Dissertations / Theses on the topic 'Historical novels'
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Kirca, Mustafa. "Postmodernist Historical Novels: Jeanette Winterson." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610813/index.pdf.
Full texthistoriographic metafictions&rdquo
(Hutcheon 1989: 92), in terms of their allowing for different voices and alternative, plural histories by subverting the historical documents and events that they refer to. The study analyzes texts from feminist and postcolonial literature, Jeanette Winterson&rsquo
s The Passion and Sexing the Cherry, and Salman Rushdie&rsquo
s Midnight&rsquo
s Children and Shame as examples in which the transgression of boundaries between fact and fiction is achieved. Basing its arguments on postmodern understanding of history, the thesis puts forward that historiography not only represents past events but it also gives meaning to them, as it is a signifying system, and turns historical events into historical facts. Historiography, while constructing historical facts, singles out certain past events while omitting others, for ideological reasons. This inevitably leads to the fact that marginalized groups are denied an official voice by hegemonic ideologies. Therefore, history is regarded as monologic, representing the dominant discourse. The thesis will analyze four novels by Winterson and Rushdie as double-voiced discourses where the dominant voice of history is refracted through subversion and gives way to other voices that have been suppressed. While analyzing the novels themselves, the thesis will look for the metafictional elements of the texts, stressing self-reflexivity, non-linear narrative, and parodic intention to pinpoint the refraction and the co-existence of plural voices. As a result, historiographic metafiction is proved to be a liberating genre, for feminist and postcolonial writers, that enables other histories to be verbalized.
Harvey, Alban Thomas. "The historical novels of Charles Dickens." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293764.
Full textPerks, Samuel. "Representations of precarity in Singaporean historical novels." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/18805/.
Full textLiang, Shanshan, and 梁珊珊. "A study of Gao Yang's historical novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B46424726.
Full textMayekiso, Amlitta Cordelia Theresa-Marie. "The historical novels of Jessie Joyce Gwayi." Thesis, University of Zululand, 1985. http://hdl.handle.net/10530/1158.
Full textIn the first chapter we are given the biography of Joyce Jessie Gwayi, including a section on her domestic position, her present occupation and her state of health. It is her state of health that has made it impossible for her to undertake any further literary work. This has been the worst drawback to the budding Zulu historical novelist. Here also a few writers of various Zulu books are reviewed. Most of these books found their way into the classroom because there had been no Zulu literature except the Holy Bible. This was so chiefly because, for a long time, schools belonged to missionaries whose primary aim was to bring the Christian Gospel to the Black people. Moses Ngcobo, Gwayi's husband, inspired her because, as a novelist, he had already written the historical work on the Xhosa National Suicide. Gwayi wanted to write about Dingiswayo Mthethwa, her ancestor, after discovering through research that the names Gwayi and Mthethwa were synonymous, used in the Transkei and Natal respectively. She discovered that Shaka Zulu grew up under the guidance of Dingiswayo Mthethwa and that after uniting the Zulu and the Mthethwa Tribes, he initiated a period of conquest. Gwayi seems to have been interested in this period which is known as "Difaqane" and thus used the Tlokoa Tribe, with its 'warrior queen', as the subject of her first novel Bafa Baphela, It was after the completion of this novel that she wrote Shumpu after which she wrote the third book Yekanini. The theme, structure and plot in each novel conform to the pattern as has been diagrammatically represented in the dissertation. There is exhibited a very well developed sunrise, noontide and sunset trend in each novel. /To To achieve this the novel must have a variety of characters. We find Gwayi's heroes and heroines behaving realistically, especially in view of the fact that some of them are real historical people. Both her simple and complex characters behave very much like ourselves or our acquaintances. There are characters central to the plot and also those who are included simply to enrich the setting of the story. Gwayi even has characters who are ancestors of living people. In Chapter Four, the milieu of Gwayi's books is discussed. Ancient people have a different culture from modern people so that as her characters lived prior to westernization, they conform to their environment. This aspect is obtained from traditional and oral history because Zulus were, up to then, illiterate. Attire, food and religion, however, remained largely unchanged for a long period of time. Ancestor worship, it is true, has been disturbed by the introduction of Christianity. On the military side it was Dingiswayo Mthethwa who regimented his warriors and Shaka Zulu who revolutionized the method of fighting by introducing a short spear (Iklwa). It is the style, language and technique that disclose the fact that the novels have been written by two people. (Gwayi confirmed this fact to the author.) The language in the first two books leaves much to be desired. For example, some expressions are used in such a manner that a non-Zulu reader may be confused. This is regrettable since Gwayi cannot now do anything about it. The language of the third book is good. The structure could have been Gwayi's, but Ngcobo so deftly manipulated the language that this book proves to be the best of the three. Ngcobo ends the book so conveniently that the reader becomes anxious to know what happened to Zwide Ndwandwe and Shaka Zulu when Dingiswayo had gone. It leaves the reader with a wish to read his next book, which deals with the conflict between Zwide and Shaka. It is unfortunate that Gwayi and Ngcobo do not revise and edit the books to the advantage of the future Zulu reader.
