Relevant bibliographies by topics / Hindi literature, history and criticism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hindi literature, history and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hindi literature, history and criticism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hindi literature, history and criticism"

1

Mangraviti, Fabio. "The Patronage of Literary Criticism." Cracow Indological Studies 25, no. 2 (December 29, 2023): 109–47. http://dx.doi.org/10.12797/cis.25.2023.02.04.

Full text
Abstract:
The present work is inspired by previous contributions to the development of the Hindi public and print spheres in the 19th century (Dalmia 1997; Orsini 2002; Stark 2007). It aims at extending and integrating previously elaborated presentations by focusing on the patronage provided by colonial institutions to the development of Hindi literary studies in the 1870s and 1880s. The study also considers the role played by Indian sampradāys in enacting the religious and intellectual processes underwriting the expansion of this field. By moving in this direction, the article mainly builds on the investigation of some biographies (jīvnī) of the North Indian devotional poets penned by Bhārtendu Hariścandra in the 1870s. Further, it explores the relationship between these biographies and the anthologies published in the mid-1870s by the Naval Kishor Press. The final section of the contribution provides an introductory analysis of the type of patronage extended to Hariścandra and his works by the Khadgavilas Press in the 1880s. The aim is to draw a comparison between the policies of some earlier private publishing enterprises and those pursued by the new, Hindu-oriented publishing enterprises.
APA, Harvard, Vancouver, ISO, and other styles
2

Rajpurohit, Dalpat S. "Bhakti versus rīti? The Sants’ perspective." Bulletin of the School of Oriental and African Studies 84, no. 1 (February 2021): 95–113. http://dx.doi.org/10.1017/s0041977x21000264.

Full text
Abstract:
AbstractScholars have rightly questioned the periodization of early modern Hindi literature (fourteenth to mid-nineteenth century) into two major thematic and temporal categories, often described as binaries: an early bhaktikāl (era of devotion), and the later rītikāl (era of mannerism). It is now common to understand bhakti and rīti as complementary modes of poetic expression rather than oppositional styles that poets had to identify with entirely. This paper uses the perspective of poet-saints (sants) to argue that, although the sants share many features with the rīti poets in terms of genres and register, they diverge fundamentally from them on the topic of the proper motives of composing verse. The criticism that the sants register with selected rīti themes – conflicts which would later figure in the writings of Hindi literary historians in the nationalist era – can be seen as anticipating the modern bhakti versus rīti distinction.
APA, Harvard, Vancouver, ISO, and other styles
3

Mani, Preetha. "What Was So New about the New Story? Modernist Realism in the Hindi Nayī Kahānī." Comparative Literature 71, no. 3 (September 1, 2019): 226–51. http://dx.doi.org/10.1215/00104124-7546181.

Full text
Abstract:
AbstractThis essay examines the Hindi Nayī Kahānī, or New Story, Movement of the 1950s and 1960s, which was influential for the short stories, criticism, and literary history that its writers produced. Incorporating a view toward the larger “metaliterary” corpus in relation to which properly “literary” nayī kahānī texts were written, the essay shows how the movement inaugurated a modernist realism characterized by attention to genre, rhetoric, and style on one hand, and commitment to social reality on the other. Combining rhetorical strategies—such as shifting narrative voice, allegorical descriptions of landscape, and implicit reference to authorship and the condition of postcolonial literary production—with structural and thematic tensions between form and content, this mode developed an interchangeability between author, reader, and character, which did not previously exist in Hindi literature and which reconfigured the category of the middle class in the universally recognizable terms of alienation. Using the case of the nayī kahānī, the essay offers a new literary historical approach that moves beyond sweeping accounts of a single postcolonial mode to attend to regional realisms and modernisms.
APA, Harvard, Vancouver, ISO, and other styles
4

Muhammad Saeed Ahmad and Dr. Saeed Ahmad. "A Comprehensive Review of Abdul Aziz Khalid's Works." Tasdiqتصدیق۔ 3, no. 01 (December 14, 2021): 53–71. http://dx.doi.org/10.56276/tasdiq.v3i01.58.

