Dissertations / Theses on the topic 'Historicisation of the fiction'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Historicisation of the fiction.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Al, Jarrah Soumaya. "Romanciers ou historiens ? L'histoire contemporaine du Proche-Orient saisie par la fiction." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL094.
Full textThe central subject of this thesis focuses on the relationship between literature, specifically the novel, and History. It thoroughly examines an issue composed of two distinct dimensions: firstly, the role of the novel in representing the past, and secondly, its distinction from the representation of History in historical works. The aim is to demonstrate that History and the novel are not fundamentally different in their representation of the past, and that the objectivity of the historian is called into question. In this perspective, the approach involves analyzing novels dealing with the contemporary history of Lebanon and Syria, comparing them to historical works that address the same subject. This helps answer the question posed in the title of the work. The study manages to show that any perception of events is ultimately marked by a certain subjectivity, which is itself influenced by ideological, cultural, political, and social factors. The uniqueness of this work lies in the variation of perspectives represented as well as in the variety of analysed works. The historical and literary corpus, consisting of historical, fictional, memorial, photographic, and comic narratives, written by both Eastern and Western historians and authors, allowed the research to encompass the contemporary history of this region in all its aspects and revealed different points of view. It remains to consider the role of the reader in their perception of facts and their construction of History
Steinbrecher, Tal. "L' historicisation de la théodicée." Paris 1, 2009. http://www.theses.fr/2009PA010695.
Full textGosselin, Michel. "La scénarisation télévisuelle de fiction : fiction et réflexion." Thèse, Université de Sherbrooke, 1991. http://hdl.handle.net/11143/10106.
Full textLong, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5838.
Full textLong, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." University of Sydney, 2009. http://hdl.handle.net/2123/5838.
Full textInformationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information.
Von, Solodkoff Tatjana. "Grounding fiction." Thesis, University of Sheffield, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578699.
Full textTajovský, Jakub. "FICTION CENCRETE." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-316054.
Full textModrei, Karen. "Craft Fiction." Thesis, Konstfack, Textil, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7814.
Full textAtencia-Linares, P. "Arts and facts : fiction, non-fiction and the photographic medium." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1434513/.
Full textJones, Margaret Anne. "The Blackshaw Chord ; Crime fiction, literary fiction : why the demarcation?" Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366620/.
Full textDargnat, Mathilde. "L'oral comme fiction." Phd thesis, Université de Provence - Aix-Marseille I, 2006. http://tel.archives-ouvertes.fr/tel-00136043.
Full textDu point de vue méthodologique, l'étude repose sur l'utilisation du logiciel Weblex (http://weblex.ens-lsh.fr/wlx/), qui permet de comparer les différentes transcriptions de mots et de locutions caractéristiques de l'oral, et de mettre en évidence les choix techniques ou esthétiques des transcripteurs et de l'écrivain. Par ailleurs, à l'intérieur du corpus littéraire, on peut faire apparaître des profils linguistiques pour les différents personnages, ou encore dessiner une évolution stylistique du traitement de la fiction langagière sur trente ans (1968-1998).
Du point de vue théorique, la question centrale est celle de la nature des « filtres » de l'oral. Ce travail montre une double nécessité : a. la nécessité d'une définition précise des catégories linguistiques pour constituer (annoter) et exploiter des corpus de langue non standard, qu'il s'agisse de transcriptions d'entretiens ou de littérature ; b. la nécessité d'articuler la description de la langue avec les aspects culturels et affectifs, pour mieux comprendre les trois dimensions (linguistique, symbolique et esthétique) du phénomène de l'oralité.
Sjörs, Simon. "Fysikundervisningens science fiction." Thesis, Uppsala universitet, Fysikundervisningens didaktik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-331199.
