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1

Carlyle, T. "TC TO HENRY COLE." Carlyle Letters Online 10, no. 1 (January 1, 1985): 79–81. http://dx.doi.org/10.1215/lt-18380511-tc-hc-01.

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Carlyle, T. "TC TO HENRY COLE." Carlyle Letters Online 11, no. 1 (January 1, 1985): 203–4. http://dx.doi.org/10.1215/lt-18391015-tc-hc-01.

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Carlyle, T. "TC TO HENRY COLE." Carlyle Letters Online 12, no. 1 (January 1, 1985): 117–18. http://dx.doi.org/10.1215/lt-18400425-tc-hc-01.

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Carlyle, T. "TC TO HENRY COLE." Carlyle Letters Online 12, no. 1 (January 1, 1985): 143–44. http://dx.doi.org/10.1215/lt-18400514-tc-hc-01.

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Carlyle, T. "TC TO HENRY COLE." Carlyle Letters Online 13, no. 1 (January 1, 1987): 3. http://dx.doi.org/10.1215/lt-18410101-tc-hc-01.

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Carlyle, T. "TC TO [HENRY COLE]." Carlyle Letters Online 13, no. 1 (January 1, 1987): 132–34. http://dx.doi.org/10.1215/lt-18410514-tc-hc-01.

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Carlyle, T. "TC TO HENRY COLE." Carlyle Letters Online 17, no. 1 (January 1, 1990): 156–58. http://dx.doi.org/10.1215/lt-18431025-tc-hc-01.

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Carlyle, T. "TC TO [HENRY COLE]." Carlyle Letters Online 17, no. 1 (January 1, 1990): 271–74. http://dx.doi.org/10.1215/lt-18440216-tc-hc-01.

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9

Morrison, Hope. "Big Bug by Henry Cole." Bulletin of the Center for Children's Books 67, no. 10 (2014): 507. http://dx.doi.org/10.1353/bcc.2014.0477.

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10

Ramirez-Zea, Manuel. "Validation of three predictive equations for basal metabolic rate in adults." Public Health Nutrition 8, no. 7a (October 2005): 1213–28. http://dx.doi.org/10.1079/phn2005807.

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AbstractObjectiveTo cross-validate three predictive set of equations for basal metabolic rate (BMR) developed by Schofield (Schofield database), Henry (Oxford database) and Cole (Oxford database) using mean values for age, weight, height and BMR of published studies.DesignLiterature review of studies published from 1985 to March 2002.SettingAll studies selected used appropriate methods and followed conditions that met the criteria established for basal metabolism, were performed in healthy adults, and were not part of the Schofield or Oxford database.SubjectsA total of 261 groups of men and women from 175 studies were selected and categorised in three age groups (18.5–29.9, 30.0–59.9, ≥60 years old) and three body mass index (BMI) groups (normal weight, overweight and obese).ResultsLinear regression and concordance correlation analysis showed that the three sets of equations had the same association and agreement with measured BMR, across gender, age, and BMI groups. The agreement of all equations was moderate for men and poor for women. The lowest mean squared prediction errors (MSPRs) were given by Henry equations in men and Cole equations in women. Henry and Cole equations gave lower values than Schofield equations, except for men over 60 years of age. Henry equations were the most accurate in men. None of the three equations performed consistently better in women.ConclusionThese results support the use of Henry equations in men with a wide range of age and BMI. None of the proposed predictive equations seem to be appropriate to estimate BMR in women.
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Whitehead, Christopher. "Henry Cole’s European Travels and the Building of the South Kensington Museum in the 1850s." Architectural History 48 (2005): 207–34. http://dx.doi.org/10.1017/s0066622x00003786.

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In January 1859, Henry Cole, the first Director of the South Kensington Museum (from 1899 known as the Victoria and Albert Museum) was in Rome, commissioning the photographer Pietro Dovizielli to produce photographs of buildings in the capital which Cole considered ‘suggestive’ and ‘picturesque’.
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Woo, Hyunjung. "19th British Design Education Policy and Henry Cole." Journal of Korean Association of Art History Education 30 (August 31, 2015): 67. http://dx.doi.org/10.14769/jkaahe.2015.08.30.67.

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MCKAY, MARGARET. "THOMAS LOVE PEACOCK IN THE DIARIES OF SIR HENRY COLE." Notes and Queries 36, no. 2 (June 1, 1989): 176–78. http://dx.doi.org/10.1093/nq/36-2-176.

