Relevant bibliographies by topics / Histoire de la ruine de Troie

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Histoire de la ruine de Troie'

Author: Grafiati
Published: 18 May 2024

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Journal articles on the topic "Histoire de la ruine de Troie"

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Helfer, Rebeca. "“The Death of the ‘New Poete’: Virgilian Ruin and Ciceronian Recollection in Spenser’s The Shepheardes Calender”." Renaissance Quarterly 56, no. 3 (2003): 723–56. http://dx.doi.org/10.2307/1261612.

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AbstractThis essay explores Virgil's influence in Renaissance poetry through the literature's most common trope, that of ruin; specifically, it examines the complexity of Virgilian imitation in Spenser's The Shepheardes Calender through an exploration of its introduction by his anonymous first critic, E.K. Through the topos of ruin, this essay reconsiders Virgil's legacy in the Calender, suggesting that critics have underestimated Spenser's criticism of Virgil's authorial pattern. Rather than reconstructing Virgil's model of cultural transmission — that of ruin and repair—Spenser presents the Ciceronian art of memory as a competing model for the architecture of immortality, for building upon the ruins of the past.
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Giovannini, Adalberto. "La guerre de Troie entre mythe et histoire." Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques 20, no. 1 (1995): 139–76. http://dx.doi.org/10.3406/ktema.1995.2139.

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Rouillard, Linda Marie. "Anne Rochebouet, ed., Le Roman de Troie en prose, Prose 5. Textes Littéraires du Moyen Âge. Paris: Classiques Garnier, 2021, 1038 pp." Mediaevistik 34, no. 1 (January 1, 2021): 449–50. http://dx.doi.org/10.3726/med.2021.01.107.

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Abstract: Anne Rochebouet offers here a valuable edition of an important medieval French work, a prose version of one of the foundational romans d’antiquité (Thèbes, Troie, Énéas, Alexandre), specifically the story of Troy as it was contained in the Histoire ancienne jusqu’à César. The narrative poem Le Roman de Troie, as recounted by Benoît de Sainte-Maure in the late twelfth century, inspired the prose version edited here (along with 4 other versions) in the following two centuries. This version, known as Prose 5, forming one part of the Histoire ancienne jusqu’à César, circulated at least until the sixteenth century. The base manuscript used for this edition is ms. London, BL, Royal 20 D.I., the Histoire ancienne, copied in Naples at the Angevin court, sometime between 1335‐1340 with illustrations by Cristoforo Orimina. Prose 5 exists in seventeen manuscripts described by Rochebouet in her most thorough introduction. Her linguistic analysis of ms. Royal 20 D.I. addresses the evolution of medieval French into Middle French as used in an Angevin Italian region during the reign of Robert I.
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O'Byrne, Alison. "“Everlasting Memorials”: Urban Improvement and the Shadow of Ruin in Mid-Eighteenth-Century London." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 34–50. http://dx.doi.org/10.1215/00982601-9272992.

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This essay explores the relationship between plans for the improvement of London and other forms of writing about the city that imagine its inevitable decline and fall. Those lamenting the appearance of London in the eighteenth century frequently looked back to the Great Fire as a missed opportunity to rebuild the city in a grander, more magnificent manner. For these critics, London's built environment did little to stake the nation's claims to polite refinement and cultural prestige. Such concerns became especially pressing in the wake of Britain's victories in the Seven Years’ War, which made London the center of an extensive global empire. Through an examination of proposals for and accounts of urban improvements as well as works that look to a future moment when visitors survey London's faded glories, this essay considers how imagining London in ruins—a trope thus far explored in the context of the loss of the American colonies and Britain's role in the Revolutionary and Napoleonic Wars—served two competing purposes in mid-eighteenth-century Britain. While, on the one hand, improvers acknowledged the transience of imperial power by arguing that now was the time to build grand monuments to mark the achievements of the present, on the other, a range of writers invoked the trope of future ruin to indicate how the seeds of decline had already been sown. The manifold meanings of ruin to which these works gesture would continue to play out in the late eighteenth and early nineteenth centuries.
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Sandberg, B. "Fondation et Ruine d'une 'maison'. Histoire sociale des comtes de Belin (1582-1706)." French History 28, no. 2 (February 21, 2014): 285–86. http://dx.doi.org/10.1093/fh/cru011.

