Relevant bibliographies by topics / Hiroshige

Academic literature on the topic 'Hiroshige'

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Published: 4 June 2021
Last updated: 28 February 2023

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Journal articles on the topic "Hiroshige"

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OKAICHI, HIROSHIGE, and TOMOKO UEKITA. "Interview with Dr. Hiroshige Okaichi." Japanese Journal of Animal Psychology 66, no. 1 (2016): 77–83. http://dx.doi.org/10.2502/janip.66.1.1.

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Higuchi, Masanobu, and Hidetoshi Nagamasu. "Dr. Hiroshige Koyama (1937–2016)." Taxon 66, no. 2 (May 4, 2017): 530–31. http://dx.doi.org/10.12705/662.29.

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Foster, Michael Dylan. "Tōkaidō Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada (Marks, ed.)." Museum Anthropology Review 10, no. 2 (December 31, 2016): 143–45. http://dx.doi.org/10.14434/mar.v10i2.21768.

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KAMIYAMA, Akira. "A Expressin of Pictorial Space by Hiroshige." Journal of Graphic Science of Japan 40, no. 3 (2006): 15–20. http://dx.doi.org/10.5989/jsgs.40.3_15.

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Waterhouse, David, Henry D. Smith II, Amy G. Poster, Henry D. Smith II, and Robert Buck. "Hiroshige: One Hundred Famous Views of Edo." Harvard Journal of Asiatic Studies 49, no. 1 (June 1989): 285. http://dx.doi.org/10.2307/2719309.

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Kroll, Paul W., Amy G. Poster, and Henry D. Smith II. "Hiroshige. One Hundred Famous Views of Edo." Journal of the American Oriental Society 107, no. 4 (October 1987): 831. http://dx.doi.org/10.2307/603359.

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IKARUGA, Shinji, Satoshi HAGISHIMA, Atsushi DEGUCHI, Takeru SAKAI, and Shichen ZHAO. "COMPOSITION OF RIVER LANDSCAPE IN THE UKIYOE PAINTINGS DRAWN BY HIROSHIGE." Journal of Architecture and Planning (Transactions of AIJ) 61, no. 482 (1996): 155–63. http://dx.doi.org/10.3130/aija.61.155_1.

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SAKAI, Takeru, Atsushi DEGUCHI, Satoshi HAGISHIMA, Jong-chui PARK, and Tatsuyuki SUGAWARA. "A STUDY ON THE LANDSCAPE CLASSIFICATION IN THE UKIYOE PAINTINGS OF HIROSHIGE." Journal of Architecture and Planning (Transactions of AIJ) 59, no. 461 (1994): 165–74. http://dx.doi.org/10.3130/aija.59.165.

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ABE, Mika. "The Characteristics of the Nouns Used by Utagawa Hiroshige to Describe Landscapes." Landscape Research Japan Online 5 (2012): 43–46. http://dx.doi.org/10.5632/jilaonline.5.43.

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IKARUGA, Shinji, Keiichiro HITAKA, Nobuaki SATANI, Takeru SAKAI, and Satoshi HAGISHIMA. "RELATIONS BETWEEN TREES AND LANDSCAPE COMPOSITION IN THE UKIYOE PAINTINGS DRAWN BY HIROSHIGE." Journal of Architecture and Planning (Transactions of AIJ) 63, no. 507 (1998): 165–71. http://dx.doi.org/10.3130/aija.63.165_1.

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Dissertations / Theses on the topic "Hiroshige"

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Lei, Shuko. "Hiroshige et ses oeuvres." Paris, INALCO, 1992. http://www.theses.fr/1992INAL0015.

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Baker, Jennifer Helen. "The Eight Views: from its origin in the Xiao and Xiang Rivers to Hiroshige." Thesis, University of Canterbury. Humanities, 2010. http://hdl.handle.net/10092/4256.

