Relevant bibliographies by topics / Heritage cataloging

Academic literature on the topic 'Heritage cataloging'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Heritage cataloging"

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Claver, Juan, Amabel García-Domínguez, and Miguel A. Sebastián. "Collaborative Cataloging of Spanish Industrial Heritage Assets through Teaching in Project Management Subjects." Sustainability 13, no. 19 (September 29, 2021): 10854. http://dx.doi.org/10.3390/su131910854.

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The cataloguing experience presented addresses two key challenges of cataloguing industrial heritage assets. On the one hand, despite their value and interest, some of these assets are little known and difficult to identify. Moreover, on the other hand, this heritage typology needs further promotion and valuation. In this context, collaborative cataloging responds to both challenges from its initial approach. Unlike cataloging tasks developed by small teams, involving many people throughout the territory allows to take advantage of the local knowledge of each participant. However, in addition, each participant contributes to the dissemination of the goods collected in the generated catalog. First in a passive way, when knowing the contributions of the rest of the participants. Secondly, actively, by disseminating the cataloging initiative developed among their contacts. This cataloguing experience has been developed with the students of the subject Environmental Project Management during the last four courses. The assets selected by the students (106) as case studies to develop a reuse project are shown in an open web map, which includes the narrated video presentation of the proposal developed for some of them (25). The obtained results contribute both the identification and promoting of this kind of assets.
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Stoyanov, Stanimir, Asya Stoyanova-Doycheva, and Todorka Glushkova. "Virtual-Physical Space "Bulgarian Cultural and Historical Heritage"." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 7, no. 2 (2021): 61–70. http://dx.doi.org/10.26615/issn.2367-8038.2021_2_005.

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he article presents a virtual physical space for storage and presentation of digitized Bulgarian cultural, historical and similar sites. The space is realized with the help of integrated technology, including means of artificial intelligence, enhanced with modern technologies such as IoT (Internet of Things) and CPSS (Cyber-Physical-Social System). The advantages of space compared to the usual approaches for developing this type of systems are discussed. The objects digitized in accordance with the CCO standard (Cataloging Cultural Objects) are stored in a distributed knowledge base, implemented mainly as ontologies. The space provides users with a personal travel guide who is able to understand and fulfill their wishes and preferences. Keywords: Virtual-Physical Space (ViPS); Cataloging Cultural Objects (CCO)
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Ivanova, Tsvetomira. "Ontology of Bulgarian Folklore." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 7, no. 2 (2021): 107–14. http://dx.doi.org/10.26615/issn.2367-8038.2021_2_009.

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The article presents an ontology describing Bulgarian musical folklore as part of the cultural and historical heritage of Bulgaria. The ontology has been developed together with a number of ontologies that are based on the CCO (Cataloging Cultural Objects) standard. The set of ontologies is a knowledge base, used by intelligent agents. Keywords: Bulgarian Musical Folklore; Ontologies; Cataloging Cultural Objects Standard (CCO), Knowledge Data Base
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Cennamo, Gerardo Maria. "Archeological Heritage in the Area of the Jewish Ghetto in Rome: Surveying and Reading Among Archetypes and Memories of the Past." Heritage 2, no. 2 (May 26, 2019): 1499–508. http://dx.doi.org/10.3390/heritage2020094.

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This paper, part of a larger project of the Faculty of Should it be 00186Engineering of the International Telematic University UNINETTUNO (PRIN2010PEA4H8, Research Plan of National Interest, co-financed by the Italian Ministry for University Research), aims to provide documentation on the historical and archeological relevance of the Jewish Ghetto area in Rome, which is a site with numerous extraordinary features and memory traces of the past. The methodology adopted was mainly based on surveying activity—urban, architectural, and archeological—as well as the subsequent comparison of data obtained, investigating, and cataloging this tangible historical heritage and its relations with the archaeological heritage using the instruments of representation and surveying. Additionally, a different approach aimed at identifying a link between the subjective narration of the historical city and its objective description through the integration of digital methods of the cataloging and management of cultural heritage is applied.
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Peinado Checa, Zaira Joanna. "Animaciones virtuales aplicadas a la difusión del patrimonio inmueble. La villa de Ágreda (Soria)." Virtual Archaeology Review 5, no. 11 (October 23, 2014): 101. http://dx.doi.org/10.4995/var.2014.4187.