Full text
Abstract:
Abdul Aziz Khalid is one of the most renowned Pakistani poets of Urdu literature. He adorned his poetry bouquet with multiple languages such as Arabic, Persian, Turkish, Hindi, and Hebrew. He wrote almost forty books on different types of literature, especially on Naat, Ghazal, Poem, quatrains, translation, and criticism. His knowledge & vision about Islamic history and literature of different languages is above board. The names of his books are very unique and earned immense popularity particularly Farquleet, MaazMaaz, TaabTaab, Manhamanna, Lehun-e-sareer, Abu Turab, Sani lasani, Kaf e Darya, Kilk e Mouj, Kharoosh e Khum, etc. The reader can enhance his awareness about religions, love tails, historic sense, idioms, phrases, Quranic Verses, Hadith, traditions of Islamic culture & life of Prophet Muhammad (SAAW)and his companions. His poetry is a beautiful blend of classic and modernism.
APA, Harvard, Vancouver, ISO, and other styles
5

SINHA ROY, MALLARIKA. "The Forgotten History of Our Times: Revisiting Utpal Dutt's Titu Mir in Contemporary India." Theatre Research International 48, no. 3 (October 2023): 264–83. http://dx.doi.org/10.1017/s0307883323000172.

Full text
Abstract:
This paper is an exploration of the most recent revival of Utpal Dutt's play Titu Mir in 2019 by the ensemble group Theatre Formation Paribartak in India. Islamic religious reformer Titu Mir led a peasant rebellion from 1827 to 1831 in the Barasat region of Bengal and the play focuses on a narrative of revolutionary resistance to colonialism. Titu Mir becomes an articulation of political theatre against the Hindu right-wing agenda of expunging Muslim national heroes from Indian history. This essay seeks Titu Mir's relevance as a site and theory of materializing historical contradictions, and as part of a ‘gestic’ feminist criticism of theatre. The essay attempts to understand how critique of patriarchal ideology is enmeshed in critique of colonialism in Titu Mir, especially in those moments where the play addresses complexities of political violence, interracial romance, martyrdom, alienation in the colony and deep-rooted misogyny in the project of colonialism.
APA, Harvard, Vancouver, ISO, and other styles
6

Baksi, Sandipan. "Science journalism in Hindi in pre-independence India: A study of Hindi periodicals." Indian Economic & Social History Review 59, no. 1 (December 28, 2021): 95–117. http://dx.doi.org/10.1177/00194646211064586.

Full text
Abstract:
Science journalism in Hindi originated in the late nineteenth century. Hindi literary periodicals provided the first platform for science to be discussed along with literature. The onset of the twentieth century witnessed a remarkable advance in Hindi literary writing, and science writing also flourished with this advance. A remarkable overlap and a complementary relationship between the development of Hindi literature and Hindi commentaries on sciences is evident. Equally important in this context was the backdrop provided by a politically contentious process of evolution of a ‘modern’, ‘standard’ Hindi, and by the anti-colonial freedom movement, yoked to the idea of cultural and economic nationalism. The article surveys certain popular periodicals that regularly published essays and commentaries on science and scientific subjects. These periodicals were instrumental in shaping the popular discourses on science. The article also underlines an overwhelming effort by the intelligentsia to seek a philosophical commensurability between modern science and ‘traditional’ schools of thought. It concludes that the predominance of these characteristics in Hindi science journalism was a reflection of the agenda of the Hindi intelligentsia, shaped by linguistic nationalism framed alongside or in conjunction with a revivalist perspective.
APA, Harvard, Vancouver, ISO, and other styles
7

