Dissertations / Theses: 'Hildegardis'

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Collingridge, Lorna Marie, and n/a. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen." Griffith University. School of Theology, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040624.110229.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her songs express, in dense poetic texts set to widely-ranging chant-like melodies, her rich imaging of the fecund presence of the Divine. The singers are thus encouraged to imagine themselves in relationship with the Holy One, the Living Light, through the physical act of singing these evocative songs. This dissertation analyses four of Hildegard's songs, representing a small cross section of her musical oeuvre. The analysis elucidates the way in which the music affectively conveys the meaning and significance of the texts. Carefully incising the "flesh" from the structural "bones" of the melodies reveals underlying organising configurations which pervade the songs and deliver the texts in a distinctive manner. Hildegard professed herself to be musically uneducated because she lacked a knowledge of music notation, although she admitted to extensive experience in singing Divine Office. However, she clearly claims to be the oral composer of her songs, arranging late in her life for music scribes to notate her melodies. My analysis unravels the influence of the oral composer as it intersects with the influence of the musically trained scribes who neumed her texts. Hildegard wrote that the "words symbolize the body, and the jubilant music indicates the spirit" (Scivias 3:12:13). She claims that the music conveys the meaning of the texts with affective power, and my analysis shows ways in which the oral composer endeavors to achieve this goal. Her texts, conveyed by her melodies and thus intimately entwined with the words they deliver, are powerfully persuasive forces in the spiritual education of the women in her monastery. This dissertation uncovers significant insights which can inform the communal practice of worship of the Divine, especially where song forms part of that worship, and particularly in regard to the imagining of Divinity in ways which can nourish the diversity of all humans, all creatures, and all creation. The work of feminist theologians is brought into dialogue with Hildegard's imagery and educational purpose, thus making available ways of imagining the Divine which are especially important for contemporary women, who have suffered from being excluded from the imago Dei. Thus the dissertation unearths a rich lode of female, and creatural embodied images, which threads its way though the millennia, but now needs to be mined to uncover images that might work for contemporary Christians seeking multiple imaging of the Divine to touch the deep feminist, ecological and liberative yearnings of many hearts and spirits.

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Embach, Michael. "Die Schriften Hildegards von Bingen : Studien zu ihrer Überlieferung und Rezeption im Mittelalter und in der Frühen Neuzeit /." Berlin : Akademie Verl, 2003. http://catalogue.bnf.fr/ark:/12148/cb39123714j.

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Mullins, Michael Bryan. "Hildegard On Rubble Mountain." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3328/.

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Hildegard On Rubble Mountain is a cinema verité documentary about Hildegard Modinger's childhood. She grew up in Stuttgart, Germany during World War II and immigrated to the United States at the age of nineteen. This video follows her back to her childhood neighborhood as she recalls memories of that time in her life. The accompanying production book explains the production process: preproduction, production, postproduction, theoretical approaches, style used and a self-evaluation.

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Starks, Gwendolyn. "The living light Hildegard von Bingen's visionary life : a one act play /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Sperber, Christian. "Hildegard von Bingen - eine widerständige Frau." Aichach Schwarten, 2003. http://edocs.ub.uni-frankfurt.de/volltexte/2006/3583/.

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Moulinier, Laurence. "L'oeuvre scientifique de Hildegarde de Bingen." Paris 8, 1994. http://www.theses.fr/1994PA080843.

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Cette these releve de l'histoire des sciences, en particulier de l'histoire de la medecine. Elle porte sur l'oeuvre scientifique de hildegarde de bingen (1098-1179), une abbesse benedictine allemande passee a la posterite comme sainte visionnaire, a qui sont attribues deux ecrits medicaux intitules physica et causae et curae. Il a ete demontre que la sainte avait effectivement compose une oeuvre de science ; restait a savoir de quels textes elle etait au juste l'auteur. Cette these essaie par consequent de reconstituer l'histoire de l'oeuvre medicale de hildegarde, en se fondant sur l'etude et la comparaison des differents manuscrits subsistants : plusieurs passages d'un manuscrit capital encore inedit, conserve a florence, sont notamment reproduits. Une fois cernes les contours de l'oeuvre, il fallait en apprecier l'originalite: il est tout d'abord remarquable qu'une femme ait ecrit, au moyen age, des textes scientifiques, et un chapitre porte sur la condition feminine de l'auteur. Hildegarde se trouve ensuite resituee non plus seulement par rapport aux autres femmes de son epoque, mais par rapport a l'ensemble de ses predecesseurs en la matiere : le chapitre vi est consacre a la recherche des sources de hildegarde, qui taisait soigneusement l'origine de ses connaissances. Bien qu'elle ait puise chez differents devanciers, elle a egalement beaucoup innove, et ce travail conclut sur la singularite de sa vision de la nature. Le troisieme et dernier volume de cette these contient des annexes. On y trouve la transcription de quatre fragments inedits de la physica, puis deux tables de concordances : la premiere confronte l'edition princeps de la physica, fondee sur un manuscrit
This thesis deals with the history of science, particularly with the history of medecine. It's about the scientific work of hildegard of bingen (1098-1179), a benedictine german abbess known as a visionary holy woman, to whom two medical writings, called physica and causae et curae, are attributed. It has been proved that the saint had actually composed a scientific work; the question was, which texts she had really written. Consequently this thesis tries to trace back the history of hildegard's medical work, based upon the study and comparison of different extant manuscripts : several passages from an important manuscript still unpublished, kept in florence, are notably edited. After outlining the work, its originality had to be assessed : first of all, it's highly remarkable that a woman living in the middle ages could have written scientific texts, and a whole chapter deals with the female condition of the author. Hildegard is then related not only to the other women of her time, but also to the rest of her predecessors in the subject: chapter vi is dedicated to the research of hildegard's founts, which didn't say a word about the origin of her knowledge. Though she found inspiration from lots of forerunners, we owe her a great deal of innovations and this thesis ends in the peculiarity of her vision of nature. The third and last volume of this thesis contains appendixes : 4 unpublished fragments of the physica can be found there, followed by two concordances tables : the first one compares the editio princeps of the physica, based

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Gheza, Pontarelli Roxanna. "Hildegard de Bingen: Camino hacia la salvación." Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/108878.