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This thesis focuses upon the artistic and poetic subject of the Eight Views of the Xiao and Xiang, from its origin in the Xiao-Xiang region in the Hunan province of China throughout its dispersal in East Asian countries such as Korea and Japan. Certain aesthetics and iconography were retained from the early examples, throughout the Eight Views’ transformation from the eleventh to the nineteenth century. The subject‟s close associations with poetry, atmospheric phenomena and the context of exile were reflected in the imagery of the painting and the accompanying verses. This thesis will discuss the historic, geographic and poetic origins of the Eight Views, along with a thorough investigation into the artistic styles which various East Asian artists employed in their own interpretations of the series. Furthermore, the dispersal and diaspora of the subject throughout East Asia are also investigated in this thesis. The work of Japanese artist Ando Hiroshige will serve as the concluding apogee. The Eight Views of the Xiao and Xiang is an important East Asian artistic subject in both poetry and painting and contains many pervasive East Asian aesthetics.
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Nguyen, Hoang hau. "L'influence de la musique asiatique sur la composition chez Claude Debussy." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040160.

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L’interférence et interaction Europe-Asie sur le plan culturel et artistique qui s’est épanouie durant le XIXe siècle a ouvert une nouvelle réserve de nouveaux matériaux pour la création littéraire et artistique. De cet échange chacun des deux continents a retiré pour lui-même des éléments qui lui étaient bénéfiques aux points de vue littérature, peinture, musique, architecture, et même religion... La thèse intitulée “Influence de la musique asiatique sur la composition chez Claude Debussy” est entreprise dans le but de rechercher les ingrédients exotiques exploités avec grande délicatesse et sensibilité par Debussy – homme progressiste ouvert aux courants nouveaux, symbole de l’Impressionnisme en musique et surtout grande célébrité pour ses nouvelles limites en timbres. L’analyse d’environ 140 œuvres officiellement publiées de Debussy confirme sa grande réussite dans la mise en œuvre des matériaux musicaux Asiatiques. D’autre part, la thèse se propose aussi de montrer cet autre aspect de Debussy, à savoir qu’il était la somme harmonieuse de l’esthéticisme dans l’art Japonais, de la pureté des échelles traditionnelles, et de la témérité dans l’emploi de timbres nouveaux provenant des instruments Asiatiques
The cultural and artistic interference and interaction that flowered during the 19th century between Europe and Asia brought a new enormous storage of artistic material at the disposal of European artists. Both continents derived from it materials useful to them in terms of literature, paintings, music, architecture and even religion... The present thesis, “Influence of Asian music on Claude Debussy’s composing”, aims at spotting out exotic materials subtly and sensitively brought into play by Debussy – a progressist spirit open to new trends, symbol of Impressionism in music and, above all, top celebrity for his setting of the new limits for timbres. Analysis of 140 Debussy’s officially published works confirms his success in using Asian materials for his music. Moreover, the thesis also manage to bring into light this other aspect of Debussy, as the final and successful product from the blend between Japanese estheticism, purity of the traditional scales and boldness in the use of new timbres from Asian instruments
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Petko, Lukas. "From Dameisho to Meisho." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-170826.

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Seen from abroad, Tokyo appears as a huge, vibrant metropolis where 21st-century Japan meets the traditional side of the country. Tokyo´s skyline is a diverse jumble of traditional houses and shrines, and modern architecture from skyscrapers of glass to 1970´s living capsules. Since the beginning, Tokyo has had great prerequisites for creating a city with amazing urban environment. Water was the first reason for people to settle down in Tokyo Bay. During Edo period (1603 – 1867), Tokyo was always described as a picturesque city with well-planned hydrology and a harmonic relationship with nature. With its canals full of water, it was a city comparable to Venice. The distribution and exchange relied almost entirely on water transport. With the expansion of the city, the water system had to be upgraded, which led to creating a complex network of waterways. Unlike in Western countries, where the economic, social and cultural life of the city developed around rather formal places as plazas and squares, in Japan, the lifeblood of the city developed in close connection with the water and nature. These places, also known as “meisho” (名所, lit. “famous places”) used to be linear open structures such as streets, river shores and bridges. During the transformation of Tokyo into a modern capital, the city cut many ties with the past. The unused canals suddenly became redundant and started belonging to the “wrong” side of the city. By the 1980s, many of the waterways were so polluted that the government began filling them up or covering them with elevated highways in preparation for the 1964 Tokyo Olympics. The modernization and its transformation also meant that most of the network of “meisho” and greenery have disappeared. “From dameisho to meisho” is inspired by series of woodblock prints “One Hundred Famous Views of Edo” (名所江戸百景, Meisho Edo Hyakkei) completed by the Japanese artist Hiroshige Ando (1797–1858), depicting a matrix of famous public spaces in Tokyo. My project examines the possibilities of recasting “meisho”, a spatial representation in Japanese culture, into a new, modern context via editing different layers of the city and its fabric. It explores linear, thread-like spaces such as Edo waterways, its transformations roads, as well as recently built elevated highways in order to search for contaminations and new collaborations, unexpected conditions and create new, green urban stitches. As one of the tackling tools, the project also looks at demographic trends shaping Japan and benefits from aging society and shrinking Japanese population. Last but not least I investigate ways of graphical reinterpretation of the series of woodblock prints using Tokyo and its new “meisho” spaces as a rolemodel.
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Huber, Thomas Christian. "36Cl-Messungen zur Erklärung der Neutronen-Diskrepanz von Hiroshima." [S.l. : s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=967123526.

