Relevant bibliographies by topics / Historical fiction. Southern fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Historical fiction. Southern fiction'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Historical fiction. Southern fiction"

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Ajdačić, Dejan. "O genetski izazvanim bolestima u romanu „Kralj Bola i skakavac” (Król Bólu i pasikonik) Jaceka Dukaja." Slavica Wratislaviensia 177 (December 30, 2022): 221–29. http://dx.doi.org/10.19195/0137-1150.177.19.

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The author discusses the historical changes in attitudes towards infectious diseases in the mythological, Christian-religious and scientific worldview before and after the discovery of the causes of these diseases in the context of the types of futuristic fiction. One narrative line of the novel by contemporary Polish writer Jacek Dukaj King of Pain and the Grasshopper (Król Bólu i pasikonik, 2010) is centred on to the production of retroviruses and carcinogenic agents by genetic engineering companies that cause epidemics and destroy wildlife in the southern hemisphere. The text points out the specifics of the author’s descriptions of the cause of the plague and discusses Dukaj’s speculative projections of futuristic fiction.
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Lucena, Sarah C. "The Mercosur fiction: politics and literature in Gabriela Aguerre’s O quarto branco." Cadernos PROLAM/USP 21, no. 44 (December 31, 2022): 131–51. http://dx.doi.org/10.11606/issn.1676-6288.prolam.2022.201022.

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This paper discusses the viability of speaking of a Southern Cone identity as a Mercosur’s project by analyzing Gabriela Aguerre’s O quarto branco (2019). Departing from the official Mercosur’s discourse about its project of regional cultural integration and in connection with Diego Olstein’s (2017) concept of American Divergence, I argue that the lack of success of Mercosur in creating the notion of a common identity for the Southern Cone is linked to the historical foundation in which lies the creation of the bloc. By reading Aguerre’s novel in view of such divergent framework, I propose that the regional integration that Mercosur longs for can be achieved via literature – specifically through Benedict Anderson’s (2016) concept of print-capitalism, for which novel in print functions as the seed and fabric from which large groups of anonymous peoples can commune and identify. When representing the dualities at play when moving across the Southern Cone borders, Aguerre’s novel both contests and accepts such duality while suggesting that the Mercosur’s common identity is still not a reality, yet achievable in the realm of fiction and communal imagination.
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Ricci, Luca. "Inventing Patron Saints: The Cult of St Fulk between Civic Reality and Historical Fiction." Classica et Mediaevalia 72 (October 28, 2023): 145–75. http://dx.doi.org/10.7146/classicaetmediaevalia.v72i.141498.

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Seventeenth-century sources attest the cult of English pilgrims in southern Lazio. Focusing on the case of Fulk, I argue that the seventeenth-century tradition is supported neither by the literary accounts nor by topographical analyses. Instead, Fulk’s cult, based on Peter Deacon’s twelfth-century Vita Fulconis, was central in processes of civic formation. Changing religious attitudes in the twelfth/thirteenth century are linked with lay sainthood. An English pilgrim coming back from the Holy Land, through the sanctuary on Mount Gargano, brought great prestige to the urban centre vis-à-vis other urban centres, having visited and, thus, been a witness to some of the greatest places in Christendom.
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Stone, Albert E. "The Return of Nat Turner in Sixties America." Prospects 12 (October 1987): 223–53. http://dx.doi.org/10.1017/s0361233300005597.