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In recent decades there has been the development of so-called "new technologies" and have come to transform the traditional procedures for heritage diffusion, substantially expanding its possibilities, improving the quality, effectiveness, manageability and significantly reducing costs. In this article we want to highlight the spread of built heritage features applied to animations and virtual tours. To do this is to use the case study of cultural places of the village of Agreda (Soria) and also implemented for cataloging their heritage, using methods of architectural survey by photogrammetry and other digital procedures in those interest cultural real state.
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Murray, Ronald J., and Barbara B. Tillett. "Cataloging Theory in Search of Graph Theory and Other Ivory Towers." Information Technology and Libraries 30, no. 4 (December 1, 2011): 170. http://dx.doi.org/10.6017/ital.v30i4.1868.

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This paper summarizes a research program that focuses on how catalogers, other cultural heritage information workers, web/Semantic Web technologists, and the general public understand, explain, and manage resource description tasks by creating, counting, measuring, classifying, and otherwise arranging descriptions of cultural heritage resources within the bibliographic universe and beyond it. A significant effort is made to update the nineteenth-century mathematical and scientific ideas present in traditional cataloging theory to their twentieth- and twenty-first-century counterparts. There are two key elements in this approach: (1) a technique for diagrammatically depicting and manipulating large quantities of individual and grouped bibliographic entities and the relationships between them, and (2) the creation of resource description exemplars (problem–solution sets) that are intended to play theoretical, pedagogical, and IT system design roles.
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Moraliyska, Nevena, Todorka Glushkova, and Mariya Grancharova-Hristova. "Processing and Presentation of Knowledge about the Cultural-Historical and Natural Heritage of Bulgaria in an Intelligent Tourist Guide." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 7, no. 2 (2021): 82–93. http://dx.doi.org/10.26615/issn.2367-8038.2021_2_007.

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The report presents a reengineering approach to expand the knowledge base of the intelligent Tourist Guide developed in the DeLC laboratory of Plovdiv University "Paisii Hilendarski" with information about the Bulgarian cultural, historical and natural sites stored in existing non-standardized databases. The Tourist Guide is created as a multi-agent environment based on the reference architecture of the Virtual Physical Space (ViPS). The knowledge base in ViPS is based on a network of ontologies - OntoNet. In order to use the existing databases, it is necessary to create a common database based on the CCO standard (Cataloging Cultural Objects) for the presentation of cultural and historical sites of UNESCO. Keywords: Cataloging Cultural Objects (CCO); Virtual Physical Space (ViPS); Tourist Guide
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Coburn, Erin, Elisa Lanzi, Elizabeth O'Keefe, Regine Stein, and Ann Whiteside. "The Cataloging Cultural Objects experience: Codifying practice for the cultural heritage community." IFLA Journal 36, no. 1 (March 2010): 16–29. http://dx.doi.org/10.1177/0340035209359561.

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Miedzińska, Danuta. "Przegląd zastosowań metod inżynierii odwrotnej do katalogowania i rekonstrukcji dóbr kultury." Ochrona ludności i dziedzictwa kulturowego, no. 1/2022 (November 10, 2022): 25–51. http://dx.doi.org/10.4467/29563763.oldk.22.002.16531.

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Dobra kultury stanowią bezcenny majątek każdej społeczności, narodu, a nawet ludzkości, który pozwala zrozumieć tożsamość i korzenie człowieka. Ochrana tych dóbr jest niezwykle istotna, szczególnie ze względu na zmieniający się gwałtownie klimat czy działania ludzkie, takie jak konflikty zbrojne. W artykule przedstawiono przykłady zastosowania bezinwazyjnych metod inżynierii odwrotnej do katalogowania, konserwacji, renowacji dzieł architektury i sztuki oraz tworzenia wirtualnych muzeów. Overview of applications of reverse engineering methods for cataloging and restoration of cultural property Heritage is invaluable assets of any community, nation or even humanity, which allows us to understand human identity and roots. Protection of these assets is extremely important, especially due to the rapidly changing climate or human activities such as armed conflicts. The article presents examples of the application of non-invasive reverse engineering methods for cataloging, conservation, restoration of architectural and art works and creation of virtual museums.
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Ivanova, Tsvetomira, and Iva Nedeleva. "ONTOLOGY OF THE BULGARIAN CULTURAL HERITAGE. BULGARIAN FOLKLORE." Proceedings of CBU in Social Sciences 2 (October 24, 2021): 156–60. http://dx.doi.org/10.12955/pss.v2.215.

