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Sangla, Sylvain. "Politique et espace chez Henri Lefebvre." Paris 8, 2010. http://octaviana.fr/document/152263594#?c=0&m=0&s=0&cv=0.
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Ce travail se propose d’étudier les théories lefebvriennes de l’espace, de la ville et de l’urbain. Il analyse dans un premier temps les six livres consacrés par Henri Lefebvre à cette problématique : Du rural à l’urbain (paru en 1970 mais contenant des articles allant de 1949 à 1969), Le droit à la ville (1968), La révolution urbaine (1970), La pensée marxiste et la ville (1972), Espace et politique (1973), La production de l’espace (1974). Nous analysons ensuite la trentaine d’articles, de communications, de chapitres d’ouvrages et de films, consacrés à ces thèmes par Lefebvre jusqu’à sa mort. Nous poursuivons par l’analyse de la tétralogie De l’Etat ainsi que des articles portant sur la critique de l’Etat et sur l’autogestion, nécessaires pour bien comprendre les théories lefebvriennes de l’urbain. Dans une quatrième étape, nous étudions ensuite les principales réactions aux travaux lefebvriens sur l’espace et l’urbain (des situationnistes aux recherches internationales actuelles). Dans une dernière étape, nous essayons d’appliquer les principes et idées lefebvriens à l’analyse de la situation mondiale actuelle de la ville et de l’urbain. Les acquis de nos recherches consistent finalement dans : la vérification de l’importance de l’œuvre lefebvrienne (notamment en ce qui concerne l’espace, la ville et l’urbain); l’examen du marxisme anarchisant lefebvrien, qui permet la compréhension des contradictions actuelles et des révolutions possibles; la précision du lien consubstantiel existant entre les analyses lefebvriennes de l’espace et l’autogestion; la vérification d’une convergence entre la pensée de Lefebvre et celle de DeleuzeThis thesis intends to study the Henri Lefebvre’s theories of space, town and urban. It begins by analysing his books on this subject: Du rural à l’urbain (published in 1970, with articles dated from 1949 to 1969), Le droit à la ville (1968), La révolution urbaine (1970), La pensée marxiste et la ville (1972), Espace et politique (1973), La production de l’espace (1974). About thirty articles, chapters and films on this topic up to Lefebvre’s death in 1991 are then analysed. We study next the tetralogy De l’Etat (1976-8) and the articles on self-management (autogestion), which are both relating to the urban and spatial themes. The fourth part deals with the different reactions to Lefebvre’s work on space and urban (from the situationists to the actual international researches). At last, we try to apply the Lefebvre’s theories to the actual world-wide situation of urban. Our work results finally lie in: the verification of the validity and the importance of Lefebvre’s theories of space, town and urban; the analysis of Lefebvre’s anarchist version of marxism; the examination of the strong link existing between his theories of urban and his theories of state critics and self-management (autogestion); the establishment of a concordance between some aspects of Lefebvre’s ideas and Deleuze’s philosophy
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Hirata, Shu. "Un lieu de pensée de Henri Lefebvre." Paris 8, 2014. http://octaviana.fr/document/185081460#?c=0&m=0&s=0&cv=0.
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Les études que nous présenterons portent sur Henri Lefebvre (1901-1991). Elles ont pour caractéristique de ré-contextualiser sa pensée, en particulier dans l’histoire de la philosophie française au XXe siècle. C’est la raison pour laquelle elles portent son titre Le lieu de pensée d’Henri Lefebvre en vue d’impliquer deux sens : premièrement, il indique l’endroit où Lefebvre pense, c’est-à-dire, ses trois topoi, la vie quotidienne, l’urbain et l’État ; deuxièmement, où sa pensée se situe dans les milieux intellectuels en France. Elles les abordent dans le but d’élucider au mieux sa pensée dans son ensemble et de mettre au jour ses relations philosophiques avec ses contemporains (dont la liste est, conforme à sa longévité, longue — Breton, Politzer, Nizan, Châtelet, Sartre, Debord, Althusser, Poulantzas). Ce but les conduit à employer deux méthodes. La première est chrono-thématique ; la seconde est comparative. Celle-là rend plus solide celle-ci, parce que les lieux de comparaison sont balisés par les thèmes, les réseaux de concepts et les situations communes. Ils constituent également les carrefours dans lesquels Lefebvre et ses contemporains se croisent, s’allient et s’affrontent. Nous n’imaginons pas que nos études puissent épuiser sa pensée. Tout au contraire, après notre parcours, nous avons une conviction qu’elle est encore une « boîte à outils » pour réfléchir à ce qui se passe dans le monde d’aujourd’hui. Cependant, pour la saisir au mieux, il est important de la travailler dans toutes ses particularités. Nos études sont dès lors une tentative d’ouvrir la pensée de Henri Lefebvre à l’histoire de la philosophie et de lui porter un nouveau regardThis thesis on Henri Lefebvre (1901-1991) characteristically re-contextualizes his thought, especially in the history of French philosophy in the twentieth century. The reason why we entitle our thesis The Place of Henri Lefebvre’s Thought is to indicate two subjects: firstly, this title means a place where Lefebvre thinks, that is to say, three topoi, everyday life, the urban and State; secondly, it also means a place where his thought can be situated in intellectual circles in France. Our thesis approaches them in order to reinterpret his entire thought and to uncover its philosophical relations with his contemporaries (naturally, the list of them becomes long in accordance with his longevity — Breton, Politzer, Nizan, Châtelet, Sartre, Debord, Baudrillard, Althusser, Poulantzas). This goal leads us to adopt two methods that are clearly distinguished, yet related. The first method is chrono-thematic. The second method is a comparison. The chrono-thematic approach enforces the comparative method, because the compared elements are simultaneously marked by themes, networking concepts, and common situations. They are also intersection in which Lefebvre and his contemporaries intersect, combine, and compete. We do not pretend that our studies give a full explanation to his thought. On the contrary, after our journey, we will be able to say that his thought serves as a " toolbox" to reflect on what is happening in the world today. However, for using the tools in a better way, we must know the distinction of the tools that the box contains. Our studies are therefore an attempt to explain this difference and to open his thought to the history of philosophy
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Gamsby, Patrick. "The Black Sun of Boredom: Henri Lefebvre and the Critique of Everyday Life." Thesis, Laurentian University of Sudbury, 2013. https://zone.biblio.laurentian.ca/dspace/handle/10219/2018.
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This dissertation examines how boredom can be understood in the context of Henri Lefebvre’s (1901-1991) critique of everyday life. Through an integration of the boredom literature, both the fully developed studies as well as fragmentary passages, I argue that Lefebvre’s critique of everyday life adds an important dimension to understanding boredom in modernity. One of the leading strands in boredom studies today argues that boredom is an historically specific experience unique to the rhythms of life imparted with the onset of modernity. Viewed in this light, boredom is a relatively recent phenomenon that can be linked to what Lefebvre calls the ‘double process’ of industrialization and urbanization. Although the mass profusion of boredom has left a seemingly indelible mark on society, it has received relatively little attention in both everyday life and academia. First coined in the middle of the 19th century, boredom is a relatively new word for what today is an all too pervasive experience. Writing throughout most of the 20th century, Lefebvre makes numerous references to boredom, yet, despite claiming that a study of boredom would be a significant contribution to his critique of everyday life, he never developed an in-depth and sustained analysis of this experience. Lefebvre did, however, identify an internal dialectic of mass culture as being an integral component for understanding boredom. It is argued that Lefebvre’s theory of a dialectical process inherent to mass culture is a key for understanding boredom as an historically specific phenomenon. In organizing this dissertation, a constellation of themes are presented in order to articulate this dialectic. After exploring boredom’s relationship to modernity, I then discuss what Lefebvre considers as the verso of modernity, everyday life. Following this, I consider the contradictions of space that give rise to boredom in urban centres and suburban peripheries by critically analyzing both the production of those spaces as well as how they are consumed in everyday life. Finally, I consider the escape from boredom offered in select sounds and images of the culture industry and its opposite, the embrace of boredom in certain 20th century avant-garde art movements. Through a reading of Lefebvre’s critique of everyday life and complementary texts, this interdisciplinary dissertation is a contribution to understanding the mass phenomenon of boredom in modernity.
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Evans, Huw Robert. "The production of Mexican space : Henri Lefebvre, globalization and state." Thesis, Aberystwyth University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437931.
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Guelf, Fernand Mathias. ""La révolution urbaine" : Henri Lefèbvres Philosophie der globalen Verstädterung /." kostenfrei, 2010. http://nbn-resolving.de/urn:nbn:de:kobv:83-opus-25379.
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Oliveira, Cinthia Soares de. "Henri Lefebvre: possibilidades te?rico-metodol?gicas para Arquitetura e urbanismo." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12306.
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Previous issue date: 2011-11-17This paper presents the theoretical-methodological possibilities of the French philosopher and sociologist Henri Lefebvre, for the discipline of architecture and urbanism in an effort to overcome the fragmentation imposed by the institutionalization of science in general. From Du rural ? l'urbain (Lefebvre, 1970) compilation, it brings the author's other works from the period between 1968 and 1974, indicating the conduits for reflection and their interrelationships with methods, types of analyses and other procedures to treat the space-time urban. The methodology involves a research on the author s 'today and yesterday' in the scientific field, a research and analysis of his procedures in highlight of philosophical, social, economic and political aspects, the historical context of his references and provides significant and possible elements for the study, research and extension in the area in question
Este trabalho apresenta possibilidades te?rico metodol?gicas do fil?sofo e soci?logo franc?s, Henri Lefebvre, para a disciplina de arquitetura e urbanismo, no esfor?o de ultrapassar a fragmenta??o imposta pela institucionaliza??o das ci?ncias de modo geral. A partir da compila??o Du rural ? l urbain (LEFEBVRE, 1970), abrange outras obras do autor do per?odo entre 1968 e 1974, indicando condutas para a reflex?o e suas inter-rela??es com m?todos, categorias de an?lises e outros procedimentos para tratar o espa?o-tempo de vida urbana. A metodologia envolve pesquisas sobre o ontem e o hoje do autor no meio cient?fico, investiga??es e an?lises dos seus procedimentos ? luz de aspectos filos?ficos, sociais, econ?micos e pol?ticos, a contextualiza??o hist?rica de suas refer?ncias e apresenta elementos significativos e poss?veis para o estudo, a pesquisa e a extens?o na ?rea em quest?o
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Barreira, Marcos Rodrigues Alves. "Henri Lefebvre: a crítica da vida cotidiana na experiência da modernidade." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5144.
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Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorEsta tese tem como objetivo descrever o desenvolvimento da crítica da vida cotidiana elaborada pelo filósofo francês Henri Lefebvre. Analisamos os fundamentos teóricos e o contexto histórico no qual foi formulada a teoria crítica do cotidiano e seu contato com as experiências estéticas e políticas da primeira metade do século XX. Também analisamos a maneira pela qual, a partir da apreciação do tema da cotidianidade, Lefebvre faz uma crítica das leituras dogmáticas do marxismo, apreendendo o movimento de reestruturação da sociedade capitalista depois da Segunda Guerra Mundial e formulando, juntamente com as novas vanguardas do pós-guerra, um conjunto de idéias sobre a experiência social moderna que antecipa aspectos importantes dos eventos de 1968.
