Academic literature on the topic 'Hermannsschlacht (Kleist, Heinrich von)'

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Journal articles on the topic "Hermannsschlacht (Kleist, Heinrich von)"

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Silva, Carina Zanelato. "O grotesco na representação das heroínas kleistianas Thusnelda e Penthesilea." outra travessia, no. 22 (August 18, 2016): 13–36. http://dx.doi.org/10.5007/2176-8552.2016n22p13.

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Este artigo tem como objetivo a comparação da exposição feita por Victor Hugo, em seu prefácio ao Cromwell, sobre o elemento grotesco com as ideias desenvolvidas por Heinrich von Kleist em seu Über das Marionettentheater (Sobre o teatro de marionetes, 1810), enfocando indícios de uma transgressão do escritor alemão da visão clássica de arte, trazendo à luz dessa discussão principalmente as teorias sobre estética de Friedrich Schiller. Além disso, propomos uma breve análise das peças de Kleist Penthesilea e Die Hermannsschlacht, publicadas em 1801, com base nessa dissolução do ideal clássico e no estabelecimento do intertexto com as propostas do Über das Marionettetheater.
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Giessen, Hans W. "Medienanalytische betrachtungen zu Claus Peymanns Verfilmung der ,,Hermannsschlacht" nach Heinrich von Kleist." Pandaemonium Germanicum 16, no. 22 (December 2013): 1–35. http://dx.doi.org/10.1590/s1982-88372013000200002.

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Unruh, Lorelle M., and Thomas Wichmann. "Heinrich von Kleist." German Quarterly 63, no. 1 (1990): 128. http://dx.doi.org/10.2307/406627.

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Ossar, Michael, and Karin Ackermann. "Heinrich von Kleist: Michael Kohlhaas." Die Unterrichtspraxis / Teaching German 29, no. 1 (1996): 111. http://dx.doi.org/10.2307/3531660.

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Dave, Sveta, Martin Greenberg, and Heinrich von Kleist. "Heinrich von Kleist: Five Plays." German Quarterly 63, no. 3/4 (1990): 563. http://dx.doi.org/10.2307/406770.

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Bell, David, Erika Fischer-Lichte, and Theo Elm. "Heinrich von Kleist: 'Michael Kohlhaas'." Modern Language Review 89, no. 2 (April 1994): 526. http://dx.doi.org/10.2307/3735332.

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Mayer, Hans. "Heinrich von Kleist. L’instant historique." Revue germanique internationale, no. 33 (June 11, 2021): 125–61. http://dx.doi.org/10.4000/rgi.2703.

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Heydenreich, Aura. "Heinrich von Kleist: Allerneuester Erziehungsplan." Physik in unserer Zeit 51, no. 6 (November 2020): 310. http://dx.doi.org/10.1002/piuz.202070615.

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Fischer, Bernd. "The Plays of Heinrich von Kleist: Ideals and Illusions. Seán Allan , Heinrich von Kleist." Modern Philology 97, no. 2 (November 1999): 292–94. http://dx.doi.org/10.1086/492852.

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Horton, David, Erika Fischer-Lichte, and Klaus Schwind. "Heinrich von Kleist: Prinz Friedrich von Homburg." Modern Language Review 81, no. 4 (October 1986): 1042. http://dx.doi.org/10.2307/3729677.

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Dissertations / Theses on the topic "Hermannsschlacht (Kleist, Heinrich von)"

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Lütteken, Anett. "Heinrich von Kleist - eine Dichterrenaissance /." Tübingen : M. Niemeyer, 2004. http://catalogue.bnf.fr/ark:/12148/cb389755331.

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Estarami, Ebrahim. "Selbsthelfer in Zeiten des Umbruchs : Goethes Götz von Berlichingen, Schillers Wilhelm Tell und Kleists Hermannsschlacht /." Berlin : Uni-Ed, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2621637&prov=M&dokv̲ar=1&doke̲xt=htm.

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Sohoudé, Kuessi Marius. "Rechtsstaatlichkeit und Verantwortlichkeit bei Heinrich von Kleist." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2009. http://d-nb.info/999403702/04.