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Esta tesis está dedicada al estudio de la escritura visionaria de Hildegard de Bingen (1098-1179), entendida en esta lectura como una guía en el conocimiento del “camino de Salvación”, un tema de preocupación fundamental en la Europa cristiana medieval.

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Rode, Susan Lill. "The sexual theology of Hildegard of Bingen /." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64007.

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Müller, Denise [Verfasser], Hildegard [Akademischer Betreuer] Westphal, and Justus [Akademischer Betreuer] Notholt. "Water-atmosphere greenhouse gas exchange measurements using FTIR spectrometry / Denise Müller. Betreuer: Hildegard Westphal. Gutachter: Hildegard Westphal ; Justus Notholt." Bremen : Staats- und Universitätsbibliothek Bremen, 2015. http://d-nb.info/1078720320/34.

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Falter, Hildegard [Verfasser]. "Die enteignungsrechtliche Vorwirkung - insbesondere von Planfeststellungsbeschlüssen / Hildegard Falter." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1106280792/34.

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Rinck, Christine Payne Lynda Ellen Stephenson. "Trotula and Hildegard reflections of female medieval medicine /." Diss., UMK access, 2007.

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Thesis (M.A.)--Dept. of History. University of Missouri--Kansas City, 2007.
"A thesis in history." Typescript. Advisor: Lynda Payne. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 15, 2008. Includes bibliographical references (leaves 201-207). Online version of the print edition.

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Doran, Geraldine. "Hildegard of Bingen as an educator : the body as conduit to knowledge." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22581.

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This study investigates how Hildegard of Bingen (1098-1179), a medieval abbess used visions received during the prodromal stages of migraines to reconstruct herself symbolically. In her visions she believed that God, the "Living Light" instructed her "to write and say the Secrete Dei". By obeying, she obtained extensive influence and power, appropriating functions reserved for the medieval male elite only.
Hildegard is contextualized within the politico-socio-intellectual parameters of the twelfth century in general and within convent life in particular. Events are chronicled to examine how she reconstructed her weaknesses--gender and infirmity--using them to construct knowledge, and to demonstrate how she used that knowledge to educate by writing, teaching and preaching. The source of Hildegard's knowledge is analysed in an attempt to determine whether it is divinely inspired, neurologically based, or derived from secondary religious and secular writings. Whatever the source, Hildegard herself refused to grant the name of "Knowledge" to any insight unless it came to her in the heavenly voice via the "Living Light." The study culminates with a brief discussion on the questions asked in the introduction regarding research in the history of education.

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Lippmann, Rayana das Gra?as Amil Asth. "Santa Hildegarda de Bingen : uma doutora para nosso tempo." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/5888.

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The present work aims to illuminate the life of St. Hildegard of Bingen, canonized and proclaimed a Doctor of the Church in 2012. This Benedictine nun was in mid twelfth century, writer, composer, doctor, abbess, mystic and prophet. Benedict XVI, on the Apostolic Letter in which proclaims Hildegard doctor of the Church says: "(...) the attribution of the title of Doctor of the Universal Church to Hildegard of Bingen has great significance for today s world and an extraordinary importance for women." In this sense, besides proposing the knowledge of this extraordinary woman, who is still little studied in Brazil, we attempt to deepen in which sense her life and work can offer contributions to the reflections and challenges of the Church and the world at the present times. For this purpose, we will use bibliographic research, anchoring us in the rich material left by Hildegard and also by many researchers who have studied her with great interest in many countries. In the first chapter, we intend to make a historical and social analysis of the surrounding environment of Hildegard. Secondly, we follow through the activities and interests of the nun, seeing her by various prisms: prophecy, leadership, arts, sciences, and the ramifications of them in each one of the many occupations that she developed. Finally, we will give an especial attention to the metaphors and concepts that she used about the Trinity and the Holy Spirit, aiming to approach her concept of Viriditas or Greenness, which designates the creative and productive power of God, and used by her in a poetic and original way.
O presente trabalho tem o objetivo de lan?ar luz sobre a vida de Santa Hildegarda de Bingen, canonizada e proclamada doutora da Igreja em 2012. Esta monja beneditina foi, em pleno s?culo XII, escritora, compositora, m?dica, abadessa, m?stica e profetisa. Bento XVI, na Carta Apost?lica em que a proclama doutora da Igreja afirma: (...) a atribui??o do t?tulo de Doutor da Igreja universal a Hildegarda de Bingen tem um grande significado para o mundo de hoje e uma extraordin?ria import?ncia para as mulheres. Nesse sentido, al?m propormos o conhecimento da figura desta extraordin?ria mulher, ainda pouco estudada no Brasil, intentamos aprofundar em que sentido sua vida e sua obra podem oferecer contribui??es para as reflex?es e desafios da Igreja e do mundo no atual momento. Para tanto, nos utilizaremos da pesquisa bibliogr?fica, ancorando-nos no rico material deixado por Hildegarda e tamb?m pelo material de muitos pesquisadores que v?m estudando-a com grande interesse em diversos pa?ses. No primeiro cap?tulo pretendemos fazer uma an?lise hist?rica e social do ambiente circundante de Hildegarda. Num segundo momento, iremos nos deter nas atividades e interesses da monja, enfocando-a sob os diversos prismas: profecia, lideran?a, artes, ci?ncias, e os desdobramentos de cada um deles nas muitas ocupa??es a que se dedicou. Por fim, daremos especial aten??o as met?foras e conceitos que emprega para pensar a Trindade e o Esp?rito Santo, com vistas a nos aproximarmos do seu conceito de Viriditas ou Viridez, designativo da for?a criativa e fecunda de Deus, e usado por ela de modo original e po?tico.