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Murray, Philippa, and pmurray@swin edu au. "The Floating World - An investigation into illustrative and decorative art practices and theory in print media and animation." RMIT University. Arts and Culture, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080506.143949.

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Considered under the theme 'The Floating World', the aim of this research project was to create a written exegesis and a series of artworks, primarily in the form of digital animation and illustration, which investigate decorative and illustrative art practices and their historical lineages. Particular emphasis was given to investigating the links between contemporary decorative/illustrative art practice and the aesthetics and psychology of the Edo period in Japan (C17th - C19th), in which the term 'The Floating World' was used to describe the city of Edo (old Tokyo). The writing concerned with The Floating World is comprised of the following chapters: history; concepts; aesthetics; contemporary adaptations of Ukiyo-e; and gothic romance and associated genres. The outcomes of my Masters program represent a sustained exploration of decorative and illustrative art practice and theory, and incorporate experimentation with associated genres such as magic realism, gothic romance, the uncanny, iconography, surrealism and other metaphorical and abstract representational practices. More broadly, my Masters project is an investigation, both theoretical and practical, into the way drawing and illustration have been a process through which to (literally) give shape to hopes and fears, and to describe understandings of self and the world. I am particularly interested in exploring how, through the act of abstraction and the use of metaphor and decoration, a capacity to 'speak the unspeakable' and 'know the unknowable' are somehow enabled. For example, when contemporary Japanese artist Takashi Murakami decorates Edo-inspired screens with a colourful arrangement of morphing cartoon mushrooms, he conjures up a startling and complex poetic space that juxtaposes traditional Japanese aesthetics and philosophy with the hyper-consumerist characters and ethos of Disneyland, as well as disquieting references to the mushroom bombs that dropped down on Hiroshima and Nagasaki from US planes. A similarly complex space is enacted by contemporary US artist Inka Essenhigh: her oversized canvases seem like sublime Japanese-inspired screens but a closer inspection reveals that the decorative motifs are actually dismembered body parts morphed together to create a savage and compelling metaphor for contemporary America that is all the more disarming for being perf ormed in a seemingly innocuous illustrative style. My research will draw on these examples but will endeavour to create a series of artworks that are particular to an Australian context. This interests me particularly in a time when, as a nation, we appear to be confounded about what it means to be Australian: as a contemporary artist I am interested in how we represent ourselves as a nation, and in exploring the motifs and attributes that we consider to be ours.
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Nakagawa, Cristiane Izumi. "Hiroshima: a catástrofe atômica e suas testemunhas." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-06112014-155200/.