Mullen, Anne W. "Historical and fictional narratives in Sciascia." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297880.
Full textLi, Hao. "Communal memory and historical consciousness in George Eliot's later novels." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239159.
Full textDurrer, Rebecca A. (Rebecca Ann). "Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500933/.
Full textHussein, Hussein Yousif. "The historical novels of Walter Scott and Najīb Maḥfūẓ : a comparative study." Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/24014.
Full textReilly, Eileen. "Fictional histories : an examination of Irish historical and political novels 1880-1914." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243227.
Full text趙米卿 and Mai-hing Chui. "A study of the Ming and Qing historical novels related toYue Fei." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B38803835.
Full textCao, L. "Within the archive : cultural memory and historical representation in four contemporary British novels." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597278.
Full textWhite, E. J. "Fictions of anti-conquest : Origins and ambivalence in some recent Pakeha historical novels." Thesis, University of Canterbury. English, 2001. http://hdl.handle.net/10092/6947.
Full textMcElwee, Johanna. "The Nation Conceived : Learning, Education, and Nationhood in American Historical Novels of the 1820s." Doctoral thesis, Uppsala University, Department of English, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6226.
Full textThis study explores the role of learning and education in American historical fiction written in the 1820s. The United States has been, and still is, commonly considered to be hostile to scholarly learning. In novels and short stories of the 1820s, however, learning and education are recurrent themes, and this dissertation shows that the attitudes to these issues are more ambivalent than hitherto acknowledged. The 1820s was a period characterized by a political struggle, expressed as a battle between intellectuals, represented by the sitting president, John Quincy Adams, a Harvard professor, and anti-intellectuals, headed by the war hero Andrew Jackson. The battle over the place of scholarly learning in the U.S. was played out not only on the political scene but also in historical fiction, where the themes of learning and education become vehicles for exploring national identity. In these texts, whose aim is often to establish an impressive national history, scholarly learning carries negative connotations as it is linked to the former colonizer Britain and also symbolizes social stratification. However, it also stands for civilization and progress, qualities felt to be necessary for the nation to come into its own. The conflicting views and anxieties surrounding the issues of learning and education tend to center on a recurrent character in these texts, the learned person.
After providing an overview of how the themes of learning and education are treated in historical narratives from the 1820s, this dissertation focuses on works of three writers: Hobomok (1824) and The Rebels (1825) by Lydia Maria Child, The Prairie (1827) by James Fenimore Cooper, and Hope Leslie (1827) by Catharine Maria Sedgwick.
Dutta, Nilanjana Mazumdar Sucheta. "Scott of Bengal examining the European legacy in the historical novels of Bankimchandra Chatterjee /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2394.
Full textTitle from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature." Discipline: English and Comparative Literature; Department/School: English and Comparative Literature.
Lee, Edwin Roughton, and mikewood@deakin edu au. "Presbyterian ethos and environment in the novels of John Buchan: A religious and historical study." Deakin University, 1996. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051201.153016.
Full textAyivor, Moses Geoffrey Kwame. "Africa's golden age debunked: a study of the sources of select black African historical novels." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002275.
Full textShakespeare, Linda. "A description of the religious debate in the work of Mrs Humphry Ward : with reference to biographical and historical circumstances." Thesis, Cardiff University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.276862.