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Spisak, April. "The Somewhat True Adventures of Sammy Shine by Henry Cole." Bulletin of the Center for Children's Books 69, no. 8 (2016): 409. http://dx.doi.org/10.1353/bcc.2016.0339.

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Auerbach, J. "Review: The Great Exhibitor: The Life and Work of Henry Cole." Journal of Design History 17, no. 2 (June 1, 2004): 199–200. http://dx.doi.org/10.1093/jdh/17.2.199.

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16

Shales, E. "Toying with Design Reform: Henry Cole and Instructive Play for Children." Journal of Design History 22, no. 1 (March 1, 2009): 3–26. http://dx.doi.org/10.1093/jdh/epn048.

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17

Wainwright, C. "Shopping for South Kensington. Fortnum and Henry Cole in Florence 1858-1859." Journal of the History of Collections 11, no. 2 (February 1, 1999): 171–85. http://dx.doi.org/10.1093/jhc/11.2.171.

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18

Hawkins, John. "A Charge to the Grand Jury of the County of Middlesex. delivered at the General Quarter Session of the Peace, holden at Hick's Hall in the said County, on Monday the Eighth Day of January 1770." Camden Fourth Series 43 (July 1992): 421–30. http://dx.doi.org/10.1017/s0068690500001768.

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At the General Quarter Session of the Peace holden at HICK's HALL, in Saint-John-Street, in and for the County aforesaid, on Monday the Eighth Day of January 1770, before Bartholomew Hammond, Saunders Welch, John Spencer Colepeper, Elisha Biscoe, Edward Jennings, Henry Lamb, William Timbrell, Joseph Keeling, Esqrs. Sir Robert Darling, Knt. Nathan Carrington, Stephen Cole, John Barnfather, Charles Dod, Jeremiah Bentham, Peter Lewis Perrin, Rupert Clarke, Joseph Newsom, George Mercer, John Cox, Benjamin Cowley, David Wilmot, Burford Camper, and Thomas Edmonds, Esqrs.
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19

Barnes, Martin, and Christopher Whitehead. "The 'Suggestiveness' of Roman Architecture: Henry Cole and Pietro Dovizielli's Photographic Survey of 1859." Architectural History 41 (1998): 192. http://dx.doi.org/10.2307/1568654.

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Shales, Ezra. "The Great Exhibitor: The Life and Work of Henry Cole. Elizabeth Bonython , Anthony Burton." Studies in the Decorative Arts 12, no. 1 (October 2004): 142–45. http://dx.doi.org/10.1086/studdecoarts.12.1.40663104.

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Patterson, Cynthia L. "Freedom’s Witness: The Civil War Correspondence of Henry McNeal Turner ed. by Jean Lee Cole." American Periodicals: A Journal of History, Criticism, and Bibliography 24, no. 2 (2014): 209–12. http://dx.doi.org/10.1353/amp.2014.0011.

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22

Goldstein, Tara. "The Bridge: The Political Possibilities of Intergenerational Verbatim Theater." Qualitative Inquiry 26, no. 7 (April 15, 2019): 833–39. http://dx.doi.org/10.1177/1077800419843947.

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This article introduces the reader to the work of Australian verbatim theater artists Donna Jackson, Bindi Cole Chocka, and James Henry. It describes the artists’ remount of Vicki Reynolds’s verbatim play The Bridge, which tells the story of the collapse of the Melbourne West Gate Bridge in 1970. I discuss the remount of the play as an intergenerational verbatim theater project which not only tells an important story from Australian working-class history to new audiences who haven’t heard it before, but also deepens the story through additional research and music. I also discuss the play as a project that uses political truths from the past to do new political work in the present.
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Stover, Lynne Farrell. "NCSS Notable Trade Book Lesson Plan Unspoken: A Story from the Underground Railroad Written by Henry Cole." Social Studies Research and Practice 9, no. 1 (March 1, 2014): 202–6. http://dx.doi.org/10.1108/ssrp-01-2014-b0012.