This thesis has as objective to describe the development of the critique of everyday life, elaborated by the French philosopher Henri Lefebvre. We analyze the theoretical beddings and the historical context in which the critical theory of the everyday life was formulated and its contact with the aesthetic and politics experiences of the first half of century XX. We also analyze the way, from the view of the dailyness", Lefebvre criticizes the dogmatic readings of marxism, apprehending the reorganization of the capitalist society after World War II and formulating, together with the new postwar vanguards of the period, a set of ideas on the modern social experience that anticipates important aspects of the 1968 events.
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Dall'Ara, Alessandra. "Henri Lefebvre : la vie quotidienne, "mère-terre" de la société moderne." Poitiers, 2004. http://www.theses.fr/2004POIT5009.
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Cette thèse de recherche traverse la vie et la vaste oeuvre, aujourd'hui encore peu connue dans sa globalité, d'un grand philosophe contemporain, Henri Lefebvre (1901-1991). En suivant le fil conducteur de toutes ses oeuvres, la vie quotidienne, et le rapport conçu-vécu qui les anime, cette thèse met en lumière la revalorisation du quotidien accomplie par Lefebvre qui, philosophe "marxien" avant d'être "marxiste", parvient après Marx à démontrer l'importance essentielle de la vie quotidienne comme "structure" ou MERE-TERRE de la société moderne. Sa méta-philosophie du quotidien constitue pour cela la source précieuse d'une connaissance vivante qui, comme le dit Lefebvre, le "Galilée de la philosophie", se meut avec la vie complexe, mouvante des hommes quotidiens
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De, Simoni Simona. "Filosofia politica dello spazio : il programma di ricerca di Henri Lefebvre e le sue conseguenze teoriche." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100036.
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Dans ce travail, on analyse la conception de l’espace formulée par Henri Lefebvre entre la fin des années cinquante et la moitié des années soixante-dix, cherchant à identifier les articulations théorico-politiques les plus importantes et leurs possibles développements. Le premier chapitre est consacré à l’analyse lefebvrienne de la métropole fordiste : le rôle de l’espace dans la production de la quotidienneté, comme organisation systémique de la reproduction sociale. Le deuxième chapitre examine le passage à la « société urbaine » : l’explosion progressive de l’espace d’accumulation keynésiano-fordiste et la formation d’un nouveau sujet de classe, irréductible à l’image du prolétaire industriel. Enfin, le troisième chapitre approfondit la conception constructiviste de l’espace élaborée par Lefebvre et l’hypothèse d’une critique de l’économie politique de l’espace. Un parcours qui conduit à la description d’un modèle articulé et complexe de l’espace politique, centré sur les processus d’urbanisation, rescaling et mondialisation. La thèse illustre de manière globale le parcours théorique qui à partir de l’examen d’une spatialité keynésiano-fordiste conduit Lefebvre à l’analyse de l’« espace néolibéral » émergeant , pour en discuter de manière critique l’actualitéIn this work, we analyze the conception of the space elaborated by Henri Lefebvre between the late fifties and the first half of the seventies, seeking to identify the most important theoretical and political articulations and their possible developments. The first chapter is devoted to Lefebvre’s analysis of Fordist metropolis: the role of the space in the production of everydayness, as a systemic organization of social reproduction. The second chapter examines the transition to “urban society”: the progressive explosion of Keynesian-Fordist space and the formation of a new class subject, irreducible to the image of the industrial proletarian. The third chapter deepens the constructivist conception of the space developed by Lefebvre, and the hypothesis of a critique of the political economy of the space. A path that leads to the description of an articulated and complex model of political space, focusing on the process of urbanization, rescaling and globalization. The dissertation shows comprehensively the theoretical movement, which from the examination of a Keynesian-Fordist spatiality leads Lefebvre to the analysis of the emerging “neoliberal space”, to critically discuss its actuality
In questo lavoro si analizza la concezione dello spazio formulata da Henri Lefebvre tra la fine degli anni Cinquanta e la metà degli anni Settanta, cercando di individuare gli snodi teorico-politici più importanti e i possibili sviluppi. Il primo capitolo è dedicato all'analisi lefebvriana della metropoli fordista: al ruolo dello spazio nella produzione della quotidianità come organizzazione sistemica della riproduzione sociale. Nel secondo capitolo si esamina il passaggio alla «società urbana»: l'esplosione progressiva dello spazio di accumulazione keynessiano-fordista e la formazione di un nuovo soggetto di classe, non riducibile all'immagine del proletariato industriale. Nel terzo capitolo, infine, vengono approfondite la concezione costruttivistica dello spazio elaborata da Lefebvre e l'ipotesi di una critica dell'economia politica dello spazio. Un percorso che conduce alla descrizione di un modello articolato e complesso dello spazio politico incentrato sui processi di urbanizzazione, riscaling e mondializzazione. Complessivamente, la tesi illustra il percorso teorico che, dalla disamina di una spazialità keynessiano-fordista, conduce Lefebvre all'analisi dello «spazio neoliberale» emergente e ne discute criticamente l'attualità
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Revol, Claire. "La rythmanalyse chez Henri Lefebvre (1901-1991) : contribution à une poétique urbaine." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30038/document.
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Cette thèse propose d'explorer les textes que Henri Lefebvre (1901-1991) a consacré à un projet de connaissance des rythmes, une « rythmanalyse », terme qu'il emprunte à Gaston Bachelard, pour contribuer à ce que nous appelons une poétique urbaine. Henri Lefebvre a laissé une œuvre fondatrice dans les études urbaines contemporaines en théorisant l'avènement de la société urbaine moderne et en produisant une théorie critique de l'urbanisme et des espaces et des temps sociaux qui en résultent. Nous montrons que la théorie critique est solidaire d'une poétique issue du romantisme révolutionnaire de l'auteur, qu'il développe au contact de pratiques artistiques, notamment celles de l'Internationale Situationniste. À l'encontre de ce qu'il analyse comme le processus d'abstraction de l'espace et du temps urbain, la rythmanalyse fait partie de la quête d'un espace-temps approprié à même de métamorphoser la société urbaine et de restituer le corps total, afin que l'urbain devienne l’œuvre de l'homme. Lefebvre ne propose pas seulement une méthodologie qualitative d'observation des rythmes, mais une expérimentation rythmanalytique, dont nous pouvons imaginer la pratique sous la forme de l'utopie expérimentale. La rythmanalyse fournit ainsi les idées directrices d'une poétique appliquée, à même de créer des formes, des textures et des styles pour l'habiter urbain. Cette poétique urbaine, à la fois création et connaissance, procède par des pratiques expérimentales et restitue le jeu rythmique qui enrichit l'expérience esthétique de l'espace et du temps urbainThis thesis proposes to explore the texts that Henri Lefebvre (1901-1991) devoted to his project of understanding rhythms, his « rhythmanalysis », a term borrowed from Gaston Bachelard, to contribute to what we call an urban poetics. Henri Lefebvre has produced fundamental work in contemporary urban studies in both his theorization of the advent of modern urban society, and his elaboration of a critical theory of urban planning with its resultant social spaces and temporalities. We show that this critical theory unfolds in line with his construction of a poetics, which is inspired by the revolutionary romanticism that the author developed through his contact with artistic practices, especially those of the Situationnist International. Against his analysis of abstraction as an inherent process of urban space and time, his rhythmanalysis contributes to the creation of an appropriate space-time, with its ability to transform urban society and reconfigure the Total body so that what is urban can be instead considered a work of art. Lefebvre provides not only a qualitative methodology for the observation of rhythms, but also the outline of a rhythmanalytic experimentation, which can be associated with the practices of an experimental utopia. Rhythmanalysis offers guidelines for an applied poetics; it goes as far as creating forms, textures and styles for urban living. This urban poetics, simultaneously a creative act and one steeped in knowledge, proceeds through experimentation and restores the rhythmic game that enriches our aesthetic experience of urban space and time
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No, Dae-Myung. "La philosophie politique d'Henri Lefebvre ou la politique de la métaphilosophie." Paris 2, 1997. http://www.theses.fr/1997PA020016.
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Notre recherche consiste a analyser la philosophie politique d'henri lefebvre sous l'angle de la metaphilosophie qui s'appuie sur la triade " hegel - marx - nietzsche ". Dans le chapitre preliminaire, on analyse le rapport de la pensee d'henri lefebvre avec son contexte politique et theorique. La premiere partie concerne la structure theorique de sa pensee metaphilosophique : le mouvement d'articulation de la triade " hegel - marx - nietzsche " ; deux principes methodologiques - methode des residus et methode " regressive-progressive " ; la mise en place de la pensee utopienne. On aborde dans la deuxieme partie trois themes fondamentaux de la pensee lefebvrienne pour montrer le rapport de ses recherches sociologiques avec la pensee metaphilosophique en tant que " philosophie politique ". La deuxieme partie consiste en trois chapitres : sa pensee critique de la quotidiennete du monde moderne ; l'analyse critique de la production de l'espace et des contradictions de l'espace urbain ; l'analyse critique de l'etat et le projet de la nouvelle citoyenneteThe political philosophy of henri lefebvre is seen as structured by a metaphilosophical articulation, but on that is only temporaily fixed and always under theorical tension. In this papar, i pursue the implications of theorizing " the metaphilosophy " as an utopian thought rather than as a theorical system. Encouraged by three sources of his philosophical thought " hegel - marx - nietzsche ", the theorical tension is based on the method of " residues " and on the " regressive-progressive " method. The explicit aim of notre theoretical project is to foster a politics of metaphilosophy. It is possible to discern three aspects of his political philosophy : critical thought of the everyday-life in the modern world ; critical analysis of the production of space and of urbane space ; critical analysis of the state and the projects of " new citizenship "
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Engelke, Jan. "Kulturpoetiken des Raumes die Verschränkung von Raum-, Text- und Kulturtheorie." Würzburg Königshausen & Neumann, 2007. http://d-nb.info/996953795/04.
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Borden, Iain. "A theorised history of skateboarding : with particular reference to the ideas of Henri Lefebvre." Thesis, University College London (University of London), 1998. http://discovery.ucl.ac.uk/32830/.
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This thesis is a theonsed history of skateboarding. It aims to make a contribution to the methodology of architectural and urban history, positing a general conception that architecture and the city are best understood neither as objects nor as the sole province of architects and urban managers, but better as flows of time and space produced through particular social activities. The first part is theoretical, and investigates the need for a re-consideration of space, principally through an investigation of the writings of Edward Soja (Chapter 2) and Henri Lefebvre (Chapter 3). Time, space and social being are found to be interdependent constituents of social processes, and - together with ideas concerning the political objectives of the author, the body, everyday life, architecture and activities - necessary subjects for historical writing about architecture and the city. The second part undertakes a detailed study of a specific urban practice - that of skateboarding - with particular reference to the usA and UK. The ideas of Henri Lefebvre in particular are used to provide methodological direction and interpretive tools. Chapter 4, focused mainly on the late 1950s through to the mid 1 970s, explores themes of technology, emulation of surfing and initial appropnations and colonisations of space by skateboarding. Chapter 5 explores the constructed spabe of the purpose built skateparks of the 1970s and the ramps of the 1980s, and also the body space of skateboarders and their engagement with these terrains. Considerations of representation and the lived nature of images are also introduced. Chapter 6 explores the subculture of skateboarding. Themes of gender, race, class, age, sexuality and the family are investigated with reference to the clothes, board design, music, language and other cultural aspects of skateboarding. Chapter 7, focusing on the streetstyle skateboarding of the 1980s and 1990s, explores skateboarding as a critique of architecture. the city, capitalism and socio-spatial censorship. The performative nature of skateboarding as an urban activity is found to be an essential part of its historical importance. Chaper 8 provides a summary conclusion of the thesis, and also suggests some tentative directions of future work regarding the further development of a materialist history of the experience of architecture.