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Ao longo das duas Guerras Mundiais, observou-se o rompimento da humanidade com as normas de conduta inauguradas pelo Iluminismo, legitimando a violência como algo intrínseco à sociedade moderna. Essa mudança de valores foi acompanhada pelo crescente investimento científico e tecnológico, que atingiu um elevado desenvolvimento durante o século XX e trouxe, como um de seus resultados, os maiores genocídios realizados pelos Estados autoritários em nome de seus interesses políticos e econômicos. A barbárie nos leva a considerar um elemento para a reflexão: as testemunhas. Essas corporificam a necessidade de um resgate da humanização, da retomada dos valores morais perdidos com a banalização da violência. Assim, o testemunho confronta a história e demonstra que o desenvolvimento tecnológico não é sinônimo de desenvolvimento humano. Pelo contrário, permitem questionar a verdadeira intenção das nações que, em busca de hegemonia, destroem maciçamente populações inteiras. Nesse contexto, emergem as seguintes questões: o que é o testemunho e qual a sua importância para a sociedade moderna? O que levou, historicamente, ao surgimento das testemunhas? Qual o contexto histórico que proporcionou o desenvolvimento da bomba atômica? Por que houve a necessidade, por parte das nações em guerra, de exterminarem milhares de pessoas, principalmente civis? Qual a consequência do rompimento das normas de civilidade pelas duas Guerras Mundiais? Para responder a essas perguntas, investigou-se o Museu Memorial da Paz de Hiroshima no que diz respeito a sua exposição permanente, seus objetivos no que se refere à luta contra o esquecimento da catástrofe atômica e à coleta de testemunhos. Após esse primeiro momento da pesquisa, procedeu-se ao estudo do contexto histórico que culminou nas atrocidades cometidas ao longo das duas Grandes Guerras, os resultados dos extermínios em massa para a sociedade moderna e, finalmente, o estudo sobre o trauma e o testemunho em relação aos sobreviventes do bombardeio atômico de Hiroshima
Throughout the two World Wars, a disruption between humankind and the standards of conduct inaugurated by the Enlightenment was observed, legitimizing violence as something intrinsic to modern society. This change in values was followed by the increasing scientific and technological investment, which reached a high development during the twentieth century and brought, as one of its results, the greatest genocides carried out by the authoritarian States on behalf of their political and economic interests. The barbarism leads us to consider an element for reflection: the witnesses. They embody the need for redemption of humanization and the resumption of the moral values, both lost in the trivialization of violence. Thus, the testimony confronts history and shows that technological development is not a synonymous for human development. On the contrary, they allow us to question the true intent of the nations that, in their quest for domination, massively destroy entire populations. In this context, the following questions arise: what is the testimony and what is its importance to modern society? Historically, what had led to the appearance of witnesses? What is the historical context that provided the development of the atomic bomb? Why was there the need, by the nations at war, to exterminate thousands of people, mainly civilians? What is the consequence of breaking the rules of civility by the two World Wars? To answer these questions, the Hiroshima Peace Memorial Museum was investigated regarding its permanent exhibition, its goals regarding the struggle against forgetting the atomic disaster and the gathering of testimonies. After this first stage of the research, it was proceeded the study of the historical context that culminated in the atrocities committed during the two Great Wars, the results for modern society of the mass exterminations and finally, the study of trauma and testimony regarding the survivors of the Hiroshima atomic bombing
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Yurita, Makito. "Metahistory and memory making/remaking the knowledge of Hiroshima's atomic bombing /." Diss., Connect to online resource - MSU authorized users, 2008.

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Courmont, Barthélémy. "Pourquoi Hiroshima? : la décision d'utiliser la bombe atomique /." Paris : L' Harmattan, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016718784&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Almeida, Angela Prada. "A escrita da luz Hiroshi Sugimoto." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284394.