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Unspoken: A Story from the Underground Railroad is a remarkable picture book that opens with a young farm girl discovering an unknown person hiding in her family’s barn. What should she do? It’s not legal or safe to assist a runaway slave in the South during the Civil War. Whatever she does, her action (or inaction) will have consequences that may affect the life of another person in a positive or negative manner. This lesson focuses on the costs and benefits of the choices made by the farm girl. Young readers will use the wonderful illustrations to follow the tale’s linear storyline. Older students will be fascinated by the combination of embedded visual clues and unstated communication that defines the Civil War and Underground Railroad. The author’s endnote reveals the inspiration for the book and invites readers to write their own story.
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MANTENA, KARUNA. "ON GANDHI'S CRITIQUE OF THE STATE: SOURCES, CONTEXTS, CONJUNCTURES." Modern Intellectual History 9, no. 3 (November 2012): 535–63. http://dx.doi.org/10.1017/s1479244312000194.

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Gandhi's critique of the modern state was central to his political thinking. It served as a pivotal hinge between Gandhi's anticolonialism and his theory of politics and was given striking institutional form in his vision of decentralized peasant democracy. This essay explores the origins and implications of Gandhian antistatism by situating it within a genealogy of early twentieth-century political pluralism, specifically British and Indian pluralist criticism of state sovereignty and centralization. This essay traces that critique from the imperial sociology of Henry Sumner Maine, through the political theory of Harold Laski and G. D. H. Cole, to Radhakamal Mukerjee's reworking of these strands into a normative–universal model of Eastern pluralism. The essay concludes with a consideration of Gandhi's ideal of a stateless, nonviolent polity as a culmination and overturning of the pluralist tradition and as integral to his distinctive understanding of political freedom, rule, and action.
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Smith, Charles Saumarez. "THE INSTITUTIONALISATION OF ART IN EARLY VICTORIAN ENGLAND." Transactions of the Royal Historical Society 20 (November 5, 2010): 113–25. http://dx.doi.org/10.1017/s0080440110000071.

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ABSTRACTThis article explores the political and intellectual circumstances which led to the efflorescence of cultural institutions between the foundation of the National Gallery in 1824 and the National Portrait Gallery in 1856: the transformation of institutions of public culture from haphazard and rather amateurish institutions to ones which were well organised, with a strong sense of social mission, and professionally managed. This transformation was in part owing to a group of exceptionally talented individuals, including Charles Eastlake, Henry Cole and George Scharf, accepting appointment in institutions to foster the public understanding of art. But it was not simply a matter of individual agency, but also of coordinated action by parliament, led by a group of MPs, including the Philosophical Radicals. It was much influenced by the example of Germany, filtered through extensive translation of German art historical writings and visits by writers and politicians to Berlin and Munich. It was also closely related to the philosophy of the utilitarians, who had a strong belief in the political and social benefits of the study of art. Only the Royal Academy refused the embrace of state control.
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26

Church, Roy. "Edwardian Labour Unrest and Coalfield Militancy, 1890–1914." Historical Journal 30, no. 4 (December 1987): 841–57. http://dx.doi.org/10.1017/s0018246x00022342.

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For many years a consensus among historians of the Edwardian age drew a contrast between the essentially stable, liberal society of the late Victorian years, when discussion, compromise and orderly behaviour were the norm, and an Edwardian society in which tacit conventions governing the conduct of those involved in social and political movements began to be rejected – by Pankhurst feminists, Ulster Unionists, trade union militants and syndicalists. This period of crisis was so described in 1935 by Edward Dangerfield in the The strange death of liberal England, a brilliantly evocative title which, despite the lack of precision contained in the argument presented in his book, exercised an enduring influence on subsequent interpretations of British social and political history before 1914. G. D. H. Cole and Raymond Postgate reinforced this interpretation of a society in crisis, and not until Dr Henry Pelling's Politics and society in late Victorian Britain appeared in 1968 was the notion firmly rejected. There he denied that the convergence of the Irish conflict over home rule, the violence of the militant suffragettes, and unprecedented labour unrest signified either connexions or a common fundamental cause. The re-printing of Dangerfield's book in 1980 (and Pelling's in 1979) has been followed by renewed interest in these competitive hypotheses, and has led historians to re-examine the Edwardian age.
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Schoenefeldt, Henrik. "The Crystal Palace, environmentally considered." Architectural Research Quarterly 12, no. 3-4 (December 2008): 283–94. http://dx.doi.org/10.1017/s1359135508001218.