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One of the less publicized public events of that annus mirabilis 1968 was the annual meeting in November of a venerable academic institution, the Southern Historical Association. Convened in New Orleans was a group of intellectuals knit together by, among other professional ties, a common preoccupation with the Southern past. Prominent among these was C. Vann Woodward of Yale, arguably America's most eminent historian of the South. Also present were three famous novelists: Robert Penn Warren, Ralph Ellison, and William Styron. All native-born Southerners (if Oklahoma City, Ellison's birthplace, qualifies as a Southern city), they were there as participants in a panel, chaired by Woodward, on “The Uses of History in Fiction.” The session took place on November 6, the day after the election of Richard Nixon and seven months and two days after the assassination of Martin Luther King, Jr. It was probably the liveliest, best-attended event of an otherwise staid meeting of professors. Much of the interest was generated by the topic and the distinguished panelists, but additional electricity was contributed by a cluster of young blacks in the audience. As passionately interested in the subject as were those on the platform, they were in attendance chiefly to question and challenge Styron. It was his use of history in fiction upon which much of the evening's discussion devolved.
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Lavery, Charne. "The Southern Indian Ocean and the Oceanic South." Global Nineteenth-Century Studies 1, no. 1 (June 1, 2022): 63–72. http://dx.doi.org/10.3828/gncs.2022.10.

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The southern Indian Ocean constitutes a distinct oceanographic region that offers useful links, connections, and perspectives as an area of inquiry, in the domain of colonial and postcolonial literature but also more widely. The region is both particularly oceanic and particularly southern, making it a key part of the ‘oceanic South’, a formulation which overlays the postcolonial poverty of the Global South with its oceanicity. As an area of inquiry it complicates Indian Ocean studies by drawing its purview into colder, wilder, more oceanic regions; centralizes questions of the global - and oceanic - South; and encourages a focus on the ocean itself. The article describes the material characteristics of the southern Indian Ocean, places it within the oceanic South, and as an example reads a work of historical fiction - Dan Sleigh’s Islands (2005) - within this particular oceanic, political, and literary geography.
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Chekalov, Kirill A. "ALEXANDRE DUMAS AND A GOTHIC NOVEL (DEDICATED TO 150TH ANNIVERSARY OF THE WRITER’S DEATH)." Vestnik of Kostroma State University, no. 3 (2020): 134–40. http://dx.doi.org/10.34216/1998-0817-2020-26-3-134-140.

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The article considers the characteristics of interpretation by Alexandre Dumas père of a genre of gothic fiction based on the writer’s less popular works: Le Château d’Eppstein, 1843 and Le Pasteur d’Ashbourn,1853. Alexandre Dumas père deviates from the genre’s traditional surrounding, i.e. the southern France, Italy, Spain. Le Château d’Eppstein is set in Germany; by connecting the legendary past with the historical time, Dumas enhances one of the genre’s inherent features, at the same time enriching the narrative with a dense intertextual component. The events of Le pasteur d’Ashbourn happen in England. The first part of the book is a rescript of a sentimental novel Leben Eines Armen Landpredigers by August Heinrich Julius Lafontaine (1801; translated in French by Isabelle de Montolieu as Nouveaux Tableaux De Famille Ou La Vie D’un Pauvre Ministre De Village Allemand Et De Ses Enfants – 1802; translated in English as The Village Pastor and His Children – 1803), which beautifully contrasts with a traditional gothic plot of the second part and an extensive ironic epilogue. Both novels demonstrate that Dumas did not intend to imitate the gothic fiction, but rather to transform it by means of witty genre and stylistic experiments.
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Collins, Christiane Crasemann. "Urban Interchange in the Southern Cone: Le Corbusier (1929) and Werner Hegemann (1931) in Argentina." Journal of the Society of Architectural Historians 54, no. 2 (June 1, 1995): 208–27. http://dx.doi.org/10.2307/990968.

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The Southern Cone of the Americas, although geographically remote, had evolved in the 1920s and 1930s into a vital arena for architectural and urban ideas. For European visitors expecting a tabula rasa on which their visions and dreams could be explored, this proved to be a fiction when they encountered sophisticated local schemes and ambitions. This essay provides a look at the urban discourse in Buenos Aires and Rosario that coalesced around the presence of two international urbanists representing distinct positions: Le Corbusier and Werner Hegemann. Consideration is given to the cultural and social ambient. A historical overview of urban development and a discussion of the complex politics in the area are beyond the scope of this study.
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Thomas, Brook. "Albion W. Tourgée's Forgotten Dystopia: How the South Conspired with Northern Monopolists to Win the Post-Civil-War Peace." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 1 (March 2024): 1–27. http://dx.doi.org/10.1353/arq.2024.a921515.