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Xavier, Glauber Lopes. "Tempo-espaço na vida cotidiana do “bóia-fria”." Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tede/4911.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
L´appréhension du quotidien des travailleurs ―ruraux‖ est le principal objectif de notre recherche. Nous cherchons à l´atteindre en deux perspectives, le temps et l´espace, comprenant que le complot par lequel s´établit les procés d´exploration et de domination de ces travailleurs surgissent à partir d´elles. Autres thémes, évident, conformes à cette appréhension, étant donné que, influencé à une lecture ancrée dans le principe de la théorique et de la philosophique de la totalité, nous ne nous dérobons pas de la critique, quand cela est nécessaire, de ce qui concerne la construction de la propre connaissance. Nous nous sommes aidés méthodiquement par du matérialisme historique et dialectique. En cohérence avec cette méthode, nous cherchons, dans les pensées d´Henri Lefebvre, des elaborations théoriques capables de fournir un programme de recherche en accord avec la réalité de la vie quotidienne dans le monde moderne. De telles constructions ont eté, de cette manière, cruciales dans ce que nous objectivons, de telle sorte qui ont permis la réalisation de cette étude avec une proposition unique de pendée, différente de la connaissance parcelée, à mi-chemin de l´appréhension des phénomènes sociaux. Pour comprendre, alors, la matérialisation de ces phénomènesprovoquées par la logique dialectique, forme de mouvement du contenu et plus, pendant le procés social et, pourtant, quotidien qui résulte en une histoire dans un constant devenir, est que nous abordons les conceptes de l´espace sociale, temps ciclique, temps linéaire, société bureaucratique de la consommation dirigée, de l´ordre proche, l´ordre distant, antropologie dialectique, en plus des autres. Pour cela, nous abordons la relation entre le milieu urbain et le milieu rural dans une perspective dialectique, confondus dans le procès de re-production des relations de production. De la même façon, nous rapportons le quotidien des travailleurs ―ruraux‖ à ce qui se réfère au mode de vie et à l´urbanité pour le prisme de la technique et de la consommation, des désirs et des nécéssités. Si nous devons, alors, présenter la constitution des pensées sur lesquelles se basent nos prémisses, considérations, constatations, enfin, la démarche imprimée par le présent travail, nous avons une élaboration triadique des idées: le conçu, le perçu et le vécu, la necessite, le travail, et la jousissance. Bientôt, nous suivons l´appréhension du quotidien des travailleurs ruraux dans ce qu´il y a de poétique, rupture avec le chatiment du travail, des incessants gestes de production de plus-value, les moments d´appréciation du vécu, du plaisir et de la fête, de l´opportunité do nouveau et de l´inespéré. En outre, nous n´abandonnons pas la recherche de ce quotidien dans ce qui le défini aliénant: la religiosité, le procés du travail, l´urbanité ici enveloppent et instaurent de forme anormale. D´un autre côté, nous primons pour l´ordre distant dans ce qu´il achève comme idéologique. Surtout, le papier de l´État nous a été élémentaire pour ce que nous proposons. Pour cela, son élection entre d´autre termes de cet ordre. Nous recherchons, finalement, à les approché, ordre proche et ordre distant, de cette forme le quotidien et l´histoire, quelque chose de diluée dans le présent texte comme uns parcours dans l´appréhension du quotidien des travailleurs ruraux.
A apreensão do cotidiano dos trabalhadores ―bóias-frias‖ tratou-se do principal objetivo de nossa pesquisa. Buscamos alcançá-la numa dupla perspectiva, o tempo e o espaço, entendendo que a trama pela qual se estabelecem os processos de exploração e dominação desses trabalhadores urde-se a partir deles. Temas outros, evidentemente, conformaram para essa apreensão, sendo que, instigados a uma leitura ancorada no princípio teórico-filosófico da totalidade, não nos furtamos da crítica, quando necessária, do que concerne a construção do próprio conhecimento. No materialismo histórico-dialético nos apoiamos metodologicamente. Em coerência com esse método, buscamos, no pensamento de Henri Lefebvre, elaborações teóricas capazes de nos fornecer um programa de pesquisa em consonância com a realidade da vida cotidiana no mundo moderno. Tais postulados foram, destarte, cruciais naquilo que objetivamos, de tal sorte que permitiram a realização desse estudo numa proposta única de pensamento, destoada do conhecimento parcelado, a meio caminho da apreensão dos fenômenos sociais. Por compreendermos, pois, a materialização desses fenômenos encetada pela lógica dialética, forma do movimento do conteúdo e mais, enquanto processo social e, portanto, cotidiano que redunda em história num constante devir, é que abordamos os conceitos de espaço social, tempo cíclico, tempo linear, sociedade burocrática de consumo dirigido, ordem próxima, ordem distante, antropologia dialética, além de outros. Por isso, abordamos a relação entre o meio urbano e o rural numa perspectiva dialética, amalgamadas no processo de re-produção das relações de produção. Do mesmo modo, reportamos ao cotidiano dos ―bóias-frias‖ no que tange ao modo de vida e a urbanidade pelo prisma da técnica e do consumo, dos desejos e das necessidades. Se devemos, então, apresentar a constituição do pensamento sob o qual se assentaram nossas premissas, considerações, constatações, enfim, a démarche imprimida pelo presente trabalho, temos uma elaboração triádica das idéias: o concebido, o percebido e o vivido, a necessidade, o trabalho e o gozo. Logo, trilhamos a apreensão do cotidiano dos ―bóias-frias‖ naquilo que há de poético, ruptura com o castigo do trabalho, dos incessantes gestos de produção de maisvalia, os momentos de desfrute do vivido, do prazer e da festa, do ensejo do novo e inesperado. Ademais, não abandonamos a pesquisa desse cotidiano no que o define alienante: a religiosidade, o processo de trabalho, a urbanidade ali envolta e instaurada de forma anômala. Por outro lado, primamos pelo assento da ordem distante no que ela encerra como ideológico. Sobremaneira o papel do Estado nos foi elementar para o que nos propomos. Por isso, sua eleição perante outros termos dessa ordem. Buscamos, finalmente, aproximá-las, ordem próxima e ordem distante, de certo modo o cotidiano e a história, algo diluído no presente texto como percurso na apreensão do cotidiano dos ―bóias-frias‖.
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Bertuzzo, Elisa T. "Fragmented Dhaka analysing everyday life with Henri Lefebvre's theory of production of space." Stuttgart Steiner, 2008. http://d-nb.info/995316023/04.
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Brunn, Christine. "Moscheebau-Konflikte in Deutschland eine räumlich-semantische Analyse auf der Grundlage der Theorie der Produktion des Raumes von Henri Lefebvre." Berlin wvb, Wiss. Verl, 2006. http://www.wvberlin.de/data/inhalt/brunn.htm.
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Fraser, Benjamin Russell. "The Difference Space Makes: Bergsonian Methodology and Madrid's Cultural Imaginary through Literature, Film and Urban Space." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195820.
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In the present effort, the philosopher Henri Bergson’s (1859-1941) seminal philosophical work functions as a revitalizing force and even an implicit point of departure for the more urban-oriented critique of Henri Lefebvre’s (1901-1991) watershed text L’Producción de l’espace/The Production of Space (1974). Both Lefebvre and Bergson in fact share a common perception of space—it is neither a static ground, nor an apriori condition of experience as Kant argued, but is instead a process inseparable from time and implicated in thought itself. Grounded in this resulting novel understanding of space, time and difference, I use an interdisciplinary approach to analyze Madrid’s cultural imaginary through novels by Belén Gopegui (1992), Pío Baroja (1911) and Luis Martín-Santos (1961); films by Carlos Saura (1996), Alejandro Amenábar (1997), and American Jim Jarmusch (1992); and the urban space of Madrid’s Retiro Park. The purpose of this work is twofold. On the one hand it is an attempt to reconcile the spatial issues of concern to cultural or human geography with an approach to social life grounded in the humanities. On the other it is a call for a deeper understanding of methodology taken in its widest sense. The former seeks not only to introduce spatial questions to the analysis of literature and film but also to articulate the intimate relation of cultural products to the urban processes in which they are formed, interpreted and sold. The latter requires an investigation of the philosophical preconceptions that structure our spatial practice and interpretation, as well as an awareness of the consequences these preconceptions hold—not only for understanding our common world, but also for producing it and finally for the possibility of changing it through action. These twin purposes—bringing geographical concerns into the humanities and assessing the philosophical bases of our spatial production and interpretation—are not so far removed. Through a careful reading of the above key literary, filmic and urban texts from twentieth century Madrid, this work explores the important consequences of conceiving of space as simultaneously mental and physical. In the Bergsonian fashion, these explorations seek to dispense with the stagnant and irreconcilable philosophical tropes of both pure materialism and pure idealism in order to yield a more precise understanding of cultural forms as living processes.
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Almeida, Danice Betânia de, Ernesto Jacob 1947 Keim, and Universidade Regional de Blumenau Programa de Pós-Graduação em Educação. "O que eles têm a dizer? Serge Moscovici e Henri Lefebvre :um estudo sobre representação /." reponame:Biblioteca Digital de Teses e Dissertações FURB, 2011. http://www.bc.furb.br/docs/DS/2011/347656_1_1.PDF.
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Silva, Diego Coimbra Barcelos da. "Cidade, poder e diferença: outros caminhos para a compreensão do direito à cidade sustentável em Henri Lefebvre." reponame:Repositório Institucional da UCS, 2018. https://repositorio.ucs.br/handle/11338/3752.
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Este trabalho monográfico tem por objeto a análise e a proposição de caminhos alternativos para a compreensão do direito à cidade sustentável, sob o prisma das relações de poder. Para tanto, busca esquadrinhar alguns pressupostos e conceitos centrais da obra de Henri Lefebvre, notadamente aqueles em que a proposta original do direito à cidade se alicerça, a fim de compatibilizá-los com as categorias de análise necessárias à condução da pesquisa. Nesse intento, esboça um quadro argumentativo sistemático que aponta para as direções da redistribuição do poder no espaço urbano, da plenitude do exercício da multiterritorialidade e dos múltiplos territórios e da participaçãointervenção na produção dos discursos ambiental e jurídico-urbanístico, este último através do pluralismo jurídico. Busca, ainda, analisar a viabilidade teórica dos sentidos propostos no escopo da teoria espacial lefebvriana.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES
This dissertation aims at analyzing and proposing alternative ways of understanding the right to a sustainable city, in the light of power relations. To do so, it seeks to explore some key assumptions and concepts of Henri Lefebvre's work, mostly those on which the original proposal of the right to the city was built, in order to match with the categories of analysis in the development of the research. In this attempt, outlines a systematic argumentative framework, that points to the redistribution of power in the urban space, the full exercise of multiterritoriality and multiple territories and the participationintervention in the production of environmental and legal-urban discourse, the latter through the legal pluralism. Also seeks to analyze the theoretical feasibility of the proposed meanings within the scope of Lefebvrian spatial theory.