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This article presents the creation of an ontology describing Bulgarian folklore. The ontology has been developed based on the CCO (Cataloging Cultural Objects) standard. CCO leads us to provide data content standards. The set of ontologies is a knowledge base used by intelligent agents. One of the main problems with systems and developments describing different cultural and/or historical sites is the difficulty in sharing information between individual societies or systems. The use of standards greatly facilitates the dissemination of data. The CCO standard provides clear and precise definitions of the individual attributes that an object must possess. The ontologies developed by Protégé are designed in such a way as to meet the requirements of the standard. The created ontologies describe 7 folklore areas with specific ones being: music, dances and musical instruments. The work on creating this ontology directs us to create web applications of the developed ontologies.
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Dissertations / Theses on the topic "Heritage cataloging"

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Almeida, Milene Rosa de. "Padrão de descrição de informação: avaliação da capacidade representacional de bens materiais." Universidade Federal de São Carlos, 2014. https://repositorio.ufscar.br/handle/ufscar/1135.

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Made available in DSpace on 2016-06-02T19:16:40Z (GMT). No. of bitstreams: 1 6076.pdf: 4397186 bytes, checksum: d8416c2f12c1e128c75b2a82a7bbec86 (MD5) Previous issue date: 2014-02-07
The rural development in the Brazilian South and Southeast started in the mid-eighteenth century, initially by mining and later by coffee and sugar cane crops. Besides the economic development, the architecture and culture are highlights from these regions. In order to describe tangible and intangible rural heritage from these farms, it was developed the Information Description Standard (IDS) using theoretical and methodological Information and computer sciences precepts. The IDS is compound by 13 description groups according to the scope, content and kind of heritage assets. The parameters to obtain a completed and detailed description of the heritage assets were taken from codes, standards and librarianship, archival, museological and computer science roadmaps. This research conducted a comparative study between the IDS description fields and the standard Machine Readable Cataloging (MARC 21), widely used in libraries. The methodology used a theoretical study on rural heritage and cataloging, highlighting the MARC 21 standard, followed by the comparative analysis of IDS and MARC 21. As a result, it was pointed out that the IDS needs of small interventions to enable a more complete description of the properties identified in São Paulo historic farms. In the end, it was concluded that IDS is able to perform the descriptive representation of the rural heritage satisfactorily.
O desenvolvimento rural das regiões Sudeste e Sul brasileiras deu-se em meados do século XVIII, primeiramente com a mineração e posteriormente com as culturas de café e cana-de-açúcar. Além do desenvolvimento econômico, destacam-se as riquezas arquitetônicas e culturais desses espaços. A fim de descrever bens patrimoniais rurais materiais e imateriais existentes nestas fazendas, criou-se o Padrão de Descrição de Informação (PDI), utilizando-se de preceitos teóricos e metodológicos das Ciências da Informação e da Computação. O PDI é composto por 13 grupos de descrição, conforme o campo, o conteúdo e a natureza do bem patrimonial. Os parâmetros para obtenção de uma descrição abrangente e exaustiva dos bens foram retirados de códigos, normas e roteiros biblioteconômicos, arquivísticos, museológicos e informáticos. A presente pesquisa realizou um estudo comparativo entre os campos de descrição do PDI e o padrão MAchine Readable Cataloging (MARC 21), largamente utilizado em bibliotecas. A metodologia constou de um estudo teórico sobre patrimônio rural e sobre catalogação, com destaque para o padrão MARC 21, seguido da análise comparativa do PDI e MARC 21. Como resultados, apontou-se que o PDI necessita de pequenas intervenções a fim de permitir uma descrição mais completa dos bens patrimoniais materiais identificados nas fazendas históricas paulistas. Concluiu-se que o PDI é capaz de realizar a representação descritiva do bem patrimonial material rural de modo satisfatório.
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Bruschi, Viola Maria. "Desarrollo de una metodología para la caracterización, evaluación y gestión de los recursos de la geodiversidad." Doctoral thesis, Universidad de Cantabria, 2007. http://hdl.handle.net/10803/10611.