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Abstract: Albion W. Tourgée wrote best-selling novels based on his days fighting the Klan and trying to reconstruct North Carolina. Recently his fiction and his role as Homer Plessy's lead attorney have received renewed attention. But the work to which he devoted most energy remains forgotten. Speaking directly to today's world of ongoing racial injustice and income inequality, "89 (1888) is told by the Grand Master of the Order of the Southern Cross. He and a northern monopolist based on J.D. Rockefeller conspire to bring about peaceful secession of the South and suppression of northern workers. After summarizing the book's elaborate dystopian plot, the essay details how Tourgée forged the often-forgotten historical events on which it is based into a novel that, better than any work of the time, warned the nation of the threat posed by what W.E.B. Du Bois called the "bargain between Big Business and the South."
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Butkus, Vigmantas. "The Image of Ancient Lithuania in Latvian Literature of the First Half of the 20th Century." Colloquia 51 (July 24, 2023): 13–30. http://dx.doi.org/10.51554/coll.23.51.02.

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The image of ancient Lithuania in Latvian fiction of the first half of the 20th century is usually revealed through works of various genres and uneven artistic quality depicting the ancient history of Latvia and not the history of Lithuania directly. Nearly all such literary pieces are on the tribes that lived in the southern part of Latvia: the Selonians, and especially the Semigallians, whose history is inseparable from Lithuanian history. Unlike the works of 19th-century Latvian authors, 20th-century works no longer depict ancient Lithuanians only in a romantic way, as heroic people that belonged to the same Baltic tribe, but as a powerful and hostile force that threatened the Latvian lands. The image of ancient Lithuania containing the most common historical characteristics prevails; however, it also contains a lot of authorial invention (e.g. the authors write about imaginary “Lithuanian princesses,” or they expand the boundaries of 13th-century Lithuania in an unrealistic way, etc.). The realities of ancient Lithuania, e.g. the historical names and events, are usually presented without any further explanation, which is a sign of an attitude and belief that the reader of the time had sufficient information on the subject.
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Herman, John. "The Kingdoms of Nanzhong China's Southwest Border Region Prior to the Eighth Century." T'oung Pao 95, no. 4 (2009): 241–86. http://dx.doi.org/10.1163/008254309x507052.

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AbstractThis article utilizes recent ethno-historical scholarship and archaeological discoveries in southwest China to examine the accuracy of the earliest Chinese historical sources dealing with the peoples and cultures in Nanzhong, the most common name for the southwest region (Yunnan, Guizhou, and southern Sichuan) prior to the Tang dynasty. Archaeology makes clear that Nanzhong was a settled border region with several highly sophisticated and divergent cultures. Early Chinese incursions into Nanzhong left an indelible mark on the peoples living there, but these brief and generally unsuccessful forays also influenced the views of China's elites regarding China's relations with this region. Since at least the Qin and Han, China's scholar-officials considered Nanzhong not only as an inhospitable frontier populated with uncivilized barbarians (manyi), but also as a peripheral part of China where intrepid commanders such as Tang Meng in the second century BCE and Zhuge Liang at the beginning of the third century CE had staked China's claim. This article casts doubt on the historical fiction of a staked claim. Cet article s'appuie sur les recherches ethno-historiques et des découvertes archéologiques récentes pour vérifier l'exactitude des sources chinoises les plus anciennes concernant les peuples et les cultures du Nanzhong, comme était communément appelé le Sud-Ouest (le Yunnan, le Guizhou et le sud du Sichuan) avant la dynastie des Tang. L'archéologie montre à l'évidence que le Nanzhong était une région frontière habitée, siège de plusieurs cultures hautement sophistiquées et différenciées. Si les premières incursions chinoises dans le Nanzhong ont laissé une empreinte indélébile sur les populations locales, ces campagnes brèves et en général infructueuses ont également influencé l'opinion des élites chinoises concernant les relations de la Chine avec le Sud-Ouest. Depuis au moins les Qin et les Han les lettrés-fonctionnaires chinois considéraient le Nanzhong non seulement comme une frontière inhospitalière peuplée de barbares dénués de civilisation (manyi), mais aussi comme un territoire périphérique de la Chine où des généraux intrépides comme Tang Meng au iie siècle avant notre ère et Zhuge Liang au début du iiie siècle de notre ère avaient établi des droits pour la Chine. L'article met en doute cette fiction historique d'un droit établi.
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Dissertations / Theses on the topic "Historical fiction. Southern fiction"