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Pärsson, Sara. "Göra rum : Elin Wägners Norrtullsligan och Pennskaftet ur ett rumsligt perspektiv." Thesis, Stockholms universitet, Avdelningen för litteraturvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-72056.
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Studien är en analys av Elin Wägners Norrtullsligan (1908) och Pennskaftet (1910) ur ett rumsligt perspektiv, med inriktning på genus. Syftet är att fördjupa läsningen av romanerna samt relatera dem till sin tids- och samhällskontext. Romanerna utspelar sig i medelklassmiljöer i Stockholm under tidigt 1900-tal, och handlar om kvinnor som omformulerar sina roller ochengagerar sig i bättre villkor. De centrala frågorna är: Hur gestaltas, representeras och diskuteras rum och stad i romanerna? Vilka rum använder karaktärerna och hur använder de dem? Den teoretiska utgångpunkten är att kombinera litteraturvetenskap med rumsteori, inspirerad av Alexandra Borgs avhandling En vildmark av sten (2011). Rummet uppfattas som en social produkt, med hjälp av begrepp från Henri Lefevbre. Studien relaterar till de tidigare analyser av Wägners romaner som gjorts med feministiska eller rumsliga förtecken. Studien visar att rummen skildras ur romanernas tydligt kvinnligt subjektiva perspektiv. Kvinnorna lever under alternativa bostadsformer men erkänner inte dessa bostäder som hem. De anser sig behöva en man för att legitimera hemmet. Vidare är kvinnornas tillvaro i de offentligastadsrummen sexualiserad och i romanerna hanterar kvinnorna detta genom att ge sig in i en identitetsmaskerad, där de genom att utge sig vara omoraliska skapar sig frihet. Studien diskuterar också arbetsplatser och rum för politisk verksamhet i romanerna.
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Gabriel, Jenny. "L'institutionnalisation du sujet." Paris 8, 2004. http://www.theses.fr/2004PA083572.
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Cette recherche, bâtie sur un dialogue entre les chapitres autobiographiques, philosophiques et poétiques, est une réflexion sur l’institutionnalisation comme fait sociologique. Elle a pour objectif de montrer, à travers une histoire de vie, comment un sujet s’organise pour vivre socialement et pour se constituer. Selon la théorie d’Henri Lefebvre, l’institutionnalisation du sujet se fait à travers les « moments » dont il hérite et de ceux qu’il crée. S’il vit les moments et définit les « situations » auxquelles il est confronté, en cohérence avec un projet de vie centré le respect des droits de l’humain, il en fait des ressources lui permettant d’échapper à la banalisation, à la bureaucratisation de la société, et à réaliser, au cours d’une quête incessante, son potentiel humain. Il s’agit donc d’un projet philosophique ancré dans la vie quotidienne, un art de vivre à contre-courant de l'idéologie qui prévaut dans la « société du spectacle », tournée vers le paraître et le profitThis research, built on a dialogue between autobiographical, philosophical and poetical chapters, is a reflex ion on institutionalization as a sociological fact. Its objective is to show, through a life story, how the subject organizes himself to live socially and to construct himself. According to Henri Lefebvre’s theory, the subject achieves his institutionalization through the ‘moments” he inherits and the ones he creates. If his experienceof the moments and his definition of the ‘situations’ he is confronted to, are consistent with a life project based on the respect of human rights, he can turn them into resources enabling him to escape banalization, the beaureaucratization of society, and through an endless quest, realize his human potential. It is therefore a philosophical project anchored in everyday life, an art of living going against the ideological current prevailing in the « spectacle society », centred on showing off and profit
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Shaw, Kwok-wah Roddy. "Gay desire and the politics of space." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2526235x.
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Stefaniak, João Luiz. "Espaço, revolução e utopia: um passeio com Henri Lefebvre pelas ruas de São Paulo em junho de 2013." Universidade Estadual de Ponta Grossa, 2018. http://tede2.uepg.br/jspui/handle/prefix/2668.
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Joao Luiz Stefaniak.pdf: 8681644 bytes, checksum: 334b972ad60ed0920d1f80a5a122973c (MD5)Made available in DSpace on 2018-11-06T18:09:05Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Joao Luiz Stefaniak.pdf: 8681644 bytes, checksum: 334b972ad60ed0920d1f80a5a122973c (MD5) Previous issue date: 2018-08-31
Os acontecimento que se desenrolaram no Brasil em Junho de 2013 estão inseridos na história contemporânea do país. A partir dos protestos convocados pelo Movimento do Passe Livre contra o aumento da tarifa do transporte público uma multidão toma conta das ruas das principais cidades brasileiras. A presente pesquisa busca compreender como foi possível um movimento pontual, que está relacionada a questão urbana, foi capaz de catalisar a indignação de milhões de pessoas. A rua, mais do que cenário das manifestações, constituiu o espaço onde se gestou uma Nova Utopia. Em um curto momento da nossa história se vislumbrou uma revolução. Esta revolução, segundo Henri Lefebvre, representa a superação da velha sociedade industrial por uma nova: a "sociedade urbana". Em Junho de 2013 as velhas ideologias foram incapazes de conter a rebelião que nas ruas colocaram questionaram o velho sistema. A "revolução urbana" se fez presente em um momento fugaz mas intenso onde a juventude precarizada se apropriou da cidade rompendo com o alienante cotidiano das cidades.
The events that developed in Brazil in June 2013 are part of the country's contemporary history. From the protests called by the Movement of the Free Pass against the increase of the rate of the public transport a crowd takes care of the streets of the main Brazilian cities. The objective of this present research is to understand how a punctual movement, which is related to the urban question, was able to catalyze the indignation of millions of people. The street, more than scene of the manifestations, constituted the space where a New Utopia was born. In a brief moment of our history a revolution was envisioned. This revolution, according to Henri Lefebvre, represents the overcoming of the old industrial society by a new one: the "urban society". In June of 2013 the old ideologies were unable to contain the rebellion that put in the streets questioned the old system. The "urban revolution" was present in a fleeting but intense moment where the precarious youth appropriated the city by breaking with the everyday alienator of the cities.
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Minchella, Delphine. "Le rôle de la spatialité dans la mise en place du New Model Worker : du projet Valmy aux tours de la Défense de la Société Générale." Thesis, Paris 9, 2015. http://www.theses.fr/2015PA090009/document.
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Les organisations, tentées par la perspective de transformer un poste de dépense considérable en véritable ressource organisationnelle, envisagent généralement leur espace comme un potentiel outil de management, mais de l'espace conçu à l'espace vécu, on observe souvent un décalage remarquable. Cette thèse pose la question de ce que peut révéler un espace organisationnel du management pratiqué en son sein : au-delà des déclarations d'intention, que peut-on comprendre de l'espace? De la façon dont il est administré? Notre terrain d'observation est le siège social d'une grande banque internationale, de son projet architectural initial (rédigé en 1989) jusqu'à nos jours, soit six ans de construction (livraison des tours en 1995), et dix-neuf années de pratique spatiale. Ce cas emblématique a retenu notre attention car le projet consistait à faciliter la mise en place d'un "New Model Worker" par un aménagement spatial particulier, propice à la communication informelle. L'analyse de nos données nous a finalement permis de mettre au point une grille de lecture - regroupant la territorialisation, la valorisation et la localisation - pour mieux appréhender l'espace des organisationsWilling to turn a tremendous item of expenditure into a real organizational resource, organizations usually perceive their spaces as potential management tools, but from conceived spaces to lived ones, a noticeable gap is often to be found. This thesis aims at understanding what an organizational space can reveal about the ongoing management practices: what can we understand from the way space is organized, beyond official discourses? Our research is focused on a case: an international bank's headquarter, from its original architectural project document (written in 1989) to 2014, that is to say: six years of construction (as the towers were delivered in 1995) and nineteen years of spatial practice. This is particularly interesting for those towers were supposed to help implement a "New Model Worker" through a particular spatial setting, favorable to informal communication. From our collected data, we've been able to build up a fresh perspective - an analysis grid gathering space, place, and artefacts - to better understand organizational spaces
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Butler, Christopher, and n/a. "Law and the Social Production of Space." Griffith University. Griffith Law School, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040521.141805.
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This study investigates the relationship between law and space by focusing on the role of the land-use planning system in producing the space of Australian urban regions. The primary aim of the project is to demonstrate the significance of the theoretical and sociological framework of Henri Lefebvre for an emerging field of socio-legal studies concerned with the relationship between law and geography. To this point very few contributions to this field have considered the theoretical connections between law and space in any depth. This thesis demonstrates how Lefebvre's sophisticated theory of the socially produced nature of space can broaden the scope of 'law and geography' research. It does so through a detailed survey of Lefebvre's work and a deployment of his ideas in a series of inquiries into the production of space in Australia. This endeavour is pursued in two stages. Part I of the thesis begins by examining how explanatory models within the social sciences have become increasingly concerned with the spatial dimensions of social life. This 'spatial turn' is reflected in a small, but growing literature within socio-legal studies which focuses on the interdisciplinary connections between law and geography. However the theoretical foundations of this field remain underdeveloped. Through an analysis of Lefebvre's writings, this thesis identifies an anti-reductionist methodological approach to space and its social production. This is used to establish a theoretical framework for the study of the spatial dimensions of law. Part II of the thesis uses this framework to address two questions about the law-space relationship. The first of these is concerned with how law is involved in the production of space. This is considered through three linked studies of the production, planning and legal regulation of space. The starting point for this investigation is the geographical site of suburbia. Lefebvrean categories are used to redescribe Australian suburbia as a form of abstract space - simultaneously fragmented, homogeneous and hierarchically organised. The thesis then argues that the land-use planning system in the post-war decades played a significant role in the development of this form of settlement space, by adhering to a form of bureaucratic thinking that Lefebvre characterises as the rationality of habitat. This rationality embodied technocratic functionalism, a visualised formalism and a structural imposition of expert authority in planning decision-making. With the shift to a neoliberal state form in the last two decades, there have been significant changes to spatial planning. Through an analysis and critique of the Integrated Planning Act 1997 (Qld), it is demonstrated that under neoliberalism there has been a reformulation of the rationality of habitat. In particular, the Integrated Planning Act relies on two new formal strategies, the exchange form and the integrative form, in instituting its changes to planning practice. The exchange form abolishes the technique of land-use 'zoning' and increases the use of market mechanisms in the designation of spatial uses. The integrative form restructures the relationships between local and State government agencies and attempts to channel most forms of public participation into the early stages of policy formation. This thesis argues that rather than changing the spatial outcomes of land-use planning, by commodifying space and restructuring the hierarchies of state decision-making, the Integrated Planning Act will continue to reproduce the social relations of abstract space. The second question in Part II deals with how Lefebvre's ideas can contribute to critical thinking about public law in general. It is argued that while law plays a significant role as a producer of space through the planning system, processes of spatial production also shape and structure state institutions. Two areas of research which could benefit from a Lefebvrean theoretical framework are identified. The first area concerns explanations of the effects on public law of the reterritorialised state form that has emerged under neoliberalism. The second is the renewal of critical theory in public law. In particular, the thesis makes the case that the spatial contradiction between the use and exchange values that are attached to space, challenges the normative orthodoxy within public law scholarship which relies on the values of participation and accountability. This thesis contributes to socio-legal research in three important ways. Firstly, it uses Lefebvre's theoretical approach to develop a critical planning law, linking state planning to the process of the production of space. Secondly, the thesis uses Lefebvrean categories to link the study of public law to political struggles which surround spatial production. It suggests a new way for critical legal scholarship to conceptualise public law in terms of the relationship between state power and the inhabitance of space. Lastly, these inquiries demonstrate the importance and relevance of Lefebvre's social theory for the discipline of socio-legal studies. By grounding the concept of 'space' in material processes of production, a Lefebvrean approach provides an alternative to existing theoretical accounts within law and geography research and will deepen our understanding of the relationships between legal and spatial relations.