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Orientador: Roberto Berton de Angelo
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-20T07:56:25Z (GMT). No. of bitstreams: 1 Almeida_AngelaPrada_D.pdf: 44209189 bytes, checksum: 325da0af7c1faf9daa34119e12a721ef (MD5) Previous issue date: 2011
Resumo: Esta Tese de Doutorado tem como objetivo analisar obras do fotógrafo japonês Hiroshi Sugimoto. Na introdução, são analisadas cinco séries de fotografias do artista: Dioramas, Portraits, Architecture, Theaters e Seascapes. A seguir, discussões sobre as séries Dioramas e Portraits são aprofundadas. O ponto de partida para os capítulos são as considerações do próprio fotógrafo sobre as obras. Nas análises, paradigmas do discurso fotográfico e características próprias da fotografia inter-relacionam-se com particularidades da cultura japonesa. No capítulo "Dioramas", são abordados: a invenção dos Dioramas no século XIX, a construção dos Dioramas nos Museus de História Natural, visão monocular, perspectiva artificial e representação realista e, por fim, o superlativismo realista na fotografia do Diorama dos Gorilas e o congelamento do tempo nas fotografias dos Dioramas. Já no capítulo "Portraits", discussões sobre a relação entre realismo e fotografia são retomadas, a partir da fotografia de retratos de pessoas falecidas. O discurso de articulação do real que permeia a representação de retratos é realizado à luz da presentificação de sujeitos históricos - membros da monarquia inglesa e monjes japoneses. As séries Dioramas e Portraits são formadas por múltiplas instâncias de representação, com características de formação fotográficas. As fotografias e idéias imagéticas criadas por Sugimoto sugerem conceitos teóricos e suscitam análises sobre construções culturais: maneiras de conceber a visualidade que nos cerca, a partir do olhar do fotógrafo
Abstract: This doctorate thesis aims to analyze works of Japanese photographer Hiroshi Sugimoto. In the introduction five series of photographs of the artist: Dioramas, Portraits, Architecture, Seascapes and Theaters are analyzed. Discussions about the series: Dioramas and Portraits are deepened. The starting point in the chapters are the photographer's own words about the series. In the analysis, paradigms of photographic discourse and characteristics of photography inter-relate to the particularities of Japanese culture. In the chapter "Diorama", the following topics are discussed: the invention of the Diorama in the nineteenth century, the construction of the Dioramas in the Museum of Natural History, monocular vision, artificial perspective, realistic representation, and finally, the superlative realistic representation of the Gorilla Diorama and the act of freezing time in the photographs of Dioramas. In the "Portraits" chapter, discussions about realism and photography are analysed in interrelation to portrait photography of deceased people. The sensation of reality that pervades the representation of portraits is examined in the light of materialization of historical figures - members of the English monarchy and Japanese monks. The Dioramas and Portraits series are composed of multiple representational instances, based on photographic formation characteristics. The photographs and imagery made by Sugimoto suggest theoretical concepts and raise photographic analysis of cultural constructions, ways of conceiving the visual world that surrounds us, from the view point of the photographer
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Books on the topic "Hiroshige"

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Andō, Hiroshige. Hiroshige. Munich: Prestel, 2005.

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Hiroshige. Milano: Skira, 2018.

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Okuda, Atsuko. Hiroshige: Shodai godai Hiroshige no gaidobukku. Tōkyō: Ōta Kinen Bijutsukan, 2007.

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Hiroshige satsujin jiken. Tōkyō: Kōdansha, 1989.

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1760-1849, Katsushika Hokusai, Andō Hiroshige 1797-1858, Kitagawa Utamaro 1753?-1806, and Palazzo reale di Milano, eds. Hokusai, Hiroshige, Utamaro. Milano: Skira, 2016.

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Andō, Hiroshige. Hiroshige, 1797-1858. București: Muzeul Național de Artă României, 1998.

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Hiroshige Fan Prints. London: Victoria and Albert Museum Publications, 2001.

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Andō, Hiroshige. The sketchbooks of Hiroshige. Mineola, N.Y: Dover Publications, 2007.

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Andō, Hiroshige. The sketchbooks of Hiroshige. 2nd ed. New York: George Braziller, 2001.

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Andō, Hiroshige. Hiroshige: Prints and drawings. Munich: Prestel, 2011.

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Book chapters on the topic "Hiroshige"

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Low, Morris. "Picturing Hiroshima." In Visualizing Nuclear Power in Japan, 45–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47198-9_3.

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Boschke, F. L. "Hiroshima — Nagasaki." In Kernenergie, 75–78. Basel: Birkhäuser Basel, 1988. http://dx.doi.org/10.1007/978-3-0348-6683-5_9.

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Rapson, Jessica. "Hiroshima remediated." In Reimagining Hiroshima and Nagasaki, 53–70. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: War, politics and experience: Routledge, 2017. http://dx.doi.org/10.4324/9781315505572-5.

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Shapiro, Michael J. "Resituating Hiroshima." In The Cinematic Political, 81–112. New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429487903-4.