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El presente trabajo trata sobre la identificación, catalogación, evaluación, protección y utilización de los recursos de la geodiversidad. Uno de los principales problemas que afecta al tratamiento conjunto del patrimonio geológico es el alto grado de subjetividad. En el presente trabajo se incluye un primer inventario de LIG para la región Cantabria, que se ha utilizado para el desarrollo de las fases sucesivas de evaluación, protección, puesta en valor de los LIG y para el cálculo de los impactos producidos por acciones humanas. Se han desarrollado procedimientos de evaluación de la calidad de los LIG a través de métodos directos (basados en el juicio de expertos) e indirectos (paramétricos) sobre la base de la identificación de criterios de evaluación, de parámetros medibles y de la definición de unos "modelos de calidad". Por medio de análisis factorial, se ha identificado un conjunto reducido de criterios que permite reproducir en un 83% los resultados obtenidos utilizando todos los criterios. Sobre la base de los resultados se han elaborado algunos ejemplos de acciones encaminadas a la protección, gestión y puesta en valor de los elementos de la geodiversidad de Cantabria.
The present work addresses issues related to the identification, cataloguing evaluation, protection and utilisation of geodiversity's resources. One of the main difficulties to carry out such tasks lies in the subjectivity. The work presented here includes an initial inventory of sites of geological interest in the region of Cantabria. Then, a group of sites of geomorphologic interest has been selected to make comparisons between different evaluation methods, determine the degree of coincidence between the ranks of classifications obtained and make recommendations on the most advisable procedures. These methods make it possible to apply transparent, clearly defined criteria which can provide replicable results if applied by different operators and can therefore be subject to external test and scrutiny. The above methods can provide good results using only six parameters that express three significant qualities of sites: scientific interest or intrinsic quality; potential for use; threats for conservation. The type of evaluation methods described has been applied to design a method for the incorporation of geosites into the EIA process. In order to contribute to the valorisation of geodiversity's values, a series of specific proposals are presented for the protection and use of sites of geologic interest in Cantabria.
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Murray, Ronald J., and Barbara B. Tillett. "Cataloging Theory in Search of Graph Theory and Other Ivory Towers. Object: Cultural Heritage Resource Description Networks." 2011. http://hdl.handle.net/10150/136270.

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Working paper summarizing research into cataloging theory, history of science, mathematics, and information science.
The report summarizes a research program that has been investigating how catalogers, other Cultural Heritage information workers, World Wide Web/Semantic Web technologists, and the general public understand, explain, and manage resource description tasks by creating, counting, measuring, classifying, and otherwise arranging descriptions of Cultural Heritage resources within the Bibliographic Universe and beyond it.
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Cioli, Federico. "Identità urbana e patrimonio immateriale. Il rilievo e la rappresentazione delle attività commerciali storiche e tradizionali fiorentine." Doctoral thesis, 2021. http://hdl.handle.net/2158/1231420.

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La tesi affronta la tematica del rapporto tra la città e le attività commerciali, le quali costituiscono un’importante testimonianza della sua evoluzione storica e culturale, rappresentando tradizioni e abitudini sociali che si riflettono nei fronti urbani e nelle strade. Lo studio, attraverso l’approfondimento del caso studio delle attività storiche di Firenze, pone le basi per comprendere quelle che possono essere le implicazioni legate alla loro tutela. La ricerca ha l’obiettivo di definire un protocollo operativo per la documentazione delle attività commerciali applicabile sia sul piano nazionale che sul panorama internazionale che tenga in considerazione sia gli aspetti materiali della struttura architettonica sia gli aspetti immateriali relativi al prodotto, alle tecniche di lavorazione, alla cultura economica e alla tradizione, ma soprattutto alla storia e all’identità sociale di una città che esiste in quanto sintesi di entrambi questi aspetti. The thesis deals with the issue of the relationship between the city and commercial activities, which constitute an important testimony of its historical and cultural evolution, representing traditions and social habits that are reflected in the urban fronts and in the streets. The study, through an in-depth study of the case study of the historical activities of Florence, sets the stage for understanding what may be the implications related to their protection. The research aims to define an operational protocol for the documentation of commercial activities applicable both nationally and internationally that takes into consideration both the material aspects of the architectural structure and the intangible aspects relating to the product, to the processing techniques, to economic culture and tradition, but above all to the history and social identity of a city that exists as a synthesis of both these aspects.
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Fonseca, Rafael Oliveira da. "Inventariação, caraterização e avaliação do património ecoturístico do Concelho de Machico (Madeira, Portugal)." Master's thesis, 2016. http://hdl.handle.net/10400.13/1639.

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Books on the topic "Heritage cataloging"

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Varnienė-Janssen, Regina. Lietuvos kultūros paveldas atsiveria pasauliui: Metodologiniai, technologiniai ir organizaciniai sprendimai = Lithuanian cultural heritage goes to the world : methodological, technological, and organisational solutions. Vilnius: Lietuvos nacionalinė Martyno Mažvydo biblioteka, 2010.

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Paloscia, Raffaele, Simone Spellucci, and Luca Spitoni. La Habana del Este. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-503-5.