McH., B., and Dominick LaCapra. "History and Criticism." Poetics Today 7, no. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hornsby, Joseph, and David Aers. "Medieval Literature: Criticism, Ideology and History." South Atlantic Review 53, no. 1 (January 1988): 107. http://dx.doi.org/10.2307/3200408.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (October 1989): 917. http://dx.doi.org/10.2307/3731173.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Mullins, G. A. "Atrocity, Literature, Criticism." American Literary History 23, no. 1 (December 10, 2010): 217–27. http://dx.doi.org/10.1093/alh/ajq084.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Hindi literature, history and criticism"

1

Behera, Subhakanta. "Oriya literature and the Jagannath cult, 1866-1936 : quest for identity." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:7b160f8c-be65-44da-a2e0-99522274060b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Fairley, Ian. "Criticism in history : the work of György Lukacs, 1902-1914." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333708.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Schillinger, Stephen. "Common representations : Jack Straw and literary history as cultural history on the early modern stage /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9363.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

葉淑蘭 and Sook-lan Yap. "A study of Zhang Tianyi's children's literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211057.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Byrne, Aisling Nora. "The otherworlds of medieval insular literature." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610076.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

何倬榮 and Cheuk-wing Ho. "Engendering children: from folk tales to fairy tales." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227363.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Dixon, Marzena M. "The structure and rhetoric of twentieth-century British children's fantasy." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.

Full text
Abstract:
This thesis discusses twentieth century children's fantasy fiction. The writers whose creative output is dealt with include Penelope Lively, Alan Garner, Susan Cooper, Pat O'Shea, Peter Dickinson, T.H.White, Lloyd Alexander and, to a lesser extent, C.S.Lewis and J.R.R.Tolkien. These authors have been chosen because their books, whilst being of a broadly similar nature, nevertheless have a sufficient diversity to illustrate well many different important aspects of children's fantasy. Chapter I examines the sources of modern fantasy, presents the attitudes of different authors towards borrowing from traditional sources and their reasons for doing so, and looks at the changing interpretation of myths. Chapter II talks about the presentation of the primary and secondary worlds and the ways in which they interact. It also discusses the characters' attitudes towards magic. Chapter III looks at the presentation of magic, examines the traditional fairy-tale conventions and their implementation in modern fantasies, and discusses the concepts of evil, time, and the laws governing fantasy worlds. Chapter IV deals with the methods of narration and the figure of the narrator. It presents briefly the prevailing plot patterns, discusses the use of different kinds of language, and the ideas of pan-determinism and prophecy. The concluding chapter considers the main subjects and aims of children's fantasy, the reasons why the genre is so popular, and its successes and failures.
APA, Harvard, Vancouver, ISO, and other styles
8

McAllister, Catriona Jane. "Rewriting independence in contemporary Argentine literature : postmodernism, politics and history." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648742.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Feng, Liping. "Modernity and tradition : Chinese theories of literature from 1900 to 1930." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28445.

Full text
Abstract:
This thesis examines the development of Chinese theories of literature in the early twentieth century: what was considered as literature, the role of the writer and reader, and the function of literature in society. The central purpose of the thesis is to retrace the Western-influenced theories of literature of the 1920s back to the theoretical developments at the turn of the century. The thesis also shows that, as a whole, modern Chinese theories of literature are deeply rooted in traditional Chinese poetics. In characterizing traditional Chinese theories, it compares the latter with the mimetic model of Western literature. Throughout the thesis, the account of the theoretical developments makes constant reference to the changes taking place within two major literary genres: lyrical poetry and the narrative.
APA, Harvard, Vancouver, ISO, and other styles
10

Smith, Mark Ryan. "The literature of Shetland." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/3938/.