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"Hiroshige." In Art and Letters, edited by B. C. Bloomfield, 113–24. Routledge, 2019. http://dx.doi.org/10.4324/9781315034133-19.

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"Museum of Ando Hiroshige." In Kengo Kuma, 88–97. New York, NY: Princeton Archit.Press, 2005. http://dx.doi.org/10.1007/1-56898-642-4_10.

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"Hiroshige and the River Otter." In The Curious Casebook of Inspector Hanshichi, 221–46. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824864668-012.

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"Museum Hiroshige Ando in Batoh." In Gebäudehüllen, 174–77. Birkhäuser, 2006. http://dx.doi.org/10.11129/detail.9783034615266.174.

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"Hiroshima (Hiroshima, Japan)." In Asia and Oceania, 369–72. Routledge, 2012. http://dx.doi.org/10.4324/9780203059173-86.

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"Hiroshima." In Stalin and the Bomb, 116–33. Yale University Press, 2008. http://dx.doi.org/10.2307/j.ctvf3w23z.12.

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Conference papers on the topic "Hiroshige"

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Weight, Alex, Daniel Flood, and Dylan Neill. "Virtual Reality Experience ‘The World of Hiroshige’." In SA '21: SIGGRAPH Asia 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3478514.3487611.

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Takahashi, Satoru, Satoru Takahashi, Masami Hamaguchi, and Masami Hamaguchi. "SEASONAL VARIATION OF TRANSPORTATION OF ASARI CLAM, RUDITAPES PHILIPPINARUM, LARVAE IN HIROSHIMA BAY." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b937f57cd63.62615734.

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Hiroshima Bay is located in western part of the Seto Inland Sea, and there is high productivity of Asari clam. However, the landings amount of the clam was rapidly decreased and production areas came to be limited in the northern part (bay head). Here, the clam has the planktonic larval stage. Then, it is important to reveal the transportation process of larvae to clarify the habitat connectivity of the clam. Therefore, in this study, we try to clarify the transportation process of the clam larvae in the Hiroshima Bay by numerical model experiments. As a result of model experiments, in June (rainy and heating season), the larvae are transported to southward in western area of Hiroshima Bay. In November (dry and cooling season), distribution of larvae is limited in the northern area of Hiroshima Bay. These results are corresponding to the field observation results. In the Seto Inland Sea, it is said that there is spawning time of the clam twice a year (spring and autumn). However, in a recent Hiroshima Bay, the density of the larva in spring is very low than that in autumn. These facts suggest that the production of the clam is limited in the northern area of Hiroshima Bay because the density of the larva is low in spring when the larvae can extend to the south.
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Takahashi, Satoru, Satoru Takahashi, Masami Hamaguchi, and Masami Hamaguchi. "SEASONAL VARIATION OF TRANSPORTATION OF ASARI CLAM, RUDITAPES PHILIPPINARUM, LARVAE IN HIROSHIMA BAY." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b4315cbb321.

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Hiroshima Bay is located in western part of the Seto Inland Sea, and there is high productivity of Asari clam. However, the landings amount of the clam was rapidly decreased and production areas came to be limited in the northern part (bay head). Here, the clam has the planktonic larval stage. Then, it is important to reveal the transportation process of larvae to clarify the habitat connectivity of the clam. Therefore, in this study, we try to clarify the transportation process of the clam larvae in the Hiroshima Bay by numerical model experiments. As a result of model experiments, in June (rainy and heating season), the larvae are transported to southward in western area of Hiroshima Bay. In November (dry and cooling season), distribution of larvae is limited in the northern area of Hiroshima Bay. These results are corresponding to the field observation results. In the Seto Inland Sea, it is said that there is spawning time of the clam twice a year (spring and autumn). However, in a recent Hiroshima Bay, the density of the larva in spring is very low than that in autumn. These facts suggest that the production of the clam is limited in the northern area of Hiroshima Bay because the density of the larva is low in spring when the larvae can extend to the south.
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Oikawa, Tomoe, Takahiro Koga, Takeo Kondo, Kazukiyo Yamamoto, Wataru Miyazaki, and Atsushi Idoji. "The State of Transfer Systems: An Analytical Study With Respect to Human Information Recognition—An Approach From a Smooth Transfer System in Marine Transportation." In ASME 2010 29th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2010. http://dx.doi.org/10.1115/omae2010-20668.