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Solomon, Kelsey Alannah. "New Appalachians of the Twenty-First Century: Reinventing Metanarratives and Master-Images of Southern Appalachian Literature." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3022.

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The Appalachian studies tradition ascertains that Appalachian people politically, socially, and academically represent a heterogeneous minority group of our own. In post-capitalistic America, however, the Appalachian region serves as a hotspot for media misrepresentation and tourism that perpetuate through works of fiction, nonfiction, and scholarship both negative and positive stereotypes in the overall American consciousness. Twenty-first-century Appalachian authors, I contend, are reinventing Appalachia from its postmodern rubble through fictionalized reconceptualizations of our region’s history, shifts in our collective consciousness from anthropocentric to ecocentric, and subversions of the heteronormative discourse of our internal colony through explorations of the psychosexual. The contemporary Appalachian texts that exemplify these abilities are Ron Rash’s The Cove, Barbara Kingsolver’s Prodigal Summer and Jeff Mann’s Loving Mountains, Loving Men because each represents a paradigm shift within their own aesthetic metanarratives in Appalachian literary history.
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Pettersson, Petter. "What about historical fiction? : Ways to use historical fiction in an ESL-classroom setting." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-35275.

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Nichols, Ian. "Hybrid texts and historical fiction." Thesis, Curtin University, 2011. http://hdl.handle.net/20.500.11937/2060.

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The Bloodiest Rose is based on the premise that the fair copies of Shakespeare’s plays are discovered, and a production of his previously unknown Henry VII takes place in Sydney. It is an attempt to create a narrative which is factual, entertaining and truthful. The exegesis is an analysis of how fiction is able to form a framework by which the facts may be told differently, but still faithfully, as human truths.
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Tait, Meg. "Taking sides : Stefan Heym's historical fiction." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624152.

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Strain, Catherine B. "Folk medicine in southern Appalachian fiction." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-1107102-135027/unrestricted/StrainC120902a.pdf.

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Strain, Catherine Benson. "Folk Medicine in Southern Appalachian Fiction." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etd/720.

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The region of Southern Appalachia, long known for its colorful storytellers, is also rich in folk medical lore and practice. In their Appalachian novels, Lucy Furman, Emma Bell Miles, Mildred Haun, Catherine Marshall, Harriette Arnow, Lee Smith, and Charles Frazier, feature folk medicine prominently in their narratives. The novels studied, set against the backdrop of the rise of official medicine, are divided into three major time periods that correspond to important chapters in the history of American medicine: the 1890s through the 1930s; the 1940s through the 1960s; and the 1970s through the present. The study of folk medicine, a sub-specialty of the academic discipline of folklore, gains significance with the current rise in distrust of official medicine and a return to medical folkways of our past. The authors studied here have performed an ethnological role in collecting and preserving with great care and authenticity many of the Appalachian regionÆs folk medical beliefs and practices.
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Bavasah, Tessa. "Parodic imagination and resistant form in historical fiction: A study of Ann Harries' manly pursuits." Thesis, University of the Western Cape, 2007. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_5657_1242111847.