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Fjordevik, Anneli. "Heinrich von Kleists "Amphitryon, Lustspiel nach Molière" unter dem Aspekt der Intertextualität im Gesamtwerk /." Uppsala : Uppsala Universitet, 2004. http://catalogue.bnf.fr/ark:/12148/cb400511528.

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Scheifele, Sigrid. "Projektionen des Weiblichen : Lebensentwürfe in Kleists Penthesilea /." Würzburg : Königshausen & Neumann, 1992. http://catalogue.bnf.fr/ark:/12148/cb38966859k.

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Oberlin, Gerhard. "Modernität und Bewusstsein : die letzten Erzählungen Heinrich von Kleists /." Giessen : Psychosozial-Verl, 2007. http://d-nb.info/986530158/04.

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Weder, Katharine. "Kleists magnetische Poesie : Experimente des Mesmerismus /." Göttingen : Wallstein-Verl, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3032359&prov=M&dok_var=1&dok_ext=htm.

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Tournois, Jung Michèle. "La perversion dans l'écriture de Heinrich von Kleist." Montpellier 3, 1996. http://www.theses.fr/1996MON30045.

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L'objet de cette these etait de mettre en evidence les traits de perversion dans l'ecriture de heinrich von kleist. De la meme facon que la proximite de jacques lacan avec les ecrivains surrealistes lui a permis d'etayer sa theorie suivant laquelle l'inconscient est structure comme un langage, une etude de l'ecriture de kleist, a la lumiere des dernieres recherches psychanalytiques relatives a la perversion, etait de nature a fournir des exemples pratiques : nous avons pu etablir, dans la vie et dans l'ecriture de kleist, l'existence de nombreux traits cliniques relevant d'une structure perverse. Dans notre premiere partie, apres un bref exposes des appuis conceptuels freudiens en matiere de perversion et de leur prolongement chez lacan, nous avons examine les rapports du pervers a la loi pour voir comment l'ecriture peut etre un outil de comprehension de la realite de l'auteur. Ceci etant acquis, nous nous sommes attachee a un certain nombre de textes de kleist. Cette etude - autant au plan de l'intrigue (deuxieme partie) qu'a celui du style (troisieme partie) - a pris appui sur differentes methodes d'analyse des textes, car un phenomene aussi complexe que la creation litteraire exige necessairement plusieurs modes d'approche. Kleist s'est avere etre un virtuose pour se servir de la langue, la contrer, la retourner, la pervertir dans son style meme
In a similar way as lacan's proximity with surrealist writers helped him to support his theory according to which the unconscious is structured like a language, a study of kleist's writing, inspired by the latest psychoanalytic findings about perversion, provides practical examples : we have evidenced, in kleist's life and writing, the existence of numerous clinic features revealing a perverse structure. In a first part, after a short survey of freudian theories about perversion and their development by lacan, we have examined the relationship of the pervert with the law to show how writing can be used to understand the author's reality. This being achieved, we have focused on some kleist's texts this research about scenario (part 2) and style (part 3) is based on various methods of text analysis, since a phenomenon as complex as the literary creation requires necessarily several approaches. Kleist appears to be a genius in using language, in counter playing it, in turning it, and perverting it in its fundamental system
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Schmon, Simone. "Machtspruch und Gesetzesherrschaft : das Staatsverständnis in Heinrich von Kleists "Prinz Friedrich von Homburg" /." Köln [u.a.] : Böhlau, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2958243&prov=M&dok_var=1&dok_ext=htm.

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Gribnitz, Barbara. "Schwarzes Mädchen, weißer Fremder : Studien zur Konstruktion von 'Rasse' und Geschlecht in Heinrich von Kleists Erzählung "Die Verlobung in St. Domingo" /." Würzburg : Königshausen & Neumann, 2002. http://www.gbv.de/dms/bs/toc/348870310.pdf.

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Books on the topic "Hermannsschlacht (Kleist, Heinrich von)"

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Doering, Sabine. Heinrich von Kleist. Stuttgart: Reclam, 1996.

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Wichmann, Thomas. Heinrich von Kleist. Stuttgart: J.B. Metzler, 1988. http://dx.doi.org/10.1007/978-3-476-03942-2.

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Goldammer, Peter. Heinrich von Kleist. 2nd ed. Leipzig: VEB Bibliographisches Institut, 1986.