Full text
Abstract:
This thesis is the first ever survey of Shetland’s literature. The large body of material the thesis covers is not well known, and, apart from Walter Scott’s 1822 novel The Pirate, and Hugh MacDiarmid’s sojourn in the archipelago, Shetland is not a presence in any account of Scottish writing. ‘The Literature of Shetland’ has been written to address this absence. Who are Shetland’s writers? And what have they written? These are the fundamental questions this thesis answers. By paying close attention to Shetland’s writers, ‘The Literature of Shetland’ extends the geographical territory of the Scottish canon. ‘The Literature of Shetland’ covers a chronological period from the early nineteenth century to the present day. Virtually no creative poetry or prose, either written or oral, survives in Shetland from before this time so, after a brief discussion of the fragmentary pre-nineteenth century sources, the thesis discusses the archipelago’s literature in eight chronologically arranged chapters. Chapter One concentrates on a group of three obscure early nineteenth-century Shetland authors – Margaret Chalmers, Dorothea Primrose Campbell, and Thomas Irvine – and also explores Scott’s involvement with the northern isles. Chapters Two and Three discuss an important period at the end of the nineteenth century, in which books and newspapers were published in Shetland for the first time, and in which a number of pioneering and influential local writers emerged. Jessie M.E. Saxby became the first professional writer from Shetland and, in the work of George Stewart, James Stout Angus, Basil Anderson, and especially J.J. Haldane Burgess, the Shetland dialect developed as a serious literary idiom. These writers laid down foundations for much of what came next. Chapter Four discusses the end of this period of growth, with James Inkster posed as the last significant figure of his generation, and the war poet John Peterson as the first local writer to depart from the literary principles which developed in the Victorian era. Chapter Five looks at the work Hugh MacDiarmid did in Shetland from 1933-1942. MacDiarmid is not really part of the narrative of the thesis, but the work he produced in the isles is vast. Because he does not need to be introduced in the way the other writers do, this chapter takes a different approach to the rest of the thesis and looks at MacDiarmid’s Shetland-era work alongside that of Charles Doughty. Doughty was a crucial presence for MacDiarmid during his time in the isles, and considering their work together opens up a better understanding of the work MacDiarmid did in Shetland. Chapters Six and Seven discuss the second major period of growth in Shetland’s literature, focussing on the writers associated with the New Shetlander magazine, an important local journal which emerged in 1947. The final chapter then looks at contemporary Shetland authors and asks how they negotiate the literary tradition the thesis has worked through. This chapter also discusses the Shetland-related work of several non-native authors, Jen Hadfield being the most well known. In moving through these authors, as well as providing necessary introductory material, several general questions are asked. Firstly, because almost all the writing studied emerges from the isles, the question of how each writer engages with those isles is consistently relevant. How do local writers find ways of writing about their native archipelago? Do writers who are not from Shetland write about the islands in different ways than local people? The thesis shows how Scott and MacDiarmid, the two most famous non-native authors dicussed here, draw on earlier literary sources – the sagas and the work of Doughty – to construct their respective creative visions of the isles. And, in discussing the work of local authors, it will be shown that, in the early period covered in Chapter One, landscape is the most prominent idea whereas, from the Victorian era to the present day, the croft provides the central imaginative space for Shetland’s writers. A second question that runs through the thesis is one of language. Almost every local author has written extensively in Shetland dialect, and this study explores how they have developed that language as a literary idiom. The thesis shows how Shetland dialect writing gets underway in the 1870s, and how writers have continued to expand and diversify that literary tradition. The two most innovative figures to emerge are J.J. Haldane Burgess and William J. Tait and, after demonstrating how the corpus of writing in Shetland dialect has grown, the thesis concludes by examining the ways in which contemporary writers engage with the vernacular legacies their predecessors have left. Extensive use of the local language gives Shetland’s writing a regional distinctiveness, and this thesis shows how some writers have been enabled and inspired by that idiom, how some have taken dialect writing in exciting new directions, but also how some have felt limited by it and how, by not using the language, some writers have been unfairly ignored by local editors and critics. The thesis also shows that, in its two main eras of development – at the end of the nineteenth century and in the middle of the twentieth – Shetland’s writers took their cues from the general movements in Scottish writing. In the Victorian period, developments in local letters paralleled the interest in regionality and upsurge in vernacular writing that are marked characteristics of Scottish writing at the time. And, in discussing the emergence of the New Shetlander and the writers associated with it, the thesis demonstrates how the second period of flourishing in Shetland’s literature is part of the wider cultural movement of the Scottish Renaissance. The picture of Shetland’s literature the thesis offers is a self-consciously heterogeneous one. Despite the marked use of the vernacular, the thesis resists moving towards an encompassing definition of the large body of work covered, preferring to celebrate the diversity of the writing that Shetland has inspired during the last two centuries. Questions of engagement with the local environment and the use of the local language are constantly asked, but the primary scholarly contribution offered by ‘The Literature of Shetland’ is a realignment of Scotland’s northern literary border.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Hindi literature, history and criticism"