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In the nineteenth century, horticulturists such as John Claudius Loudon and Joseph Paxton, aware of the new environmental possibilities of glasshouses that had been demonstrated in the context of horticulture, contemplated the use of fully-glazed structures as a means to creating new types of environments for human beings. While Loudon suggested the use of large glass structures to immerse entire Russian villages in an artificial climate, Henry Cole and Paxton envisioned large-scale winter parks, to function as new types of public spaces. These indoor public spaces were intended to grant the urban population of London access to clean air, daylight and a comfortable climate. Although glasshouses had only been experienced in the immediate context of horticulture, designed in accordance with the specific environmental requirements of foreign plants, rather than the requirements of human comfort and health, they were perceived as a precedent for a new approach to architectural design primarily driven by environmental criteria. The environmental design principles of horticulture were discussed extensively in nineteenth-century horticultural literature such Loudon's Remarks on the Construction of Hothouses (1817), Paxton's Magazine of Botany (1834-49) and the Transactions of the Horticultural Society of London (1812-44). Since the purpose of glasshouses was to facilitate the cultivation of an increasing variety of foreign plants in the temperate climate of Northern Europe, the creation of artificial climates tailored to the specific environmental needs of plants became the primary object of the design.
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Callihan, Nicole. "Henry River." Colorado Review 49, no. 2 (June 2022): 35–36. http://dx.doi.org/10.1353/col.2022.0057.

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Cole, H. "Henri Cole: Four Poems." Literary Imagination 5, no. 1 (January 1, 2003): 137–40. http://dx.doi.org/10.1093/litimag/5.1.137.

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Grace, Andrew. "From “John Henry Split My Heart”." Colorado Review 42, no. 2 (2015): 130–32. http://dx.doi.org/10.1353/col.2015.0065.

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Kuehni, Rolf G. "the scientific aesthetics of charles henry." Color Research & Application 11, no. 3 (1986): 209–14. http://dx.doi.org/10.1002/col.5080110308.

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Duleba, Maxim. "On the dehumanizing universe of Henry Miller’s Tropic of Cancer: the code of obscenity and its interaction with other elements." Ars Aeterna 8, no. 2 (December 1, 2016): 41–54. http://dx.doi.org/10.1515/aa-2016-0009.

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Abstract The following article shows why Henry Miller’s novel Tropic of Cancer should not be labelled as a pornographic nor dehumanizing novel through the prism of a scientific and nonsentimental approach. The author of the article argues that even though Henry Miller creates in his novel a certain project of dehumanization, the article explains how usage of poetic language prevents Tropic of Cancer being a sexist insult to woman as often claimed by the feministic discourse of the 1980s and 1990s. Reacting to the popular and standardized interpretational traditions, the article contributes to the discourse about the dehumanizing aspects of Henry Miller’s novel by analysing the code of obscenity present in the materia of literary text. The code of obscenity is put into context with other features of materia of Miller’s text in order to explain how its specific “energy” functions. The author of the article applies the thinking of influential Russian literary scholars such as Mikhail Bakhtin and Yuri Lotman on the autonomous world of a literary text.
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Hongji, Li. "Henry Maine’s Ancient Code and Modern Inspiration." Legal Traditions of the West and China 1, no. 2 (2021): 120–27. http://dx.doi.org/10.35534/ltwc.0102009.

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Ronk, Martha. "Li Po, and: Lolita, and: Henry James: “The Real Thing”." Colorado Review 36, no. 3 (2009): 105–7. http://dx.doi.org/10.1353/col.2009.0106.

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Knight, D. R., and S. M. Horvath. "Urinary responses to cold temperature during water immersion." American Journal of Physiology-Regulatory, Integrative and Comparative Physiology 248, no. 5 (May 1, 1985): R560—R566. http://dx.doi.org/10.1152/ajpregu.1985.248.5.r560.

