Log in

Relevant bibliographies by topics / Hindi literature, history and criticism / Journal articles

To see the other types of publications on this topic, follow the link: Hindi literature, history and criticism.

Journal articles on the topic 'Hindi literature, history and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Hindi literature, history and criticism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Mangraviti, Fabio. "The Patronage of Literary Criticism." Cracow Indological Studies 25, no. 2 (December 29, 2023): 109–47. http://dx.doi.org/10.12797/cis.25.2023.02.04.

Full text

Abstract:

The present work is inspired by previous contributions to the development of the Hindi public and print spheres in the 19th century (Dalmia 1997; Orsini 2002; Stark 2007). It aims at extending and integrating previously elaborated presentations by focusing on the patronage provided by colonial institutions to the development of Hindi literary studies in the 1870s and 1880s. The study also considers the role played by Indian sampradāys in enacting the religious and intellectual processes underwriting the expansion of this field. By moving in this direction, the article mainly builds on the investigation of some biographies (jīvnī) of the North Indian devotional poets penned by Bhārtendu Hariścandra in the 1870s. Further, it explores the relationship between these biographies and the anthologies published in the mid-1870s by the Naval Kishor Press. The final section of the contribution provides an introductory analysis of the type of patronage extended to Hariścandra and his works by the Khadgavilas Press in the 1880s. The aim is to draw a comparison between the policies of some earlier private publishing enterprises and those pursued by the new, Hindu-oriented publishing enterprises.

APA, Harvard, Vancouver, ISO, and other styles

2

Rajpurohit, Dalpat S. "Bhakti versus rīti? The Sants’ perspective." Bulletin of the School of Oriental and African Studies 84, no. 1 (February 2021): 95–113. http://dx.doi.org/10.1017/s0041977x21000264.

Full text

Abstract:

AbstractScholars have rightly questioned the periodization of early modern Hindi literature (fourteenth to mid-nineteenth century) into two major thematic and temporal categories, often described as binaries: an early bhaktikāl (era of devotion), and the later rītikāl (era of mannerism). It is now common to understand bhakti and rīti as complementary modes of poetic expression rather than oppositional styles that poets had to identify with entirely. This paper uses the perspective of poet-saints (sants) to argue that, although the sants share many features with the rīti poets in terms of genres and register, they diverge fundamentally from them on the topic of the proper motives of composing verse. The criticism that the sants register with selected rīti themes – conflicts which would later figure in the writings of Hindi literary historians in the nationalist era – can be seen as anticipating the modern bhakti versus rīti distinction.

APA, Harvard, Vancouver, ISO, and other styles

3

Mani, Preetha. "What Was So New about the New Story? Modernist Realism in the Hindi Nayī Kahānī." Comparative Literature 71, no. 3 (September 1, 2019): 226–51. http://dx.doi.org/10.1215/00104124-7546181.

Full text

Abstract:

AbstractThis essay examines the Hindi Nayī Kahānī, or New Story, Movement of the 1950s and 1960s, which was influential for the short stories, criticism, and literary history that its writers produced. Incorporating a view toward the larger “metaliterary” corpus in relation to which properly “literary” nayī kahānī texts were written, the essay shows how the movement inaugurated a modernist realism characterized by attention to genre, rhetoric, and style on one hand, and commitment to social reality on the other. Combining rhetorical strategies—such as shifting narrative voice, allegorical descriptions of landscape, and implicit reference to authorship and the condition of postcolonial literary production—with structural and thematic tensions between form and content, this mode developed an interchangeability between author, reader, and character, which did not previously exist in Hindi literature and which reconfigured the category of the middle class in the universally recognizable terms of alienation. Using the case of the nayī kahānī, the essay offers a new literary historical approach that moves beyond sweeping accounts of a single postcolonial mode to attend to regional realisms and modernisms.

APA, Harvard, Vancouver, ISO, and other styles

4

Muhammad Saeed Ahmad and Dr. Saeed Ahmad. "A Comprehensive Review of Abdul Aziz Khalid's Works." Tasdiqتصدیق۔ 3, no. 01 (December 14, 2021): 53–71. http://dx.doi.org/10.56276/tasdiq.v3i01.58.