Full textMarsh, Huw David John. "What has defeated historical enquiry : The representation pof the past in the novels of Beryl Bainbridge." Thesis, Queen Mary, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528957.
Full textCunningham, David Gordon McAlpine. "Scott-land : the role of his native landscape in the historical novels of Sir Walter Scott." Thesis, University of Glasgow, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320297.
Full textHowell, Anna. "Insavoir and Representation in Comics| Modal and Temporal Intersections in Contemporary Francophone Familial and Historical Graphic Novels." Thesis, University of Louisiana at Lafayette, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3712439.
Full textFrench literary theorists Dominique Viart and Bruno Vercier identify the beginning of a new era for French literature in the 1980s, characterized by hypotheses, hesitations, and the general notion that truth and reality cannot be fully grasped by discourse. The 1980s can be considered as transitional for the comics medium as well. Art Spiegelman's Maus (first published in 1980, completed in 1991) demonstrated that comics are not only capable of representing difficult familial and historical pasts, but that visual narratives benefit from formal and aesthetic devices that are inherent to the ninth art's polysemiotic possibilities. In this dissertation, I study francophone comics in which a second- or third-generation individual seeks to understand a familial past that exceeds his or her personal experience and that has previously been silenced or repressed, either individually (by the primary witness) or collectively (by the political hegemony). In the research corpus, the narrator's search elicits modal and temporal intersectional spaces: representation and anti-representation in Chapter One, the past and the present in Chapter Two, the collective and the individual in Chapter Three, and the interplay between memory, history, and imagination in the concluding Chapter Four. In addition to an interdisciplinary theoretical framework, Viart's notion of insavoir [not-knowing] and Pierre Nora's concept of "sites of memory" act as overarching theoretical tools throughout the essay.
The thematic organization of intersectional spaces fosters the identification of recurrent devices as the individual discussions reinforce and nuance one another sequentially and retroactively. Aware of the inherent limitations of representation and the notion of cognitive insavoir, the authors of the research corpus attempt to communicate meaning instead of presupposing understanding or the ability to "know" a traumatic, violent, and repressed past (and the capability to represent such a history through text and image). Such recurrences are symptomatic of an emerging sub-category within the medium, wherein the figure of the intersection is pertinent and productive precisely because these works operate in multi-directional insavoir. Like novels in the literary era identified by Viart and Vericer, the resulting representations oppose binary thought, opting instead for narratives that are self-critical, uncomfortable, thought-provoking, and ultimately, perhaps, more true.
Van, Zeller Marcia. "“Cruel Capes”: a novel; and the nexus between fact and imagination: a discourse of the historical fiction genre in contemporary novels: an exegesis." Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/319.
Full textSteffler, Thomas. "The crowd and carnival in Charles Dickens's two historical novels, Barnaby Rudge and A tale of two cities." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58089.pdf.
Full textThomas, James Christian. "Strong words, weak subjects : a critical examination and theoretical and historical contextualisation of the novels of Don Delillo." Thesis, Bath Spa University, 2001. http://researchspace.bathspa.ac.uk/1444/.
Full textCrossland, R. Bert (Rodney Bert). "A Content Analysis of Children's Historical Fiction Written about World War II." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279151/.
Full textDrott, Nadja. "Oriental Narratives or a Western script? : Self-Orientalism, the orient and the oriental - a discourse analysis of three contemporary historical novels." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-294476.
Full textWykes, Sarah Jill. "The representation of the Spanish Civil War in the novels of Claude Simon and Juan Marse." Thesis, Queen Mary, University of London, 2002. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28589.
Full textHughes, Helen Muriel. "Changes in historical romance, 1890s to the 1980s : the development of the genre from Stanley Weyman to Georgette Heyer and her successors." Thesis, University of Bradford, 1988. http://hdl.handle.net/10454/4224.
Full textRafael, Laura. "The role of history in the recent Mexican novel : a study of five historical novels by Elena Garro, Carlos Fuentes, Fernando del Paso, Paco Ignacio Taibo II and Rosa Beltrán /." St Andrews, 2007. http://hdl.handle.net/10023/323.