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Beik, W. "Fondation et ruine d'une 'maison': Histoire sociale des comtes de Belin (1582-1706)." English Historical Review CXXV, no. 515 (July 26, 2010): 986–87. http://dx.doi.org/10.1093/ehr/ceq234.

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Meulder, Marcel. "Laocoon vu par Euphorion et Nicandre de Colophon : Poésie, histoire et politique à l’époque hellénistique." L'antiquité classique 88, no. 1 (2019): 47–68. http://dx.doi.org/10.3406/antiq.2019.3948.

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Le poète hellénistique Euphorion est le premier à transformer l’éventuelle faute de Laocoon contre Athéna en faute irrévérencieuse envers Apollon, non seulement par goût pour les histoires érotiques, mais aussi pour s’en prendre aux adversaires de son protecteur, le roi Antiochus III. Car ces adversaires, Attale Ier (et Rome), se réclamaient à titres et degrés divers, de l’héritage de Troie. Contemporain et partisan du roi de Pergame, Nicandre de Colophon maior disculpe par contre Laocoon de toute impiété.
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Aricò, Giuseppe. "Exitium Troiae funestaque flamma. Il personaggio di Paride nell’Ilias Latina." Philologus 167, no. 1 (June 1, 2023): 83–100. http://dx.doi.org/10.1515/phil-2023-0118.

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Abstract The character of Paris in the Ilias Latina maintains the ambiguity that characterises him in the Greek Iliad, where he does not lack military attitudes, but chafes against his duties to his country, being committed instead to satisfying his taste for luxury. This ambiguity is even reinforced in the epitome. The ‘heroic’ aspect of Paris’ personality emerges in a clearer light, expressed in a more mature awareness of his obligations to his family and country, but the other aspect, his indolence, is also accentuated: the character becomes a true elegiac lover, immersed in the experience of an exalted passion that partly distinguishes him from the cliché of the libertine of the Homeric tradition. It might therefore seem legitimate to interpret the Paris of the Ilias Latina in a more positive key than the Homeric character. However, this exegesis is opposed by the judgement expressed by the authorial voice at many significant points of the story: by his dissolute and unscrupulous behaviour, Paris has started a war that will lead to the ruin of his country; he himself is thus his own funesta ruina (234), the funesta ... flamma (253) that will burn down Troy and his own fate.
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Rouillard, Linda Marie. "Anne Rochebouet, ed., Le Roman de Troie en prose, Prose 5. Textes Littéraires du Moyen Âge. Paris: Classiques Garnier, 2021. 1038 pp." Mediaevistik 34, no. 1 (January 1, 2021): 461–62. http://dx.doi.org/10.3726/med.2021.01.113.

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Abstract: Anne Rochebouet offers here a valuable edition of an important medieval French work, a prose version of one of the foundational romans d’antiquité, the story of Troy as it was contained in the Histoire ancienne jusqu’à César. The narrative poem Le Roman de Troie, as recounted by Benoît de Sainte-Maure in the late twelfth century, inspired the prose version edited here (along with 4 other versions) in the following two centuries. The base manuscript used for this edition is ms. London, BL, Royal 20 D.I., the Histoire ancienne jusqu’à César, copied in Naples at the Angevin court, sometime between 1335‐1340 with illustrations by Cristoforo Orimina. This version, known as Prose 5, forming one part of the Histoire ancienne, circulated at least until the sixteenth century. It exists in seventeen manuscripts described by Rochebouet in her most thorough introduction. Her linguistic analysis of ms. Royal 20 D.I. addresses the evolution of medieval French into Middle French as used in an Angevin Italian region during the reign of Robert I.
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Ramond, Sophie. "Le Psaume 79 et sa fonction dans la collection d’Asaf." Zeitschrift für die alttestamentliche Wissenschaft 135, no. 2 (May 16, 2023): 265–77. http://dx.doi.org/10.1515/zaw-2023-2006.

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Résumé Le scénario du Ps 79 réfère à la ruine de Jérusalem et constitue un cas d’étude pour sonder la capacité des textes bibliques à parler de la souffrance. Le style anthologique et les jeux d’intertextualités plaident pour une datation tardive du psaume et suggèrent qu’il ait pour visée de concilier différentes appréciations du cours de l’histoire et du rapport de Yhwh à son peuple. Cette hypothèse trouve un appui dans le fait que le psaume est composé de trois unités, chacune ayant une perspective propre. L’ensemble de ces traits éclairent la fonction que joue ce psaume dans la collection d’Asaf.
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Dissertations / Theses on the topic "Histoire de la ruine de Troie"

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Roth, Paul. "Histoire de la première destruction de Troie : manuscrits Paris, Bibliothèque de l'Arsenal, 5068, Paris, Bibliothèque nationale, fr. 1414 et 1417 /." Tübingen : A. Francke, 2000. http://catalogue.bnf.fr/ark:/12148/cb377262181.