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Lippmann, Rayana das Graças Amil Asth. "Santa Hildegarda de Bingen: uma doutora para nosso tempo." Pontifícia Universidade Católica do Rio Grande do Sul, 2014. http://hdl.handle.net/10923/6892.

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Made available in DSpace on 2014-11-01T01:01:42Z (GMT). No. of bitstreams: 1 000462320-Texto+Completo-0.pdf: 1011107 bytes, checksum: 44408553e2e1a45d9f6231a4bc545ba9 (MD5) Previous issue date: 2014
The present work aims to illuminate the life of St. Hildegard of Bingen, canonized and proclaimed a Doctor of the Church in 2012. This Benedictine nun was in mid twelfth century, writer, composer, doctor, abbess, mystic and prophet. Benedict XVI, on the Apostolic Letter in which proclaims Hildegard doctor of the Church says:"(...) the attribution of the title of Doctor of the Universal Church to Hildegard of Bingen has great significance for today’s world and an extraordinary importance for women." In this sense, besides proposing the knowledge of this extraordinary woman, who is still little studied in Brazil, we attempt to deepen in which sense her life and work can offer contributions to the reflections and challenges of the Church and the world at the present times. For this purpose, we will use bibliographic research, anchoring us in the rich material left by Hildegard and also by many researchers who have studied her with great interest in many countries. In the first chapter, we intend to make a historical and social analysis of the surrounding environment of Hildegard. Secondly, we follow through the activities and interests of the nun, seeing her by various prisms: prophecy, leadership, arts, sciences, and the ramifications of them in each one of the many occupations that she developed. Finally, we will give an especial attention to the metaphors and concepts that she used about the Trinity and the Holy Spirit, aiming to approach her concept of Viriditas or Greenness, which designates the creative and productive power of God, and used by her in a poetic and original way.
O presente trabalho tem o objetivo de lançar luz sobre a vida de Santa Hildegarda de Bingen, canonizada e proclamada doutora da Igreja em 2012. Esta monja beneditina foi, em pleno século XII, escritora, compositora, médica, abadessa, mística e profetisa. Bento XVI, na Carta Apostólica em que a proclama doutora da Igreja afirma: “(...) a atribuição do título de Doutor da Igreja universal a Hildegarda de Bingen tem um grande significado para o mundo de hoje e uma extraordinária importância para as mulheres.” Nesse sentido, além propormos o conhecimento da figura desta extraordinária mulher, ainda pouco estudada no Brasil, intentamos aprofundar em que sentido sua vida e sua obra podem oferecer contribuições para as reflexões e desafios da Igreja e do mundo no atual momento. Para tanto, nos utilizaremos da pesquisa bibliográfica, ancorando-nos no rico material deixado por Hildegarda e também pelo material de muitos pesquisadores que vêm estudando-a com grande interesse em diversos países. No primeiro capítulo pretendemos fazer uma análise histórica e social do ambiente circundante de Hildegarda. Num segundo momento, iremos nos deter nas atividades e interesses da monja, enfocando-a sob os diversos prismas: profecia, liderança, artes, ciências, e os desdobramentos de cada um deles nas muitas ocupações a que se dedicou. Por fim, daremos especial atenção as metáforas e conceitos que emprega para pensar a Trindade e o Espírito Santo, com vistas a nos aproximarmos do seu conceito de Viriditas ou Viridez, designativo da força criativa e fecunda de Deus, e usado por ela de modo original e poético.

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Voit, Maximilian [Verfasser], Hildegard [Akademischer Betreuer] Meyer-Ortmanns, Hildegard [Gutachter] Meyer-Ortmanns, Stefan [Gutachter] Kettemann, Marc [Gutachter] Timme, and Ulrich [Gutachter] Parlitz. "Transient Dynamics in Heteroclinic Networks / Maximilian Voit ; Gutachter: Hildegard Meyer-Ortmanns, Stefan Kettemann, Marc Timme, Ulrich Parlitz ; Betreuer: Hildegard Meyer-Ortmanns." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2021. http://d-nb.info/1225937760/34.

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Müller, Peter [Verfasser], Hildegard [Akademischer Betreuer] [Gutachter] Westphal, and Wolf-Christian [Gutachter] Dullo. "Impact of environmental conditions on geochemical proxies in tropical marine calcifiers / Peter Müller ; Gutachter: Hildegard Westphal, Wolf-Christian Dullo ; Betreuer: Hildegard Westphal." Bremen : Staats- und Universitätsbibliothek Bremen, 2017. http://d-nb.info/1131769015/34.

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Poll, Maria Carmen Gomes Martiniano de Oliveira van de. "A espiritualidade de Hildegard Von Bingen: profecia e ortodoxia." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-08032010-113221/.

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Hildegard von Bingen, religiosa beneditina que viveu no século XII, alegava ter escrito sua primeira obra, o Scivias, obedecendo a um comando divino, que ela teria recebido em uma visão. Segundo Hildegard, suas visões a acompanhavam desde sua infância, e nelas ela via uma Luz Viva e recebia mensagens divinas. O Scivias que, segundo Hildegard, consistia na transcrição dessas mensagens divinas, era uma obra com ensinamentos em ortodoxia doutrinária. O caráter profético da obra aliado à sua ortodoxia garantiu-lhe pronta aceitação no meio eclesiástico e deu a Hildegard a reputação de profetisa. Devido à sua fama de profetisa, Hildegard passou a ser buscada como a um oráculo espiritual, como conselheira espiritual em diversos assuntos. Monges, abades, abadessas, bispos e imperadores consultavam Hildegard em busca de conselho, consolo e mesmo solução para os seus problemas. A vasta correspondência da religiosa atesta este fato. Neste estudo, procuramos entender, através da análise de um relato mítico incluído no Scivias e de parte de sua correspondência, de que maneira profecia e ortodoxia, como expressões da espiritualidade de Hildegard, manifestaram-se em sua obra.
Hildegard von Bingen, religious Benedictine woman who lived in the twelfth century, claimed to have written her first book, the Scivias, under a prophetic call, that came to her in a vision. According to Hildegard, her visions had been with her since her childhood, and in them she saw a Living Light and received divine messages. The Scivias which, according to Hildegard, consisted of the transcription of these messages, was a work with teachings in doctrinal orthodoxy. The prophetic character of the book, allied to its orthodoxy, guaranteed it with acceptation in the ecclesiastical environment and gave to Hildegard the reputation of a prophetess. Due to her fame as prophetess, people began to search Hildegard as a spiritual oracle, as a spiritual counsellor in different subjects. Monks, abbots, abbesses, bishops and emperors consulted Hildegard in search of admonition, advice, consolation and even solution for their problems. The vast correspondence of Hildegard bears witness to this fact. In this study, we try to understand, through the analysis of a mythical account included in the Scivias and of part of her correspondence, in what ways prophecy and orthodoxy, as expressions of Hildegards spirituality, were manifested in her work.