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Campbell, Christopher. "Designing Theory: Social Space(s) in the Fiction of Georges Perec." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1377869529.
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Butler, Christopher. "Law and the Social Production of Space." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366870.
Full textAbstract:
This study investigates the relationship between law and space by focusing on the role of the land-use planning system in producing the space of Australian urban regions. The primary aim of the project is to demonstrate the significance of the theoretical and sociological framework of Henri Lefebvre for an emerging field of socio-legal studies concerned with the relationship between law and geography. To this point very few contributions to this field have considered the theoretical connections between law and space in any depth. This thesis demonstrates how Lefebvre's sophisticated theory of the socially produced nature of space can broaden the scope of 'law and geography' research. It does so through a detailed survey of Lefebvre's work and a deployment of his ideas in a series of inquiries into the production of space in Australia. This endeavour is pursued in two stages. Part I of the thesis begins by examining how explanatory models within the social sciences have become increasingly concerned with the spatial dimensions of social life. This 'spatial turn' is reflected in a small, but growing literature within socio-legal studies which focuses on the interdisciplinary connections between law and geography. However the theoretical foundations of this field remain underdeveloped. Through an analysis of Lefebvre's writings, this thesis identifies an anti-reductionist methodological approach to space and its social production. This is used to establish a theoretical framework for the study of the spatial dimensions of law. Part II of the thesis uses this framework to address two questions about the law-space relationship. The first of these is concerned with how law is involved in the production of space. This is considered through three linked studies of the production, planning and legal regulation of space. The starting point for this investigation is the geographical site of suburbia. Lefebvrean categories are used to redescribe Australian suburbia as a form of abstract space - simultaneously fragmented, homogeneous and hierarchically organised. The thesis then argues that the land-use planning system in the post-war decades played a significant role in the development of this form of settlement space, by adhering to a form of bureaucratic thinking that Lefebvre characterises as the rationality of habitat. This rationality embodied technocratic functionalism, a visualised formalism and a structural imposition of expert authority in planning decision-making. With the shift to a neoliberal state form in the last two decades, there have been significant changes to spatial planning. Through an analysis and critique of the Integrated Planning Act 1997 (Qld), it is demonstrated that under neoliberalism there has been a reformulation of the rationality of habitat. In particular, the Integrated Planning Act relies on two new formal strategies, the exchange form and the integrative form, in instituting its changes to planning practice. The exchange form abolishes the technique of land-use 'zoning' and increases the use of market mechanisms in the designation of spatial uses. The integrative form restructures the relationships between local and State government agencies and attempts to channel most forms of public participation into the early stages of policy formation. This thesis argues that rather than changing the spatial outcomes of land-use planning, by commodifying space and restructuring the hierarchies of state decision-making, the Integrated Planning Act will continue to reproduce the social relations of abstract space. The second question in Part II deals with how Lefebvre's ideas can contribute to critical thinking about public law in general. It is argued that while law plays a significant role as a producer of space through the planning system, processes of spatial production also shape and structure state institutions. Two areas of research which could benefit from a Lefebvrean theoretical framework are identified. The first area concerns explanations of the effects on public law of the reterritorialised state form that has emerged under neoliberalism. The second is the renewal of critical theory in public law. In particular, the thesis makes the case that the spatial contradiction between the use and exchange values that are attached to space, challenges the normative orthodoxy within public law scholarship which relies on the values of participation and accountability. This thesis contributes to socio-legal research in three important ways. Firstly, it uses Lefebvre's theoretical approach to develop a critical planning law, linking state planning to the process of the production of space. Secondly, the thesis uses Lefebvrean categories to link the study of public law to political struggles which surround spatial production. It suggests a new way for critical legal scholarship to conceptualise public law in terms of the relationship between state power and the inhabitance of space. Lastly, these inquiries demonstrate the importance and relevance of Lefebvre's social theory for the discipline of socio-legal studies. By grounding the concept of 'space' in material processes of production, a Lefebvrean approach provides an alternative to existing theoretical accounts within law and geography research and will deepen our understanding of the relationships between legal and spatial relations.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith Law School
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Dusserre-Bresson, Quentin. "Les modes d’habiter périurbains et l’idéologie de la « société des loisirs » : une analyse France-Québec." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100005.
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Cette thèse analyse les modes d’habiter périurbains au travers des projets de promoteurs immobiliers des années 1960-1970 au Québec et en France. En effet, les promoteurs de Bromont et l’Estérel au Québec et des Cottages-de-Cernay et de Port-Sud en France se sont emparés de l’idéologie de la société des loisirs pour concevoir des ensembles résidentiels périurbains. Le recul historique sur cette conception urbanistique d’un habiter périurbain offre la possibilité d’une comparaison à la fois synchronique et diachronique des modalités d’appropriation habitantes de ces ensembles résidentiels sur la période 1960-2010. L’analyse de cette appropriation habitante du périurbain est inspirée du cadre conceptuel et de la méthode régressive progressive d’Henri Lefebvre (1974). Selon ce cadre théorique, l’appropriation est définie comme un processus conflictuel entre l’idéologie de l’espace conçue par les promoteurs et les représentations des habitants mais aussi comme rapports conflictuels entre les différentes modalités d’habiter ces espaces par les habitants. Cette recherche s’appuie sur trois types de sources: des entretiens, des articles de journaux et des archives. Les résultats montrent que les promoteurs ont échoué à concevoir un mode d’habiter spécifique au niveau de leur projet urbanistique. Elle détaille le jeu complexe d’alliances et d’oppositions sociales et politiques en faveur d’adhésion, de rejet et/ ou de détournement habitant de conceptions des formes périurbaines des années 1960-1970. Elle apporte de ce fait, un regard novateur sur les processus de différenciation des espaces périurbains observés depuis les années 2010 en France et au QuébecThis thesis analyzes peri-urban living patterns through real estate developer projects from the 1960-1970s in Quebec and France. In fact, developers of Bromont and Estérel in Quebec and Cottages-de-Cernay and Port-Sud in France seize on the ideology of the leisure society to design peri-urban residential complexes. The historical retreat on this urbanistic conception of a periurban inhabitant offers the possibility of a synchronic and diachronic comparison of the appropriation of these residential complexes over the period 1960-2010. The analysis of appropriation is inspired by the conceptual framework and the progressive regressive method of Henri Lefebvre (1974). According to this theoretical framework, the appropriation is defined as a conflictual process between the ideology of the space conceived by the developers and the representations of the inhabitants but also as conflicting relations between the different ways of living these spaces by the inhabitants.This research is based on three types of sources: interviews, newspaper articles and archives. This thesis shows that developers have failed to design a specific way of living that adequately represented their urban project. The research details the complex game of social and political alliances and oppositions in favor of commitment, rejection and / or diversion by the inhabitants in relation to the conception of peri-urban forms of the years 1960-1970. As a result, this thesis provides an innovative view of the different trajectories of peri-urban areas observed since 2010 in France and Quebec
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Reis, Sarah Nascimento dos. "“Charme é poder viver aqui.”: a atual oferta imobiliária habitacional do município de Salvador – Ba." Faculdade de Filosofia e Ciências Humanas, 2015. http://repositorio.ufba.br/ri/handle/ri/23997.
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O Brasil viveu na última década um momento de expansão da oferta de produtos habitacionais, este momento tem sido chamado de boom imobiliário. Salvador, em especial, viveu a intensidade deste momento sendo um dos destaques da produção imobiliária do país, foi invadida por grandes incorporadoras e construtoras paulistas e estrangeiras e diversificou a oferta de unidades habitacionais apresentando novos produtos, tais como novos modelos de condomínio, condomínios-clubes, condomínios-parques, bairros planejados, acentuando a verticalização da orla atlântica em especial e da cidade como um todo além de aprofundar o desmatamento do remanescente de Mata Atlântica, últimos vazios urbanos existentes na cidade. Este trabalho se propõe a fazer um estudo qualitativo e quantitativo da oferta imobiliária contemporânea da cidade a partir do instrumental teórico oferecido principalmente por Henri Lefebvre e David Harvey, resgatando também os antecedentes históricos desta produção além dos impasses e limitações, do qual o desenho arquitetônico é objeto, revelado pela observação do trabalho de arquitetas e arquitetos num escritório destaque. Trata-se de uma etnografia multi-situada, na qual foram investigados documentos e matérias jornalísticas, e o lócus de pesquisa se desdobrou em inúmeros lugares onde a prática da compra e venda de imóveis se realiza. Assim, este trabalho busca contribuir com a visão antropológica ao panorama que as ciências sociais e o urbanismo tem procurado construir sobre as transformações da cidade sob a égide do capital imobiliário e financeiro.
The Brazil experienced in the last decade a time of expanding the offer of housing products, this moment has been called the real estate boom. Salvador, in particular, lived the intensity of this time being one of the highlights of the housing production in the country was invaded by large developers São Paulo and foreign construction companies and diversified offer of housing units introducing new products such as new condominium-models, clubs-condominium, parks condominiums, planned neighborhoods, emphasizing the vertical edge of the Atlantic, in particular, and the city as a whole, in addition to further deforestation of the Atlantic forest, urban voids last existing in the city. This paper aims to make a qualitative and quantitative study of contemporary real estate offer of the city from the theoretical tools offered mainly by Henri Lefebvre and David Harvey also rescuing the historical background of this production beyond the impasses and limitations, which the architectural design is object, revealed by observation of architects work in a prominent office. This is a multi-situated ethnography, in which documents and newspaper articles were investigated, and the locus of research unfolded in many places where the practice of buying and selling of real estate helds. This work seeks to contribute to the anthropological view that the social sciences and urbanism has sought planning to build on the changes in the city under the aegis of the real estate and financial capital.
Le Brésil a connu durant la dernière décennie une période de développement de l'offre de produits de logement, ce moment a été appelé le boom de l'immobilier. Salvador, en particulier, a vécu l'intensité de ce moment étant consideré un des lieux remarquables de la production immobilière dans le pays, dont a été envahi par les grands développeurs de São Paulo et les entreprises de construction étrangères et diversifiée l‟offre de logements introduisant de nouveaux produits tels que les nouveaux modèles de résidences, les résidences-clubs, les résidences-parques, les quartiers planifiés, accetuant la verticalization de la Forêt Tropicale en particulier, et la ville dans son ensemble, en plus l‟approfondisement de la déforestation du restant de la Forêt Tropicale, lês dernières vides urbains existantes dans la ville. Ce travail vise à faire une étude qualitative et quantitative de la contemporaine offre immobilière de la ville à partir des outils théoriques offerts principalement par Henri Lefebvre et David Harvey rachetant aussi le contexte historique de cette production au-delà des impasses et des limites, duquel le design architectural est l‟objet, révélé par l'observation du travail des architectes dans um notable bureau. C‟est une ethnographie multi-située, dans laquelle ont été étudiés documents et dês articles de journaux, et le locus de la recherche s‟est déroulé dans de nombreux endroits où la pratique de l'achat et de la vente de biens immobiliers s‟effectue. Donc, ce travail vise à contribuer à la vue anthropologique au panorama que les sciences sociales et l‟urbanisme ont cherché à se appuyer sur les changements dans la ville sous l'égide du capital immobilier et financier.