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Goldammer, Peter. Heinrich von Kleist. 2nd ed. Leipzig: Bibliographisches Institut Leipzig, 1986.

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Staengle, Peter. Heinrich von Kleist. München: Deutscher Taschenbuch, 1998.

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Wichmann, Thomas. Heinrich von Kleist. Stuttgart: J.B. Metzler, 1988.

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1940-, Arnold Heinz Ludwig, Reuss Roland 1958-, and Staengle Peter 1953-, eds. Heinrich von Kleist. München: Text + Kritik, 1993.

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Appelt, Hedwig. Heinrich von Kleist: Penthesilea. Stuttgart: Reclam, 1992.

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Austria), Akademietheater (Vienna, ed. Amphitryon: Heinrich von Kleist. Wien: Akademietheater, 2009.

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Blamberger, Gu˜nter. Heinrich von Kleist: Biographie. Frankfurt, M: Fischer-Taschenbuch-Verl., 2012.

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Book chapters on the topic "Hermannsschlacht (Kleist, Heinrich von)"

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Dörner, Andreas, and Ludgera Vogt. "Ein Beispiel: Heinrich von Kleist, „Die Hermannsschlacht“." In Literatursoziologie, 261–305. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-18875-1_9.

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Dörner, Andreas, and Ludgera Vogt. "Ein Beispiel: Heinrich von Kleists „Die Hermannsschlacht“." In Literatursoziologie, 212–66. Wiesbaden: VS Verlag für Sozialwissenschaften, 1994. http://dx.doi.org/10.1007/978-3-322-91628-0_8.

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Beck, Sandra. "Heinrich von Kleist." In Kleist-Jahrbuch, 117–34. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-68060-5_10.

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Heimböckel, Dieter. "Heinrich von Kleist." In Kindler Kompakt: Horrorliteratur, 58–59. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04502-7_8.

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Heimböckel, Dieter. "Kleist, Heinrich von." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7153-1.

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Koopmann, Helmut. "Heinrich von Kleist." In Kindler Kompakt: Deutsche Literatur, 19. Jahrhundert, 100–106. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05521-7_10.

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Kiermeier-Debre, Joseph. "Kleist, Heinrich von." In Metzler Autoren Lexikon, 474–78. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_233.

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Henry, Seán. "Kleist, Heinrich von." In Who's Who in Gay and Lesbian History, 241–42. 2nd ed. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-255.

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Wichmann, Thomas. "Einleitung." In Heinrich von Kleist, 1–3. Stuttgart: J.B. Metzler, 1988. http://dx.doi.org/10.1007/978-3-476-03942-2_1.

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Wichmann, Thomas. "Zitierte Ausgaben." In Heinrich von Kleist, 4–5. Stuttgart: J.B. Metzler, 1988. http://dx.doi.org/10.1007/978-3-476-03942-2_2.

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Conference papers on the topic "Hermannsschlacht (Kleist, Heinrich von)"

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Tipa, Violeta. "The Night Guguta project: theatrical experiments." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.07.

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The study highlights the role of the Night Guguta Project in the theatrical art of the Republic of Moldova. A team of young actors are making their debut with this project. They have oriented themselves both from the thematic perspective and from that of the actor’s mastery to the requirements of the current audience, imposing themselves as an explosion of the new in local theatrical art. This new “explosion” started three decades after the formation the troupe, which came from the “Schukin” Theater School in Moscow, and imposes a new breath, a novel vision in the Moldovan theatrical art. Night Guguta brings both classic and contemporary universal dramaturgy onto the stage. The undergraduate show - the comedy “Leonce and Lena” by Georg Büchner and directed by the late Vlad Ciobanu, the course leader, - is among the launched shows. The directing experiments of the actor Catalin Lungu in the “Pillow Man” by Martin McDonagh, which involve the spectators on the stage, deserve attention. Also, V. Sambris rejects the traditional stage by staging the drama “Helver’s Night” by Ingmar Villqist in a non-traditional space. The young director Iulian Bubuioc makes experiments with the theatrical language in the performances: “The Players” by Nikolai Gogol, ”An Incident with a Page Designer” and “The Shattered Jug” by Heinrich von Kleist.
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