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Maurer, Marie Theresa. "The Feminine as Salvific in Hildegard von Bingen's Letters." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4860.

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Hildegard alleged a spiritual connection with the physical world in her claim that she, a woman, was chosen by God to incarnate His Word on earth as Christ had done in the flesh years before. Woman, the embodiment of the feminine, was connected to the physical world in the medieval era. It was with this idea in mind that Hildegard attached an important significance to nature and the Virgin, seeing each as the ultimate expressions of the feminine divine on earth. However, included in the incarnation, according to Hildegard, was the Church itself along with the clergy, both men and women. In earth, in mankind, in all of nature, she saw a dimension of God, a dimension that found its expression uniquely in the world yet paralleled the God beyond this world. Using Hildegard's letters in German translation, I will show how, in a patriarchal world of the 12th century, Hildegard emphasized the feminine as salvific as a means to establish a balance in the world, a balance that had been offset by the corrupt behavior of Church and State. I will preface this with a brief discussion of the era (p. 6). In Chapter II, I will focus first on how Hildegard saw the feminine manifested in the world and how, for various purposes, she expressed it in her letters. Secondly in Chapter II, by citing further examples in her letter, I will concentrate on how she saw a lack of feminine expression in the world and how she viewed the negative result of this lack. Finally in Chapter IV, I will show how she achieved the expression of this balance. In concluding my paper, I will consider whether she was successful in her efforts: Did she achieve, from others as well as from herself, the balance she sought or were her efforts in vain?

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Hudson, Brenda Kay. "Vision of creation| A Jungian view of Hildegard's "On the Origin of Life" vision." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3716788.

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Hildegard von Bingen, a visionary abbess living in the tumultuous 12th century, recorded and interpreted three very powerful visions pertaining to Christianity. This dissertation is limited to the first image of Hildegard’s last vision called De Operatione Dei, the Works of God, a cosmological vision about creation. Hildegard named this image On the Origin of Life.

The thesis of this dissertation suggests the four main characters in the first image of Hildegard’s cosmological vision—the two-headed and four-winged red figure named Caritas standing on the serpent-wrapped monster—correspond to the four stages of Jung’s individuation—encounter with the shadow (serpent), encounter with the soulimage (monster as Adam), encounter with the god-image (Caritas), emergence of the Self (godhead). Each of these characters and stages represent a level in what has been called by perennial philosophy the Great Chain of Being. Hildegard’s vision represents the unfolding of Spirit into matter. Jung’s individuation process describes the soul’s journey back towards Spirit.

This work starts by introducing the vision and Hildegard’s interpretation. Next it moves to what other authors have written. Since the vision is about creation the interpretation starts with the literalists’ view of Genesis and moves to the mystical interpretations of Genesis. Other creation stories including a serpent and a goddess amplify the interpretation. Then, using Jungian and alchemical symbols the images of this iv vision are further elaborated. The research follows the logic of the axiom of Maria, from the uroboros, to the hermaphrodite, to the trinity and ending with the marriage quaternio—two pairs of hermaphrodites. Byington’s symbolic elaboration process is used to interpret the dramatic action of the vision thereby bringing the vision back to life as Hildegard might have experienced it. Finally, the parallel between Hildegard’s vision and Jung’s individuation process is explained in detail. The work ends with Hildegard’s interpretation of why god created the world showing how it aligns with the goal of individuation, and how both are critical for the life of the soul in the 21^st century.

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Mayer, Kruse Heidi Jo. "Gender, Faith, and Holistism as Prophetic Vision the Legacy of Hildegard Von Bingen's Rhetoric of 'Marriage of God'." Thesis, North Dakota State University, 2015. https://hdl.handle.net/10365/27026.

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Hildegard von Bingen, a 12th century German Catholic nun, became one of the most influential voices in a time when women, especially in the realm of religion, were suppressed. Yet, Hildegard overcame these suppressions through her writing and work subsequently legitimizing her status today as a saint and Doctor of the Church. Hildegard?s influential writings hold weight beyond the Catholic Church especially in feminist circles. This thesis applies rhetorical criticism as the scholarly lens from which to analyze a sample of Hildegard?s writings for the purposes of understanding her contemporary influence. Aided by Kenneth Burke?s interpretive method of logology, this project argues that Hildegard?s legacy is shaped by her consistent use of the ?marriage to God? metaphor. The ?marriage to God? metaphor functions persuasively, I argue, because its prophetic vision emphasizes a union with God, rather than as a disenfranchisement from God.

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Brown, Amy Kathleen. "Recovering the feminine voice the language of virginity in Methodius of Olympus, Ambrose of Milan and Hildegard of Bingen /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p088-0187.

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Stühlmeyer, Barbara. "Die Gesänge der Hildegard von Bingen : eine musikologische, theologische und kulturhistorische Untersuchung /." Hildesheim ; Zürich ; New York : G. Olms, 2003. http://catalogue.bnf.fr/ark:/12148/cb39011455f.

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Leutemann, Christian. "Vorläufiges Verzeichnis zum schriftlichen Nachlaß Hildegard M. Böhme (1907-1993) - Mscr.Dresd.App.Böhme." Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, 2007. https://slub.qucosa.de/id/qucosa%3A36859.