Full textRafael, Laura. "The role of history in the recent Mexican novel : a study of five historical novels by Elena Garro, Carlos Fuentes, Fernando del Paso, Paco Ignacio Taibo II and Rosa Beltran." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/323.
Full textJagodzinski, Mallory Diane. "Love is (Color) Blind: Historical Romance Fiction and Interracial Relationships in the Twenty-First Century." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1440101084.
Full textDi, Bernardo Francesco. "Politics, history and personal tragedies : the novels of Jonathan Coe in the British historical, political and literary context, from the seventies to recent years." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/50746/.
Full textOlsson, Caroline. "L’époque des Vikings et de la conversion dans le roman historique suédois." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040102.
Full textThe birth of the historical novel in Sweden, traditionally dated from 1828, coincides with a national-romantic movement exalting the figure of the ancient Scandinavian. But in this first half of the nineteenth century, the historical novel is still in want of recognition and authors wishing to recount the Nordic Early Middle Ages seem to favour more prestigious literary forms, such as poetry or theatre. In the beginning of the twentieth century, works depicting the Viking Age become more numerous. A thematic study of these novels reveals that many writers are fascinated by typical figures seen to embody this period: the figure of the ancestor and its different forms (the civilizing hero, the pioneer, the patriarch) and the one of the adventurer, the most illustrative personification of which is the Viking navigator. Yearning for historical realism and for emancipation from a tradition of unlimited glorification, their characters will undergo a significant de-idealization during the twentieth century. Other novelists take an interest in the Viking Age because it is a period rife with religious and political changes in the History of Scandinavian nations. These authors attempt to depict the process of Christianization and the ensuing religious conflict between pagans and converts. To a lesser extent, they also deal with the social and political transformations. Generally speaking, the representations of the Nordic Early Middle Ages and their inhabitants disclose the Swedish novelists’ views and stances. These authors hence reveal their vision of the past and do not shy away from reinterpreting history
Piep, Karsten H. "Embattled Homefronts: Politics and Representation in American World War I Novels." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1109634736.
Full textPratt, Catherine Cecilia English Australian Defence Force Academy UNSW. "Gender ideology and narrative form in the novels of Henry Handel Richardson." Awarded by:University of New South Wales - Australian Defence Force Academy. School of English, 1994. http://handle.unsw.edu.au/1959.4/38688.
Full textChui, Mai-hing. "A study of the Ming and Qing historical novels related to Yue Fei Yi Yue Fei wei ti cai de Ming Qing yan yi yan jiu /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record/B38803835.
Full textPiep, Karsten H. "Embattled homefronts politics and representation in American World War I novels /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1109634736.
Full textSchiariti, Francesco. "La nostalgie de la civilisation. Les représentations de l’Ancien Régime dans les romans sensibles, les romans historiques, les vies romancées et les vies édifiantes (1789-1847)." Thesis, Paris Est, 2015. http://www.theses.fr/2015PESC0009/document.
Full textThe French Revolution creates a History’s acceleration and the concept of the Ancien Regime, on institutional and impressionist levels. After 1789, numerous novelists, historical or sentimental (many times both), born during Louis XV and Louis XVI reigns, express nostalgia for Ancien Régime’s civilization. They write about the highlights of the Bourbon’s monarchy, the “douceur de vivre” of the Marie-Antoinette era or the medieval courtesy (in troubadour pieces of work about ladies and knights). This doctoral thesis explores the purposes and methods of the representation of prerevolutionary periods in novels. The large corpus (1789-1847) include famous male (Chateaubriand, Florian, Sade) and female (Mme Cottin, Mme de Genlis, Mme Gay, Mme de Souza) authors and several “minores” – some of them still ignored by modern studies - (Mme de Bawr, Mme Brossin de Méré, Mme Candeille, Guesdon, l’abbé Proyart …)
Hogue, Kari L. "Representaciones de la Guerra Civil Espanola en la novela y el cine: Hacia una comprension del pasado y una reconciliacion con la realidad actual." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363358669.
Full textRush, Anna. "The generic originality of Iurii Tynianov's representation of Pushkin in the novels 'Pushkin' and 'The Gannibals." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1712.