Full text

Abstract:

Abdul Aziz Khalid is one of the most renowned Pakistani poets of Urdu literature. He adorned his poetry bouquet with multiple languages such as Arabic, Persian, Turkish, Hindi, and Hebrew. He wrote almost forty books on different types of literature, especially on Naat, Ghazal, Poem, quatrains, translation, and criticism. His knowledge & vision about Islamic history and literature of different languages is above board. The names of his books are very unique and earned immense popularity particularly Farquleet, MaazMaaz, TaabTaab, Manhamanna, Lehun-e-sareer, Abu Turab, Sani lasani, Kaf e Darya, Kilk e Mouj, Kharoosh e Khum, etc. The reader can enhance his awareness about religions, love tails, historic sense, idioms, phrases, Quranic Verses, Hadith, traditions of Islamic culture & life of Prophet Muhammad (SAAW)and his companions. His poetry is a beautiful blend of classic and modernism.

APA, Harvard, Vancouver, ISO, and other styles

5

SINHA ROY, MALLARIKA. "The Forgotten History of Our Times: Revisiting Utpal Dutt's Titu Mir in Contemporary India." Theatre Research International 48, no. 3 (October 2023): 264–83. http://dx.doi.org/10.1017/s0307883323000172.

Full text

Abstract:

This paper is an exploration of the most recent revival of Utpal Dutt's play Titu Mir in 2019 by the ensemble group Theatre Formation Paribartak in India. Islamic religious reformer Titu Mir led a peasant rebellion from 1827 to 1831 in the Barasat region of Bengal and the play focuses on a narrative of revolutionary resistance to colonialism. Titu Mir becomes an articulation of political theatre against the Hindu right-wing agenda of expunging Muslim national heroes from Indian history. This essay seeks Titu Mir's relevance as a site and theory of materializing historical contradictions, and as part of a ‘gestic’ feminist criticism of theatre. The essay attempts to understand how critique of patriarchal ideology is enmeshed in critique of colonialism in Titu Mir, especially in those moments where the play addresses complexities of political violence, interracial romance, martyrdom, alienation in the colony and deep-rooted misogyny in the project of colonialism.

APA, Harvard, Vancouver, ISO, and other styles

6

Baksi, Sandipan. "Science journalism in Hindi in pre-independence India: A study of Hindi periodicals." Indian Economic & Social History Review 59, no. 1 (December 28, 2021): 95–117. http://dx.doi.org/10.1177/00194646211064586.

Full text

Abstract:

Science journalism in Hindi originated in the late nineteenth century. Hindi literary periodicals provided the first platform for science to be discussed along with literature. The onset of the twentieth century witnessed a remarkable advance in Hindi literary writing, and science writing also flourished with this advance. A remarkable overlap and a complementary relationship between the development of Hindi literature and Hindi commentaries on sciences is evident. Equally important in this context was the backdrop provided by a politically contentious process of evolution of a ‘modern’, ‘standard’ Hindi, and by the anti-colonial freedom movement, yoked to the idea of cultural and economic nationalism. The article surveys certain popular periodicals that regularly published essays and commentaries on science and scientific subjects. These periodicals were instrumental in shaping the popular discourses on science. The article also underlines an overwhelming effort by the intelligentsia to seek a philosophical commensurability between modern science and ‘traditional’ schools of thought. It concludes that the predominance of these characteristics in Hindi science journalism was a reflection of the agenda of the Hindi intelligentsia, shaped by linguistic nationalism framed alongside or in conjunction with a revivalist perspective.

APA, Harvard, Vancouver, ISO, and other styles

7

McH., B., and Dominick LaCapra. "History and Criticism." Poetics Today 7, no. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hornsby, Joseph, and David Aers. "Medieval Literature: Criticism, Ideology and History." South Atlantic Review 53, no. 1 (January 1988): 107. http://dx.doi.org/10.2307/3200408.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (October 1989): 917. http://dx.doi.org/10.2307/3731173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Mullins, G. A. "Atrocity, Literature, Criticism." American Literary History 23, no. 1 (December 10, 2010): 217–27. http://dx.doi.org/10.1093/alh/ajq084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Dhita, Aulia Novemy, and Salsabila Nofradatu. "JALAN MENUJU KELAHIRAN KESULTANAN PALEMBANG (1675)." Estoria: Journal of Social Science and Humanities 2, no. 1 (October 1, 2021): 149–61. http://dx.doi.org/10.30998/je.v2i1.598.