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Buire, Chloé. "À travers pratiques citadines et tactiques citoyennes, la production du droit à la ville au Cap (Afrique du Sud)." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100161/document.
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Cette thèse part de l’idée de l’espace comme instrument pour la pensée et l’action formulée par Henri Lefebvre dans les années 1970, afin de comprendre les liens entre citadinité et citoyenneté dans la ville du Cap, en Afrique du Sud. Elle analyse la démocratisation du gouvernement local à travers la création de nouvelles circonscriptions électorales aux ambitions participatives : les wards. L’étude se concentre sur le ward 44 qui réunit des territoires autrefois divisés par l’apartheid. Une immersion dans la vie quotidienne de différentes familles révèle les mécanismes d’une gouvernementalité communautaire où la légitimité politique individuelle est indissociable de l’expérience citadine partagée.La thèse est complétée par un DVD qui présente seize séquences vidéos, entre récits de vie, situations du quotidien et moments forts de la vie de quartier. Les tactiques pragmatiques déployées au jour le jour par les citadins pauvres apparaissent alors dans leur complexité. Elles s’adaptent aux réformes institutionnelles en cours, tout en en conditionnant l’application au niveau micro-local. En fin de compte, la résistance aux inégalités spatiales passe donc par la figure de citadins-citoyens qui inventent jour après jour ce que pourrait être le droit à la ville en Afrique du SudThe present work takes as its starting point the idea of space as an instrument for thought and action, as formulated by Henri Lefebvre in the 1970s, as a means to understand the relationship between city life and citizenship in Cape Town, South Africa. It analyses the democratization of local government through the creation of new electoral circumscriptions, which aim to facilitate public participation: the wards. The study focuses on ward 44, which brings together territories formerly divided by apartheid. The immersion in the daily lives of various families highlights the mechanisms of a community-based governmentality, where individual political legitimacy is intertwined with the shared experience of the city.The PhD comes with a DVD comprising sixteen video excerpts of life narratives, scenes of daily life and neighbourhood events. The pragmatic tactics that urban residents deploy on a daily basis thus reveal their full complexity. They not only adjust to on-going institutional reforms, they also condition the very implementation of these reforms. Eventually, the resistance to spatial inequalities is carried out through the figure of the “citadins-citoyens”, the “urban citizen” who on a daily basis invents what could be the right to the city in South Africa
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Carr, Constance. "Social spatial borders delimiting difference in Berlin." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2010. http://dx.doi.org/10.18452/16063.
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Diese Dissertation forscht in der Philosophie und in der Theorie des Sozialraumes, und kommt zu einer theoretischen Betrachtung des Sozialraumes, die helfen kann, Sozialprozesse in Berlin zu erklären. Bezug nehmend auf Lefebvres, Theorien der Unterschiedlichkeit und der Vielfältigkeit wird spatialisiert. Im Gegenzug werden anhand von Theorien, der Unterschiedlichkeit und Vielfältigkeit, die auf transnationalem Urbanismus, und der feministischen Geographie basieren, die Grenzen der lefebvreschen Theorie des Sozialunterschiedes herausgestellt. Während die Theorien von Lefebvre schwerpunktmäßig auf Marx basieren, basieren die feministischen poststructural Theorien des Unterschiedes in der Darlegung auf endloser Flexibilität, Zerteilung und radikaler Vielfältigkeit. Es gibt folglich eine unüberwindbare Kluft zwei theoretischen Perspektiven. Um die Beschränkungen und die Möglichkeiten dieser Perspektiven zu veranschaulichen, werden zwei soziale Phänomene beschrieben Das erste ist die Entwickelung der Hausbesetzerszene in Berlin nach dem Mauerfall. Das zweite sind die Erfahrungen, der Newcomers in Berlin. Einige Grenzen der Hausbesetzer und der Newcomers werden durch die Anwendung der Theorien des produzierten Raumes von Lefebvre, der flexiblen Vielfältigkeit von Doreen Massey, der übernationalen feministischen Geographie von Geraldine Pratt, und der radikalen Flexibilität und Fragmentation von Zygmunt Bauman deutlich. Die Geographie der Hausbesetzerbewegungs- und die Geschichte der Newcomers decken nicht nur einen Mangel an Zentralität, sondern auch ein umfangreiches überterritoriales Netz auf. Sie zeigen auch, dass Unterschiedlichkeit sich im Raum materialisiert. Eine Brücke zwischen Lefebvre und poststruktureller Unterschiedlichkeit konnte durch das Überdenken der für Lefebvre notwendigen Zentralität des Sozialraumes, so wie des ökonomische Reduktionismus gefunden werden. Gleichzeitig, kann der Diskurs der Unterschiedlichkeit einen Nutzen aus einer tieferen Analyse der materiellen Form des Raumes. Diese Abhandlung ist folglich ein Zugang zum allgemeinen Überdenken der räumlichen Sozialtheorie.This ideational dissertation delves into the philosophy and theory of social space, and arrives at a theoretical vision of social space which can help explain social processes in Berlin. Drawing on Lefebvre, theories of difference and multiplicity are spatialised. Conversely, drawing on theories of difference and multiplicity from transnational urbanism and feminist geography, the limits of Lefebvre’s theory of social difference are exposed. While the theories of Lefebvre are heavily based on Marx, the feminist poststructural theories of difference are based in the discourse on infinite flexibility, fragmentation, and radical multiplicity. There is thus a gaping cleft between the two theoretical perspectives. To illustrate the limitations and possibilities of these perspectives, two social phenomena are described. The first involves the post-Wall squatter scene in Berlin. The second involves experiences of newcomers in Berlin. By examining the theory of produced space from Lefebvre, the theories of coeval and flexible multiplicity from Doreen Massey, the theories transnational feminist geographies of Geraldine Pratt, and the imagery of flexible everything from Zygmunt Bauman, some theoretical borders of squatters and newcomers come into focus. The geographies of squatter movements and newcomers’ history reveal not only a profound lack of centrality, rather an extensive trans-territorial network. They also show that difference is deeply spatialised and material. A bridge between Lefebvre and poststructuralist difference might be found in the rethinking Lefebvre’s necessary centrality of social space, as the economic reductionism his Marxism requires. At the same time, the discourse on difference might benefit from a deeper analysis of the materiality of space. This dissertation is therefore an entry point into the general rethinking of social space.
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Cápona, González Daniela. "Deseo y experiencia urbana: el espacio abstracto capitalista y la lógica de las pasiones teológico-políticas en el habitar, consideraciones a partir de la filosofía de Baruch de Spinoza y Henri Lefebvre." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/152243.
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Alvmo, Amanda. "På Sysslomansgatan mötte jag Studentlivet : En rumsteoretisk undersökning av staden och studenten i Gun-Britt Sundströms Student -64." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339194.
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Den här uppsatsen har som syfte att utifrån Gun-Britt Sundströms roman Student -64 (1966) undersöka hur en författare genom beskrivningar av platser och rum formulerar en stadsmyt och därmed även konstruerar en viss identitet för personerna inom den. Utgångspunkten var att det finns en viss myt om Uppsala som studentstad, och att denna skildras i bland annat skönlitteraturen. Genom att fokusera på myten om studentstaden Uppsala och identiteten som student har också frågan om vilken funktion myten om staden har för studenten varit i fokus. För att genomföra undersökningen har en motivstudie baserat på rumsliga teman genomförts, som resulterade i en kartläggning över vilka platser som förekommer i romanen samt hur ofta de nämns. Det teoretiska ramverket som användes bestod huvudsakligen av Henri Lefebvres teorier om socialt rum och hur vi skapar rum genom tre olika slags erfarenheter: fysisk, mental och social, som vi får antingen genom rumsliga praktiker, representationer av rum eller genom representationella rum. Resultatet av undersökningen visar att Sundström i Student -64 gestaltar ett antal platser i Uppsala där protagonisten Sagas rumsliga praktiker kommer till uttryck. Platserna relateras till Sagas sociala erfarenhet och det hon som kallar för ”uppsalastämning”, vilket är en del av den historiska myten om Uppsala som Sundström anknyter till. Därmed bidrar hon till att befästa myten genom att bygga på det representationella rum som är studentstaden Uppsala i sin helhet, samtidigt som hon omformulerar myten i en modern tolkning genom att skapa nya representationella rum. Dessa rum visar sig också möjliggöra en viss studentidentitet, samt en utveckling inom denna som i sig bidrar till att myten kan fortsätta leva.
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Tillack, Peter Bruce. "The politics of "introspection" : two Naikō no sedai writers and the representation of social space in "contemporary" Japan /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?index=0&did=1196395441&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1180992920&clientId=11238.
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Thesis (Ph. D.)--University of Oregon, 2006.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 363-372). Also available for download via the World Wide Web; free to University of Oregon users.
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Mayr, Helen-Sophie. "Curating the Subversive : Illegal Graffiti in Urban Space on the Example of Berlin and how to Approach it Curatorially." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-192116.
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Within curatorial practice, graffiti has come to little attention. On the occasion of the street art hype during the 2000s, graffiti appeared only as a minor component. Considering, that graffiti remains an undefined and mostly illegal and uninstitutionalized practice, the fact that it is not a common exhibition topic seems self-evident. However, graffiti is a globally and publicly present form of visual output and communication which upon closer look reveals conceptual depth and complexity. Therefore, this thesis investigates illegal graffiti in urban space and the possibility of curatorial approaches. Using the theoretical framework of Henri Lefebvre’s writings on the city, graffiti in urban space is conceptualized and analyzed. Possible readings and understandings of graffiti are highlighted. On the basis of such, past curatorial practices with and research on graffiti are outlined and discussed. Finally, the thesis aims to establish an understanding of graffiti as an institution of its own. For a productive curatorial approach to graffiti, an awareness of that division is considered crucial.
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Oliveira, M?rcia Silva de. "No encontro da vida cotidiana, novas descobertas em bairro e vida de bairro." PROGRAMA DE P?S-GRADUA??O EM ARQUITETURA E URBANISMO, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/22694.