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Grivaud, Gilles. "Pour une histoire des villages désertés à Chypre de la fin du XIIe à la fin du XIXe siècle." Paris, EHESS, 1994. http://www.theses.fr/1994EHES0035.

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De la fin de la domination byzantine au debut de la colonisation anglaise, l'analyse des sources ecrites montre qu'au moins 500 villages ont dispary a chypre. Pour expliquer des desertions, les causes catastoriphiques ne suffisent pas car l'influence economique marque aussi profondement le sens des migrations internes
From the end of the byzantine dominaton until the beginning of the british colonisation, the analysis of written sources shows that at least 500 villages disappeared in cyprus. The reasons to explain those lost villages belong to the usual disasters (plagues, wars, droughts), but the economic trends changeds the patterns of settlement
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Howaldt-Bouhey, Alice. "La guerre dans les récits de Troie allemands en vers (XIIe-XVe siècles)." Amiens, 2006. http://www.theses.fr/2006AMIE0018.

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Le présent travail porte sur un corpus de textes relatant un conflit fondamental aux yeux des médiévaux : la Guerre de Troie. La cité antique était en effet considérée comme le berceau des civilisations occidentales. À partir de l’adaptation en roman par Benoît de Sainte-Maure au XIIe siècle de deux récits médio-latins, la matière troyenne a pu gagner les terres d’Empire, où les récits de Troie en vers, dérivés directement ou indirectement du roman français, ont été transmis du XIIe au XVe siècle. La guerre, sujet peu attrayant aujourd’hui quand il se présente, pour l’essentiel, comme c’est le cas dans ces textes, sous la forme d’une alternance de combats singuliers et de mêlées narrés sur des milliers de vers, semblait au contraire séduire le public médiéval. Nous avons donc étudié la place de la guerre et la façon dont elle était représentée dans les récits de Troie afin de déterminer ce qui faisait la richesse et ainsi la fortune de ce thème au Moyen Âge
The present work deals with a corpus of texts that relate a crucial conflict in the eyes of Middles Ages populations, namely the Trojan war – the ancient city of Troy being regarded as the cradle of Western civilisations. From the adaptation into french of two medieval-latin narratives by Benoît de Ste-Maure in the XIIth century, the Trojan motive spread to the territories of the Empire where the verse narratives about Troy, directly or indirectly derived from the French Romance, where transmitted between the XIIth and XVth centuries. The war, hardly an attractive topic today when it is mostly presented, as is the case in these texts, as an alternation of one-to-one combats and mêlées narrated over thousands lines, seemed in those days, on the contrary, to appeal to the medieval public. So we have studied the significance and the representation of the war in the Trojan narratives in order to work out what made the merits and therefore the success of that motive in the Middle Ages
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Tanniou, Florence. "Raconter la vraie estoire de Troye. Histoire et édification dans le Roman de Troie en prose (Prose 1, version commune)." Paris 10, 2009. http://www.theses.fr/2009PA100084.

