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Books on the topic 'High frequency sound'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

High Frequency Ocean Acoustics Conference (2004 La Jolla, Calif.). High frequency ocean acoustics: High Frequency Ocean Acoustics Conference : La Jolla, California, 1-5 March, 2004. Edited by Porter Michael B, Siderius Martin, Kuperman William A, United States. Office of Naval Research., and Acoustical Society of America. Melville, N.Y: American Institute of Physics, 2004.

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2

Redford, Allan Gordon. The response of the averaged compound auditory action potential to high frequency sound in Locusta migratoria. Ottawa: National Library of Canada, 1990.

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3

Molinet, édéric. Acoustic High-Frequency Diffraction Theory. Momentum Press, 2011.

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4

(Editor), Michael B. Porter, Martin Siderius (Editor), and William A. Kuperman (Editor), eds. High Frequency Ocean Acoustics: High Frequency Ocean Acoustics Conference (AIP Conference Proceedings). American Institute of Physics, 2004.

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5

Grad, Harold. High Frequency Sound According to the Boltzmann Equation. Creative Media Partners, LLC, 2018.

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6

High-frequency instability of the sheath-plasma resonance. Los Angeles, CA: Dept. of Physics, University of California, 1990.

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7

High-frequency instability of the sheath-plasma resonance. Los Angeles, CA: Dept. of Physics, University of California, 1990.

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8

Propogation of high frequency jet noise using geometric acoustics. [Washington, DC: National Aeronautics and Space Administration, 1993.

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9

A, Krejsa E., and United States. National Aeronautics and Space Administration., eds. Propagation of high frequency jet noise using geometric acoustics. [Washington, DC: National Aeronautics and Space Administration, 1993.

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10

A, Krejsa E., and United States. National Aeronautics and Space Administration., eds. Propagation of high frequency jet noise using geometric acoustics. [Washington, DC]: National Aeronautics and Space Administration, 1993.

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11

Grad, Harold. High Frequency Sound According to the Boltzmann Equation (Classic Reprint). Forgotten Books, 2018.

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12

Kaduchak, Gregory. Mode threshold and transient scattering processes for high frequency scattering of sound by elastic shells in water. 1994.

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13

Turim, Maureen, and Michael Walsh. Sound Events. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0026.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter is a comprehensive survey of sound practices in avant-garde film, video art, and installation art since the 1960s. It addresses a series of artistic approaches to sound: silence, tone and drone, antic and aleatory, multilayering and cacophony, work with voices, legacies of cinematic exhibition, and resonant spaces in galleries and museums. It is broadly chronological, beginning with major figures of the 1960s and ending with artists currently working. The chapter does not deny medium specificity, but moves easily among celluloid film, video formats, and gallery installation. Theoretical perspectives derive from the debate between Deleuze and Badiou on the nature and frequency of “the event,” a restaging of the discussion on the value of experiment and innovation. The chapter is wide-ranging enough to be synoptic, but also provides detailed discussion of works by Larry Gottheim, Abigail Child, Andy Warhol, Christian Marclay, Janet Cardiff, and Bruce High Quality Foundation.

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14

Drelichman, Mauricio, and Hans-Joachim Voth. Lending to the Sound of Cannon. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691151496.003.0002.

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This chapter discusses wartime spending and the rise of the fiscal-military state. The need to borrow was intimately related to the cost of war. After 1500, a “military revolution” transformed warfare in Europe. The invention of gunpowder meant that old medieval city walls no longer offered protection. The increasing use of cannon therefore required an entirely new set of protective walls. These new fortifications meant that wars became longer, with many sieges lasting more than a year. Then, the rise of firearms translated into a need to train soldiers. All these changes—the arms used, the rise of permanent, large armies and navies, new fortifications, and high frequency and great length of conflict—made wars vastly more expensive. Success in war therefore depended in the early modern period on financial resources. Eventually, states run by a successful military-fiscal complex dominated the map of Europe.

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15

Cat, Collins Big. Letters and Sounds High Frequency Words Cards. HarperCollins Publishers Limited, 2020.

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16

Francisco, Louçã, and Ash Michael. The Wild Side of the Street. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828211.003.0010.

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Chapter 9 traces a history of bubbles and financial scandals from the Dutch tulip mania of the seventeenth century to frauds associated with European colonization of the Americas to financial misdeeds of the twentieth and twenty-first centuries. Dirty finance is everywhere. Sometimes it is the source of the funds: the world’s most reputable banks have handled funds from highly disreputable sources. In other cases, clean wealth goes through dirty handling. Offshore finance shelters the great family fortunes, at the edge of legality. High frequency trading blurs the line between quick wits and market manipulation. Cartels of traders enrich themselves at the expense of clients. The rating agencies rate complex securities as sound with minimal investigation. In the Libor scandal, the biggest banks conspired to mislead the world about inter-bank lending. A description of the instruments, transactions, and the mechanisms of manipulation and fraud is provided.

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17

Schmidt III, Henry, and André M. Ivanoff. Behavior management plans. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199360574.003.0050.

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The processes in behavior management include many strategies and methods found in sound cognitive-behavioral clinical practice. Broadly speaking, we define behavior management as the point of interaction between staff and inmate patients within the facility (or any other location in which they work together). It is always occurring, although not always planful or well-executed. A behavior management plan (BMP) takes into consideration staff abilities, specific characteristics of the unit, and the capacity of the patient for whom the plan is developed. A well-constructed BMP specifies who will do what, for whom, and in what contexts. Behavior management plans are most often developed and implemented for behaviors that pose high risk to inmate or staff health within the facility, or high risk to disrupt the safety and programming within the facility. We distinguish ‘behavior management’, which we define as a series of interventions designed to reduce behaviors which destabilize unit or facility functioning, from ‘treatment.’ Treatment is viewed as a series of interventions designed to reduce the future frequency, intensity and/or severity of a given behavior in the unit and upon return to the community. Thus, while there may be treatment characteristics included in BMPs, the scope of the intervention is typically more limited. A BMP may focus on a particular disruptive behavior in the unit, for instance, without any consideration of whether the behavior may occur in the community following release. In this chapter we review concepts related to behavior management and the creation of behavior management plans.

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