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Bain, Jennifer 1967. "Selected antiphons of Hildegard von Bingen : notation and structural design." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23206.

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The musical structure of Hildegard von Bingen's "O quam mirabilis est" is directly linked to its notational system. After placing Hildegards's antiphons within an historical context in chapter one, chapter two reviews three previous analyses of "O quam mirabilis est" by Bronarski (1922), Cogan (1990) and Pfau (1990). The first two analyses ignore the syntax and expression of the text by focusing on the motivic level. The third analysis, though it embraces the text, lacks a formalization in its theoretical model. None of the analyses respond to the original notation. In response, chapter three examines the notation found in the sources containing Hildegard's music (the Riesenkodex and the Dendermonde codex) and discusses the structural importance of pitches within the neumatic groupings. The resulting graphic analysis adapt Schenkerian analytic notation to represent a hierarchy of pitch relationships. Chapter four applies this methodology to four other antiphons by Hildegard: "Hodie aperuit," "Nunc gaudeant," "O virtus sapientie," and "O virgo ecclesia."

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Picón, Bruno Daniela. "Escenas de escritura visionaria: Hildegard de Bingen y William Blake." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/108581.

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La siguiente investigación se centra en el estudio de las escenas de escritura de dos autores cuyas obras podemos denominar visionarias, ellos son Hildegard von Bingen (1098-1179) y William Blake (1757-1827). El estudio del momento en que estos dos autores pusieron por escrito lo que ellos experimentaron como revelación divina, utilizando diferentes soportes escriturarios, nos lleva a comprender, por una parte, cómo es que concibieron la escritura de revelación, a partir de dos contextos distantes en el tiempo, pero también nos permite realizar un análisis que espera establecer las similitudes existentes entre ambos autores, como depositarios de la tradición visionaria. El estudio de la escena de escritura como tal, que tiene lugar luego de la visión (a la cual ambos se refirieron en varias instancias) pero también de las escenas de escritura presentes en su obra misma -tanto en el texto como en la imagen visual- nos lleva a comprender cómo es que la elaboración escrita (y visual) de las visiones se hace parte fundamental del proceso creativo de la experiencia visionaria y el modo en que la elección de una forma particular de transmisión escrita de las visiones condiciona también una forma de comunicación y recepción por parte de los lectores, la que está íntimamente relacionada con el mensaje que se espera transmitir a través de los textos visionarios.

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Labavic, Darka [Verfasser], Hildegard [Akademischer Betreuer] Meyer-Ortmanns, Herbert [Akademischer Betreuer] Jaeger, Michel [Akademischer Betreuer] Pleimling, Tobias [Akademischer Betreuer] Galla, and Simone [Akademischer Betreuer] Pigolotti. "Deterministic Versus Stochastic Description of Nonlinear Dynamical Units / Darka Labavic. Betreuer: Hildegard Meyer-Ortmanns. Gutachter: Hildegard Meyer-Ortmanns ; Herbert Jaeger ; Michel Pleimling ; Tobias Galla ; Simone Pigolotti." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2015. http://d-nb.info/1087330319/34.

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Mann, Thomas [Verfasser], Hildegard [Akademischer Betreuer] Westphal, and Alessio [Akademischer Betreuer] Rovere. "Reef island dynamics on recent-past and geological timescales : New insights from the Indo-Pacific region / Thomas Mann. Betreuer: Hildegard Westphal. Gutachter: Hildegard Westphal ; Alessio Rovere." Bremen : Staats- und Universitätsbibliothek Bremen, 2015. http://d-nb.info/1078720290/34.

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Stuhr, Marleen [Verfasser], Hildegard [Akademischer Betreuer] Westphal, Hildegard [Gutachter] Westphal, and Michal [Gutachter] Kucera. "Disentangling the effects of thermal stress on symbiont-bearing coral reef foraminifera : from populations to proteins / Marleen Stuhr ; Gutachter: Hildegard Westphal, Michal Kucera ; Betreuer: Hildegard Westphal." Bremen : Staats- und Universitätsbibliothek Bremen, 2018. http://d-nb.info/1159699879/34.

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Fuentes, Bardelli Italo. "Morfología del Discurso Visionario y Poético, como Representación de la Historia, en Hildegard von Bingen." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/108987.

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Aquí me interesa ingresar al estudio de la voz, escritura e imagen de una mujer del siglo XII, en el Occidente medieval. La revisión de su obra, posiblemente en lo más original de su creación, esto es, sus escritos basados en un particular modo de decir y de enunciar desde lo divino, a partir de una experiencia visionaria, que algunos estudios llaman escritura de revelación o profética, será nuestro cuerpo de estudio. También su obra poético-musical de carácter lírico y su Vita, (biografía que contiene relatos autobiográficos). Éstas y aquellas me permiten plantear la posibilidad de estudio de una trama discursiva, en torno a la historia, a partir de la cual es posible distinguir dispositivos morfológicos para su enunciación, particularmente, algunos referentes simbólicos, figurativos y metafóricos.

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Jeffreys, Catherine Mary. "Melodia et rhetorica : the devotional-song repertory of Hildegard of Bingen /." Connect to thesis, 2000. http://eprints.unimelb.edu.au/archive/00000422.

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Paquette, Megan. "Migraine auras and hypergraphia and their connection to Hildegard Von Bingen." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/244.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Art History

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Droste-Arndt, Hildegard [Verfasser]. "Nichtraucherschutz im psychiatrischen Krankenhaus - eine Status quo-Erhebung / Hildegard Droste-Arndt." Ulm : Universität Ulm. Medizinische Fakultät, 2015. http://d-nb.info/1069960713/34.

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Dohmen, Hildegard [Verfasser]. "Die Rolle von miR210 auf den Stammzellphänotyp in Glioblastomen / Hildegard Dohmen." Gießen : Universitätsbibliothek, 2018. http://d-nb.info/1153334836/34.