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Le Roman de Troie en prose, Prose 1, est une mise en prose du roman en vers de Benoît de Sainte-Maure. Elle propose une réécriture à l’ambition historiographique et, émaillée de moralisations, elle cherche à édifier. L’inscription du roman dans la tradition de la matière troyenne, la confrontation avec sa source principale ainsi qu’avec d’autres œuvres du XIIIe siècle, comme le Trésor de Brunet Latin ou les chroniques de croisades, permettent d’en préciser la datation et la localisation. En recourant à l’outil-prose, l’anonyme construit une nouvelle approche de l’Histoire, qui modifie l’ethos du conteur et la mimesis du réel : un intérêt accru est accordé à la place du sujet dans l’action qui est remodelée pour mettre en valeur la responsabilité de l’agent, dans les actes comme dans la parole dont le système est aussi bouleversé. Moraliste, le prosateur livre dans sa lecture de la légende des commentaires édifiants qui dessinent le portrait de l’homme mesuré et se font l’écho d’une sagesse chrétienne et d’une philosophie d’inspiration aristotélicienne topique en cette seconde moitié de XIIIe siècle. Enfin, la réécriture recèle des enjeux idéologiques et politiques : Prose 1 inscrit au cœur du monde antique une exaltation de la foi chrétienne et un idéal de gouvernement féodal soutenu par un renversement de la translatio et une redéfinition des valeurs, des modèles et des identifications de Benoît. L’écriture embrasse plusieurs genres et devient totalisante pour faire de la légende une réponse idéologique aux interrogations contemporaines
The Roman de Troie in prose known as Prose 1 is a transcription into prose of Benoît de Sainte-Maure's versified novel. This rewriting work, pervaded by historiographical ambition, also aims to edify through moralisations. Replacing the novel in its tradition (the Trojan theme) and confronting it with its most direct source as well as with other works from the 13th century, such as the Trésor by Brunet Latin or the chronicles of the Crusades, enable us to clarify its dating and locating. Thanks to the prose medium, the anonymous author builds a new approach to History, thus modifying the narrator's ethos and the mimesis of reality : the role of the individual in action is stressed, while action itself is remodeled to highlight the agent's responsibility ; a responsibility not only in acts but also in words, which are reported in a radically different manner. Along with his own view of the legend, the prose writer offers edifying moralistic commentaries that draw the portrait of a measured man, revealing the influence of both Christian wisdom and Aristotelian philosophy, very much alive in the second half of the 13th century. Beyond all that, the rewriting work is pregnant with ideological and political stakes : Prose 1 sets the exaltation of Christian faith and a certain ideal of feudal government in the heart of the Antique world, a vision supported by an inversion of the translatio and a redefinition of Benoît's values, models and identifications. The writing encompasses several genres and becomes totalising, in order to make the legend an ideological answer to the main concerns of those days
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Ben, Hassen Habib. "Thignica (Ai͏̈n-Tounga) : son histoire et ses monuments." Paris 4, 2003. http://www.theses.fr/2003PA040013.

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Thignica, l'actuelle Ai͏̈n-Tounga est un site archéologique du nord-est dde la Tunisie. Il se trouvait dans l'Antiquité, sur la voie qui reliait Carthage à Theveste. C'était une ancienne agglomération imprégnée de culture punique. Cette étude essaie de retracer son histoire municipale; la ville passe de cité indigène (civitas) au statut de municipe à l'époque de Septime Sévère. Une découverte récente atteste qu'elle était dirigée à l'époque punique par des suffetes. L'étude essaie d'expliquer et d'interpréter l'expression qui mentionne les "deux parties de la ville" : "utraque pars civitatis thignicensis". Ensuite la thèse aborde l'étude des différents monuments de la ville, et ce à la lumière des nouvelles découvertes épigraphiques : mises au jour à l'occasion de fouilles pratiquées récemment. Une description détaillée (concernant ces monuments) accompagnée d'une analyse architecturale et de plans inédits, sont livrés ici au monde scientifique avec des essais de datation et d'interprétation
Thignica, actually Ain-Tounga, is an archeological site located in the north-west of Tunisia. In the Antiquity, we could find it on the way that connected Carthage to Theveste. It used to be an old Numid agglomeration marqued deeply with punic culture. This study tries to tell us about its local history. The city moves from native city (civitas) to the statute of "municipum" on the period of Septime Severe. A recent dicovery proves that it was led during the punic era by suffetes. The study tries to explain and interpret the expression that mentioned "the two sides of the town" : 'utraque pars civitatis thignicensis". The the thesis attempts to study the different monuments ofthe town through recent epigraphical discoveries, realised during excavations practiced on the site. A detailed description concerning these monuments is accompagned with architectural analysis and the unknown plans, all this isaddesses to the scientific community, with essays of datation and interpretation
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Pillot, William. "Ilion en Troade, de la colonisation éolienne au Haut Empire romain." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040146.