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A presente tese trata da din?mica socioespacial que construiu historicamente o bairro de Nova Descoberta, na cidade do Natal/RN, a partir da segunda metade do s?culo XX. Para isso, aborda a rela??o entre a constru??o do Bairro e da Vida de Bairro e ampara-se no embasamento te?rico-metodol?gico elaborado pelo fil?sofo e soci?logo franc?s Henri Lefebvre, quando prop?e uma leitura da vida social urbana que se descortina no bairro enquanto fragmento privilegiado ou n?cleo de vida social somente compreendido na rela??o com a cidade. Parte do seguinte questionamento: como incluir o espa?o diferencial, pensado por Henri Lefebvre, na an?lise do bairro e da vida de bairro a partir do estudo da realidade de Nova Descoberta? E levanta como hip?tese a afirma??o de que a exist?ncia e a realidade do bairro de Nova Descoberta s?o determinadas e somente explicadas pelo movimento simult?neo e contradit?rio do seu espa?o concebido, percebido e vivido. Para isso, constr?i uma an?lise do bairro de Nova Descoberta como espa?o diferencial, produzido na converg?ncia e na simultaneidade de diferentes l?gicas e dimens?es que se descortinam na produ??o do seu espa?o e fundamenta-se nos estudos do citado autor franc?s acerca do bairro, da vida cotidiana e da vida social urbana, bem como do seu m?todo dial?tico regressivo-progressivo, que prop?e an?lises espa?o-temporais de confronta??o entre a vida moderna, o passado e o poss?vel, se afirmando como uma pesquisa qualitativa, amparada na realiza??o de entrevistas, observa??es in loco, tomada de imagens, consultas em ?rg?os p?blicos e em antigos registros do campo emp?rico. Percorrendo trilhas de investiga??o que ajudaram a entender a forma??o do bairro na cidade, mostramos o processo de consolida??o dos n?cleos iniciais de ocupa??o, Nova Descoberta e Morro Branco, e nos deparamos com a constru??o de um bairro institucionalizado, mas tamb?m percebido e vivido a partir das tramas e redes do vivido que sustentam a mem?ria individual e coletiva, a no??o de pertencimento e a identidade consolidada do espa?o de vida do morador na cidade. Nesse contexto, as novas descobertas realizadas confirmaram nossa hip?tese de que Nova Descoberta, enquanto bairro oficial da cidade, somente pode ser compreendida em sua totalidade como espacialidade concreta, como unidade institucionalizada e como n?cleo de vida social, ou seja, como produto da din?mica simult?nea e contradit?ria de produ??o do seu espa?o concebido, percebido e vivido, que permitiu sua leitura como espa?o diferencial. Constata??o que nos permitiu afirmar que o atual bairro institucionalizado de Nova Descoberta, apresenta duas refer?ncias socioespaciais diferenciadas, Nova Descoberta e Morro Branco, que apontam para a conviv?ncia, por vezes conflituosa, entre o bairro oficial e o bairro cotidiano, onde um n?o nega o outro, mas a ele se soma como parte de uma mesma realidade. Enfim, o trabalho destaca a possibilidade de habitar o bairro como resgate e reafirma??o da vida social urbana, contribuindo para estudos posteriores acerca da rela??o bairro-cidade, vida cotidiana-vida social urbana, na cidade atual.
The present thesis considers the social-spatial dynamics that historically constructed the neighborhood of Nova Descoberta in Natal, Brazil, from the second half of the twentieth century. To make it possible, the thesis addresses the relation between the neighborhood construction and the neighborhood?s life, and supports itself in the theoretical-methodologic basement created by the french philosopher and sociologist, Henri Lefebvre, that proposes a vison of an urban social life that uncover into the neighborhood as a privileged fragment of a social life core, only understood in its city relationship. The thesis starts from the following question: how to include the differential space, thought by Henri Lefebvre, into the analysis of the neighborhood and neighborhood?s life from the study of the Nova Descoberta reality? And it raises as hypothesis, the claim that the existence and the reality of Nova Descoberta district is determined and only explained by the simultaneous and contradictory movement of its conceived, perceived and lived space. The thesis constructs an analysis of Nova Descoberta as a differential space, produced by the convergence and simultaneity of different logical and dimensions that uncover into its space production and bases itself in the study of the quoted writer about the neighborhood, the everyday life and the urban social life, as well as his regressive-progressive dialectical method that proposes spatial-temporal analysis of the confrontation between the modern life, the past and the possible, affirming itself as a qualitative research, based in interviews, in loco observations, images capturing, public agencies consulting and in old empirical scope registers. Walking through research tracks that helped us to understand the formation of the district in the city, we show the process of consolidation of the initial cores of occupation of Nova Descoberta and Morro Branco, and we face the construction of an institutionalized perceived and lived neighborhood from the networks of living that support the individual and collective memory, the notion of belonging and the residents? consolidated identity of the living space in the city. In this context, the new discoveries realized confirmed our hypothesis that Nova Descoberta as an official part of the city can only be understood in its totality, as a concrete spatiality, as institutionalized unity and as the core of social life. In other words, as a product of simultaneous and contradictory dynamics of production of its conceived, realized and lived space that allowed the perception of the neighborhood as a differential space. This finding, allowed us to affirm that the current institutionalized district of Nova Descoberta presents two different social-spatial references: Nova Descoberta and Morro Branco, that points to a coexistence, sometimes conflicting, between the official and the everyday neighborhood, where one does not negate the other, but adds itself to each other as part of the same reality. Finally, the paper highlights the possibility of inhabiting the neighborhood as redemption and reaffirmation of urban social life, contributing to further studies on the relations between neighborhood and town, daily life and urban social life into the city currently.
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Pärsson, Sara. ""Medan detta nya fruktansvärda hände i Kramfors, stod mamma i köket och putsade prästgårdssilvret" : hushållssysslor som hemmets rumsliga praktiker. Thorvall, Johansson och Sandberg." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114586.
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This thesis is a study of spatial practice and literary depictions of homes in novels by Elsie Johansson, Kerstin Thorvall and Kristina Sandberg. The theoretical perspective is based on Henri Lefebvre´s view on social space, and on the concept of spatial practice. Research questions are: What homes are depicted? How does spatial practice function in the texts? How does the depictedspatial practice relate to norms and ideals? The novels, published 1993-2014, depict an interesting period in Swedish history (cirka 1920-1970) when politics and society at large was deeply involved in reshaping the homes and lives of Swedish citizens. The aim was to turn the citizens into new, healthy and rational parts of the new and rational society. Housewives where put in a position where the new rational housekeeping clashed with the standards and practices of earlier generations. Class is found to be a crucial factor in performing and experiencing domesticity in the studied novels. Housewive characters in the Thorvall and Sandberg novels, raised in working class families, struggle in adapting the spatial practice of home in their new middle class environments.Part of the thesis is a discussion on domesticity seen as an adaptive pracitce – catering to the needs of husbands and children. The novels show this, but also depict housework being used as a way to escape unpleasant conversations or forget ones unpleasant feelings. Another task with complex connotations and uses is cleaning. Cleaning in these novels have a strong connection to positive feelings like pleasure and pride, but also to negative feelings of shame and a loss of control. Acting normal to achieve a state of normality within the home and family is a common strategy for the housewives. The material is found to support Lefebvres idea on the importance of spatial practice - sense of home, for the studied housewife characters, is found to be more dependent on spatialpractice than on the home itself.
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Kaya, Asli. "An Inquiry Into The Architectural Program Of The Contemporary Airports." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614894/index.pdf.
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Architectural program of airports has evolved from being a mere transportation space into a &ldquocity&rdquo
containing various activities along with transportation at its core. This thesis aims to discuss and criticize it, by arguing that the city and the airport are to be integrated by giving a special importance to the user (both the passenger and the inhabitant of the city). The discussion is focused on three dialectically related constituents of the program: Process, User and Product (building). Rather than the architectural design process generating the built form, process refers to the influential actors in shaping the space of airport. User refers to both the active and passive actors of the organization of space. Product denotes the space itself, transformed according to the wishes and demands of both the user and the mode of production. These constituents are accepted as significant factors in the development of the airport architectural program in a way to answer the requirements of the integration with the city. In contemporary airports, users do not have enough rights over the space to be able to show their existence against the domination of capital'
s spaces. Therefore, this thesis proposes an alternative airport architectural program integrating the airport with the city by placing the user at the center.
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Elander, Mia. "The Representation of Space in The House on Mango Street : A literary analysis with pedagogical implications for upper secondary students." Thesis, Södertörns högskola, Lärarutbildningen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-41073.
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This essay explores the power dynamics embedded in the construction and perception of spatial environments in the novel The House on Mango Street by Sandra Cisneros. With the help of Henri Lefebvre’s theory of space as a socially constructed phenomenon and practice, this essay argues that the characters’ experience and perception of spaces in the novel including the house and the street are entangled with the dominating forces related to gender, identity and patriarchy in the surrounding society. The essay also argues that the novel apart from revealing these power dynamics, also, through its protagonist Esperanza suggests a new kind of space, an alternative and more just space for the individual and the community. Additionally, this essay also discusses and elaborates on the pedagogical implications of using the novel with a focus on space for upper secondary students. An investigation of how individual and social spaces functions in different ways in the novel provides valuable opportunities for teachers and students to reflect and discuss power relations, social injustices and inequities in their community, and allow them, as the protagonist Esperanza, to imagine alternative and more just spaces.
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Lehtovuori, Panu. "Experience and conflict the dialectics of the production of public urban space in the light of new event venues in Helsinki 1993-2003 /." Espoo : Helsinki University of Technology, Centre for Urban and Regional Studies, 2005. http://catalog.hathitrust.org/api/volumes/oclc/76268378.html.
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Cokeley, Katrien. "Framing Homelessness as Crisis: A Comparative Content Analysis of Local Media Reports on Portland's Tent Cities." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/3943.
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This content analysis of mainstream and alternative news narratives interprets the use of the crisis media frame, and describes the relationship between local policy initiatives, media discourse and public opinion on tent cities, organized by people experiencing homelessness in Portland, Oregon. Framing homelessness and housing as a crisis intensified the public debate, attested by an increase in mainstream media reports on tent cities, and by controversial policy changes that addressed the individually-experienced traumatic impacts of the City's anti-camping ordinance, as well as the systemic lack of affordable housing and emergency shelter. Media discourse related to city-sanctioned tent cities blurs the lines between Shanto Iyengar's episodic and thematic media frames because of the simultaneous acknowledgement of individual and systemic circumstances. The crisis frame is a discursive mechanism in the production of knowledge on homelessness and housing, and is considered as an integral characteristic of Henri Lefebvre's conceptual model of socio-spatial production, which describes the interdependency between discourse, practice and meaning in the material and symbolic production of space.
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Demirel, Sinem. "'." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607046/index.pdf.
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This thesis is about the processes and attitudes behind building production as it is about architecture as such, and it aims at understanding architecture’
s critical capacity and its relation to wider society. In this context, the differing attitudes and orientations in the construction of the residential environments in Dü
zce after the two unsettling earthquakes that took place in 1999 are believed to provide a study field, where the relationship between architecture and different economic, political and cultural structures that constitute civil society can be examined. Against this backdrop, our discussion will concentrate on the specific housing concerns and solutions proposed by three different groups, namely: &
#8216
Solidarity Houses Project&
#8217
realized by the villagers of Gö
lyaka, settlement proposal for Gö
lyaka prepared by the Project Implementation Unit of Prime Ministry and the struggle of the Dü
zce Depremzedeler Dernegi for tenants&
#8217
rights. The examination of these case studies will be based on our reading of Henri Lefebvre&
#8217
s &
#8216
Production of Space&
#8217
and particularly his analytical categories: physical, mental and social space. The relation between this theoretical framework and the case studies will be a reciprocal one, in which the analysis on the three examples of house production will both utilize the analytical framework and be an instrument for understanding it. Although considered separately, the concepts we discuss in each chapter are inextricably interwoven. At the end what we aim to outline is a more total picture of the character of the redevelopment processes after the 1999 Marmara earthquakes and represent architectural practice in its complexity.