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The purpose of this research is to examine in detail provision of signs for ensuring smooth movement, conducted by transportation companies at traffic nodes, and to identify future issues to be solved for maintenance of marine-based traffic nodes. To this end, as the study site, we selected the City of Hiroshima in Japan, where a wide variety of traffic nodes, such as railroads, streetcars, buses, and ferries, are available. In particular, as main facilities to be studied, we focused on Ujina Terminal, which is a marine traffic node, and Hiroshima Station, which is an onshore traffic node. We examined the current status of and problems with facility plans and sign plans at traffic nodes through field exploration of the City of Hiroshima and questionnaires with tourists. As a result, it was found that in order to formulate a sign plan that can ensure security, cooperation with not only land traffic nodes but also marine traffic nodes will be an important issue in future when providing signs at marine traffic nodes for ensuring smooth movement.
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5

Okamoto, Hiromi. "Space-Charge Simulations and Experiments at Hiroshima University." In HIGH INTENSITY AND HIGH BRIGHTNESS HADRON BEAMS: 33rd ICFA Advanced Beam Dynamics Workshop on High Intensity and High Brightness Hadron Beams. AIP, 2005. http://dx.doi.org/10.1063/1.1949514.

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Werblow, Jacob. "Evolving Conceptualizations of Peace Education in Hiroshima, Japan." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1881572.

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Umehara, Akira, Akira Umehara, Satoshi Asaoka, Satoshi Asaoka, Naoki Fujii, Naoki Fujii, Sosuke Otani, et al. "ENERGY TRANSFER EFFICIENCIES ON LOWER TROPHIC LEVELS WITH INTENSIVE OYSTER FARMING IN HIROSHIMA BAY, JAPAN." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b938e9b6054.06820491.

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In enclosed water areas, organic matters are actively produced by phytoplankton due to abundant nutrient supply from the rivers. In our study area of the semi-enclosed Hiroshima Bay, oyster farming consuming high primary production has been developed since the 1950s, and the oyster production of Hiroshima prefecture have had the largest market share (ca. 60%) in Japan. In this study, species composition of phytoplankton, primary production, and secondary production of net zooplanktons and oysters were determined seasonally at seven stations in the bay between November 2014 and August 2015. In the bay, diatoms including Skeletonema costatum dominated during the period of the study. The primary productions markedly increased during summer (August), and its mean values in the northern part of the bay (NB) and the southern part (SB) were 530 and 313 mgC/m2/d, respectively. The productions of net zooplankton and oyster increased during the warm season, and its mean values in the NB were 14 and 1.2 mgC/m2/d, and in SB were 28 and 0.9 mgC/m2/d, respectively. The energy transfer efficiencies from the primary producers to the secondary producers in the NB and SB were 2.8% and 9.1%, respectively. However, the transfer efficiency to the oysters was approximately 0.3% in the bay. This study clearly showed the spatial difference of the productions and transfer efficiencies, and the low contribution of the production of oysters in secondary productions in Hiroshima Bay.
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Umehara, Akira, Akira Umehara, Satoshi Asaoka, Satoshi Asaoka, Naoki Fujii, Naoki Fujii, Sosuke Otani, et al. "ENERGY TRANSFER EFFICIENCIES ON LOWER TROPHIC LEVELS WITH INTENSIVE OYSTER FARMING IN HIROSHIMA BAY, JAPAN." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b43169dc569.