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La petite cité grecque d’Ilion offre un exemple original d’identité civique complexe mêlant éléments grecs et « barbares » (i. e. non grecs) grâce à l’utilisation des différents mythes liés à la guerre de Troie. Cette construction identitaire mythique s’enracine dans un site particulièrement riche où les différents niveaux archéologiques se superposent et s’enchevêtrent de l’âge du Bronze à l’époque romaine (Troie I à IX). Elle est aussi nourrie de diverses influences, anatoliennes et égéennes, particulièrement sensibles dans le cas d’Ilion car cette cité, située au bord de l’Hellespont, se trouve en situation de carrefour géopolitique et culturel entre Europe et Asie. Le sanctuaire d’Athéna Ilias joue un rôle central dans l’identité, les mythes et l’histoire de la cité. Mais ce sanctuaire est aussi le centre d’une association religieuse regroupant plusieurs autres cités, principalement de Troade mais aussi d’au-delà, comme Myrléa en Propontide et même Chalcédoine sur le Bosphore, qui administrent en commun le sanctuaire et participent à des panégyries et des concours sacrés en l’honneur de cette divinité à la fois civique et fédérale. L’autre principal lieu de culte d’Ilion, le « Sanctuaire Ouest », témoigne lui aussi d’influences à la fois européennes et asiatiques
This PhD thesis intends to offer a synthesis concerning the Greek city-State of Ilion. This city-State offers an original example of a complex civic identity which mixes Greek and “barbaric” (i.e. non-Greek) elements through the use of different myths relating to the Trojan war. This mythical construction of identity is rooted in a particularly rich site where the various archaeological levels are superimposed and tangled together, from the Bronze age to the Roman period (Troy I to IX), as evidenced by H. Schliemann, the inventor of the site, which is still nowadays being excavated by German and American teams. Ilion’s identity is also fueled by various influences, Anatolian and Aegean, that are particularly sensitive because of the fact that the city is located at a geopolitical and cultural crossroad between Europe and Asia. The sanctuaries of Ilion play a central role in the identity, the myths and the history of the city, especially the sanctuary of Athena Ilias. It is the centre of a religious association (koinon) which regroups several other cities, from Troad and even beyond, who administer the sanctuary together and participate in festivals and sacred games in honor of this divinity that is both civic and federal. The second main cult site of Ilion, called “West Sanctuary”, is also a testimony of European and Asian influences
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Ghaddhab, Ridha. "Le fait urbain en Afrique du Nord : de la ville du Bas-empire à l'agglomération médiévale à travers des exemples tunisiens." Bordeaux 3, 2003. http://www.theses.fr/2003BOR30041.

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A partir d'exemples tirés de la Tunisie actuelle, ce travail voudrait examiner le destin de la ville pendant la période située entre la fin de l'Empire romain et le haut Moyen Age. Pour le Bas-Empire, les dirigeants ont voulu reprendre les traditions du Haut-Empire dans l'aspect matériel des villes. La période est caractérisée par l'intervention du pouvoir impérial dans ce que l'on peut considérer commes des villes moyennes ou petites. Chefs-lieux d'un terrtoire de faible étendue ; elles ne pouvaient plus se maintenir comme des centres urbains sans l'intervention impériale. Les grandes villes en revanche conservent par leurs propes moyens l'essentiel des équipements antérieurs : centre civique, édifices de spectacles, thermes, aqueducs. Pour l'époque vandale, et avec toutes les précautions d'usage, il semble que l'on assiste alors à la ruralisation des centre de faible et moyenne importance qui n'avaient plus le sotien du pouvoir pour se maintenir en tant que villes. Toutefois, la vie urbaine semble se maintenir dans les grands centres urbains classiques, mais la repartition est inégale suivant que l'on setrouve en Proconsulaire ou en Byzacène. L'époque byzantine marque un tournant fondamental dans l'histoire urbaine de l'Afrique du Nord. Les Byzantins en privilégiant certaines agglomérations pour des raisons politiques et économiques, ils ont pécipité ou achevé le déclin d'un grand nombre de centres urbains traditionnels. La rupture avec le système romain, déjà effective sous les Byzantins, est consommée au haut Moyen Age. La ville des deux premiers siècles de l'Hégire s'apparente tout à fait par ses structures à l'agglomération antérieure
The present research on the urban reality is based on cases studies, hence 52 cities in Zeugitenia and Byzancena are subjected to close an exhaustive examination. Following an uniform pattern, we examine for each of them all the written and archaeological data avaiblable in order to retrace for each examples its appropriate urban landscape for the considered period. Even thought the evolution of agglomerations is highly variable throught Late Empire and Late Antiquity, we can still notice hierarchies and series that reveal the policy of the authorities at time. For the Late Empire, the rulers wanted carry the traditions of Early Empire as regards the material aspect of cities. This period is characterised by the intervention of imperial authority and its representatives in what we may consider as small and medium-sized cities. They were head localities of territories of small extent , and not could no longer maintain their status of urban centres without helpd provided by imperial intervention. As to big cities, they kept by their own means the bulk of equipment they had taken over, such as civic centres, thermae and aqueducts. It is often very hard to understand what happened in urban centers during the Vandal period. It is commonly hed that the cities went living on the supposedly valuable legacy of the Late Empire, keeping up the bulk of municipal structures and Roman equipement. In fact, our claim in the present research runs against it, for what we put forth is that during the period under study one witnesses a "ruralization" of cities of little average importance, which lost the State's intervention necessary to their survival as cities
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Roth, Paul. "Histoire de la première destruction de Troie (manuscrits Paris, Bibliothèque de l'Aresenal, 5068 Paris, Bibliothèque nationale, fr. 1414 et 1417) : edition critique avec introduction, notes, table des noms et glossaire /." Tübingen : A. Francke, 2000. http://catalog.hathitrust.org/api/volumes/oclc/44835722.html.