Full text

Abstract:

The Palembang Sultanate was born as a result of the less harmonious relationship between Palembang and Mataram. This explains that in the course of its history, Palembang had a relationship with the kingdom in Java. This study aims to describe the relationship of Palembang with Java before the birth of the Palembang Sultanate (1675). This research uses historical methods in the form of heuristics, source criticism, interpretation and historiography. The results showed that the Palembang Kingdom was the forerunner to the birth of the Palembang Sultanate. After the collapse of Sriwijaya, Palembang became a royal protection area in Java, namely Majapahit, Demak, Pajang and Mataram. In 1675, Ki Mas Hindi officially adopted the title sultan. This action politically demonstrated that Ki Mas Hindi was equivalent to that of the Mataram ruler and marked the birth of the Palembang Sultanate.Key words: Kingdom, Sultanate, PalembangKesultanan Palembang lahir sebagai akibat dari hubungan yang kurang harmonis antara Palembang dan Mataram. Hal ini menerangkan bahwa dalam perjalanan sejarahnya Palembang memiliki hubungan dengan kerajaan di Jawa. Penelitian ini bertujuan untuk menguraikan hubungan Palembang dengan Jawa sebelum lahirnya Kesultanan Palembang (1675). Penelitian ini menggunakan metode historis berupa heuristik, kritik sumber, interpretasi dan historiografi. Hasil penelitian menunjukkan bahwa Kerajaan Palembang merupakan cikal bakal kelahiran Kesultanan Palembang. Pasca keruntuhan Sriwijaya, Palembang menjadi wilayah protekorat kerajaan di Jawa yaitu Majapahit, Demak, Pajang dan Mataram. Pada tahun 1675, Ki Mas Hindi secara resmi menggunakan gelar sultan. Tindakan ini secara politik menunjukkan bahwa status Ki Mas Hindi setara dengan penguasa Mataram dan menandai kelahiran Kesultanan Palembang. Kata Kunci: Kerajaan, Kesultanan, Palembang

APA, Harvard, Vancouver, ISO, and other styles

12

Mahendra Pal Sharma. "Problems of Rewriting History of Hindi Literature in 21st Century." Journal of South Asian Studies 15, no. 1 (June 2009): 315–43. http://dx.doi.org/10.21587/jsas.2009.15.1.014.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Kumar, Sanjay. "Effect of Gandhism on Hindi Literature." RESEARCH HUB International Multidisciplinary Research Journal 11, no. 2 (February 29, 2024): 32–35. http://dx.doi.org/10.53573/rhimrj.2024.v11n2.005.

Full text

Abstract:

The literature of any nation is highly influenced by the culture, society, history, geography of that nation as well as its ideology. India did not have any clear ideology during the colonial period but most of the Indian population was influenced by Gandhi's ideas. With time, Gandhi's role in the national movements covered his ideas as an ideology and its effect in Indian Hindi literature was clearly felt after the Dwivedi era. Gandhi's ideas were successful in influencing those people of the whole world who believed in non-violence. Thus, Gandhi's ideas had a proper influence in Indian Hindi literature. When the Dwivedi era ends, the Gandhi era emerges in Indian politics. It is clear that the literature written in the Bharatendu or Dwivedi era cannot be considered to be influenced by Gandhism, although it echoes all those movements and sentiments that Mahatma Gandhi later adopted or developed. What is called the Premchand era in fiction and the Chhayavaad era in poetry or the third period of the rise of the new trend, is called the Gandhi era in politics. Abstract in Hindi Language: किसी भी राष्ट्र के साहित्य पर उस राष्ट्र की संस्कृति, समाज, इतिहास, भूगोल के साथ-साथ वहां विचारधारा का अत्यधिक प्रभाव दृष्टिगोचर होता है। औपनेविशिक काल में भारत की स्पष्ट रूप से कोई विचारधारा नही थी परन्तु गांधी के विचारो से भारत की अधिकांश जनसंख्या प्रभावित थी। समय के साथ राष्ट्रीय आंदोलनो में गांधी जी की भूमिका ने उनके विचारो का विचाराधारा के रूप में आवरन हुआ और भारतीय हिन्दी साहित्य में इसका प्रभाव द्विवेदी युग के बाद स्पष्ट रूप में अनुभव किया गया। गांधी के विचार सम्पूर्ण विश्व के उन लोगो को प्रभावित करने में सफल हुऐ जो अंहिसा में विश्वास करते थे। इस प्रकार गांधी के विचारो को भारतीय हिन्दी साहित्य में उचित प्रभाव रहा। द्विवेदी युग के समाप्त होने पर भारतीय राजनीति में गांधीयुग का उदय होता है। स्पष्ट है कि भारतेन्दु या द्विवेदीयुग में रचित साहित्य पर गांधीवाद का प्रभाव नही माना जा सकता, हालांकि उसमें उन सब आंदोलनो और भावनाओं की प्रतिध्वनि मिलती है जिन्हें आगे चलकर महात्मा गांधी ने अपनाया अथवा विकसित किया। कथा-साहित्य में जिसे प्रेमचन्द युग कहा जाता है और कविता में जिसे छायावाद युग अथवा नई धारा का तृतीय उत्थान काल, राजनीति में उसे ही गांधी-युग के नाम से अभिहित किया जाता है। Keywords: साहित्य, संस्कृति, इतिहास, आंदोलन, भारतीय हिन्दी साहित्य