Full textScience fiction or rather popular media is a major part of everyday life in today's society. Students consume this media in their spare time and watch it for entertainment, possibly without even reflecting over the consumed content. This paper will focus on science fiction and how the well-produced media is received and reflected upon by the consumers, in this case upper-secondary physics students. Is there an opportunity for physics teachers or other natural sciences teachers to make good use of the interest and the pseudo science, that these media can convey, at school? Pupils have an idea of what physics is in school considering how physics education is laid out and the purpose of this work is to explore possible ways that these different worlds can meet. The work is aimed at evaluating a one hour session done with a student group consisting of 6 physics students in high school. The essence of the survey is to see what types of discussions occur after viewing one or more movie clips containing different physical phenomena. The physical events are shown in movieclips and can be explained by the physics we have today or there may be unrealistic events that cannot be explained. This kind of popular media is often based on creating emotional connections with the consumer which can take away the connection to reality and the real world physics. The theoretical framework that the study was based on is the concept of ownership of learning, this aims to consider how students evaluate their own ideas and take responsibility for following up on previous ideas or questions that they themselves expressed. That way the students hopefully find value in critical thinking and the retention of knowledge might increase.
Leavitt, John Hudson. "Killers: Fiction Pieces." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3021.
Full textIsenberg, Jillian Alexandra. "Fiction without pretense." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44925.
Full textNeill, Alexander Dudley. "Feelings and fiction." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333311.
Full textSILVA, SUELI RIOS E. "SELF-FICTION EXPERIMENT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30024@1.
Full textEste trabalho é composto por duas partes distintas e complementares: a primeira apresenta o romance autoficcional Menina do Cerrado, colagem de resíduos da memória e da fabulação criativa engendrada especialmente para a presente composição. A segunda agrega um posfácio com considerações sobre elementos de cunho prático-teórico que alicerçam a ficção. A união das duas partes realça o esforço de fazer a aproximação de percepções artísticas a determinados conceitos da filosofia recente.
This work consists of two distinct but complementary sections: the first presents the auto-fictional novel Menina do Cerrado (The Girl from the Cerrado), a collage of bits of memories and the creative figment specially designed for this composition. The second one adds an afterword with considerations about practical and theorectical elements which support the fiction. Both parts together highlight the application of approaching artistic perceptions and some concepts of new philosophy.
Fuller, Elizabeth A. "'New femininities' fiction." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3573.
Full textPelletier, Jérôme. "Fiction et référence." Paris 1, 1995. http://www.theses.fr/1995PA010597.
Full textIn order to elucidate the semantic properties of utterances of proper names in fictional narratives, the concepts of fiction and of singular reference are philosophically analysed. Fiction is analysed as a species of communicative intentions : the author of fiction intends that the reader take an attitude of make-believe towards the proposition he or she utters because the reader recognizes that this is the intenton of the author. Fictional thoughts are based on this communicative and linguistic practice, not on the fictional entities supposed to be the references of proper names uttered in fictional narratives. Fictional proper names takened in fiction are empty but considered as types, fictional proper names are directly referential expressions. Fictional objects appear to be simple reflections of a communicative practice involving proper names. Without such directly referential terms as the names of fiction, the game played by the mind with the references of proper names in fiction, the intentionality of fictional thinking, none of this would be possible
Rouillé, Louis. "Disagreeing about fiction." Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLEE064.