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Léontaridou, Théodora. "Le mythe troyen dans la littérature française." Paris 3, 2008. http://www.theses.fr/2008PA030013.

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Du 16e au 20e siècle, le mythe troyen émerge dans le théâtre et la littérature française dans des œuvres très connues, ou moins connues, qui sont toutefois aussi importantes que les premières puisqu’elles conservent le climat et l’esprit d’une époque. Pourquoi tous ces auteurs recourent à la mythologie peut s’expliquer partiellement par le modèle de l’imitation des Anciens appliquée dans les lettres françaises aux 16e et 17e siècles. Comment ces matrices antiques sont transfigurées, qu’est-ce que les auteurs expriment à travers le mythe et quelle est la relation de la modification de la matrice avec les signifiés énoncés, sont quelques-unes des questions auxquelles cette recherche se propose de répondre. Pendant la période de l’Absolutisme où la liberté de l’expression est limitée par le régime mais aussi par l’Église, le mythe se révèle un moyen sécurisé qui offre la distanciation, le cadre convenable, la souplesse du matériel mythique ; celui-ci, élaboré par les créateurs, devient le véhicule d’une contestation et d’une critique à différents degrés du pouvoir. La fin de cette période politique ôte au mythe cette fonction, mais elle n’arrête pas sa réutilisation dans la littérature et le théâtre. Et cela parce que le mythe se révèle toujours capable de relancer dans les réécritures des questions qui portent parfois sur le mythe lui-même en le réfutant, mais concernent aussi des causes majeures comme la condition des femmes, la guerre, la xénophobie
From the 16th Century until the 20th, le troyan myth emerges in a variety of forms in French literature with famous or less known works but of equal significance as they convey the climate and the spirit of an era. The reason why all of these writers go into mythology could be partly explained by the imitation of ancients applied to the French letters of the 16th and 17th centuries. How this material is transformed, what the writers are expressing through the legends and the myths, which is the relationship of the transformed materiel with the initial, are some of the questions that this research is requested to explore. During the period of the Absolutism in which the freedom of expression is limited, the myth is proved to be a secure means which offers the security of the distance, the suitable frame and the flexibility of the mythological material which are processed by the creators. It becomes the vehicle of doubt and criticism of various grades against authority. The end of this political period removes from the myth this function. But it doesn’t stop its use in literature and the theater. This is because the myth is capable of putting again questions for the vital causes which deal with the human race, such as the woman, the war, the xenophobia
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Oliveira, Sousa Francisco Edi de. "As pinturas no tempo de Juno e o Ciclo Troiano : imagem e memória épica na arquitetura da Eneida." Paris 4, 2008. http://www.theses.fr/2008PA040251.