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In this dissertation, the author examines the historical novel Manly pursuits (1999), by Ann Harries. The novel deals with the late nineteenth century in Oxford, England, and inparticular the year 1899 in Cape Town. The focus of the novel is on Cecil John Rhodes and his entourage, and their obsession with empire, which culminates in the South African war in 1900. Featured characters include Chamberlain, Jameson, Kipling, Oscar Wilde, Charles Dodgson, John Ruskin and Olive Schreiner. Harries novel is interpreted as showing resistance to the Victorian society which is the framework which is seen to developed the class and gender-based valued and imperialist thinking of Rhodes and his following. as such the novel is showing resstance to imperialist thinking, the Anglo-Boer war, apartheid and all the resulting legacies for South Africa.

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Hadley, Louisa A. "Rewriting historical narratives in neo-Victorian fiction." Thesis, University of Edinburgh, 2005. http://hdl.handle.net/1842/24661.

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This thesis explores the contemporary form of neo-Victorian fiction in relation to both contemporary and Victorian literature. I argue that neo-Victorian fiction needs to be considered in relation to but as distinct from postmodern literary practices. Although neo-Victorian texts are often considered postmodern, I argue that they should be differentiated from the categories of postmodernism. Whilst interrogating history, often considered a postmodern characteristic, neo-Victorian fiction retains a commitment to the historical specificity of the Victorian era. The interrogation of history undertaken in these texts is intimately connected to Victorian forms of historical narratives. Chapter 1 examines theoretical frameworks of postmodernism, revealing the limitations of such models for neo-Victorian fiction .The subsequent chapters explore the treatment of different historical narratives in these texts. Chapter 2 discusses The French Lieutenant’s Woman and ‘Morpho Eugenia’ and examines the role of meta-narratives in both Victorian and contemporary society, particularly Darwinism and Marxism. This chapter also addresses the grand narrative of literary history in its consideration of the double relationship between Victorian and neo-Victorian literature, illustrated through a detailed examination of endings in both Victorian and neo-Victorian fiction. Chapter 3 explores the issues surrounding genealogical narratives in The Quincunx as well as its engagement with the late Victorian genre of detective fiction. Chapter 4 considers The Biographer’s Tale and The Dark Clue in relation to Victorian forms of biography and developments in photography. This discussion leads on to an examination of the problematic relationship between historical and fictional figures within these texts and the implications it has for their status as historical novels. The final two chapters explore approaches to resurrecting the past within neo-Victorian fiction. Chapter 5 addresses the continued presence of the past, through both spiritualism and literature, in Possession and ‘The Conjugial Angel’. The final chapter discusses the process of ventriloquism, focusing on the incorporation of Victorian and pseudo-Victorian texts in Possession and ‘The Conjugial Angel’. This is extended to address the intertextual relationship of Victorian and neo-Victorian fiction.
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Kellar, Pinard Katrina. "Settler Feminism in Contemporary Canadian Historical Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39608.

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Canada has seen a veritable explosion in the production and popularity of historical fiction in recent decades. Works by women that present a feminist revision of national narratives have played a key part in this phenomenon. This thesis discusses three contemporary Canadian historical novels: Gil Adamson’s The Outlander (2007), Ami McKay’s The Birth House (2006), and Margaret Atwood’s Alias Grace (1996). By examining these novels through a settler colonial lens and with a specific interest in the critique of settler feminism, this thesis offers readings that can reveal how feminism operates within the confines of the settler fantasy. These readings suggest that women’s historical fiction offers an opportunity to consider different aspects of feminism in the settler setting and to consider different aspects of critiques of patriarchy in settler contexts. This thesis suggests that these novels present a settler women’s history that cannot be properly understood through the simplistic logic of male/female or colonizer/colonized oppositions, and that the ways the novels depict women’s interactions with patriarchal settler structures and institutions can contribute to critical understandings of a colonial history with which Canada continues to reckon.
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Kocela, Christopher. "Fetishism as historical practice in postmodern American fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.