APA, Harvard, Vancouver, ISO, and other styles

14

Gearhart, Suzanne, and Dominick LaCapra. "History as Criticism: The Dialogue of History and Literature." Diacritics 17, no. 3 (1987): 56. http://dx.doi.org/10.2307/464835.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

SAHA, SHANDIP. "A community of grace: the social and theological world of the Puṣṭi Mārga vārtā literature." Bulletin of the School of Oriental and African Studies 69, no. 2 (June 2006): 225–42. http://dx.doi.org/10.1017/s0041977x06000103.

Full text

Abstract:

In the history of Hindi literature, the oldest extant text of medieval Hindi prose is the collection of hagiography known as the as the vārtā literature which, since the seventeenth century, has been central to the religious life of the Hindu devotional community known as the Puṣṭi Mārga. This article argues that a close examination of these texts in their proper social and historical context reveals that the vārtā literature was written and revised during a time when the Puṣṭi Mārga was slowly expanding its sphere of religious influence in Western and Central India. The result was a body of literature whose principal purpose was to shape the religious self-identity of the Puṣṭi Mārga by stressing the community as a close-knit and exclusive fellowship of believers who owed their final allegiance to Kṛṣṇna and the community's religious leaders who were known as mahārājas.

APA, Harvard, Vancouver, ISO, and other styles

16

Gupta, Charu. "Domestic Anxieties, Recalcitrant Intimacies: Representation of Servants in Hindi Print Culture of Colonial India." Studies in History 34, no. 2 (April 17, 2018): 141–63. http://dx.doi.org/10.1177/0257643018762939.

Full text

Abstract:

This essay presents a social history of power relations between domestic workers and their employers by examining the representations of servants in a wide array of Hindi print literature, including didactic manuals, popular magazines, reformist writings and cartoons, in the early twentieth-century North India. Exploring possibilities within repertoires of representation, it navigates how a contentious discourse around servant and employer developed in the Hindi print sphere. The essay links the portrayal of servants with changing class, caste and religious dynamics, in which print intersected with material circumstances to shape the hierarchical relationship between servants and employers. While imaging ‘ideal’ servants, the Hindi vernacular was also infused with their negative counterparts and anxieties around personal interactions between mistresses and servants, taking its cue from quotidian life and caste–community relations of the time. Increasing assertion by Dalits and growing antagonism between Hindus and Muslims left its imprints on portrayals of subordinate-caste and Muslim servants by dominant castes and classes. The vernacular straddled these domains of distance/desire and hate/love in the servant–employer relationship.

APA, Harvard, Vancouver, ISO, and other styles

17

Strohm, Paul. "Medieval Literature: Criticism, Ideology and History. David Aers." Speculum 63, no. 2 (April 1988): 352–54. http://dx.doi.org/10.2307/2853226.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Byerman, Keith. "Remembering History in Contemporary Black Literature and Criticism." American Literary History 3, no. 4 (1991): 809–16. http://dx.doi.org/10.1093/alh/3.4.809.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Dean, Paul. "Current Literature 2000: Literary Theory, History and Criticism." English Studies 83, no. 1 (February 1, 2002): 9–39. http://dx.doi.org/10.1076/enst.83.1.9.9567.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Dean, Paul. "Current Literature 2001. Literary Theory, History and Criticism." English Studies 84, no. 2 (April 1, 2003): 145–69. http://dx.doi.org/10.1076/enst.84.2.145.14904.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Dean, Paul. "Current Literature 2002. Literary Theory, History and Criticism." English Studies 84, no. 6 (December 1, 2003): 558–72. http://dx.doi.org/10.1076/enst.84.6.558.28782.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Dean, Paul. "CURRENT LITERATURE 2003: LITERARY THEORY, HISTORY AND CRITICISM." English Studies 85, no. 6 (December 2004): 532–46. http://dx.doi.org/10.1080/00138380412331339260.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Strelkova, Guzel V. "Creations of Ch. S. Guleri and His Role in the Formation of a Small Narrative Form in Hindi Literature." Vestnik of Saint Petersburg University. Asian and African Studies 15, no. 4 (2023): 673–86. http://dx.doi.org/10.21638/spbu13.2023.404.