Full textIn this dissertation, I contribute to contemporary debates in analytic philosophy about truth, interpretation and reference in fiction. I defend a version of "functionalism" (originating in Kendall Walton's work) which says that the key concept for analyzing fictions is pretence or make-believe. In the first part, I argue against the modal account of truth in fiction and then introduce "pretence semantics". The modal account says that fictional statements are similar to counterfactual statements, which can be given truth-conditions using possible-world semantics. But the fictional well exceeds the possible, and also the impossible (of hypothetical impossible-world semantics). Moreover, the modal account is incompatible with a causal theories of semantic information which can be argued for independently. As for pretence semantics: it is a formal apparatus delivering fictionality-conditions (instead of truth-conditions) which derive from real features of the props used in games of make-believe and some "principles of generation". In the second part, I fine-tune pretence semantics on a case study. It is a literary debate about what is true in Kafka's story "the Metamorphosis". Nabokov once argued against critics who say that Gregor Samsa has turned into a monstrous cockroach. Cockroaches do not get stuck on their backs; Gregor is stuck on his back in the opening scene of the story. So, Nabokov argues, he cannot be a cockroach; he must be a big beetle. In order to analyze this "great beetle debate", I use the notion of "faultless disagreement" which comes from epistemology. I thus investigate the indeterminacy of fictional events which, I argue, is neither linguistic nor ontological but pragmatic in nature. In the third part, I defend anti-realism about fictional names which says that fictional characters do not exist and that fictional names do not refer. Anti-realism is the same doctrine as functionalism applied to reference. Though intuitive, the view has to meet a powerful counterargument based on "metafictional uses" of names. For instance, one can say truly: "Emma Woodhouse is a fictional character". Given compositionality, it follows that the name "Emma Woodhouse" refers in such contexts. This argument leads to a form of realism: fictional names refer to some kind of "abstract artefact". I show that the best realist theories are inadequate. Then I provide an analysis of the linguistic data introducing a notion of perspective. It enables me to circumscribe the problematic metafictional statements for the anti-realist. Ironically, anti-realists mainly struggle with negative existentials, although these put into words the central tenet of anti-realism, namely that fictional characters do not exist. Pretence semantics (which yields fictionality-conditions) is helpless for giving truth-conditions to them. To account for them, I use a version of positive free logic which combines with pretence semantics. Anti-realism is thus both intuitive and tenable
Balcells, Nicholas M. "Reality Meets Fiction." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/403.
Full textDimming, Jessica. "Fan fiction en värld för fans : En textanalys av fan fiction." Thesis, Karlstads universitet, Fakulteten för ekonomi, kommunikation och IT, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-7294.
Full textPeters, Susan. "Intending fiction, Lamarque's theory of fiction compared to Walton's and Currie's." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ54477.pdf.
Full textBeignon, Anaëlle. "Participatory Design Fiction Curator – Providing inspiration from Participatory Design fiction Research." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23284.
Full textTangeman, Michael Stone. "The early fiction of Masumoto Seichō : Detective fiction as social critique /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486462702466755.
Full textCoban, Osman. "Reading choices and the effects of reading fiction : the responses of adolescent readers in Turkey to fiction and e-fiction." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30686/.
Full textvon, Knorring Ulrika. "”Läser science fiction utan att skämmas” : Om kvinnors läsning av science fiction." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19875.
Full textEtter, Julie-Anne. "Form and idea in the fiction and non-fiction of John Fowles." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1001830.
Full textPerna, Sandro Maria <1981>. "Science (in) fiction. Un CLIL de science à travers... la science (fiction)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15543.
Full textJuhlin, Hampus, and Pontus Novén. "Science fiction i spelutveckling." Thesis, Blekinge Tekniska Högskola, Sektionen för planering och mediedesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3890.
Full textDess populäritet är tydlig, men hur spridd är användingen av science fiction i dagens spelindustri? Hur kan man använda sagda populäritet för att slå igenom som utvecklare utan att försvinna i mängden? Detta arbetet studerar subgenrer, specialiserade undergrupper till science fiction som tar upp just de områden du vill utnyttja för din projektidé och hur du kan utveckla egna sådana om du inte finner vad du söker bland de befintliga.
Hampus Juhlin telnr. 076-1853950 Pontus Novén telnr. 073-4448595
Crowley, Adam. "Liminality in Popular Fiction." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/CrowleyA2003.pdf.
Full textHervey, Benjamin Alan. "Late Victorian horror fiction." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397430.
Full textLanger, Jessica. "Science fiction and postcolonialism." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538778.