1

Jindal, K. B. A history of Hindi literature. 2nd ed. New Delhi: Munshiram Manoharlal Publishers, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Keay, F. E. A history of Hindi literature. New Delhi: Asia Publishing House, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gopal, Madan. Origin and development of Hindi/Urdu literature. New Delhi: Deep & Deep Publications, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Aśka, Gopāla. Nepālakā Hindī sāhityakāra ra tinakā kr̥ti: Nepal's Hindi writers and their contributions. Kāṭhamāḍauṃ: Nepāla Prajñā-Pratishṭhāna, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Damsteegt, Th. Girirāj Kiśor's Yātrāeṁ: A Hindi novel analysed. Groningen: E. Forsten, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Akādamī, Kerala Hindī Sāhitya, ed. Kerala ke Hindī sāhitya kā br̥had itihāsa: San 2012 taka kā vistr̥ta vivaraṇa = Keral ke Hindi sahithye ka brihad itihas. Trivendrama, Kerala: Kerala Hindī Sāhitya Akādamī, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Pāṭila, Praṇoti. Hindi bāla sāhitya kā bhāshā vaijñanika adhyayana. Kānapura: Āśā Prakāśana, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sāhanī, Mundrikā Prasāda. Sāṭhottarī Hindī ālocanā. Ilāhābāda: Śilpī Prakāśana, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sāhanī, Mundrikā Prasāda. Sāṭhottarī Hindī ālocanā. Ilāhābāda: Śilpī Prakāśana, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Stasik, Danuta. Out of India: Image of the west in Hindi literature. New Delhi: Manohar Publishers & Distributors, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Hindi literature, history and criticism"

1

Bennett, Andrew, and Nicholas Royle. "History." In An Introduction to Literature, Criticism and Theory, 178–91. 6th ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003255390-18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lansdown, Richard. "‘A Province of Truth’: Criticism and History." In The Autonomy of Literature, 145–200. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985182_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Scrivener, Michael. "Jewish Representations, Literary Criticism and History." In Jewish Representation in British Literature 1780–1840, 11–25. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120020_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Strelkova, Guzel’. "The Translation of Russian Literature into Hindi." In Translating Russian Literature in the Global Context, 425–28. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.25.

Full text
Abstract:
This chapter examines the history of Russian literary translations into Hindi, starting with the founder of modern Hindi literature, Munshi Premchand (1880-1936), who translated Lev Tolstoy. Many Hindi writers were influenced by Russian literature, translations of which appeared in India from the Soviet publishing houses ‘Foreign Literature’, ‘Progress’, and ‘Raduga’. Some Russian classics were not only widely translated, but even re-translated. Prominent Hindi translators include the writer Bhishma Sahni (1915-2003), who translated Tolstoy’s Resurrection, and later Madan Lal Madhu (1925-2014), who spent most of his life in the USSR, during which he translated into Hindi more than a hundred works of Russian prose and poetry, many directly from Russian. This chapter will revisit their achievements and legacy.
APA, Harvard, Vancouver, ISO, and other styles
5