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The Atlas of Territorial Heritage in the Municipality of East Havana is a useful tool in order to reach a complete knowledge of an extended Cuban municipality belonging to Havana, Cuba. At the same time the atlas is useful to generate analytical bases for future urban planning interventions and transformations, which can be focused on the idea of territorial heritage as an essential resource for a self-sustaining development. The main objective is to explain the tangible and intangible components of the heritage and try to stimulate and strengthen the community’s awareness on the richness of territory and its potential. Thus communities can express themselves in the adaptation to environmental, climatic, demographic and economic changes. The Atlas was developed by an Italian/Cuban team of experts in different phases and has been updated recently. It contains the results of a deep and accurate analysis and cataloging, made up of a large number of data concerning the various areas of research. The data were organized in typologies and punctually located in maps. The multifaceted and dense richness of Cuban culture finds in this volume a confirmation, and makes possible to put into practice cognitive tools for safeguarding and valorization, a strong point for new challenges of contemporaneity.
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Dunn, Heather. Testing a vocabulary standard against cataloguing practice in Canadian museums: Demonstrating the validity of the Art & architecture thesaurus as a vocabulary source/search tool for the Canadian Heritage Information Network's Humanities National Database. [Ottawa?]: Canadian Heritage Information Network (CHIN), 1995.

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J, Fox Michael. Introduction to Archival Organization and Description: Access to Cultural Heritage (Getty Information Institute). Getty Trust Publications: Getty Information Institute, 1999.

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“Literary Heritage” for 80 years: A Guide to Volumes 1–103, yrs. 1931–2011. — Book two: Index of Illustrations. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lh.0130-3627-2021-104-2.

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The Index of Illustrations is an integral part of the definitive guide “Literary Heritage For 80 Years. A Guide to Volumes 1–103 yrs. 1931–2011”. There are nearly 12,000 illustrations in 103 volumes of “Literary Heritage”. The search for content spanned small and large museums, archives, and libraries in Russia, with many illustrations published for the first time ever. Other materials were sourced from public and private collections within the country and from abroad. The resulting illustrative content in “Literary Heritage” forms a massive, powerful visual projection of Russian authors, aspects of their family and everyday life, the spectrum of cultural and political professions, and portraits of actors in life and as performers on the stages of domestic and foreign theaters. The authors emphasized reproducing autographs including unpublished manuscripts, letters, and dedications on photographs and in books. Of great importance is the replication of printed materials — illustrations from the works of Russian authors as representative examples of typography. Finally, we should highlight many illustrations that give the viewer an idea about the environment of the authors, including memorials and monuments. The Index of Illustrations serves as a key to this iconic collection of materials, cataloging cutlines in order of their appearance in the volumes and respective location within each book. Cutlines are expanded on the illustrations’ theme — the subjects of the portraits, the groups gathered for specific purposes, the authors of the manuscripts, etc. They indicate the artist or photographer of the original illustration and its current location (museum, archive, etc.). In addition, a cross-reference of over 7,000 names accompanies the Index.
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Dudbridge, Glen. Libraries, Book Catalogues, Lost Writings. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.11.

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Literature can be seen from two perspectives, contrasting a textual heritage sanctioned by cultural arbiters with a fluid scene in which written culture mutates according to the dynamics of open society. In China, a tradition of imperially sponsored bibliography, library formation, and cataloguing set out to standardize the mass of inherited writing. As libraries moved through cycles of formation, destruction, and reconstruction, they struggled to accommodate new work within traditional frameworks. Classification was an intellectual adventure that developed through two parallel traditions, in seven and four main parts respectively. By the eighth century ce, the four-part system imposed became dominant. Vast amounts of literature lost to direct transmission survived in edited collections that inevitably compromised the integrity of vanished originals. Conversely, finds in tombs, caves, and excavations have recovered a rich harvest of ancient writings, many of them previously unknown. The results have brought those two rival perspectives into direct confrontation.
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Ball, Warwick. Archaeological Gazetteer of Afghanistan. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199277582.001.0001.