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Rinke, Stefanie. "Das "Geniessen Gottes" Medialität und Geschlechtercodierungen bei Bernhard von Clairvaux und Hildegard von Bingen." Freiburg i. Br. Berlin Rombach, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2838817&prov=M&dok_var=1&dok_ext=htm.

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Gouguenheim, Sylvain. "L'eschatologie dans la vie et l'oeuvre de Hildegarde de Bingen, 1098-1179." Paris 10, 1989. http://www.theses.fr/1989PA100111.

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Ce travail s'attache à dégager dans la vie et l'oeuvre d'Hildegarde de Bingen les thèmes eschatologiques. L'introduction présente la sainte en soulignant l'importance de l'expérience visionnaire (permanente et associée à la lumière et à la voix divines). C'est dans cet état exceptionnel qu'Hildegarde a rédigé son oeuvre, touchant tous les domaines (correspondance, sciences naturelles, médecine, hagiographie, musique). Ses textes présentent un mélange étonnant d'archaïsmes et d'innovations. Les thèmes et les figures eschatologiques sont étudies. Si l'antéchrist est présenté classiquement, avec insistance sur son aspect cosmique et intemporel, il n'en est pas de même pour la fin du monde, dont Hildegarde est contemporaine grâce à la vision. Elle se caractérise par une destruction de l'ancien monde et une rénovation intégrale, retour à l’ordre des choses précédant le péché originel. L'eschatologie ne se sépare pas d'une géographie de l'au-delà ou l'accent est mis sur les lieux purgatoires. Il semble que l'abbesse soit l'inventeur du mot purgatoire, a tout le moins un de ses premiers utilisateurs. L'eschatologie est liée à une vision du monde. L'axe central de la vie et de la pensée de la sainte est la prophétie qui a pour fonction de nous relier aux origines de la création, dont la nostalgie hante l'abbesse. Le monde fait l'objet d'une critique impitoyable. .
The purpose of this work is to evolve from the life and works of Hildegarde von bingen the eschatological themes. The introduction presents saint Hildegarde while stressing the importance of the visionnary experience, which is permanent and associated to divine light and voice. In this exceptionnal state Hildegarde wrote her works de aling with all matters (correlation, natural sciences, medicine, hagiography, music). Her texts are an amazing mixture of archaisms and innovations. Eschatological themes and figures are studied. While antechrist is presented in a classical way, insisting on this cosmical and non-temporal aspect, the end of the world, of which Hildegarde is contemporary thanks to the vision, is treated differently. Its characteristics are a destruction of the old world and a total renewing, a return to the state of things before the original sin. Eschatology cannot be separate from a geography of the world beyond where the stress is put on purgatory places. The abbess seems to have been the inventor of the word "purgatory", or at least one of the first to use it. Eschatology is linked to a vision of the world. The central axis of the saint's life and thoughts is the prophecy which function is to link us with us with the origins of creation. .

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Brinkschulte, Hildegard Maria Rebecca [Verfasser]. "Biochemical and structural characterization of the NLRP3 inflammasome / Hildegard Maria Rebecca Brinkschulte." Bonn : Universitäts- und Landesbibliothek Bonn, 2020. http://d-nb.info/1225793068/34.

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Pinheiro, Mirtes Emilia. "As herboristas nas literaturas antiga e medieval: Circe, Hildegarda de Bingen e Isolda." Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/ECAP-8RVHD4.

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Esta dissertação tem como objetivo estudar as mulheres que manejam as plantas e as ervas medicinais na literatura tendo o seu ponto de partida em Circe, a feiticeira da Odisséia. No que concerne à Idade Média, ponto central desta análise serão enfocadas duas mulheres que se situam em campos distintos, a saber factual e ficcional: Hildegarda de Bingen, a Abadessa do século XII, que nos legou duas obras importantes sobre o tema, e a heroína do romance Tristão e Isolda, ela própria especialista em filtros e poções encantadas

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Diener, Laura Michele. "Gendered Lessons: Advice Literature for Holy Women in the Twelfth Century." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1204677363.

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Jolliffe, Christine. "Neoplatonic influences in Hildegard of Bingen's Ordo Virtutum : with Latin text and English translation of the play." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22438.

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Hildegard of Bingen's Ordo Virtutum (c.1141), the earliest liturgical morality play, presents in small compass some of the Neoplatonic doctrines which formed the common property of theologians in the twelfth century, the most pervasive of which was that which posited a disparity between the sense-perceptible and intelligible realms, true reality being supposed to belong to the latter. For Hildegard, like her contemporaries, such a world-view is inseparable from symbolist modes of thought, and in this thesis explanations for the form and effect of Hildegard's use of rhetorical devices such as symbol and metaphor in the Ordo will be sought within the framework of a discussion of "medieval linguistic epistemology" (Neoplatonic). The Latin text and English translation of the play are also provided.

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Hagelstein, Franziska Elfriede Hildegard [Verfasser]. "Exciting nucleon in Compton scattering and hydrogen-like atoms / Franziska Elfriede Hildegard Hagelstein." Mainz : Universitätsbibliothek Mainz, 2017. http://d-nb.info/1137894377/34.

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Rexroth, Hildegard [Verfasser]. "Milchleistung der Bunten Deutschen Edelziege in Abhängigkeit von Fütterungsniveau und Proteinqualität / Hildegard Rexroth." Aachen : Shaker, 2003. http://d-nb.info/1179021916/34.

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Willen, Katharina [Verfasser], Hildegard [Akademischer Betreuer] Graß, and Tim [Akademischer Betreuer] Lögters. "Gewaltopferversorgung im Gesundheitswesen- eine geschlechterdifferenzierte Untersuchung / Katharina Willen. Gutachter: Hildegard Graß ; Tim Lögters." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2015. http://d-nb.info/1071947133/34.

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Laepple, Christiane Hildegard [Verfasser]. "Modifikation der Expression des Lipopolysaccharid Bindenden Protein (LBP) durch Methylxanthine / Christiane Hildegard Laepple." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2009. http://d-nb.info/1023664895/34.

