annates", bowls, etc) with the greatest number of money have also been analyzed.
The third part has consisted of the elaboration of the constructive chronology of the church of Saint Feliu de Girona following the obtained information in the books of work corresponding to the expenses. All those works, regarding the construction of the building as well as regarding repairs and maintenance, that have place among year 1349, (it dates from the first book of expenses work) and in year 1391 have been analyzed. In this part people have not entered to analyze in an exhaustive way the people that make the construction of the church in the 14th century possible since this belongs to the contents of the last part of our work.
The last part of the work corresponds to the execution of the works. In this part we find four big chapters: the teachers of work, the labor, the materials and the auxiliary means. In each of these chapters the role of the different workers during the construction of the temple, the used materials and its characteristics (stone, wood, binders, etc) has been fallen upon and the auxiliary means used for placing these materials in work. The master builders of the rest of workers have been sorted out since the first play a role differentiated from the seconds. It has been attempted to analyze their salaries and the tasks of each of them in both cases. Regarding the materials has also been proceeded to analyzing from where they are extracted, how they have arrived on foot of work and where they are stored and where they manipulate or where they transform before being placed in work. Of the auxiliary means has been attempted to analyze the functions for which the tools (they turn up all the ones of the profession of gizzard) are used, the wits (to elevate weights), the scaffolds (to be able to work in height) and the framework (to guarantee the initial resistance of the constructive elements).
Obviously some conclusions of each of the parts and some final conclusions have been established. The thesis also includes the corresponding gratitude, the preface and the bibliography.
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Gonzales, Racquel Maria. "I don’t want to set the world on fire…or do I? : playing (with) history in Fallout 3." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2073.

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While considering the role of media in shaping and examining histories, we must also grapple with formal limitations in approaching and understanding the past. The thesis aims to bring video games into critical conversations regarding history, memory, and nostalgia by considering the similar and unique perspectives the medium can bring alongside film, television, radio, and literature. Player positionality and interactivity within the unconventional, non-linear game storytelling form allows for different engagements with history. Focusing on the futuristic, post-apocalyptic role-playing game Fallout 3 (2008), this study interrogates the game’s nuanced presentation of genre as a cultural mediation of the past, the negotiation of memory with history, and our problematic assumptions about technology and narratives of progress. While the study finds games may provide rewarding and potentially critical explorations of history, the self-reflexive nature of video gaming emphasizes the medium’s possibilities, limitations, and implications as a cultural product shaped by the very forces constructing history.
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Кравцова, Тетяна Олегівна. "Національна бібліотека та архів Арабської Республіки Єгипет: структура та напрями діяльності." Магістерська робота, 2020. https://dspace.znu.edu.ua/jspui/handle/12345/1546.