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Since its publication in 1982, the Archaeological Gazetteer of Afghanistan has become the main reference work for the archaeology of Afghanistan, and the standard sites and monuments record for the region; archaeological sites are now referred to under their Gazetteer catalogue number as routine in academic literature, and the volume has become a key text for developing research in the area. This revised and updated edition has been significantly expanded to incorporate new field-work and discoveries, as well as older field-work more recently published, and presents new cases of synthesis and unpublished material from private archives. New discoveries include the Rabatak inscription detailing the genealogy of the Kushan kings, a huge archive of Bactrian documents, Aramaic documents from Balkh on the last days of the Persian empire, a new Greek inscription from Kandahar, two tons of coins from Mir Zakah, a Sasanian relief of Shapur at Rag-i Bibi, a Buddhist monastic 'city' at Kharwar, new discoveries of Buddhist art at Mes Aynak and Tepe Narenj, and a newly revealed city at the Minaret of Jam. With over 1500 catalogue entries, supplemented with concordance material, site plans, drawings, and detailed maps prepared from satellite imagery, the Archaeological Gazetteer of Afghanistan: Revised Edition is the most comprehensive reference work on the archaeology and monuments of the region ever undertaken. Cataloguing all recorded sites and monuments from the earliest times to the Timurid period, this volume will be an invaluable contribution to the renewed interest in Afghanistan's cultural heritage and an essential resource for students and researchers.
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Book chapters on the topic "Heritage cataloging"

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Artese, Maria Teresa, and Isabella Gagliardi. "Cataloging Intangible Cultural Heritage on the Web." In Progress in Cultural Heritage Preservation, 676–83. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34234-9_71.

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Bianconi, Fabio, Sofia Catalucci, and Marco Filippucci. "The Identity Landscape in the Cataloging of Scattered Assets in the Area of Amelia." In Putting Tradition into Practice: Heritage, Place and Design, 984–93. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_101.

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Ros Torres, Josefa, Josefina Garcia-León, and Gemma Vázquez Arenas. "Graphic Cataloguing of Architectural Heritage: Metal Railings in the Eclectic and Modernist Cartagena." In Graphical Heritage, 748–56. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47979-4_64.

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Heinisch, Barbara, Kristin Oswald, Maike Weißpflug, Sally Shuttleworth, and Geoffrey Belknap. "Citizen Humanities." In The Science of Citizen Science, 97–118. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58278-4_6.

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AbstractCitizen humanities is the term for citizen ‘science’ in the humanities. It has a long tradition and, since the object of investigation is human culture, raises questions about values, cultural significance, and deeper meaning of phenomena related to human culture.The development of digital technologies not only led to the emergence of digital humanities but also to new ways of involving citizens in the activities of cultural heritage institutions and academic research. Participants’ contributions to academic research and to the preservation of cultural heritage range from uncovering treasures hidden in archives and digital environments to tapping local knowledge. Their tasks have included tagging, transcribing, or cataloguing artefacts, through which they acquire specialist knowledge and competences, while assisting scholars and researchers to gain new insights. Challenges in the citizen humanities include biases, participant training and retention, as well as the advancement of digital technologies, such as artificial intelligence.Citizen humanities can combine topical issues in society with academic knowledge, demonstrate the relevance of the humanities for society, and establish a direct link to its members. In addition to the advancement of knowledge, the citizen humanities can unlock the potential of embedded, diverse, and culturally sensitive knowledge and play a crucial role in preserving and enriching cultural heritage.
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Seidel-Grzesińska, Agnieszka, and Małgorzata Wyrzykowska. "Cataloguing Monuments - Some Changes in the Documentary Work of Art Historians in Silesia over the Past 150 Years." In Digital Research and Education in Architectural Heritage, 34–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76992-9_3.

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Grasso, Giovanni, Chiara Mannari, and Davide Italo Serramazza. "PH-Remix. Enhancing Cataloguing and Promotion of Film Heritage Through Video Remix and Artificial Intelligence." In Communications in Computer and Information Science, 163–77. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-20302-2_13.

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Yu, Chih-Hao, Tudor Groza, and Jane Hunter. "Reasoning on Crowd-Sourced Semantic Annotations to Facilitate Cataloguing of 3D Artefacts in the Cultural Heritage Domain." In Advanced Information Systems Engineering, 228–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41338-4_15.

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"Collaborative Cataloging: Using Dublin Core to Unite Local Heritage Organizations: Kody Janney." In Collaborative Access to Virtual Museum Collection Information, 48–63. Routledge, 2005. http://dx.doi.org/10.4324/9780203826850-7.

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Continenza, Romolo, and Ilaria Trizio. "The SIArch-Univaq." In Advances in Geospatial Technologies, 311–36. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8379-2.ch010.