Full text

Abstract:

The genre form of the story appeared in Hindi literature relatively late, in the first decades of the twentieth century. The formation and development of the short story genre in Hindi literature of the twentieth century attracts the attention of researchers both in India and abroad. In this regard, it is important to consider the work of Chandradhar Sharma Guleri, the author of one of the first stories written in Hindi. Together with famous writers Jayashankar Prasad and Premchand, Geleri is considered one of the founders of modern Hindi literature. He wrote mostly short stories. It is noteworthy that some sources drastically reduce their number, mentioning only three stories, although there are almost 20 of them. The writer’s stories attracted the attention of literary critics, who highly appreciated them. Some of Guleri’s stories have been translated into foreign languages, including Russian. The article examines one of the early stories of Ch. Sh. Guleri “She said”, in which the readers see almost the entire short life of the main character, from childhood to his heroic death. The article focuses on the content, characteristics of the artistic and stylistic features of this story, briefly examines its adaptation, and also characterizes a kind of literary continuation — the story of the famous Hindi writer Shailesh Matiani “She didn’t say”, which takes place during the Indo-Chinese conflict. Guleri’s story was translated into Russian in the 1950s, when Soviet-Indian relations began to develop actively.

APA, Harvard, Vancouver, ISO, and other styles

24

Bangha, Imre. "Lover and Saint The Early Development of Ānandghan's Reputation." Journal of the Royal Asiatic Society of Great Britain & Ireland 11, no. 2 (July 2001): 175–90. http://dx.doi.org/10.1017/s1356186301000220.

Full text

Abstract:

AbstractThe article examines the material relating to the early reception of the eighteenth century Hindi poet Ānandghan (Ghanānand). Ānandghan's poetic ideas were not far from those expressed in Persian literature, popular at that time in India. Apart from an abundance of idiomatic usage and paradoxes his approach to love reflects his taste for Persian poetry: the beloved can be either a woman or an undefined God, or even Krishna. Ānandghan's ‘openness’ towards Persian poetry earned him disrepute. In this article three early schools of criticism of his quatrains are distinguished: those of his opponents, of his fellow-devotees and of Brajnāth, the secular connoisseur. All three parties expressed their views on Ānandghan through poetry sometimes employing bitter or pungent language.

APA, Harvard, Vancouver, ISO, and other styles

25

Dancer, Thom. "Literary Criticism: A Concise Political History." Comparative Literature 71, no. 1 (March 1, 2019): 117–21. http://dx.doi.org/10.1215/00104124-7217100.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Borek, Piotr. "History of a Polyglossic Literary Culture. On the Decline of the History of Hindi Literature." Cracow Indological Studies 15, no. 15 (2013): 249–64. http://dx.doi.org/10.12797/cis.15.2013.15.13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

Full text

Abstract:

Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.

APA, Harvard, Vancouver, ISO, and other styles

28

Arora, V. N. "Popular Songs in Hindi Films." Journal of Popular Culture 20, no. 2 (September 1986): 143–66. http://dx.doi.org/10.1111/j.0022-3840.1986.2002_143.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Devi, Pramila. "Modern Hindi Poetry and Women." International Journal of Research -GRANTHAALAYAH 5, no. 6 (June 30, 2017): 693–95. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.2102.

Full text

Abstract:

In the field of Hindi literature, along with men, women writers have also contributed significantly with their valuable works. Here the pages of the history of the past India are filled with specific works of Indian women. At that time they had an opportunity to get education like men. In the course of time, bad practices in the society started increasing. Along with the independence of the country, the freedom of women was also abducted. It also stripped them of the right to equality and education. हिंदी साहित्य के क्षेत्र में पुरूषों के साथ-साथ नारी साहित्यकारों ने भी अपनी बहुमूल्य कृतियों से उल्लेखनीय योगदान दिया है । यहाँ अतीत भारत के इतिहास के पृष्ठ भारतीय महिलाओं की विशिष्ट कृतियों से भरे पड़े हैं । उस समय उन्हें पुरूषों के समान शिक्षा प्राप्त करने का अवसर मिलता था । कालांतर में समाज में कुप्रथाएँ बढ़ने लगी । देश की आज़ादी के साथ-साथ स्त्रियों की आज़ादी का भी अपहरण हुआ । इसमें उनसे समानता और शिक्षा का अधिकार भी छीन लिया गया ।