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If cold temperature combines with ambient water pressure to stimulate the Henry-Gauer reflex in humans, then free water clearance (CH2O) should be greater during immersion in cold water (29.8 degrees C) than during exposure to cold air (14.8 degrees C) or immersion in thermoneutral water (35 degrees C). Urinary responses to these environments were compared with control measurements made during 6 h of sitting in thermoneutral air (27.6 degrees C). CH2O was not significantly greater in cold water than in the other environments. Rather, the diuretic response was characterized by an increased osmolar clearance (P less than 0.05). Cold temperature and water pressure additively raised urinary output during cold water immersion, with ambient water pressure accounting for two-thirds of the urinary water loss. An elevated rate of sodium excretion (P less than 0.05) began significantly earlier in cold water than in thermoneutral water. This effect of low temperature might have resulted from cold-induced vasoconstriction, since cold temperatures was observed to reduce the foot volume. Sodium excretion was inversely proportional to vital capacity, indicating a responsiveness of the kidney to expansion of the central blood volume. In addition to the effects of water pressure and cold temperature, urinary function was also sensitive to time. The rate of potassium excretion was significantly elevated at min 199 of exposure to all environments. Failure of CH2O to increase above control values indicated that the human diuretic response to cold water immersion is atypical for the Henry-Gauer reflex.
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Cluse, Christoph. "Stercus Abrahe: Binäre Codes in Antijudaismus und Antisemitismus." Aschkenas 32, no. 2 (November 9, 2022): 205–32. http://dx.doi.org/10.1515/asch-2022-2013.

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Abstract The common distinction between the concepts of »Anti-Judaism« and »Antisemitism« has recently been challenged by medievalists. The present study investigates how the concepts are related, taking its starting point from the widespread association of »Jews« with »money«. Based on two case studies – the Liber floridus of Lambert of Saint-Omer (c.1121) and the Viennese scholars Henry of Langenstein and Henry Totting of Oyta (both d. 1397) – it argues that the patristic distinction between Jewish ›carnality‹ and Christian ›spirituality‹ provided the binary code used to distinguish between good and bad in the economic world.
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Izzo, Francesco. "William Henry Fry's Leonora: The Italian Connection." Nineteenth-Century Music Review 6, no. 1 (June 2009): 7–25. http://dx.doi.org/10.1017/s1479409800002871.

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On 7 June 1845, the New York Herald published a letter by an ‘occasional correspondent’ from Philadelphia concerning William Henry Fry's first grand opera, Leonora, which premiered three days before at the Chestnut Street Theatre. The letter contained the following remark:All were delighted with the music, it was so much like an old acquaintance in a new coat; indeed some of ‘the cognoscenti’ said that it was a warm ‘hash’ of Bellini, with a cold shoulder of ‘Rossini,’ and a handful of ‘Auber’ salt – whilst others congratulated Mr. Fry upon his opera being so much like Norma ….
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PAUL, DAVID C. "From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell." Journal of the American Musicological Society 59, no. 2 (2006): 399–457. http://dx.doi.org/10.1525/jams.2006.59.2.399.

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Abstract Scholars have recognized that Henry Cowell was one of the most ardent promoters of Charles Ives, but the fact that Cowell's conception of Ives shifted over time has been overlooked. During the late twenties, Cowell portrayed Ives as a fundamentally social artist with the sensibilities of a musical ethnographer. By the fifties, in the writings Cowell coauthored with his wife Sidney, Ives came to be depicted as a paragon for the liberating power of individualism. Close scrutiny of Cowell's published writings, along with letters and manuscripts from the Henry Cowell Collection of the Music Division at the New York Public Library for the Performing Arts, reveals the factors that influenced this transition. Béla Bartók's theories about folk music authenticity were the impetus behind Cowell's earliest conception of Ives. Cowell maintained that Ives had created a definitively American art music by transcribing the performance idiosyncrasies of American folk musicians. The anxieties of the Cold War and a writing partnership with his wife caused Cowell to stress Ives's commitment to the individualism espoused by transcendentalist philosophers. The Cowells no longer equated Ives's Americanness with his ability to transcribe local practice, but instead with his solitary pursuit of the “Universal Mind.”
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Caplow, Theodore. "Beyond Coca Cola: Europe and the American Way." Tocqueville Review 18, no. 2 (January 1997): 157–61. http://dx.doi.org/10.3138/ttr.18.2.157.

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In L'Europe des Européens (1997), Henri Mendras presents a magisterial account of recent social change in western Europe, which he describes in loving detail. Falling squarely in the Tocqucvillian tradition, this fine work clearly invites comparison between the Europe of the Europeans and the America of the Americans in their present conjuncture.
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Gaertner, Arnold A. "Reliable spectroradiometry, by Henry J. Kostkowski." Color Research & Application 23, no. 2 (April 1998): 114–16. http://dx.doi.org/10.1002/(sici)1520-6378(199804)23:2<114::aid-col7>3.0.co;2-v.

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Rockwood, Kenneth, and James Lindesay. "Delirium and Dying." International Psychogeriatrics 14, no. 3 (September 2002): 235–38. http://dx.doi.org/10.1017/s1041610202008438.