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Bondan, Rosane Maria Martins. "Consulta de enfermagem em saúde mental: sob a perspectiva da teorista Hildegard Peplau." reponame:Repositório Institucional da FURG, 2006. http://repositorio.furg.br/handle/1/2799.

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Dissertação(mestrado) - Universidade Federal do Rio Grande, Programa de Pós-Graduação em Enfermagem, Escola de Enfermagem, 2006.
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Ao pesquisar o tema consulta de enfermagem em clientes emocionalmente adoecidos, buscaram-se respostas para a questão norteadora: Que contribuições a consulta de enfermagem oferece aos seus clientes da saúde mental? Objetivou-se investigar as principais contribuições da consulta de enfermagem realizada com clientes da saúde mental, com base na Teoria Parcial para a Prática da Enfermagem de Hildegard Peplau (1952). Justifica-se este objetivo a partir dos pressupostos formulados em relação à consulta de enfermagem em saúde mental CESM) acreditando que, através dela, torne-se possível: evitar ou reduzir a recaída do agravo emocional; elaborar o diagnóstico e, conseqüentemente, o tratamento prévio ao cliente emocionalmente adoecido; favorecer a reintegração e a recuperação do indivíduo na sua comunidade, em um intervalo de tempo reduzido e de forma mais eficaz, a CESM, através do incentivo direcionado ao cliente, favorece a resolutividade de suas dificuldades, promove e contribui efetivamente a saúde mental. Realizou-se um levantamento documental na Policlínica do Rio Grande/Rs para buscar os sujeitos a serem pesquisados. A coleta de dados foi realizada através da técnica de entrevista semi-estruturada. Os dados foram analisados e interpretados qualitativamente, emergindo daí as seguintes categorias: a percepção e a qualidade de vida. Na categoria da percepção destacaram-se, como elementos complementares e integradores, o auto-conhecimento, o conhecimento da doença e a auto-estima. Em relação à categoria da qualidade de vida evidenciaram-se, como elementos complementares e integradores, a valorização da vida, a motivação e o convício social. A busca da compreensão dos dados revelou que a consulta de enfermagem, utilizada como processo de trabalho em saúde mental, contribuiu terapeuticamente para a recuperação dos clientes emocionalmente adoecidos que a aceitaram como mais uma alternativa de tratamento, objetivando intensificar o processo de recuperação. Descobriu-se que a consulta de enfermagem auxiliou a todos os sujeitos a conhecerem-se e a entenderem melhor o que estava ocorrendo. Além disso, todos se manifestaram satisfeitos e progredindo com as consultas de enfermagem, dando ênfase à recuperação da auto-estima, à auto-ajuda, ao apoio, à oportunidade de expressar seus sentimentos, de desabafar, e de transmitir tranqüilidade e motivação. Os participantes do estudo destacaram a atuação e a qualificação da profissional enfermeira junto à clientela assistida, que possibilitou a eficácia da terapêutica, promovendo o resgate do papel social dos sujeitos do estudo junto a seus familiares, amigos, parentes e a seus compromissos laborais. A avaliação destes resultados permitiu a construção do conhecimento relativo à consulta de enfermagem, que auxilia os portadores de sofrimento mental e possibilita-lhes, além de conhecer-se a si mesmos e à própria doença, apoio na reconquista de dias mais felizes. Propicia-lhes uma qualidade de vida mais confiante, digna e efetiva. E também os reintegra mais brevemente ao convívio social e ameniza-lhes as recaídas dos agravos emocionais. Os resultados obtidos confirmam os pressupostos inicialmente traçados. Todos os sujeitos, em relação à consulta de enfermagem, manifestaram-se de forma positiva e salientaram sentir-se gratificados pelas conquistas alcançadas: vencer seus momentos de adversidade, por não terem desistido de si, de suas vidas, superando suas próprias limitações, otimizadas através do suporte profissional que receberam da enfermeira.
When investigating the subject nursing consultation in clients with emotional problems, answers were search for the guiding question: What contributions does the nursing consultation offers to mental health area clients? The objective to investigate the main contributions of nursing consultation with mental health area clients, based on the Partial Theory for Nursing Practice of Hildegard Peplau (1952). This objective is justified by presupposed answers formulated in relation to the nursing consultation in mental health (CESM) believing, that through this, it is possible: to prevent or reduce the recurrence emotional aggravate; to elaborate the diagnosis and, consequently, the previous treatment to the client with emotional problems; to favor the reintegration and the recuperation of the patient in his/her community, in a reduced time period and in a more effective way. Besides that I also consider, that the CESM, through the directed incentive towards the client, favors the solution of his/her difficulties, promotes and contributes effectively to mental health. In this study, a documentary was made at Policlínica of Rio Grande/RS to find people to be part of this study. The data was collected through the technique of semi-structured interview. The data collected, was analyzed and qualitative interpreted. After that the following categories came up: the perception and quality of life. In the perception category it stands out, as complementary and integrators elements, the self-knowledge, the knowledge of illness and self-esteem. In relation to quality of life category it becomes evident, as complementary and integrators elements, the value of life, the motivation and the social life. The search of data understanding revealed that the nursing consultation, used as working process in mental health area, contributed therapeutically for the recovery of clients with emotional problems who accepted it as another alternative for treatment, having as objective to intensify the recovery process. It was discovered that the nursing consultation helped all people to know each other and have a better understanding of what was happening. Besides that all of them showed satisfaction and were having progress with the nursing consultation, giving emphasis to self-esteem recovery, self-help, the support, the opportunity of expressing their feelings, to be relieved, and transmitting tranquility and motivation. The participants of the study emphasized during the investigation, the performance and the professional nursing qualification to the clients assisted, which made possible the effectiveness of the therapy, promoting the rescue of the social side of people in the study to their families, friends, relatives and to their labor commitments. The evaluation of these results allowed the construction of a partial knowledge of nursing consultation, which helped patients with mental problems and made possible for them, besides knowing themselves and knowing their disease, to have a support so they can have happier days. Providing also worthy, effective and more real quality of life. Also reintegrating them sooner to the social life, saving them from emotional relapses. The results obtained confirm the assumption first drawn. Everybody, in relation to the nursing consultation, pronounced themselves in a positive way and had pointed out that they feel gratified by the conquests reached: overcoming their adversity moments, not having given up of themselves and their lives, surpassing their own limitations, optimized by the professional support that they had received from the nurse.
Al investigar el tema consulta de enfermería en clientes emocionalmente enfermos, se buscaron respuestas para la cuestión orientadora: ¿Qué contribuciones ofrece la consulta de enfermería a los clientes de la salud mental? Se tomó como meta la investigación de las principales contribuciones de la consulta de enfermería realizada con clientes de salud mental, con base en la Teoría Parcial para la Práctica de la Enfermería de Hildegard Peplau (1952). Los presupuestos formulados con relación a la consulta de enfermería en salud mental (CESM) creyéndose que, a través de ella, sea posible: evitar o reducir la recaída emocional; elaborar el diagnóstico y, consecuentemente, el tratamiento previo para el cliente emocionalmente enfermo; favorecer la reintegración y la recuperación del individuo en su comunidad, en un intervalo de tiempo reducido y de forma más eficaz. Además de eso, considero también que la CESM, por medio del incentivo dirigido hacia el cliente, favorece la resolución de sus dificultades, promueve y contribuye efectivamente para la salud mental. En este estudio, se realizó un levantamiento documental en la Policlínica do Rio Grande/RS para buscar los sujetos a ser investigados. La recogida de datos fue realizada a través de la técnica de entrevista semi-estructurada. A partir de la recogida de datos, y del análisis e interpretación cualitativa, surgieron de ahí las siguientes categorías: la percepción y la calidad de vida. En la categoría de la percepción se destacan como elementos complementares e integradores, el auto-conocimiento, el conocimiento de la enfermedad y el autoestima. Con relación a la categoría de la calidad de vida se hacen evidentes, como elementos complementares e integradores, la valorización de la vida, la motivación y la convivencia social. La comprensión de los datos reveló que la consulta de enfermería, utilizada como proceso de trabajo en salud mental, contribuyó terapéuticamente para la recuperación de los clientes emocionalmente enfermos que la aceptaron como una alternativa más de tratamiento, con el objetivo de intensificar el proceso de recuperación. Se descubrió que la consulta de enfermería auxilió a todos los sujetos en su conocimiento propio y en una mejor comprensión de lo que estaba ocurriendo. Además de eso todos se manifestaron satisfechos y progresando con las consultas con la enfermera, dando énfasis a la recuperación del autoestima, a la auto-ayuda, al apoyo, a la oportunidad de expresar sus sentimientos, de desahogarse, y de transmitir tranquilidad y motivación. Los participantes del estudio destacaron durante la investigación, la actuación y el preparo de la profesional enfermera junto a la clientela atendida, que posibilitó la eficacia de la terapia, promoviendo el rescate del papel social de los sujetos del estudio junto a sus familias, amigos, parientes y a sus compromisos laborales. La evaluación de estos resultados permitió la construcción del conocimiento relativo a la consulta de enfermería, que auxilia a los portadores de sufrimiento mental el apoyo en su reconquista de días más felices. Proporcionándoles también una calidad de vida más confiable, digna y efectiva. Y reintegrándolos con mayor brevedad a la convivencia social, amenizando de esta forma las recaídas emocionales. Los resultados obtenidos confirman los presupuestos inicialmente trazados. Todos los sujetos, con relación a la consulta de enfermería, se manifestaron de forma positiva y revelaron sentirse gratificados por las conquistas alcanzadas: vencer sus momentos de adversidad, por no haber desistido de sí mismos ni de sus vidas, superando sus propias limitaciones, optimizadas a través del soporte profesional que recibieron en la enfermería.