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Entitled “the pictures of Juno’s temple and the troJan cycle: image and epic memory in the Architecture of the Aeneid”, this dissertation focus on the relations between this literary piece of work and the Trojan cycle inspired in the episode of the paintings of Juno’s temple (i, v. 450-493). Despite the extensive bibliography about the Virgilian studies, this issue has not been given appropriate attention throughout the years. In order to lay the foundations of these relations, the first chapter of this study presents an analysis and a reconstitution of the Trojan cycle lost poems (Cypria, Aethiopis, Little Iliad, Sack of Ilion, Returns and Telegony). The second and third chapters deal with four propositions: the pictures of Juno’s temple specially evoke some poems from the Trojan cycle (cap. Ii. 1); The images are disposed in conformity with this evocation (chapter ii. 2); in the composition of this episode, rhetoric theory of the art of memory is used and illustrated (chapter ii. 3); the sequence of evoked cyclic poems is continued in the first six books and being so plays some important role in the architecture of The Aeneid (chapter III). The investigations developed to demonstrate these propositions have revealed a dialogue consciously woven with the poems of this cycle and, therefore, propitiate the conveyance of new meanings in the reading of the Aeneid. With such proceeding Virgil not only revive the memory of the saga of Troy, in which his epic is contextualized, but he also “reedit” the Trojan cycle, this time, revolving around aeneas
Intitulada “As Pinturas do Templo de Juno e o Ciclo Troiano: imagem e memória épica na arquitetura da Eneida ”, esta tese aborda relações entre essa obra e o ciclo troiano a partir do episódio das pinturas do templo de Juno (I, v. 450-493). Na vastíssima bibliografia de estudos virgilianos, tal questão ocupa ainda pouco espaço. A fim de fundamentar a investigação dessas relações, efetua-se no capítulo inicial uma análise e uma reconstituição dos poemas perdidos desse ciclo (Cantos Cíprios, Etíope, Pequena Ilíada, Saque de Ílion, Retornos e Telegonia). Recorrendo-se ao capitulo I, demonstram-se quatro proposições nos capítulos II e III: as imagens desse templo evocam em especial epopéias do ciclo troiano (cap. II. 1); as imagens encontram-se ordenadas conforme essa evocação (cap. II. 2); na composição desse episódio, emprega-se e encena-se a teoria retórica da arte da memória (cap. II. 3); a seqüência de épicos cíclicos evocados tem continuidade nos seis cantos iniciais e desse modo participa da arquitetura da Eneida (cap. III). As investigações realizadas para demonstrar essas proposições revelam um diálogo conscientemente urdido com poemas desse ciclo e assim propiciam a concretização de novos sentidos na leitura da Eneida. Com tal procedimento, Virgílio não apenas reaviva a memória da saga de Tróia, na qual insere sua epopéia, mas também “reedita” o ciclo Troiano em função de Enéias
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Books on the topic "Histoire de la ruine de Troie"

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Evelyne, Scheid, and Théry Étienne, eds. La guerre de Troie: Extraits de l'"Iliade. [Paris]: Gallimard, 1994.

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I, Finley M. On a perdu la guerre de Troie: Propos et polémiques sur l'Antiquité. Paris: Les Belles lettres, 1995.

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Volkoff, Vladimir. Petite histoire de la désinformation: Du Cheval de Troie à Internet. Monaco: Rocher, 1999.

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Fondation et ruine d'une "maison": Histoire sociale des comtes de Belin, 1582-1706. Limoges: Pulim, 2009.

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Freymond, Joël. Histoire de la plus grande spoliation du siècle: De la ruine au remboursement. [Clichy]: Editions du Journal des finances, 1995.

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Millard, Anne. Mystères à travers les âges. Paris: Artémis, 1998.

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Mehdi, Korchane, Le Nouëne Patrick, and Angers (France). Musée des beaux-arts, eds. La dernière nuit de Troie: Histoire et violence autour de La mort de Priam de Pierre Guérin. Paris: Somogy, 2012.

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Paul, Roth, Bibliothèque de l'Arsenal, and Bibliothèque nationale (France), eds. Histoire de la première destruction de Troie: Manuscrits Paris, Bibliothèque de l'Arsenal, 5068/Paris, Bibliothèque nationale, fr. 1414 et 1417. Tübingen: Francke Verlag, 2000.

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Babylone: À l'aube de notre culture. Paris: Gallimard, 1994.

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Grouvelle, Philippe-Antoine. Mémoires historiques sur les Templiers: Eclaircissements nouveaux sur leur histoire, leur procès, les accusations intentées contre eux et les causes secrètes de leur ruine, puisés, en grande partie, dans plusieurs monuments ou écrits publiés en Allemagne. Paris: J. de Bonnot, 1994.

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Book chapters on the topic "Histoire de la ruine de Troie"

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Evrard, Clarisse. "« Ancrer sa galee » en Grèce : stratégies textuelles et dispositifs visuels dans l’Histoire de Jason et le Recueil des histoires de Troie de Raoul Lefèvre." In Représenter et nommer la Grèce et les Grecs (xive-xvie siècle), 255–82. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.rra-eb.5.1340018.