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In enclosed water areas, organic matters are actively produced by phytoplankton due to abundant nutrient supply from the rivers. In our study area of the semi-enclosed Hiroshima Bay, oyster farming consuming high primary production has been developed since the 1950s, and the oyster production of Hiroshima prefecture have had the largest market share (ca. 60%) in Japan. In this study, species composition of phytoplankton, primary production, and secondary production of net zooplanktons and oysters were determined seasonally at seven stations in the bay between November 2014 and August 2015. In the bay, diatoms including Skeletonema costatum dominated during the period of the study. The primary productions markedly increased during summer (August), and its mean values in the northern part of the bay (NB) and the southern part (SB) were 530 and 313 mgC/m2/d, respectively. The productions of net zooplankton and oyster increased during the warm season, and its mean values in the NB were 14 and 1.2 mgC/m2/d, and in SB were 28 and 0.9 mgC/m2/d, respectively. The energy transfer efficiencies from the primary producers to the secondary producers in the NB and SB were 2.8% and 9.1%, respectively. However, the transfer efficiency to the oysters was approximately 0.3% in the bay. This study clearly showed the spatial difference of the productions and transfer efficiencies, and the low contribution of the production of oysters in secondary productions in Hiroshima Bay.
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Tan, Masaki. "75 years after the bombings of Hiroshima and Nagasaki." In RAD Conference. RAD Centre, 2021. http://dx.doi.org/10.21175/rad.abstr.book.2021.32.22.

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Imagawa, Masataka, Kyung-hoi Kim, Tadashi Hibino, Katusaki Komai, and Yasushi Matsunaga. "RE-SUSPENSION MECHANISM OF SEA BOTTOM SEDIMENT IN HIROSHIMA BAY." In Proceedings of the 31st International Conference. World Scientific Publishing Company, 2009. http://dx.doi.org/10.1142/9789814277426_0239.

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Reports on the topic "Hiroshige"

1

Kilidjian, Megan. Harold Agnew's Hiroshima Footage - Positive. Office of Scientific and Technical Information (OSTI), October 2022. http://dx.doi.org/10.2172/1896407.

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Kilidjian, Megan. Harold Agnew’s Hiroshima Footage - Negative. Office of Scientific and Technical Information (OSTI), October 2022. http://dx.doi.org/10.2172/1896406.

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Malik, John. Yields of the Hiroshima and Nagasaki nuclear explosions. Office of Scientific and Technical Information (OSTI), September 1985. http://dx.doi.org/10.2172/1489669.

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Kerr, G. D., F. F. Dyer, J. F. Emery, J. V. III Pace, R. L. Brodzinski, and J. Marcum. Activation of cobalt by neutrons from the Hiroshima bomb. Office of Scientific and Technical Information (OSTI), February 1990. http://dx.doi.org/10.2172/7243377.

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Malenfant, Richard. On the Determination of the Radiation Doses at Hiroshima. Office of Scientific and Technical Information (OSTI), July 2022. http://dx.doi.org/10.2172/1875788.

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Spriggs, G., and S. Egbert. Total Residual Radiation Source Term Produced by the Hiroshima Detonation. Office of Scientific and Technical Information (OSTI), September 2020. http://dx.doi.org/10.2172/1668494.

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Santoro, RT. Hiroshima Air-Over-Ground Analysis: Comparison of DORT and MCNP Calculations. Office of Scientific and Technical Information (OSTI), September 2001. http://dx.doi.org/10.2172/814271.

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Hirami, Naotaka. Working Paper PUEAA No. 2. Green Policy driven activities at Hiroshima University. Universidad Nacional Autónoma de México, Programa Universitario de Estudios sobre Asia y África, 2021. http://dx.doi.org/10.22201/pueaa.002r.2021.

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The University of Hiroshima has decided to focus on how the organization of human societies and the problems generated by these, have impacted the environment, as well as the influence that these should have as factors in the so-called "green policies" in order to create sustainable development. It is through education, mainly in universities, that we seek to create not only awareness but also a research base on which to work and create support and working networks towards the labor and business sectors with an emphasis on environmental care. By creating an intersectional model, the necessary measures for environmental protection can be better understood and applied without neglecting human and economic development, which are equally important for the progress of societies. The activities presented by the University, and that seek to expand to Mexico, are a great opportunity to create such networks in the country and understand the development-environment interrelationship.
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Brixner, Berlyn, Edwin McmIllan, and Roger Allen Meade. An Attempt to Measure the Gamma Radiation Dosage at Hiroshima from Photosensitive Material. Office of Scientific and Technical Information (OSTI), September 2016. http://dx.doi.org/10.2172/1327999.

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Agee, Ellen. Hiroshima mon amour and L'Annee derniere a Marienbad: Meaning Conveyed through Cinematic Organization. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7086.

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