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A parted ev'n just between twelve and one, ev'n at the turning o' th' tide- for after I saw him fumble with the sheets, and play with flowers, and smile upon his finger ends, I knew there was but one way; for his nose was as sharp as a pen, and 'a babbled of green fields … A bade me lay more clothes on his feet. I put my hand onto the bed and felt them, and they were cold as any stone.William Shakespeare, Henry V
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Kim, Kevin Y. "From Century of the Common Man to Yellow Peril." Pacific Historical Review 87, no. 3 (2018): 405–38. http://dx.doi.org/10.1525/phr.2018.87.3.405.

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This article examines U.S. Vice President Henry A. Wallace’s Cold War dissent as a window into racial geopolitics in a post–World War II era of decolonization and U.S. global power. Focused on Wallace and the United States, the article uses a wide range of published and archival sources to argue that Wallace and U.S. anticolonial liberal elites saw anti-racist egalitarian pressures in the post-1945 international system as not only a threat, as existing scholarship suggests, but also an opportunity for U.S. global expansion—particularly in the Pacific Rim. By the 1960s, Wallace and postwar anti-racist activists diminished in influence amid global Cold War pressures reviving racial restrictions and Cold War militarization after the Korean War. Nonetheless, Wallace’s anti-racist diplomacy, stemming from long-running U.S. and global liberal debates and political struggles over race and empire, suggests the wider role of anti-racist geopolitics and the paradoxical persistence of race as a global cultural concept in the postwar era.
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Little, Douglas. "The United States and the Kurds: A Cold War Story." Journal of Cold War Studies 12, no. 4 (October 2010): 63–98. http://dx.doi.org/10.1162/jcws_r_00048.

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In a prolonged quest for independence after 1945, Kurdish nationalists reportedly sought help from U.S. officials who viewed the Kurdish issue through a Cold War prism and who regarded the Kurds as querulous mountain tribes useful primarily in keeping the Soviet Union and its Arab clients off balance. Recently declassified documents shed new light on three key episodes in this story: first, the secret encouragement provided by Washington to Kurds opposed to Iraq's Abdul Karim Qassim, who tilted toward Moscow after seizing power in 1958; second, the covert action launched by Richard Nixon and Henry Kissinger in Iraqi Kurdistan after Saddam Hussein allied himself with the USSR in 1972; and third, the half-hearted U.S. attempts to foment regime change in Iraq in the early 1990s. In each case, the U.S. government stirred up anti-Arab resentments among the Kurds, helped ignite an insurrection, and then pulled the plug when events spiraled out of control. U.S. duplicity plus Kurdish factionalism equaled tragedy in the mountains of Kurdistan.
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Handszuh, Henryk. "Global Code of Ethics for Tourism [translation: Henryk Handszuh]." Folia Turistica 49 (December 31, 2018): 333–45. http://dx.doi.org/10.5604/01.3001.0013.0834.

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Alakhverdieva, L. G. "Food Code in the French Writer Henri Troyat’s Works." Herald of Dagestan State University 35, no. 1 (2020): 60–68. http://dx.doi.org/10.21779/2542-0313-2020-35-1-60-68.

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46

Horsfield, Dorothy. "Cold War Liberal Pluralism and Its Legacy. George Kennan and Henry Kissinger Revisited." Russian Politics 1, no. 3 (September 1, 2016): 316–35. http://dx.doi.org/10.1163/2451-8921-00103005.

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With intensified speculation about a new Cold War, the question of whether there is any sound basis for detente between the West and Russia has been at the heart of contentious international debates. Centrally these have included nato expansion into the Eastern bloc and the way forward from the conflicts in Syria and Ukraine. In this context, two of the staunchest critics of what they believe are the ill-conceived initiatives in us foreign policy towards the post-Soviet government have been the Americans, George Kennan and Henry Kissinger. Both men have railed against triumphalist varieties of liberalism, and especially what they see as their country’s overactive democratization zeal in the wake of the Second World War. Both men have argued for a more informed pluralistic liberalism, in the hope of fostering a stable global order beyond the sectarian extermination programs and ruinous total wars of the last 100 years. The article considers the plausibility and prescience of their views.
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47

Müller, V. "Cluster Abundance as Test of the Primordial Perturbation Spectrum." Symposium - International Astronomical Union 161 (1994): 664–66. http://dx.doi.org/10.1017/s0074180900048336.