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This study contends that postmodern American fiction dramatizes an important shift of philosophical perspective on the fetish in keeping with recent theories of fetishism as a cultural practice. This shift is defined by the refusal to accept the traditional Western condemnation of the fetishist as primitive or perverse, and by the effort to affirm more productive uses for fetishism as a theoretical concept spanning the disciplines of psychoanalysis, Marxian social theory, and anthropology. Analyzing the depiction of fetishistic practices in selected contemporary American novels, the dissertation utilizes fetish theory in order to clarify the unique textual and historiographic features of postmodernist fiction. It also emphasizes the way in which conventional ideas about history and teleology are necessarily challenged by an affirmative orientation toward the fetish. Part One of the dissertation, comprising the first two chapters, traces the lineage of Western thinking about fetishism from Hegel, Marx, and Freud to Derrida, Baudrillard, and Jameson, among others. Recognizing that traditional theories attribute the symbolic power of the fetish to its mystification of historical origins, Part One posits that poststructuralist and postmodernist contributions to the subject enable, but do not develop, an alternative concept of fetishism as a practice with constructive historical potential. Part Two of the study seeks to develop this historical potential with reference to prominent descriptive models of postmodernist fiction, and through close readings of five contemporary American authors: Thomas Pynchon, Kathy Acker, Robert Coover, John Hawkes, and Don DeLillo. The four chapters of Part Two each examine the fictional representation of fetishism within a different theoretical framework, focusing on, respectively: temporality and objectivity in postmodern fiction theory; the interrelation between psychoanalytic theory and female fetishism in novels by Pynchon and Acker
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Books on the topic "Historical fiction. Southern fiction"

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Maxwell, Patricia Anne Ponder. Southern Rapture. New York: ereads.com, 2002.

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Dale, Madeline Montgomery. Southern cross. Lakeville, Minn: Galde Press, 1998.

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West, Nick. The great southern circus. [S.l.]: Xlibris, 2010.

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Morgan, Ronald E. Southern thunder. Fuquay-Varina, NC: Triangle Books, 1996.

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Gabriel, Susan. Daisy's Fortune: Southern Historical Fiction. Wild Lily Arts, 2019.

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Gabriel, Susan. Daisy's Fortune: Southern Historical Fiction. Wild Lily Arts, 2019.

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Gabriel, Susan. Wildflower Trilogy: Southern Historical Fiction Box Set. Wild Lily Arts, 2019.

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Gabriel, Susan. Trueluck Summer : Southern Historical Fiction: A Lowcountry Novel. Wild Lily Arts, 2016.

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Axsom, Dora. Mountain Mama: Courageous Backwoods Mistress/Historical Fiction. Little Red Hen, Incorporated, 1988.

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Ayers, E. Historical Fiction - A Rancher's Request - A Victorian Southern American Novel. Indie Artist Press, 2017.

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Book chapters on the topic "Historical fiction. Southern fiction"

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Monteith, Sharon. "Southern Fiction." In A Companion to Twentieth-Century United States Fiction, 84–95. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310108.ch7.

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Ludlow, Elizabeth. "Historical Fiction." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–4. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_24-1.

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Ludlow, Elizabeth. "Historical Fiction." In The Palgrave Encyclopedia of Victorian Women’s Writing, 737–40. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_24.

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Johnson, Denise. "Historical Fiction." In The Joy of Children's Literature, 236–68. 3rd ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003015680-9.

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Patell, Cyrus R. K. "Historical Fiction." In Cosmopolitanism and the Literary Imagination, 69–86. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137107770_4.

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Charlton, Kenneth. "Historical Fiction." In Handbook for History Teachers, 272–78. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-25.

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Bentley, Nick. "Contemporary Historical Fiction." In Contemporary British Fiction, 92–107. London: Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-00965-4_7.

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Wesseling, Elisabeth. "3.1.3 Historical Fiction." In Comparative History of Literatures in European Languages, 203. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xi.23wes.

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Pinsent, Pat. "Historical Studies." In Teaching Children's Fiction, 6–28. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230379404_2.