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Кравцова Т. О. Національна бібліотека та архів Арабської Республіки Єгипет: структура та напрями діяльності : кваліфікаційна робота магістра спеціальності 032 "Історія та археологія" освітньої програми "Архівознавство" / наук. керівник Ю. І. Головко. Запоріжжя : ЗНУ, 2020. 103 с.
UA : Кваліфікаційна робота складається зі 103 сторінок, містить 21 джерело, 43 монографії і статті, 3 додатки. Об’єктом дослідження є архівна справа Арабської Республіки Єгипет. Предметом дослідження є особливості створення, структура, функції та напрями діяльності Національної бібліотеки та архіву Арабської Республіки Єгипет як центральної архівної установи Арабської Республіки Єгипет. Метою дослідження є висвітлення особливостей створення Національної бібліотеки та архіву Єгипту, виокремлення основних напрямків діяльності Національної бібліотеки та архіву Арабської Республіки Єгипет, складання комплексної характеристики цих напрямків, визначення основних етапів автоматизованих архівних технологій установи, основних досягнень, напрямків діяльності та організації документів і справ архівного фонду установи. Наукова новизна. Під час нашого дослідження вперше було проаналізовано та використано в науковому дослідженні матеріали з архівної системи Єгипту, у тому числі законодавчі документи та кодекси Національної бібліотеки та архіву Арабської Республіки Єгипет, було вперше системно проаналізовано загальну діяльність Національної бібліотеки та архіву Арабської Республіки Єгипет на сучасному етапі її розвитку. Висновок. Виходячи з поставлених у магістерській роботі завдань, результати нашого дослідження можна систематизувати у наступних висновках: 1. Беручи до уваги те, що на території Єгипту архівна справа нараховує багаторічну історію розвитку, нам вдалося визначити передумови та особливості створення Національної бібліотеки та архіву Єгипту. Таким чином, визначено, що основною метою будівництва Національного Архіву в Єгипті був збір офіційних записів і письмової документації стосовно діяльності держави та її централізоване зберігання. Необхідно відзначити велику цінність освіти, вивчення різнопланової літератури та її зберігання в ісламі, з чого очевидно, що аспект пошуку та зберігання інформації за таких обставин розвивається досить швидко, оскільки пошук знань є обов’язковим для кожного мусульманина. 2. Окремим завданням нашого дослідження було дослідити організацію архівної справи Національної бібліотеки та архіву Арабської Республіки Єгипет на сучасному етапі, в результаті чого було з’ясовано, що сьогодні архіви Єгипту неможливо уявити без використання комп’ютерної техніки і спеціалізованого програмного забезпечення. Ця тенденція яскравіше за все проявилася в області діджиталізації Національного архіву Єгипту. Наразі у Національному архіві Арабської Республіки Єгипет зростає кількість інформаційних ресурсів, створених шляхом оцифрування документів, які зберігаються на традиційних носіях. Також необхідно відзначити, що Національний архів Єгипту зробив величезний крок вперед, розпочавши проект з активного оцифрування документів архівного фонду. Спеціалісти Архіву старанно виконують свої обов’язки аби зробити роботу легшою, а документи – доступними для всіх користувачів. 3. Ознайомившись з порядком опису документів та справ Архіву, можемо зробити висновок, що опис є одним із головних засобів забезпечення збереженості документів Національної бібліотеки та архіву Єгипту, бо значно полегшує пошук архівних матеріалів та дозволяє дізнатися більше інформації про них, а проаналізувавши та охарактеризувавши фонди Національної бібліотеки та архіву Арабської Республіки Єгипет нами було встановлено, що велику роль у формуванні архівного та бібліотечного фондів Арабської Республіки Єгипет відіграв досвід Франції, яка почала систематизувати документи набагато раніше, ніж Єгипетська держава і сприяла неабиякому позитивному розвитку архівної та бібліотечної справи Єгипту. Цей розвиток зумовлюється не тільки постійним поповненням фонду Єгипетського Національного Архіву, але й розширенням інформаційного простору довкола науки «архівознавства». 4. Проаналізовано особливості оцифрування матеріалів Національної бібліотеки та архіву Арабської Республіки Єгипет – діяльність з оцифрування архівних документів була підтримана на державному рівні. Важливим кроком у цьому напрямку стало прийняття у 1995 році «Концепції інформатизації архівної справи Єгипту», яка була підтримана Національною бібліотекою та архівом Арабської Республіки Єгипет. Було визначено, що концепція включає завдання, принципи, пріоритети та основні напрямки діяльності архівів і органів управління архівною справою в області інформатизації. Її розробка була викликана необхідністю оптимізувати процес інформатизації в архівних установах і інтенсифікувати цю процедуру. Безумовно, методична база оцифрування архівних документів поки залишається слабкою, відсутня єдина система проведення заходів з оцифрування.
EN : The diploma work consists of 103 pages, contains 21 sources, 43 monographs and articles, 3 appendixes. The object of this research is the archival system of the Arab Republic of Egypt. The subject of the work is defined as the key features of creation, structure, functions and activities of the National Library and Archives of the Arab Republic of Egypt as the central archival institution of the Arab Republic of Egypt. The aim is to highlight the features of the creation of the National Library and Archives of Egypt, to identify the main areas of activity of the National Library and Archives of the Arab Republic of Egypt, to compile a comprehensive description of these areas, to identify the main stages of automated archival technology of the institution, the main achievements, activities and organization of archiving system of the institution. Scientific novelty. During our research, the archival activities of Egypt, including legislative documents and codes of the National Library and Archives of the Arab Republic of Egypt, were first analyzed and used in scientific research, and the general activities of the National Library and Archives of the Arab Republic of Egypt for the first time were systematically analyzed. Conclusions. Based on the tasks set in the master's diploma project, the results of our study can be summarized in the following conclusions: 1. Taking into account the fact that archival work originated in Egypt long ago, we managed to determine the preconditions and features of the creation of the National Library and Archives of Egypt. Thus, we found out that the primary purpose of building the National Archives in Egypt was to collect official records and written documentation regarding the activities of the state and keep it in one place. It is worth noting the great value of education, the study of diverse literature and its storage in Islam, which makes it obvious that the aspect of searching and storing information in this case develops quite quickly, since the search for knowledge is obligatory for every Muslim. 2. A separate objective of our study was to investigate the archival work of the National Library and Archives of the Arab Republic of Egypt at this stage, resulting in the fact that the archives of Egypt today can not be imagined without the use of computer hardware and specialized software. This tendency is most evident in the digitalization of the National Archives of Egypt. Currently, the National Archives of the Arab Republic of Egypt is increasing the number of information resources created by digitizing documents stored on traditional media. It should also be noted that the National Archives of Egypt has taken a huge step forward by launching a project to actively digitize archival documents. Archives professionals diligently perform their duties to make their work easier and documents accessible to all users. 3. On the basis of the analysis of the procedure for describing documents and files of the Archives, we can conclude that the description is one of the main means of maintaining the documents of the National Library and Archives of Egypt, because it greatly facilitates the search of archival materials and allows to find out more information about them. This development is conditioned not only by the permanent replenishment of the Egyptian National Archives fund, but also by the development of the information highliting "archival studies". 4. The peculiarities of digitization of the materials of the National Library and Archives of the Arab Republic of Egypt are analyzed - the activity on digitization of archival documents was supported at the state level. The adoption of the «Concept of Informatization of the Archival Affairs of Egypt», which was supported by the National Library and Archives of the Arab Republic of Egypt in 1995 became an important step in this process. We found out that the Сoncept included the tasks, principles, priorities and main activities of archives and archival management bodies in the field of information. Its development was caused by the need to optimize the process of informatization in archival institutions and intensify this procedure. Certainly, the methodological base for digitizing archival documents is still weak, there is no one single system for conducting all the digitization activities.
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Books on the topic "Historiography of technology"