APA, Harvard, Vancouver, ISO, and other styles

30

Russo, Adelaide M., Dominique Viart, Roger Célestin, and Eliane DalMolin. "Literature and Criticism: Taking Stock." Contemporary French and Francophone Studies 20, no. 3 (May 26, 2016): 351–56. http://dx.doi.org/10.1080/17409292.2016.1177352.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Dean, Paul. "Current Literature 1998: II. Literary Theory, History and Criticism." English Studies 81, no. 1 (February 1, 2000): 56–81. http://dx.doi.org/10.1076/0013-838x(200001)81:1;1-#;ft056.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Dean, Paul. "Current Literature 1999: II. Literary Theory, History and Criticism." English Studies 81, no. 6 (December 1, 2000): 548–73. http://dx.doi.org/10.1076/enst.81.6.548.9182.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Dean, Paul. "Current literature 2004 II. Literary theory, history and criticism." English Studies 86, no. 6 (December 2005): 545–57. http://dx.doi.org/10.1080/00138380500319950.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Van Den Abbeele, Georges. "Literary Intransigence: Between J. Hillis Miller and Ranjan Ghosh." CounterText 3, no. 3 (December 2017): 316–28. http://dx.doi.org/10.3366/count.2017.0099.

Full text

Abstract:

Hillis Miller and Ranjan Ghosh think literature from opposite but complementary points of view. Miller is the advocate of close reading and generally an inductive approach whereby specific interpretive problems in regard to specific literary texts critically revise broader theoretical assumptions and presuppositions. Ghosh, on the other hand, plays the consummate theorist, appropriating and critically developing various concepts in dialogue with a wide range of contemporary critical voices, then applying that revised/expanded concept to the analysis of specific works. Each models a different way to move between theory and interpretation, but both ground their thinking in the strangeness of literature, what Miller calls its ‘idiosyncrasy’ and Ghosh, based on his reinvigoration of the Hindi term, sahitya, its sacredness. This piece argues for the fundamental ‘foreignness’ of literature (and culture in general) as underwriting both approaches. Following upon Voloshinov, Benjamin, and others, I situate both theory and criticism of literature within the larger problem of translation as a crossing between languages that also brings the foreign into the native tongue, an irreducibility I call literary intransigence. As opposed to platitudes about ‘world’ literature, literary intransigence implies instead a vigorous reading of all literature as foreign.

APA, Harvard, Vancouver, ISO, and other styles

35

Garg, Sushma. "Women empowerment in the story Vidha of Hindi literature." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 10 (October 13, 2022): 175–78. http://dx.doi.org/10.31305/rrijm.2022.v07.i10.021.

Full text

Abstract:

The rise and fall in the status of women in the Indian society is probably not seen in any other society in the history of the world. Change is the eternal law of nature. With the change of time, the restrictions made for women are getting relaxed to a great extent. Along with the spread of education, women are trying to stand equal to men in every field, but no matter how much the family attitude has changed, still women in our society do not have the freedom to voluntarily, for themselves. You can choose the field of your choice. On the other hand, women are discriminated on the basis of gender in the society. But at present women are challenging every situation by being empowered themselves. Women empowerment has appeared in both positive and negative forms in the story genre of current Hindi literature. Abstract in Hindi Language: भारतीय समाज में नारी की स्थिति में जितना आरोह व अवरोह रहा है, सम्भवतः विश्व के इतिहास के किसी दूसरे समाज में यह स्थिति देखने को नहीं मिलेगी। परिवर्तन प्रकृति का शाश्वत नियम है। समय परिवर्तन के साथ-साथ महिलाओं के लिए बने प्रतिबन्धों में काफी हद तक शिथिलता आती जा रही है। शिक्षा के प्रसार के साथ-साथ महिलाएँ हर क्षेत्र में पुरूषों के समकक्ष आ खड़ी होने को उद्यत हैं, किंतु कितना ही पारिवारिक दृष्टिकोण परिवर्तित क्यों न हुआ हो, फिर भी हमारे समाज में महिलाओं को यह स्वतंत्रता नहीं है कि वे स्वेच्छा से, अपने लिए मनचाहे क्षेत्र का चुनाव कर सकें। दूसरी ओर समाज में महिला के साथ लिंग के आधार पर भेदभाव किया जाता है। परंतु वर्तमान में नारी स्वयं सशक्त होकर प्रत्येक परिस्थिति को चुनौती दे रही है। महिला सशक्तिकरण वर्तमान हिन्दी साहित्य की कहानी विधा में सकरात्मक व नकारात्मक दोनों रूपों में ही प्रकट हुआ है। Keywords: महिला सशक्तिकरण, कहानी, कामकाजी, समाज, शोषण, आधुनिक सोच व पुरूष प्रधान समाज।

APA, Harvard, Vancouver, ISO, and other styles

36

Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Bucco, Martin, and Rene Wellek. "A History of Modern Criticism 1750-1950. Volume 6: American Criticism 1900-1950." American Literature 59, no. 1 (March 1987): 126. http://dx.doi.org/10.2307/2926495.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (May 2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Vanina, Eugenia. "Book Review: Allison Busch, Poetry of Kings: The Classical Hindi Literature of Mughal India." Indian Historical Review 39, no. 2 (December 2012): 337–40. http://dx.doi.org/10.1177/0376983612461422.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Castaing, Anne. "“Gender Trouble” in the New Hindi Novel." Archiv orientální 81, no. 1 (May 12, 2013): 67–88. http://dx.doi.org/10.47979/aror.j.81.1.67-88.