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Orvell, Miles. "Conclusion." In Empire of Ruins, 207–16. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190491604.003.0009.

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The conclusion of Empire of Ruins recalls the book’s examination of ruin photography as it relates to modernity—the traumas of war and climate change. But it places that narrative within a larger context by relating this theory of American ruins to a historical conjunction between ruins and revolution that has been visible in European history for centuries. Most notably, it is visible in Hubert Robert, who painted ruins during the French Revolution, and in Joseph Gandy, who depicted John Soane’s Bank of England as a future ruin, emerging from the financial crisis of the 1820s. Thomas Jefferson, during the American Revolution, had the same fear of future ruin that Thomas Cole had in his epic series, The Course of Empire, painted in the 1830s. And in the revolutionary moment of the Great Depression, Stephen Vincent Benét imagined—in a classic work of speculative fiction—a future world in which the ruins of the present world would be discovered. That same trope, recalling Doré’s New Zealander, is used by contemporary artist Ellen Harvey in her satiric sculptural installation, The Alien’s Guide to the Ruins of Washington, D.C. The book ends with a reflection on J. B. Jackson’s famous argument for the necessity of ruins and whether our present trajectory will allow us to begin again.
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Bataille, Guy, and Xavier Boniface. "Chapitre XV. Ruine et renaissance de la cité (1939-1980)." In Histoire de Boulogne-sur-Mer, 413–48. Presses universitaires du Septentrion, 2014. http://dx.doi.org/10.4000/books.septentrion.7601.

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"XLVIII. Ruine de la citadelle de Tsoura-Derd, anathèmes contre ceux qui la reconstruiraient." In Histoire de la Siounie, edited by Marie-Félicité Brosset, 145–47. Piscataway, NJ, USA: Gorgias Press, 2013. http://dx.doi.org/10.31826/9781463229832-047.

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"AU SUJET DE LA RUINE DE LA VILLE DE GANDJA (GANJAK)." In Kirakos Ganjakec'i (XIIIe siecle). Histoire d'Armenie, 200–202. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1vwbt7h.27.

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"Die Ruine als Träger der nationalen télé-histoire im mexikanischen Film." In Ort und Verortung, 157–78. transcript-Verlag, 2017. http://dx.doi.org/10.14361/9783839438527-009.

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Gordon, Sergej. "Die Ruine als Träger der nationalen télé-histoire im mexikanischen Film." In Ort und Verortung, 157–78. transcript Verlag, 2017. http://dx.doi.org/10.1515/9783839438527-009.

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"LXI. Cause de la ruine de Capan, de la prise des forteresses et de l'entier anéantissement du royaume de Baghk; fin et extinction de la race Sisacane." In Histoire de la Siounie, edited by Marie-Félicité Brosset, 189–92. Piscataway, NJ, USA: Gorgias Press, 2013. http://dx.doi.org/10.31826/9781463229832-060.

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Kim, Jihoon. "The Audiovisual Turn." In Activism and Post-activism, 166–91. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197760413.003.0006.

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Abstract This chapter discusses several Korean documentary films since the 2010s that portray place and landscape related to Korea’s social reality or a personal or collective memory of its past, classifying their common trope as the “audiovisual turn.” The trope refers to the uses of poetic and aesthetic techniques to highlight the visual and auditory qualities of the images that mediate the landscape or place. This chapter argues that the films’ experiments with these techniques mark formal and epistemological breaks with the expository and participatory modes of the traditional Korean activist documentary, as they create an array of Deleuzian time-images in which a social place or natural landscape is reconfigured as the cinematic space liberated from a linear time and layered with the imbrication of the present and the past. The images, then, signal, the shift of understanding natural or built environments from hyŏnjang (spot) to “memoryscape”—a term that is used in memory studies as a synonym for the spaces and locales significant to people’s mnemonic relationship to the past. For this reason, the images are also read as updating the activist documentary’s commitment to politics and history, as they renew the viewer’s sensory and affective awareness of the place and landscape and thereby render them as ruins.
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Regina, Christophe. "Absence sans conscience n’est que ruine des couples. Les Marseillaises et la vie conjugale au XVIIIe siècle." In Le temps suspendu. Une histoire des femmes mariées par-delà les silences et l’absence, 127–37. Maison des Sciences de l'Homme d'Aquitaine, 2022. http://dx.doi.org/10.46608/primaluna12.9782858926374.9.

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