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Thomas, Söderqvist, and International Workshop on the Historiography of Contemporary Science, Technology, and Medicine (1994 : Göteborg University), eds. The Historiography of contemporary science and technology. Amsterdam: Harwood Academic, 1997.

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TISC-Conference, (1992 Roskilde Denmark). European historiography of technology: Proceedings from the TISC-Conference. [Odense]: Odense University Press, 1993.

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Edmund, Doel Ronald, and Söderqvist Thomas, eds. The historiography of science, technology and medicine: Writing recent history. London: Routledge, 2006.

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The long history of new media: Technology, historiography, and contextualizing newness. New York: Peter Lang, 2011.

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Museum memories: History, technology, art. Stanford, Calif: Stanford University Press, 1999.

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Oliver, Grau, ed. MediaArtHistories. Cambridge, Mass: MIT Press, 2007.

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Baturin, I︠U︡. M. (I︠U︡riĭ Mikhaĭlovich), editor, ed. Otechestvennai︠a︡ istoriografii︠a︡ istorii nauki i tekhniki: Khronika 1901-2011 = National historiography of the history of scince and technology : chronicle 1901-2011. Moskva: Izdatelʹstvo I︠A︡nus-K, 2012.

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Conference on Critical Problems and Research Frontiers in theHistory of Technology (1991 Madison, Wis.). Snapshots of a discipline: Selected proceedings : Conference on Critical Problems and Research Frontiers in the History of Technology, Madison, Wisconsin, October 30-November 3, 1991. Edited by Friedel Robert D. 1950-. Chicago, Ill: University of Chicago Press, 1995.

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Eminent historians: Their technology, their life, their fraud. [New Delhi]: ASA, 1998.

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Brazil) Seminário Nacional de História da Ciência e da Tecnologia (8th 2001 Rio de Janeiro. Ciência em perspectiva: Estudos, ensaios e debates. Rio de Janeiro: Museu de Astronomia e Ciências Afins, 2003.

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Book chapters on the topic "Historiography of technology"

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Oinas-Kukkonen, Henry, Harri Oinas-Kukkonen, and Veronika Sušová. "A Classification of Methods and Contributions in the Historiography of Nordic Computing." In IFIP Advances in Information and Communication Technology, 444–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23315-9_50.

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Pisano, Raffaele, and Julie Robarts. "A Short Comparative Historiography of Science & Technology of Mechanics into Engineering—and—Architecture Literatures During the Renaissance." In Explorations in the History and Heritage of Machines and Mechanisms, 227–40. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98499-1_19.