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Mitchell, Kate, and Nicola Parsons. "Reading the Represented Past: History and Fiction from 1700 to the Present." In Reading Historical Fiction, 1–18. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291547_1.

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Conference papers on the topic "Historical fiction. Southern fiction"

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Senkar, Patrik. "HISTORICAL ASPECTS IN NON-FICTION LITERATURE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s11.25.

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Whitlock, Annie. "Historical Fiction and Its Commonplace in Classrooms." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1882947.

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Jones, Anne Hudson. "Bioengineering, Science Fiction, and Medical Ethics: How Goes the Flow?" In 2016 32nd Southern Biomedical Engineering Conference (SBEC). IEEE, 2016. http://dx.doi.org/10.1109/sbec.2016.94.

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McMillian, Rachel. "Historical Fiction: A Critical Policy Analysis of Teaching Hard History." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1582571.

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Рогацкина, Марина Леонидовна. "HISTORICAL POEMS BY N. I. RYLENKOV. POEM “GREAT FLUFF ” (1940): TRUTH AND FICTION." In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.67.85.036.

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Статья посвящена анализу поэмы Н. И. Рыленкова «Великая замятня», написанной в 1940 г. В ней повествуется о восстании «черных людей» Смоленска против представителей власти Великого князя Литовского в XV в. Автор статьи рассматривает данное произведение» с точки зрения соотношения правды и художественного вымысла. Законы исторического документа требуют, как известно, однозначного соответствия факту, документу. Художественное произведение строится по другим законам - писатель имеет право трансформировать исторические события в соответствии со своим видением, идеей, включать художественный вымысел. Н. И. Рыленков, обратившись к далекой истории Смоленска, сохраняя ключевые исторические факты, дополняет событие своими мыслями и интерпретацией, идеями, оживляя художественностью, персонифицирует образ «черных людей» и вводит современную для 1940-х годов тему. The article is devoted to the analysis of the poem N. I. Rylenkova “Great Flinking”, written in 1940. It narrates about the uprising of the “black people” of Smolensk against representatives of the Grand Duke of Lithuania in the 15th century. The author of the article considers this work “ from the point of view of the ratio of truth and artistic fiction. The laws of a historical document require, as you know, unambiguous compliance with the fact, document. A work of art is built on other laws - the writer has the right to transform historical events in accordance with his vision, idea, and include artistic fiction. N. I. Rylenkov, turning to the distant history of Smolensk, preserving the key historical facts, complements the event with his thoughts and interpretation, ideas, reviving artistry, personifies the image of “black people” and introduces a modern theme for the 1940s.
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Brooks, Wanda. "Through the "Black Narrator's Gaze": Depictions of White Supremacy in Historical Fiction Novellas." In 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2005398.

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Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also draw attention to the way in which changes occur in the traditional everyday culture of ancestors of the Gagauz as a result of changing economic-cultural type, and religion. In the Gagauz environment of creative people, there is a unity in the perception of the historical past associated with the presence of the ancestors of the Gagauz people in the Balkans. As a rule (with a few exceptions), the past broadcast by Gagauz writers is largely mythologized: and the writers themselves play a significant role in the process of constructing ethnicity.
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Teodorescu, Camelia. "CULTURAL-HISTORICAL TOURISM OR FICTION TOURISM IN ROMANIA? CASE STUDY: VLAD THE IMPALER OR DRACULA." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/14/s04.024.

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Kozmina, E. "GENRE OF THE STORY IN SOVIET SCIENCE FICTION OF THE 1950S-1970S." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3702.rus_lit_20-21/100-103.