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The Press-Schechter formalism is used to derive the abundance of rich galaxy clusters in dependence on the cluster mass or the corresponding X-ray temperature of the hot gas confined in the cluster potential wells. We consider a characteristic double inflation spectrum in the standard CDM model leading to a hierarchical clustering scenario. Normalising the amplitude to the COBE-quadrupole, and supposing a biasing b ≈ 2, we get a reasonable fit both to the amplitude and the slope of the X-ray temperature function of Edge et al. (1990) and Henry &amp; Arnaud (1991). In the considered model the cluster abundance changes strongly with redshift.
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48

Farmer, Lindsay. "Reconstructing the English Codification Debate: The Criminal Law Commissioners, 1833–45." Law and History Review 18, no. 2 (2000): 397–426. http://dx.doi.org/10.2307/744300.

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Sir Henry Maine, the eminent Victorian jurist, once remarked, in frustration at being unable to secure his desired reforms of the Indian criminal law, that no one cared about the penal code except theorists and habitual criminals. This has been the recurrent lament of the English criminal lawyer. Repeated initiatives in the field of codification over the last 150 years have enjoyed little popular support or understanding, and as the most recent project stumbles forward into its fourth decade, an air of fatalism surrounds the entire question of the code. There are calls for a new political initiative to revive the project, and there have been more modest appeals for a reexamination of the principles of existing penal legislation, though neither seems likely to provoke much response. Yet, for all of the recent discussion of codes and codification, the question of the significance of codification to the modern law remains something of an enigma.
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49

Kohan, Kevin. "Rereading the Book in Henry James's The Ambassadors." Nineteenth-Century Literature 54, no. 3 (December 1, 1999): 373–400. http://dx.doi.org/10.2307/2903145.

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This essay argues that in Henry James's The Ambassadors (1903) Mrs. Newsome, who appears to be merely a representative of everything un-Jamesian, particularly a lack of moral and aesthetic imagination, should not be so quickly dismissed. Post-structuralist critics do not hesitate to denounce her. They typically identify Mrs. Newsome's "book" of expectations for Strether, her emissary, and for Chad, her successor, with the closed book of logocentric tyranny; both are said to rely on unambiguous reference and to enforce the cold rationality of linear causation. Derridean readers of The Ambassadors unmistakably prefer Madame de Vionnet's Paris, embodying as it apparently does their own essentially skeptical doctrines about representation. James, however, plays a more subtle game of balance and synthesis, suggesting that while Newsome's book is firm against new impressions, expecting experience to submit utterly to preconceived plans and moralistic evaluations, it also successfully asserts against Parisian representational openness and mystery the viability of reasonable explanation. Her book is vindicated insofar as it stands for the persistent relevance of linear causality and for the nonabsolute grounding of speculation in the concrete world of events and consequences. Newsome's extreme rationalism is in fact denied full authority early in the novel, whose true subject is located when extreme skepticism seems to dominate and explanation seems irrelevant. During the course of the story, time's subtle order slowly reemerges, and James the realist steps forward from behind the post-structuralist veil.
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50

Ponoran, Carmen. "Manufacture of gemmotherapy extract from Pol Henry to today." Farmacist.ro 1, no. 1 (March 16, 2020): 39–42. http://dx.doi.org/10.26416/farm.192.1.2020.2903.

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The pharmaceutical form and preparation method, initially proposed by Dr. Pol Henry, was adopted and improved. The improved method was officialized in 1965 in the French Pharmacopoeia, under the denomination of glycerol macerates. This denomination means an extract obtained with glycerol and ethanol, by cold extraction – maceration. The improvement of the Dr. Pol Henry’s initial method regards the cut of the vegetal raw material before the extraction. In initial method the buds were not cut, the extraction being conducted on entire buds. The pharmaceutical technology practice demonstrated and it is part of official pharmacopoeia method, that the extraction is more efficient on the cut vegetal raw material. Neither today exist a unitary method used by all producers for obtaining glycerol macerates, some of them uses also purified water at extraction. The method from French Pharmacopoeia was later adopted also by the the European Pharmacopoeia. Today are used also the concentrated glycerol macerates, due to the fact that the ethanol content of one administration is much more less than in diluted glycerol macerates and appears also complex formula, containing more unitary glycerol macerates, in that the individual components act synergically and enhancer one to the other.
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