Cameron, Barry. "5. Theory and Criticism: Trends in Canadian Literature." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, Francess Halpenny, Henry Kreisel, Douglas Lochhead, Philip Stratford, and Clara Thomas, 108–32. Toronto: University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mozejko, Edward, and Milan V. Dimić. "Romantic Irony in Polish Literature and Criticism." In Comparative History of Literatures in European Languages, 225. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.viii.16moz.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jiong, Zhang. "A History of Chinese Literature from a Macro-Level Perspective." In Literature and Literary Criticism in Contemporary China, 79–111. London ; New York : Routledge, 2017. | Series: China perspectives: Routledge, 2017. http://dx.doi.org/10.4324/9781315708386-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Youquan, Ouyang. "The Establishment of Evaluation Criteria for Cyber Literature." In A History of Cyber Literary Criticism in China, 206–27. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003428480-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Cocks, Neil. "The Child and History." In The Peripheral Child in Nineteenth Century Literature and its Criticism, 143–71. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137452450_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Torres-Saillant, Silvio. "Dominican Literature and Its Criticism: Anatomy of a Troubled Identity." In Comparative History of Literatures in European Languages, 49–64. Amsterdam: John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/chlel.x.06tor.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hindi literature, history and criticism"

1

"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Grebenshchikov, Yu. "AKSAKOLOGY IN THE PRACTICE OF LITERARY CRITICISM OF THE XX-XXI CENTURIES." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3729.rus_lit_20-21/210-213.

Full text
Abstract:
The article highlights the history of aksakology of the XX-XXI centuries. The beginning of scientific practice is associated with the name of S.I. Mashinsky and his monograph on the work of S.T. Aksakov. The research of E.L. Voitolovskaya, O.N. Belokopytova, A.V. Chicherin became the most systematic research of the 1950s - 1970s. It is shown that the main vectors of aksakology, since the 1980s, were set in the works of E.I. Annenkova, V.A. Koshelev, Yu.V. Mann. The efforts of Ufa linguists and literary critics, as well as participants of the Samara conferences of 2017 and 2020, were particularly noted. The monograph by V.E. Ugryumov and the developments on poetics made in recent years by A.A. Churkin are considered significant at the present stage.
APA, Harvard, Vancouver, ISO, and other styles
3

Slamova, Karolina. "THE SEARCH FOR AN APPROACH TO CZECH LITERARY HISTORY IN IGOR HAJEK�S CONCEPT." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.22.

Full text
Abstract:
This paper focuses on the field of literary history in order to show what approach to the historiography of Czech literature was taken by the representative of Czech exile literary criticism, Igor Hajek. The context which Hajek entered during his study stays in the USA and Great Britain, and later in exile, was the reception horizon of the late 1960s, when the events of the �Prague Spring� attracted the attention of the West and turned attention to the Czech liberalisation movement, in which literature played a significant role. Hajek assumed the role of a mediator of the fundamental values of Czech literary production to the Western audience from the position of an expert in the Anglo-American cultural environment and Czech and foreign literary approaches. The specificity of his perspective is due to the fact that he tried to present the image of Czech national literature with respect to a non-Czech reader and that he aimed to clarify the main features of the development of Czech literature to international students and readers. The paper presents the conclusions of the analysis of Hajek�s literary-historical essays, which show that Igor Hajek relied mainly on the views of Arne Novak, a Czech literary historian and critic. The paper further assumes that Igor Hajek, due to his background in English studies, methodologically drew on some of the approaches that were being promoted in the West in his time and notes the connections between Hajek�s methods and the methodologies these approaches are based on.
APA, Harvard, Vancouver, ISO, and other styles
4

Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

Full text
Abstract:
The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the historical context of poetry creation and transmitting as a “linguistic landscape”. Such humanistic connotation determines the significance of Bai’s poetry inscription in the history of Chinese literature and culture.
APA, Harvard, Vancouver, ISO, and other styles
5

Golubchikov, YUriy. "Methodological potential of the teleological principle of purpose." In International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce27705d8750.02429694.