Full text

Abstract:

Some recent studies aim at highlighting the way post-independence Indian literature can reveal the ambiguities linked to the representation of the “self,” whose “Indianness” rested on both indigenous and exogenous sources, in a continuous dialogue with Western form of discourses (Marxism, psychoanalysis, and existentialism, for example). The gender issue remained nevertheless relatively excluded from these debates. It is undeniable that the development of Western feminist discourses and Gender Studies since the 1960s, from Simone de Beauvoir to Judith Butler, significantly modified the representation of woman and womanhood. Indeed, in the field of social science, many studies aim at deconstructing the mythic model of the docile and silent “Oriental” woman, represented by the figure of Sītā, and at underlining, even stimulating her empowerment, thus radically opposing the passivity of Indian traditional women with a militant feminism nurtured by the ideal of gender equality and even gender indetermination. Nevertheless, cultural forms, performances or productions can reveal porosities between these two opposed representations. By exploring two recent Hindi novels (K. B. Vaid’s Līlā, 1990, and Mridula Garg’s Kaṭ hgulāb, 1996), whose polyphonic structure allows the empowerment of women within the narrative space, this paper aims at underlining the way literary feminism can also rest on a composite and complex representation of womanhood which constantly re-negotiates its models and can also be nourished by traditional sources. The gender question and the fluidity of this notion are not only echoed, but also find their roots in an indigenous mythical ethos, whose paradigms cannot be reduced to an essential manhood and womanhood. This paper thus interrogates the cultural specificities of this “gender trouble” in the Indian context, showing that feminism in this particular background can lay on a re-interpretation of traditions rather than on a radical break with them.

APA, Harvard, Vancouver, ISO, and other styles

41

Gunn, Giles, and Rene Wellek. "A History of Modern Criticism, 1750-1950." Poetics Today 8, no. 1 (1987): 205. http://dx.doi.org/10.2307/1773017.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Brown, Calvin S., and Rene Wellek. "A History of Modern Criticism, 1750-1950." Comparative Literature 40, no. 1 (1988): 67. http://dx.doi.org/10.2307/1770644.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Cain, William E. "Notes toward a History of Anti-Criticism." New Literary History 20, no. 1 (1988): 33. http://dx.doi.org/10.2307/469319.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Yadav, Uttma. "General analysis of literary ideas of Rahul Sanskritiyan." RESEARCH HUB International Multidisciplinary Research Journal 10, no. 2 (February 28, 2023): 15–18. http://dx.doi.org/10.53573/rhimrj.2023.v10n02.004.

Full text

Abstract:

Rahulji has been the flag bearer of India's cultural history. He has dedicated his whole life in the search of Indian culture. Wherever he found such material which has India's cultural history, Rahulji reached there and placed it in front of the society, no matter how difficult the path may be. In this work, his personality appears like a brave one. For this, Rahulji has also changed his name and appearance. He accepted the principle of 'Charaiveti Charaiveti' for the discovery of culture. That's why, leaving the successor of the Mahant of Parsa, who has the possibility of complete comforts, keep moving forward in your tune. Not only this, in search of cultural identity, Rahulji studied both folk and Vedas, for this he even made Indian languages and dialects his subject. Through 'Hindi Kavyadhara', 'Dohakosh', he showed a new direction to the critics by connecting the history of Hindi literature with Siddha literature and due to this the history of Hindi literature reached to the seventh century. Abstract in Hindi Language: राहुलजी भारत के सांस्कृतिक इतिहास के ध्वजावाहक रहे हैं। भारतीय संस्कृति की खोज में उन्होंने संपूर्ण जीवन समर्पित कर दिया हैं। उन्हें जहां कही भी ऐसी सामग्री मिली जिसमें भारत सांस्कृतिक इतिहास हेा, राहुलजी ने वहां तक पहुंच कर उसे समाज के समक्ष रखा, चाहे रास्ते कितने ही दुर्गम क्यों न हो? इस कार्य में उनका व्यक्तित्व एक जाबाज की तरह दिखाई पड़ता हैं। इसके लिए राहुलजी ने अपना नाम और रूप भी बदला हैं। उन्होंने संस्कृति की खोज हेतु ‘चरैवेति चरैवेति‘ सिद्धान्त को स्वीकार किया। तभी तो संपूर्ण सुख-सुविधाओं की संभावना वाले परसा के महंत के उत्तराधिकारी का त्याग कर अपनी धुन में आगे बढ़ते रहें। इतना ही नहीं सांस्कृतिक अस्मिता की तलाश में राहुलजी ने लोक और वेद दोनों का अध्ययन किया इसके लिए उन्होंने भारतीय भाषाओं और बोलियों तक को अपना विषय बनाया। ‘हिन्दी काव्यधारा‘, ‘दोहाकोश‘ के माध्यम से उन्होंने हिन्दी साहित्य के इतिहास को सिद्ध साहित्य के साथ जोड़कर आलोचकों के लिए नई दिशा दिखाई और इससे हिन्दी साहित्य का इतिहास सातवीं सदी तक पहुंच गया। Keywords: राहुल सांस्कृत्यायन, साहित्य, आर्थिक, राजनीतिक, सांस्कृतिक