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Cronqvist, Marie, Rosanna Farbøl, and Casper Sylvest. "Introduction: New Paths in Civil Defence History." In Cold War Civil Defence in Western Europe, 1–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84281-9_1.

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AbstractThe introduction to the volume lays out the rationale and ambitions of the book, delineates its chronological and geographical focus and situates it in the existing historiography of civil defence. One central ambition is to advance civil defence history by attuning it more explicitly to the study of science and technology and to pave the way for transnational and comparative efforts. We do so in two steps. We introduce and explore the concept of sociotechnical imaginaries developed by Sheila Jasanoff and Sang-Hyun Kim, before applying and adjusting it to civil defence history. Finally, the introduction provides a brief overview of the chapters in the volume.
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Raina, Dhruv. "Cognitive Homologies in the Studies of Science in Indian Antiquity: A Historiographic Axis of the Indian Journal of History of Science." In Science and Technology in East Asia. The Legacy of Joseph Needham, 95–110. Turnhout: Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.dda-eb.4.00579.

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Headrick, Daniel R. "Historiography of technology and innovation." In The Cambridge World History, 165–84. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cbo9781139194662.008.

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"The historiography of European industrialization." In British Technology and European Industrialization, 8–23. Cambridge University Press, 1989. http://dx.doi.org/10.1017/cbo9780511523250.004.

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"Historiography of Science and Technology in China." In Science and Technology in Modern China, 1880s-1940s, 39–65. BRILL, 2014. http://dx.doi.org/10.1163/9789004268784_004.

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"Who's Afraid of the History of Contemporary Science?" In The Historiography of Contemporary Science and Technology, 257–72. Routledge, 2013. http://dx.doi.org/10.4324/9780203726914-18.

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"Whigs, Prigs and Politics: Problems in the Historiography of Contemporary Science." In The Historiography of Contemporary Science and Technology, 31–50. Routledge, 2013. http://dx.doi.org/10.4324/9780203726914-7.

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"Scientists as Policymakers, Advisors and Intelligence Agents: Linking Contemporary Diplomatic History with the History of Contemporary Science." In The Historiography of Contemporary Science and Technology, 227–56. Routledge, 2013. http://dx.doi.org/10.4324/9780203726914-17.

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Conference papers on the topic "Historiography of technology"

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Yermolov, P. P. ""Radio technology" concept in historiography of science and technology." In 2010 20th International Crimean Conference "Microwave & Telecommunication Technology" (CriMiCo 2010). IEEE, 2010. http://dx.doi.org/10.1109/crmico.2010.5632754.

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Lu, Duanfang. "A Conceptual Framework for Architectural Historiography." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4005p6e3c.

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Architectural history used to be part of art history, but has been gradually distanced from the latter as architecture develops as an independent modern discipline. Despite debates on architectural historiography in recent decades, architecture as a unique type of historically situated aesthetic objects and design products has not been adequately addressed. To further an independence from art history, and to re-center architecture itself in historical analysis, this article highlights three essential natures of architecture which differentiate it from other types of aesthetic objects (such as painting and sculpture) and design products (such as cars and furniture), while asserting its situated materiality: architecture orders bodily activities and conditions human existence; it necessitates the integration of techne, technology, materials, and labor in construction; and it is a collective expressive medium which is shaped by and contributes to the interaction between different social forces. Based on the above propositions, this article provides an upgraded version of the Vitruvian Triad, with the existential replacing utilitatis (utility), the constructive replacing firmitatis (stability), and the interactive replacing venustatis (beauty).
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Yermolov, P. P. "Subject ontologies in the general and regional historiography of radio technology development." In 2010 20th International Crimean Conference "Microwave & Telecommunication Technology" (CriMiCo 2010). IEEE, 2010. http://dx.doi.org/10.1109/crmico.2010.5632757.

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Blackburn, Manuella, and Paul Harkins. "Finding the Female Users: A Feminist Historiography of the Fairlight CMI." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/feministhistoriography.

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Di, Sanfeng. "The Influence of Science and Technology Revolution on the Development of Modern Chinese Historiography." In Proceedings of the 2018 International Symposium on Humanities and Social Sciences, Management and Education Engineering (HSSMEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/hssmee-18.2018.11.

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Susilo, Hariadi, Asni Barus, and Salliyanti. "Traditional Historiography Facts in Regional Local Works ''MERGA PURBA" People Story in Karo Regency." In International Conference of Science, Technology, Engineering, Environmental and Ramification Researches. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010067911101114.