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The article presents the results of a study of Soviet science fiction stories of the 1950s-1970s in the aspect of N.D. Tamarchenko’s genre theory. The analysis methodology presented in the researcher’s works on the structure of the story is used. The genre of the story is considered in three aspects: chronotope and plot scheme; compositional and speech organization of the work; the nature of the relationship between the reality of the author and reader and the world of the character, including the problem of evaluation. Similar features of fantastic and non-fantastic stories are revealed, and the transformation of the genre structure is described: the increasing role of the socio-historical context, the limited type of narrator and the associated impossibility of a direct and unambiguous assessment of the character and his actions; the absence of a parallel version of the plot. The reasons for the transformation are formulated: the role of the plot situation of the experiment, including the event of humanity’s meeting with inhuman mind. The role of A. and B. Strugatsky in the development of Soviet science fiction stories of this period is noted.
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Vasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.

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Anton Chekhov is generally acknowledged as a writer who symbolizes a transition period, marks the end of the Classical Russian literature of the 19th century and establishes the basics of the poetics of the 20th century. Scholars are traditionally focused on Chekhov’s innovations but not on the connections with the previous tradition. This contribution makes an attempt to reassess the aspect of Chekhov’s poetics which could be called historical “form’s thinking” (in Alexander Mikhailov’s terminology). I mean the features of tradition which result from historical dynamics of culture and are beyond individual principles of artistic consciousness. In the culture prior to the New Age, topos was a form which included both principles and ways of thinking. In this research I analyze lyrical digressions in the Russian fiction of the 19th century which correlate with topoi on the basis of their constitution. The strategy of lyrical digressions rests on the movement between two poles of the being: historical and eternal, individual and universal, etc. Before Chekhov, this movement was strictly hierarchical. In Chekhov’s lyrical digressions one can easily notice a shift of semantic coordinates when the concrete and the situational becomes valuable. However, the poles themselves (individual and universal) and the movement between them remain invariable. It is possible to claim that Chekhov’s poetics although discovers the boundaries of semantic dynamics of the lyrical digressions (as a constant form) is not aware of any other principle of thinking. This fact distinguishes Chekhov from his younger contemporaries and makes him the writer of the classical 19th century. Refs 20.
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Reports on the topic "Historical fiction. Southern fiction"

1

Pelinka, Darlene. The use of junior historical fiction in the classroom. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1598.

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Tabinska, Iryna, and Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters which is the first magazine of new journalism in Ukraine. Their main task is to explain the phenomenon of “meaning between facts”. According to the authors, this phenomenon is simple and unique at the same time, because through people’s stories you can find depths that relate to historical, cultural and geopolitical life. The article analyzes the interaction of text and images, shows how to find meaningful messages in actual data using specific examples. The study singled out accents that relate to the interaction of text and images. Quite often, photography reproduces reality and helps the reader to paint reality in his imagination. Textual forms delve into the plot through human history and detail. In four printed issues of the magazine, the authors of the study analyzed the stories that are particularly relevant today. First of all, this concerns Russian aggression and the insubordination of Ukrainians. Key words: new journalism, non-fiction, text, images, dialog, photojournalism.
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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.

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The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audience and, by that, obtains new forms that must be taken into account by social institutions. Together with that the collective views are substituted by the views which are stronger than the ones of a separate individual. One of the main conclusions of the investigation is as follows. The formation of the “consumer society” and the strengthening of the mass communication role resulted in the appearance of “mediocracy” which factually introduced an absolute elite dependence on it and conferred the right of media to set the social agenda. The mass turned out to be a silent majority, a unity of conformity-oriented people. These people become simultaneously a product of mass communication impact because they dictate what one must read, listen to, and watch from the media menu. They force MMC to satisfy their unassuming needs making the content trivial and commodificated. In other words, the mutual process of the interaction of the media, “impossible independence” and the conscious “communicative consensus” of individuals who are willingly united with the mass audience takes place. The creation of the internet due to “digital anonymity” and the autonomy of the consumer formed the conditions for the self-determined citizens and gave the elite a modest place in the “cyber democracy”. However, the increase in individual self-isolation leads to his gradual loss of “social capital,” and that threatens to replace the direct experience with a virtual environment that will make it very difficult to differentiate reality from fiction. Keywords: elite, mass, media, mass communication, information space, globalization.
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