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SIArch-Univaq is a knowledge-based instrument for the cataloging of historical architectural heritage, created to provide a powerful cognitive tool to all operators interested in studies and conservation. The principle characteristic of this architectural Information System is its notable capacity of in-depth analysis, going down to the identification of all the constructive components with simplicity of consultation, activated by one or more three-dimensional models deliberately created. Conceived at the University of L'Aquila (Italy) it was developed in the framework of research financed with funds from the Ministry for University and Scientific Research made available for projects of relevant national interest (PRIN). This article describes its structure, characteristics and functionalities.
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Crespo, I. "Geographical cataloguing of earthen architecture in Soria, Spain." In Vernacular Heritage and Earthen Architecture, 123–28. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-24.

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Conference papers on the topic "Heritage cataloging"

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García-Gimeno, Villena Gómez, García-Forner, and Martínez-Pérez. "Recovery of paleontological heritage: cataloging and enhancement of a paleontological donation." In XVIII Encuentro de Jóvenes Investigadores en Paleontologia. Nova.id.fct, 2021. http://dx.doi.org/10.21695/cterraproc.v1i0.429.

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Nair, Preeti, Devendra Pratap Singh, and Navneet Munoth. "Data Cataloging of the heritage-based villages through geographic information system (GIS)." In 2020 10th International Conference on Cloud Computing, Data Science & Engineering (Confluence). IEEE, 2020. http://dx.doi.org/10.1109/confluence47617.2020.9058056.

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Moldovanu, Anastasia. "The Scientific Value of the Collection of “Tudor Arghezi” art Library. Heritage Documents." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.01.

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The written culture of a people is impressive in terms of heritage documents. These include books, the press, old prints and manuscripts, maps. According to their scientific importance, the Library’s collection includes current books, old books, books that, regardless of the year of publication, have special graphic qualities of the cover, title page, valuable content, atypical format, illustrations by well-known artists, and books with special bibliophile value with the signature or autograph of the author/donor. In libraries, such documents come from private donations and libraries; they are collected by professional people who activated in a certain period of time. These donations are managed in the form of special collections at the Arts Branch. In this context, the question of managing this special fund appears, i.e. the inventory, cataloging and preservation of the fund, the elaboration of a common Bibliography for all branches of “B. P. Hasdeu” Municipal Library, which would be permanently completed and therefore become everybody’s common good.
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Parra Zebadúa, Amalia, Mariona Genis Vinyals, Lourdes Ocampo García, Roberto Villers Aispuro, Manuel Alejandro Zenteno Hernández, Lorenzo Franco Escamirosa Montalvo, and Sergio Naraín Zebadúa Velasco. "Contributions of the vernacular heritage in the current city. Case study: Santo Domingo Neighborhood, Tuxtla Gutiérrez, Chiapas, Mexico." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15131.

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The situation of marginality and vulnerability in the historic center of the capital of Chiapas is latent despite its location in the area of the greatest supply of services and urban facilities of the city. Specifically in Santo Domingo neighborhood in Tuxtla Gutiérrez, Chiapas, one of the oldest neighborhoods in the city, there has been a gradual loss of inhabitants since the 90s causing the decline of vernacular heritage and local identity. The commitment to sustainable development in cities worldwide sets as goals various actions that promote a look at the vernacular heritage and its relationship with the environment. However, the model of expansive growth of the city in an uncontrolled manner, moving away from the central city, also moves away from the Sustainable Development Goals.This article is part of a broader investigation in which the development of a methodology is proposed that establishes a specific cataloging system of the earthen architectural heritage of Santo Domingo neighborhood to provide guidelines for its preservation, strengthening and, in turn, of the historic city center, as a basis for redirecting the current city towards sustainable development.Through the analysis and characterization of the buildings built with raw earth and their inhabitants, it deepens in the analysis of the vernacular heritage, in its construction and consolidation of the urban environment, as well as its way of contributing to economic, social, and environmental links.However, the future of the vernacular heritage in urban areas, in this case, Santo Domingo neighborhood, depends not only on the patrimonial valuation in society but also on its economic revaluation by public and private institutions.
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Calisi, Daniele. "PHOTOGRAMMETRIC SURVEY AND 3D MODELING OF THE FUNERARY URN DEPICTING THE MYTH OF OENOMAUS, FOUND INSIDE THE TOMB OF THE ETRUSCAN FAMILY OF CACNI IN PERUGIA (III-I CENTURY BC)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3318.

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The urn, recovered in 2013 by the Cultural Heritage's Police Command along with other 21 and with the funeral set of the tomb of the Cacni family at Perugia, was exhibited at the Quirinale and then moved to Perugia, at the National Archaeological Museum of Umbria. 2014. After a first attempt to survey the laser scanner, the survey, aimed at the graphic documentation and implementation of a virtual model for the study and dissemination, has been performed with photographic processed with software modeling structure from motion.3D model in mesh made with the appropriate software has been cleaned of all its impurities: holes, tips, noise and rough surfaces. To conclude the process, the mapping from photography, with high resolution textures, giving the mesh the appearance next to the real funerary urn. The survey work on the urn of Oenomaus is a case in point, both for research of best practices in the surveys of archaeological objects, both in the ultimate goal of the relief: not only cataloging and knowledge, but also of divulging to a wider public.
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Mollica, Sonia. "Tradition and semantics: the case of Aeolian architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14070.

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Vernacular architecture is identified as a structure based on specific local needs, on the presence of building materials present in the place and on the extemporaneousness of the architecture, built according to structural dogmas based on the local construction tradition. This is confirmed by the etymology of the word ‘vernacular’, from the Latin “vernaculus”, meaning "indigenous, domestic", or from “verna”, that is "native slave". In the present, vernacular architecture takes on new meanings, often used as an identifier for popular architecture - as also stated by Allen Noble in "Traditional Buildings: A global Survey of Structural Forms and Cultural Functions" of 2007 - or rather structures belonging to common people but «That can be built by skilled professionals, using local and traditional designs and materials», which is also supported by the Oxford English Dictionary. It is in this context that the vernacular Aeolian architecture fits, which significantly and identically characterize the entire territory of the Aeolian Islands, awarded the title of World Heritage Site by UNESCO. Aeolian architecture is inextricably linked to the history of the invasions of different peoples that have taken place in this area, such as the Greek-Roman, Islamic and finally Campania influences, due to their modifications both from an urbanistic and compositional point of view. But today how is it possible to encourage the dissemination and knowledge of these architectures which are so identifying for the Sicilian territory? Cataloging and semantics are configured as fundamental actions for the analysis and use of the architectural heritage, broken down into its deepest formal and compositional characteristics, identifiable in Aeolian architecture through the identification of semantics with a peculiar nomenclature. This article therefore investigates the aspects of semantics applied to traditional language and the compositional characteristics of Aeolian architecture, treated as an indissoluble link of knowledge and analysis of the building, through possible uses of digital applications.
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Mancebo, Juan. "[Re]readings of the perfect. Mysticism of James Lee Byars." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-21.

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The complex contextualization of the work of James Lee Byars (1932–1997) in contemporary artistic practices was determined by its timelessness in both form and concept. Considered by Kevin Power as one of the key artists of the second half of the twentieth century alongside figures such as Joseph Beuys and Andy Warhol, his legacy seems to have declined probably because of the discomfort caused by the approach to his work, since any previous consideration and attempt at cataloging, escapes through the loopholes on which they are based. Byars’ performances and pieces were mostly structured around the cryptic concept of perfection. The artist’s mission, in this case, takes on the roles of a shaman and a magician who questions the illegibility of a world whose materialism seems to have expelled any consideration of the sacred, thus articulating a work that, far from providing answers, raises questions about the ultimate meaning of life. Gold, geometry, time (and its transience), space (re-signified by his cultural heritage), language and the body expressed a proposal in which installations and actions are the instruments he uses primarily to question us about the big questions. Byars in this sense has been considered a mystic, since he places us at the doors of a new perception to make us uncomfortable and provoke us, to transmit us the questions about being in the world. This article is modulated on the poetics of the work, thought and actions of James Lee Byars, one of the few contemporary artists who can be defined as mystic in the broad sense of the word and for whom the sacred, contrary to the current of unidirectional thought, is inherent to the contemporary subject.
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Feriotto, Chiara, Michela Biancardi, Ursula Thun Hohenstein, Marzia Breda, and Antonio Leonforte. "Cloud computing for cataloguing and valorization of the Cultural Heritage.: Experimentation of the LiveBase platform for the fast development of cataloguing." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744738.

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Feriotto, Chiara, Massimo Marchetto, Roberto Meschini, and Matteo Fabbri. "Enhancement of Science fiction collection proposal for standard cataloguing datasheet and engagement best practices for the exhibit." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419556.

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Galiana, M., A. Mas, C. Lerma, and J. Roldán. "Methodology for the cataloguing and recovery of archaeological remains of architectural heritage." In STREMAH 2015. Southampton, UK: WIT Press, 2015. http://dx.doi.org/10.2495/str150011.

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