APA, Harvard, Vancouver, ISO, and other styles

45

Wakankar, M. "The Moment of Criticism in Indian Nationalist Thought: Ramchandra Shukla and the Poetics of a Hindi Responsibility." South Atlantic Quarterly 101, no. 4 (October 1, 2002): 987–1014. http://dx.doi.org/10.1215/00382876-101-4-987.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Syed Ali Hamid. "Lucknow: Literature and Culture." Creative Saplings 1, no. 10 (January 25, 2023): 1–16. http://dx.doi.org/10.56062/gtrs.2023.1.10.192.

Full text

Abstract:

To place Lucknow in today's context, I have attempted to analyse the city's literature and culture in this paper. The paper is divided into three sections: the first gives a brief history of Lucknow up to the end of the nawabi era, focusing on events relevant to this paper; the second discusses music, drama, and poetry, especially the Lucknow School of Urdu poetry, masnavi, and marsia; and the third examines Lucknow's culture from a modern perspective. In his well-known work Guzishta Lakhnau (Purana Lakhnau in Hindi), Abdul Halim Sharar dates the beginning of Lucknow to the period when Lord Ram returned from his banvas (exile in the forest) and assumed the throne of Ayodhya. He granted his brother Lakshman this land as a jagir (estate), and Lakshman erected his home on a rise next to the river that had a deep tunnel that was rumoured to go to Sheshnag (located on the track of Amarnath cave in Kashmir). Around this raised area, a tiny settlement called Lakshman Teela—the word "teela" refers to an elevated area—was established. The unique culture of Lucknow, its secularism, refined manners, etiquette and extreme politeness in conversation lingers on albeit in a diluted form, and it is easy to recognize a person from Lucknow by the way he/she speaks, the use of a blend of Hindi, Urdu and the local dialect Awadhi, often called Hindustani language, the use of ‘aap’ even when addressing children, and the plural ‘hum’ in place of the singular ‘mai’.

APA, Harvard, Vancouver, ISO, and other styles

47

Frost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (February 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

Full text

Abstract:

Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

APA, Harvard, Vancouver, ISO, and other styles

48

Végső, Roland. "Resisting World Literature." Journal of World Literature 7, no. 4 (December 19, 2022): 512–32. http://dx.doi.org/10.1163/24056480-00704003.

Full text

Abstract:

Abstract This article examines the historical tensions between the theoretical definitions of “world literature” and the institutionalization of world literature programs in the context of early Cold War literary criticism in the United States. It uses the works of René Wellek, Austin Warren, and Lionel Trilling to establish that this type of criticism resisted the rise of world literature based on the theoretical claim that world literature does not exist as a legitimate object of literary analysis. In its conclusion, the article turns to Gayatri Spivak’s critique of world literature to demonstrate that the resistance to world literature is part of the ongoing history of Weltliteratur well beyond the Cold War.

APA, Harvard, Vancouver, ISO, and other styles

49

Lehman, Robert S. "Criticism and Judgment." ELH 87, no. 4 (2020): 1105–32. http://dx.doi.org/10.1353/elh.2020.0039.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Peradotto, John, and George A. Kennedy. "The Cambridge History of Literary Criticism, Volume I: Classical Criticism." American Journal of Philology 113, no. 3 (1992): 473. http://dx.doi.org/10.2307/295476.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!