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Herrán, Navarro Natalia [Verfasser], Hildegard [Akademischer Betreuer] Westphal, Hildegard [Gutachter] Westphal, and Miriam [Gutachter] Pfeiffer. "Calcium Carbonate production and the response of calcifiying organisms to natural and anthropogenic threats on the shallow platform of Zanzibar, Tanzania / Natalia Herrán Navarro ; Gutachter: Hildegard Westphal, Miriam Pfeiffer ; Betreuer: HIldegard Westphal." Bremen : Staats- und Universitätsbibliothek Bremen, 2017. http://d-nb.info/1150833963/34.

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Clarenz-Löhnert, Hildegard [Verfasser]. "Negationspräfixe im Deutschen, Französischen und Spanischen : Ein Beitrag zur Kontrastiven Linguistik / Hildegard Clarenz-Löhnert." Aachen : Shaker, 2004. http://d-nb.info/1170545491/34.

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Kleinwort, Kristina Johanna Hildegard [Verfasser], and Cornelia [Akademischer Betreuer] Deeg. "Untersuchungen zur Immunpathogenese der Bovinen Neonatalen Panzytopenie / Kristina Johanna Hildegard Kleinwort ; Betreuer: Cornelia Deeg." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1180285859/34.

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Kühne, Hildegard [Verfasser]. "Analysis and recognition of human actions with flow features and temporal models / Hildegard Kühne." Karlsruhe : KIT Scientific Publishing, 2015. http://www.ksp.kit.edu.

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Müllinger, Hildegard [Verfasser]. "Das ‚Schöne Märchen’ - Anthropologie in pragmatischer Hinsicht auf Mythen, Sagen, Fabeln, Legenden / Hildegard Müllinger." Mainz : Universitätsbibliothek der Johannes Gutenberg-Universität Mainz, 2021. http://d-nb.info/1229085424/34.

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Wagner, Christina Hildegard [Verfasser]. "Vergleichende Untersuchung der Genexpression in humanen Tumorzellknoten und Tumorzellrasen in vitro / Christina Hildegard Wagner." Bonn : Universitäts- und Landesbibliothek Bonn, 2017. http://d-nb.info/1130704645/34.

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Dissertations / Theses on the topic 'Hildegardis'

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