Full textFrisk, Angelica. "Medeltiden i din hand : En studie om skönlitteraturens möjlighet i historieundervisningen." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-36734.
Full textSong, Ge. "Indes néerlandaises et culture chinoise. Deux traductions malaises du Roman des Trois Royaumes (1910-1913)." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF036/document.
Full textIn the early 1880s, the descendants of Chinese immigrants (called Peranakan in Malay) achieved and printed a large number of Malay translations of Chinese novel in the Dutch Indies. We chose to study two translations published simultaneously during the years 1910-1913 when the Chinese community of Insular Southeast Asia was trying to rethink its cultural and political identity from the literary, philological, historical and sociological angles. The research is about two complete translations of the Sanguo yanyi 三国演义, the most remarkable Chinese historical novels that depict the period of Three Kingdoms. Through textual analysis, we found that although the translators of two Sam Kok (abbreviated title commonly used in Indonesia to refer to the “Romance of the Three Kingdoms”) had some rudimentary Chinese education and knowledge of the language Malay used in the urban areas of Java, they exhibited a great willingness to express all the literary and cultural values of the novel Sanguo yanyi. In order to examine the impact of Sam Kok on the Chinese community, we have put them in their historical context and compare them with other Malay translations published during 1880-1910. Consequently, we are able to assert that, through those translations, especially those of Romance of the Three Kingdoms, the peranakan have acquired some understanding of the history and culture of their ancestral country, which also constituted their past
Thompson, Hannah. "Approaches to history and the historical individual in the Victorian historical novel." Thesis, University of Reading, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.628536.
Full textLöwe, Corina. "Von Jungen Pionieren und Gangstern : Der Kinder- und Jugendkriminalroman in der DDR." Doctoral thesis, Stockholms universitet, Institutionen för baltiska språk, finska och tyska, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-60269.
Full textKoch, Jessica [Verfasser], Brigitte [Akademischer Betreuer] Glaser, and Barbara [Akademischer Betreuer] Schaff. ""My sense of my own identity is bound up with the past" : The Quest for a Female Identity in Historical Novels by British Women Writers: Penelope Lively, Margaret Drabble, A.S. Byatt, Esther Freud / Jessica Koch. Gutachter: Brigitte Glaser ; Barbara Schaff. Betreuer: Brigitte Glaser." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1047237024/34.
Full textSylwan, Anna. "Harlot or Heroine? The portrayal of Anne Boleyn in three contemporary historical novels written by women : A comparative study of The Other Boleyn Girl by Philippa Gregory, The Lady in the Tower by Jean Plaidy, and Queen of Subtleties by Suzannah Dunn." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-43203.
Full textAmand, Emilie. "Le roman de la contre histoire : entre contestation et tradition." Thesis, Lille 3, 2018. http://www.theses.fr/2018LIL3H051/document.
Full textThis thesis proposes to work on the definition of a sub-genre of the expanding historical novel: the novel of the counter-history, also called subversive historical novel. The selected works allow a diachronic analysis of the problem, starting with the birth of the historical novel and going until our days. For this, we will cover the works of Scott, Hampâté Bâ, Roa Bastos, and Chamoiseau, thus focusing on different continents and cultures, with Europe, Africa, but also Central America and South America . For For this research, it is necessary to study the birth context of these novels, as well as the means put in place to write this other story. We will come to work on the shift from the writing of history to that of an identity, which will push us to question the place of literature in the constitution of national identity. We will face controversy here, since the novels go partially against the official histories, which will allow to see the importance that the other point of view can have in the construction of identity. The presence of tales and folklore will be studied to determine their role in the creation of identity. A study of the reception of these works will be conducted to see the concrete impact of these texts on the construction of identity. This will allow us to have a total vision of this sub-genre booming, and see its real impact, leading to a reflection on the place of literature in today's society and its relationship to history
Ramey, Margaret E. "The quest for the fictional Jesus : Gospel rewrites, Gospel (re)interpretation, and Christological portraits within Jesus novels." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1861.
Full textHampe, Martínez Teodoro. "Seymour Menton, Latin America's New Historical Novel." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/101403.
Full textDrake, George A. "Historical space in the eighteenth-century novel /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9425.
Full text