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Orlov, I. I., S. A. Shennikov, O. S. Pavlova, and A. V. Martinova. "Historiography of the problem of jewelry design of the 20-th century." In Global science. Development and novelty. НИЦ "LJournal", 2022. http://dx.doi.org/10.18411/gsdn-03-2022-07.

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Abstract: Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.
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Орлов, Игорь Иванович, and Сергей Анатольевич Щенников. "A BRIEF HISTORIOGRAPHY OF THE PROBLEM OF JEWELRY DESIGN OF THE 20TH CENTURY." In Образование. Культура. Общество: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2021). Crossref, 2021. http://dx.doi.org/10.37539/ecs296.2021.21.58.003.

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Ювелирные украшения является одним из самых востребованных направлений с давних времен. В статье делается краткий обзор историографии проблемы ювелирного дизайна второй половины 20 столетия. Поиск и разработка технологии, которая позволят создавать ювелирные изделия с элементами точных копий растительного материала в металле является актуальной в современном дизайне ювелирных изделий. Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.
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Щенников, Сергей Анатольевич, and Игорь Иванович Орлов. "THE MAIN TRENDS IN JEWELRY FASHION OVER THE PAST TEN YEARS OF THE 21ST CENTURY." In Высокие технологии и инновации в науке: сборник избранных статей Международной научной конференции (Санкт-Петербург, Сентябрь 2021). Crossref, 2021. http://dx.doi.org/10.37539/vt193.2021.30.16.005.

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Ювелирные украшения является одним из самых востребованных направлений с давних времен. Господствующая в данный период мода всегда диктовала свои приоритеты в создание композиционных решений художникам-ювелирам. В данной статье делается краткий обзор историографии проблемы ювелирного дизайна периода с 2010 по 2020 годы. Выделены тренды, которые господствовали в ювелирной моде и как трансформировался процесс создания украшений при помощи новых технологий. Поиск и разработка новых технологий, которые позволят создавать ювелирные изделия с элементами точных копий растительного материала в металле является актуальной в современном дизайне ювелирных изделий. Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.
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dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.

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Communication Action Zones in Art and Technology, in portuguese Zonas de Ações Comunicacionais em Arte e Tecnologia – ZACAT – is a master's research developed in Brazil, made before and during the SARS-CoV-2 virus pandemic, which causes the New Coronavirus disease. This artistic and academic work includes a set of sound and visual poetics based on an investigation of artistic communicational practices of an activist character, with the mediation of several questions about the current Brazilian history. Firstly, through diversified strategies and proposals for different interlocutors, with experiments in 2019, in different spaces in the city of Santa Maria, state of Rio Grande do Sul - streets, museums, art galleries, university, school, social networks, radio wave space. Subsequently, as a result of the world scenario presented from 2020, with the COVID-19 pandemic, the poetic undergoes significant transformations. In addition to the artistic and communicational strategies undergoing changes in approach, the Santa Maria space moves to that of the Clube Naturista Colina do Sol (CNCS), a naturist community located in the municipality of Taquara, also in Rio Grande do Sul. Not urbanized and immersed with the wild environment the least interfered by human action, which provides other forms of listening and connection, in addition to the relationship with the body, communication and technology, such as the use of online virtual reality platforms to share the work carried out. To approach the construction of this research, studies on methodology by the researcher and artist Sandra Rey (1953) are used. As a theoretical foundation, reference is made to the idea of micropolitics, a concept that refers to philosophers Michel Foucault (1926-1984) and Gilles Deleuze (1925-1995) and to art critic Suely Rolnik (1948). Activist artistic practices are based on the experiences of Brazilian collectives from the 1990’s to the present, as seen under the historiography of Art Activism from the 1950’s, with Italian autonomist philosophers such as Giorgio Agamben (1942) and Franco Berardi (1949). To support the notion of Art and Communication, authors such as Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello and Giselle Beiguelman are based on. The concept of device emerges from theoretical research and mediates artistic practices, having as reference Agamben, Foucault, Vilém Flusser (1920-1991) and Gilbert Simondon (1924-1989). From performances, through installations, through audio, video and face-to-face interactivity experiments or via virtual networks, this research seeks to give visibility to everyday micropolitics, with their memories, affections, formalized or ephemeral life impulses in moments of encounters. And how the artistic works can unfold in different contexts, in front of different audiences and under challenging conditions in terms of a larger historical context.
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