Full text
Abstract:
The cognitive capabilities of the teleological paradigm of purpose are discussed. An inquiring mind everywhere sees that inanimate matter serves for living, and that, in turn, serves for a man. However, such a concept as “purpose” turned out from the contemporary science, although for a long time it went along the path of becoming the doctrine of purpose determination, or nomogenesis. The history of the substitution of the main paradigm of science from purpose to chance is traced. The overcoming of the catastrophic representations of Cuvier by the provisions of actualism and evolutionism is considered. From the middle of the 19th century, public opinion began to strengthen that every new scientific achievement casts doubt on religious beliefs. Criticism of biblical history began with the events of the Great Flood, as the key one in the Bible. The negative attitude to catastrophism in the Soviet scientific literature and the importance of ideology in the methodology of science are considered. The anthropic principle predetermines a radical restructuring of the general scientific methodology. It finally comes closer to religious knowledge. The anthropic principle is teleological and contains that goal (“eidos-entelechia”) in the structure of matter that impels it. In this light, the power of science is again seen not in confrontation with religion, but in harmonization with it.
APA, Harvard, Vancouver, ISO, and other styles
6

Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

Full text
Abstract:
Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to systematize knowledge of the cul- tural past, to explain the spiritual and historical forces of the time, to understand Byzantine influences on art forms and meanings, to find elements of original art within medieval Serbian culture and to establish the most reliable periodization of literary and artistic styles. Methodologically, in examining the key focuses of a historically limited period, such as the Middle Ages, Kašanin insists on mutual “illumination of art”. He also connects the poetic and spiritual-aesthetic features of specific literary achievements with medieval church and secular architecture, fresco painting or icon painting, but also with socio-political factors. Therefore, we tried to outline the analytical and methodological framework of Kašanin’s spiritual, historical, and aesthetic thought from the point of view of the history of literary criticism, concerning the way in which he had perceived and named the artistic forms of Milutin’s epoch, art forms in which Milutin’s age and literary achievements of monk Theodosius and archbishop Danilo II.
APA, Harvard, Vancouver, ISO, and other styles
7

Santamaria, Giovanni. "Merging Thresholds and New Landscapes of Knowledge." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.11.

Full text
Abstract:
It has become extremely important to revisit our teaching methodology along with pedagogical contents and objectives, in consideration of the impressive and sometimes overwhelming progress that the technology available to document, analyze and represent the complexity of our built and natural environments has reached, and also the role that it has been proactively playing in affecting our way of thinking, designing and building. A renewed “theory of formativity” (Pareyson)1 styles a knowledge that is generated by a constantly transforming process of “making,” in which methodologies, theoriesand learnings arise within the actions of designing and building, and mostly because of the making. Following the etymology of the Greek world2, this making could be understood as poetic way of actively participating to the changes of our environment. If we look carefully, this approach to structure the knowledge has been deeply rooted in the history and legacy of the most relevant architects and designers, as ontological condition imbedded also into the idea of progress. We have been witnessing several experimentations that have been capable of bringing theoretical explorations, such as the ones from the fields of philosophy and literature, into the realm of design and space making. These explorations reach various degrees of quality, but nevertheless they provide openings to further interesting discussions. An example of this sort could be among others, the collaboration between Eisenman and Derrida for the design proposal for Parc de la Villette in Paris of 19873, where the memory of the proposals for Cannaregio in Venice or the project “Romeo and Juliet” in Verona, are considered within the philosophical background of the criticism to the structuralism, and the projection towards a horizon of deconstruction. This concept migrated from the realm of thinking, to the one of designing and form making, in its highest sense, giving strength to role and identity within the field of architecture, of the idea of “fragment” and “text” often interrupted, following Lyotard’s suggestion4, as expression of the post-modern dimension.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Hindi literature, history and criticism' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography