Dissertations / Theses on the topic 'Henry Edmund'
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Ratté, Michel. "La fondation égologique de la phénoménologie et l'extension de sa portée à la phénoménologie génétique : une relecture critique de E. Husserl dans la perspective de M. Henry /." Trois-Rivières : Université du Québec à Trois-Rivières, 2006. http://www.uqtr.ca/biblio/notice/resume/24674327R.pdf.
Full textSchimmer, Thomas M. [Verfasser]. "Phänomenologische Kulturkritik : Praktische und kulturphilosophische Perspektiven bei Edmund Husserl, Martin Heidegger und Michel Henry / Thomas M. Schimmer." Baden-Baden : Ergon Verlag, 2018. http://d-nb.info/1212401158/34.
Full textChristensen, Carleton B. "Self and world from analytic philosophy to phenomenology." Berlin New York, NY de Gruyter, 2008. http://d-nb.info/988967723/04.
Full textJordan, Timothy Russell. "John Lydgate: Monk-Poet of Bury St. Edmunds Abbey." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1349900903.
Full textDietrich, Victor. "Affectivité et kairos : temps et décision, analyses phénoménologiques pour un nouveau concept de l'affectivité." Nice, 2011. http://www.theses.fr/2011NICE2005.
Full textArcher, Adrian Avery. "McDowell, Gettier, and the bipartite account of perceptual knowledge /." St Andrews, 2008. http://hdl.handle.net/10023/511.
Full textKelly, Erin Katherine. ""My dere chylde take hede how Trystram doo you tell": Hunting in English Literature, 1486-1603." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366055200.
Full textDalla, Chiara Maude Escoubas Éliane Curi Umberto. "De l'intersubjectivité à la rencontre Husserl, Merleau-Ponty, Maldiney /." Créteil : Université de Paris-Val-de-Marne, 2007. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0253128.pdf.
Full textThèse électronique uniquement consultable au sein de l'Université Paris 12 (Intranet). Thèse soutenue en co-tutelle. Titre provenant de l'écran-titre. Bibliogr. f. 303-335.
Harmati, Gregory. "Le problème de la réduction : essai d'interprétation de la méthode de la réduction dans les travaux de Henri Bergson à l'aide de la phénoménologie d'Edmund Husserl." Paris 4, 2001. http://www.theses.fr/2000PA040277.
Full textDalla, Chiara Maude. "De l'intersubjectivité à la rencontre : Husserl, Merleau-Ponty, Maldiney." Paris 12, 2004. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990002531280204611&vid=upec.
Full textThe question of alterity goes to the heart of phenomenology. Husserl was the first to insist on the paradoxical relation to the other which, for him, takes place on the level of two living bodies. Merleau-Ponty, for his part, attempted to go beyond the dualistic approach by way of the originary interweaving of the transcendental and the empirical, or by way of embodiment. The impossibility of a purely subjective point of departure motivates the transition from intersubjectivity to embodiment as openness to the other. The philosophy of the flesh, by way of the interweaving of corporality and world, makes the relation to the other possible, but it leaves the irreductibility of alterity in suspense. With Maldiney the encounter becomes the core of the problem of the other and the world is then the place of the encounter. The impossibility of an exhaustive access to the other is, for him, correlative to the impossibility of access to oneself. In turning to psychosis, he shows the failure of the encounter and in turning to art, he shows the importance of the non-thematisable
Melliti, Djamel. "Phénoménologie architectonique et connaissance : contribution à la recherche épistémologique pour les fondements de la psychopathologie." Paris 7, 2008. http://www.theses.fr/2008PA070057.
Full textFollowing in the footsteps of French psychiatrist and philosopher Henri Ey (1900-1977), that is, by compounding the architectonic method with philosophy, the causal and normative sciences as well as anthropology, we here aim to rethink psychopathology as an epistemic process and to come to understand in what way the phenomenological dimension of psychopathology opens up a horizon of meaning likely to lead to an architectonic clarification of its own foundations. In so doing, we gauge psychopathology against the radicalism of an epistemological reflection in order to extract from the latter original insights into the way psychopathology could, in ail originality, envisage its own foundations according to the architectonic model, What we therefore aim to show is to what extent the architectonic model constitutes a methodological point of view which is capable of providing psychopathology with a fundamentally epistemological dimension. In order to achieve this, it is crucial to analyse our relationship to the world through the issues of space, body. Nature, scientific logic, language, imagination, or even aesthetics. Our research findings therefore provide us with new perspectives whereby psychopathology could be approached not only through the architectonic organization of its knowledge, but also through the clinical data that may obtain in psychopathological cases
Blouin, Philippe S. "La phénoménologie comme manière de vivre." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR009.
Full textAt the heart of phenomenology lies a metaphysical claim according to which the phenomenal stream of lived experience (Erlebnisstrom) derives its meaning and its being from itself, rather than from some external or underlying reality. Moreover, this claim of the existential autonomy of the phenomenal stream, or of the equivalence of being and appearing, can only be verified through a complete transformation of our relationship to the world, where we seek to become mindful of things, and of the mystery in which they are steeped, rather than seeking to master them. Taken together, this metaphysical claim and this attitude of letting-be (Seinlassen) constitute the two pillars of phenomenology as a way of life, which the present thesis proposes to describe in broad outline. To do so, we focus our research on the work of the founder of phenomenology, Edmund Husserl, which we submit however to an internal critique; it is Husserl who both allows us to contemplate the idea of phenomenology as a way of life and at the same time poses the greatest obstacle to it. This tension within Husserlian thought can be seen in the two imperatives that define it: that of the “return to the things themselves”, on the one hand, and that of eidetic description, on the other. With the help of various interlocutors – who allow us to interrogate Husserl retrospectively (Pyrrho), contemporaneously (James, Bergson) and prospectively (Heidegger) – we show that these two imperatives are in fact incompatible, and propose in order to lift this contradiction to eliminate one of its terms, namely the imperative of eidetic description. Thus a path is cleared for a phenomenology that fully commits itself to its existential vocation. Finally, in parallel to this internal critique of Husserl, and to better support it, we develop a genetic explanation of the transcendental ἐποχή, where it is characterized as a conversion from the natural attitude to a post-reflective, that is mystical, form of consciousness
Meydit-Giannoni, Valentine. "Prescrire, écrire : pour un portrait du poète en moraliste ? Michaux, Char, Jabès et Jaccottet." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL093.
Full textThe idea behind the work “Prescribing & writing: questioning the portrait of the poet as a moralist (Michaux, Char, Jabès & Jaccottet)” came from the observation of a misleading but incredibly frequent use of the term “moralist” in the 20th Century literary criticism, specially when applied to describe poets. The misuse of the term “moralist” turned out to be the consequence of its impressionist and versatile definition in the field of the 20th Century studies. Referring to a 20th century writer as a moralist implies, without anachronism intended, that there is some sort of continuity of this type of writing from the Grand Siècle to modern times. In addition, the very artificial link we could indeed try to establish between the two poetics, through the hypothesis of a trans-secular moralist poetics, seems indeed to leave aside a whole other aspect of our poets’ work. If the elements of an ethic we may find in their work are undeniable, the metapoetic reflection is just as important, if not more. The hypothesis of these poets as moralists do not enable the critics to read together the ethic and the poetics which cannot be dissociated, because they are one. The common denominator of our four poets is their incredible ability to create an “art poétique who is also an “art de vivre” and conversely. Michaux, Char, Jabès and Jaccottet shape an ethic which is a poetics and a poetics which is an ethic, so that the relationship to the reader they program also corresponds with the relationship to the other, inside the human community. Don’t these corresponding shapes of the ethic and the poetics evoke another sapiential and literary model than the seventeenth century moralists?
Zenari, Vivian Alba. "Genre and the representation of violence in American Civil War texts by Edmund Wright, John William De Forest, and Henry James." Phd thesis, 2010. http://hdl.handle.net/10048/1193.
Full text"A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English and Film Studies, University of Alberta." Title from pdf file main screen (viewed on July 8, 2010). Includes bibliographical references.
Wehler, Melissa. "Illegitimate Celebrity in the British Long Eighteenth Century." 2013. http://digital.library.duq.edu/u?/etd,162311.
Full textMcAnulty College and Graduate School of Liberal Arts;
English
PhD;
Dissertation;
Lachapelle, Elysa. "L'invention dans les oeuvres de Johann Heinrich Füssli sur le thème du poème The faerie queene d'Edmund Spenser." Mémoire, 2012. http://www.archipel.uqam.ca/5143/1/M12617.pdf.
Full textSetlakwe, Blouin Philippe. "La phénoménologie comme manière de vivre." Thesis, 2019. http://hdl.handle.net/1866/24643.
Full textAt the heart of phenomenology lies a metaphysical claim according to which the phenomenal stream of lived experience (Erlebnisstrom) derives its meaning and its being from itself, rather than from some external or underlying reality. Moreover, this claim of the existential autonomy of the phenomenal stream, or of the equivalence of being and appearing, can only be verified through a complete transformation of our relationship to the world, where we seek to become mindful of things, and of the mystery in which they are steeped, rather than seeking to master them. Taken together, this metaphysical claim and this attitude of letting-be (Seinlassen) constitute the two pillars of phenomenology as a way of life, which the present thesis proposes to describe in broad outline. To do so, we focus our research on the work of the founder of phenomenology, Edmund Husserl, which we submit however to an internal critique; it is Husserl who both allows us to contemplate the idea of phenomenology as a way of life and at the same time poses the greatest obstacle to it. This tension within Husserlian thought can be seen in the two imperatives that define it: that of the “return to the things themselves”, on the one hand, and that of eidetic description, on the other. With the help of various interlocutors – who allow us to interrogate Husserl retrospectively (Pyrrho), contemporaneously (James, Bergson) and prospectively (Heidegger) – we show that these two imperatives are in fact incompatible, and propose in order to lift this contradiction to eliminate one of its terms, namely the imperative of eidetic description. Thus a path is cleared for a phenomenology that fully commits itself to its existential vocation. Finally, in parallel to this internal critique of Husserl, and to better support it, we develop a genetic explanation of the transcendental ἐποχή, where it is characterized as a conversion from the natural attitude to a post-reflective, that is mystical, form of consciousness.