Full textCorrado, Janae. "DECISIVE MOMENTS IN FICTION." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2795.
Full textM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Baptista, Marco Simão Valente. "Fernando Pessoa's detective fiction." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0f959d62-d4a7-4aa7-9e63-c02e40c40f5b.
Full textHodan, Omar. "Fiction as School Assignment." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-35837.
Full textThiercy, Pascal. "Aristophane : fiction et dramaturgie /." Paris : les Belles Lettres, 1986. http://catalogue.bnf.fr/ark:/12148/cb34879446b.
Full textSaltyte, Migle <1990>. "Climate Change in Fiction." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15838.
Full textCapdeville, Emily. "Can't Blame a Girl for Trying." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2362.
Full textGrimm, Gunter E. "Kometenforschung zwischen Aberglauben und Science-fiction - Comet research between superstition and science fiction." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-150835/.
Full textGreen, Michael. "Fiction as a historicizing form : uses of history in modern South African fiction." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316162.
Full textMagen, Guy. "Introduction à une herméneutique du film de fiction : cinéma de fiction et ethnométhodologie." Paris 8, 1997. http://www.theses.fr/1997PA081341.
Full textThe great systems which are mainly useful for the analysis of films are not adjusted to. Semiotic, structuralims and psycho-analysis do not take the laws of perception or the usual vision by the common spectator into consideration. With the concepts as indexicallity, reflexivity or hermeneutic circle, we would ground real hermeneutic's hopes on ther new epistemology hold by the ethnomethodology's studies
Vallenthini, Michele. "Sade dans l'Histoire : du temps de la fiction à la fiction du temps." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040031.
Full textThis thesis wants to propose a new perspective on the oeuvre of the Marquis de Sade by taking into account his late works La Marquise de Gange, Adélaïde de Brunswick, princess of Saxony and the Histoire secrète d'Isabelle de Bavière, queen of France.In a first approach his more known libertine novels are examined from a historical point of view. In the course of reading Sades texts one can observe not only a heterogeneous formal character tending towards an overload into all genres. In particular one also finds the manner of expounding the problems of history and time (in the sense of an acute consciousness for the passing of time, combined with reflections on truth and moral) typical of the literature of Enlightenment. In every text one rediscovers the same ambivalence of intention - be it the escape from time and the denial of history, be it an acute and lucid conscience that finds refuge in the letters of the text and behind bodily metaphors and lubricious biographies.The second part of the present thesis wants to understand the three historic novels of the Marquis de Sade as unique documents of the literary and ideological development of an author in post-revolutionary France, a man of letters henceforth in his seventies confronted with new structures of a world in plain process of reforming.By means of the categories analyzed here, it is possible to remove from these three historic novels the common substrate of what I, in the wake of Paul Ricoeur, have in fact defined as the fiction of time. In a particularly acute manner the fiction of time suffers the aporia of time. This is the symptom of a historic faintness - that of the overwhelming experience of the Revolution, of the obscurity of a world in change and in the end of an irremediable escape from time
Gallagher, Ron. "Science fiction and language : language and the imagination in post-war science fiction." Thesis, University of Warwick, 1986. http://wrap.warwick.ac.uk/90798/.
Full textMoxley, Leanna Gwyn. "High Places." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1545.
Full textBurner, Colleen. "Sister Golden Calf: Stories, Dissections, & A Novella." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/2081.
Full textSullivan, Robert Edward. "A Necessary Introduction to the Peculiar: Stories." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2357.
Full textMiller, Laura Anne. "The Let Going: Death, Buddhism and Connection." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1800.
Full textKalama-Smith, Lindsay M. "The Islands In-Between." PDXScholar, 2015. http://pdxscholar.library.pdx.edu/open_access_etds/2521.
Full textGresham, Thomas. "Good and Gone." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3763.
Full textJensen, Rayna Maria. "All Saints." PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4520.
Full text