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Asara, Viviana, and Giorgos Kallis. "Fertile soil: The production of Prefigurative Territories by the Indignados movement in Barcelona." WU Vienna University of Economics and Business, 2018. http://epub.wu.ac.at/6430/1/sre%2Ddisc%2D2018_03.pdf.
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Social movements do not only protest and demand political change - they produce new spaces too. Why and
how? If we understand this, we can appreciate better the specificity and potential of the last cycle of
mobilizations involving the encampment of cities' squares. This paper shows how the Indignados movement
in Barcelona evolved from symbolizing an alternative future in the square to constructing alternatives in the
city after. We find that people in alternative projects re-appropriate and transform urban space because they
want to live differently and produce a radically different city, now. We conceptualize these new spaces as
"prefigurative territories", integrating the seemingly divergent anarchist theory of prefiguration with Lefebvre's
Marxist theory of space production. Prefigurative projects have strategic horizons and struggle with conflicts
when opening up. Against those charging the Indignados with a fetishization of the occupied square and a
failure to achieve political goals, we argue for the continuing relevance of the movement as it moved from the
production of differential, to the production of counter-spaces. Further research should investigate how these
counter-spaces feed into processes of political change.Series: SRE - Discussion Papers
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Vouri-Richard, Derek S. "A Spatial Plane of Immanence: American Cinema in Late Capitalism." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775.
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Jiménez-Pacheco, Pedro. "La rebelión del espacio vivido." Doctoral thesis, Universitat Politècnica de Catalunya, 2018. http://hdl.handle.net/10803/620759.
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The dissertation arises from the awakening of Henri Lefebvre’s work, both in social sciences with Marxist approach and urban studies interested in social issues. This scientific and institutional recovery of Lefebvre's work has operated differently in the Anglo-Saxon and Hispanic research, particularly in the last decade, specializing his ideas, purifying them, and consequently rendering them inoperative. Thus, the thesis confronts the difficulties of a dispersed and overlooked work in the academic tradition and the political praxis; which poses a triple challenge: the non-dogmatic assembly of the Lefebvre’s contributions examined as whole in motion throughout his life, following the wake of a science of the use of space; the filling of a theoretical gap marginally claimed by the academic urbanism during the neoliberal project urbanization; and the applicability of a Lefebvrian matrix in the analysis of capitalist urbanization in the global city. In order to follow effectively his ideas (always regarding the lived space), it is designed an open system to a plurality of approaches and methods that collaborate in the development of the thesis; which is organized by the progress of the genealogical and critical-pedagogical phases, supported by an epistemological base of two sections in Lefebvre’s itinerary: 1939-1968 (Chapter 1) and 1968-1978 (Chapter 2). This phase defines the theoretical object “social space”, deepening in the concepts that provide greater originality and radicality to its potential unity. In the genealogical phase (Chapter 3) two arguments are deployed to place Lefebvre’s ideas from the perspective of a critical space theory: The feedback between Lefebvre and the architectural practice and its influence in the French and European context (post-war–70s) facilitate a doctrinal exchange with the Polish architect Oskar Hansen (Team X), which is translated as a “form of the possible” in the Juliusz Slowacki Housing Estate built in Lublin (1963-66). And, the genealogical dialectical reconstruction shows the roots of two dissenting traditions: on one side, by the effervescence relationship with Constant Nieuwenhuys and Guy Debord; and on the other, by a series of interests that coincide in the itineraries of D. Harvey and M. Castells.
The critical-pedagogical phase assumes that it is possible to apply the theoretical apparatus exposed to concrete urban processes in the world city, which implies the pedagogical confrontation of the Lefebvrian matrix with a specific reality in the centre (Ciutat Vella) and periphery (Prat Vermell) of Barcelona, verifying the effectiveness of the theoretical apparatus in guiding the architect through an ordered transdisciplinary path in the urban spatial analysis; through which historical research allows a contextualized reading of the neoliberal program in the political economy of space. Consequently, the limits of municipal planning are revealed in contradiction with urbanistic planning legislation and policy in the face of the great wave of global financial flows; and it builds on the theoretical-critical apparatus with a global approach to local struggles, which have difficulty to integrate due to their visions parcelled of the urban problematic. Thus, the actual dominance of the real estate–financialized circuit in capitalist urbanization and its destructive action in the residential sphere in Barcelona is explained, its consequences on the use of social space and on the urban planning devices that seek to domesticate it, closing the contestation gaps or co-opting it. The evidence of the circuit structures and its contradictions with the reformist planning encourages a strategy of urban offensive, that reveals the radical social space counter-project to the neoliberal production of space, renewing the principles of the (de facto) right to the city in view of a general program of public action engaged to a differential urban world.Esta tesis surge del despertar de la obra de Henri Lefebvre tanto en las ciencias sociales de enfoque marxista como en los estudios urbanos interesados por lo social. Su recuperación científica e institucional ha operado de modo distinto en el mundo anglosajón e hispano, en particular en la última década, especializando sus ideas, purificándolas, y en consecuencia volviéndolas inoperantes. Así, se afronta las dificultades de una obra dispersa y soslayada en la tradición académica y la praxis política; lo que plantea un triple reto: el ensamblaje no dogmático del pensamiento de Lefebvre como un todo en movimiento a lo largo de su vida, siguiendo la estela de una ciencia del uso del espacio; el llenado de un vacío teórico apenas reclamado por el urbanismo académico durante la urbanización del proyecto neoliberal; y la aplicabilidad de una matriz lefebvriana en el análisis de la urbanización capitalista en la ciudad global. Para seguir eficazmente sus ideas, siempre en torno al espacio vivido, se diseña un sistema abierto a una pluralidad de enfoques y métodos que colaboran en el desarrollo de la tesis; la cual se organiza por el progreso de las fases genealógica y crítico-pedagógica, sustentadas por una base epistemológica de dos tramos en su itinerario: 1939-1968 (Cap. 1) y 1968-1978 (Cap. 2). Esta fase busca definir el objeto teórico “espacio social”, profundizando en los conceptos que le proporcionan mayor originalidad y radicalidad a su unidad potencial. En la fase genealógica (Cap. 3) se despliegan dos argumentos para situar las ideas de Lefebvre desde la perspectiva de una teoría del espacio–crítica: a) La retroalimentación entre él y la práctica arquitectónica y su influencia en el contexto francés y europeo (posguerra–70s) facilitan un intercambio doctrinal con el arquitecto polaco Oskar Hansen (Team X), que se traduce como una “forma de lo posible” en el conjunto de vivienda estatal Juliusz Słowacki construido en Lublin (1963-66). b) La reconstrucción dialéctica de su genealogía indica las raíces de dos tradiciones disidentes: en un caso, por la efervescencia de la relación con Constant Nieuwenhuys y Guy Debord; y en otro, por una serie de intereses coincidentes en los itinerarios de D. Harvey y M. Castells. La fase crítico-pedagógica (Cap. 4) asume que es posible aplicar el aparato teórico expuesto a procesos urbanos concretos en la ciudad mundial, lo que implica la confrontación pedagógica de la matriz lefebvriana con una realidad específica en el centro (Ciutat Vella) y periferia (Prat Vermell) de Barcelona, comprobando la eficacia de la unidad teórica para guiar al arquitecto por una vía transdisciplinar ordenada en el análisis espacial urbano; en la cual, la investigación histórica permite una lectura contextualizada del programa neoliberal en la economía política del espacio. De ese modo, se desvelan los límites de la planificación Municipal en contradicción con la legislación y política urbanísticas frente a la gran ola de flujos financieros globales y se intenta dotar de un aparato teóricocrítico de enfoque global a las luchas locales, con dificultades para integrarse debido a sus visiones parceladas de la problemática urbana. Así pues, se explica el actual dominio del circuito inmobiliario–financierizado en la urbanización capitalista y su acción destructiva en el ámbito residencial en Barcelona, sus consecuencias sobre el uso del espacio social y sobre los dispositivos de planeamiento que buscan domesticarlo, cerrando las brechas de contestación o cooptándola. La evidencia de las estructuras del circuito y sus contradicciones con el planeamiento reformista alientan una estrategia de ofensiva urbana, orientadora del contra-proyecto del “espacio social radical” a la producción neoliberal del espacio, renovando los principios de un derecho a la ciudad (de facto) con vistas a un programa de acción pública comprometido con un mundo urbano diferencial.
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Gérardot, Maie. "Tourisme et métropole : analyser le lien entre tourisme, métropole, métropolisation et métropolité par le rythme : l'exemple de Paris." Paris 1, 2009. http://www.theses.fr/2009PA010635.
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L'enjeu de cette thèse est de comprendre, à travers l'exemple de la métropole parisienne, le rôle que joue le tourisme dans les dynamiques métropolitaines contemporaines. Nous faisons la triple hypothèse selon laquelle le tourisme participe à la structuration spatiale d'une métropole, nourrit et reflète la métropolisation et enfin contribue à l'émergence, à la fabrication d'une métropolité touristisée. Pour appréhender ce rôle du tourisme dans les dynamiques métropolitaines, nous proposons d'employer un nouvel outil d'analyse des lieux métropolitains: le rythme, avec une méthode: la rythmanalyse. Nous nous situons en cela dans la lignée des travaux d'Henri Lefebvre sur les rythmes de la ville.
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Andrade, Sarah de Andrade e. "A palavra do habitante e as possibilidades de apropria??o do habitat em loca??o social: o programa de loca??o social da prefeitura municipal de S?o Paulo." PROGRAMA DE P?S-GRADUA??O EM ARQUITETURA E URBANISMO, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/22562.
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A pesquisa aqui desenvolvida, trata das possibilidades de apropria??o do habitat concebido pelo Programa de Loca??o Social (PLS), implementado no ?mbito da Prefeitura Municipal de S?o Paulo (PMSP), por seus habitantes. Orientada pelo referencial te?rico-metodol?gico do fil?sofo e soci?logo franc?s Henri Lefebvre (1958; 1970; 1974; 2002; 2001, 2008; 2013) e pela aplica??o do m?todo de an?lise do discurso desenvolvido pelos pesquisadores do Instituto [franc?s] de Sociologia Urbana (ISU), investiga a rela??o entre a ?palavra do habitante? (RAYMOND, 2001; HAUMONT, 2001, RAYMOND et. al, 2001) e a apropria??o da loca??o social em S?o Paulo. O m?todo aqui relido e aplicado faz uso de entrevistas abertas/n?o estruturadas ? complementadas por nossa observa??o in loco e registro fotogr?fico - para a apreens?o do espa?o percebido pelos habitantes do referido programa, entendendo que esta ferramenta coloca em posi??o de centralidade e d? voz ao agente principal da pesquisa: o habitante. Assim, o recorte espacial de nosso campo emp?rico abrange quatro dos seis empreendimentos viabilizados pelo mesmo entre 2002 e 2015, sendo eles a Vila dos Idosos, o Residencial Olarias, o Edif?cio Senador Feij? e o Palacete dos Artistas. A utiliza??o de uma abordagem qualitativa e, especificamente, a aplica??o do m?todo palavra do habitante possibilitou a formula??o de diversas conclus?es que extrapolam a hip?tese inicialmente formulada de que a reafirma??o do valor da propriedade privada pelas pol?ticas habitacionais brasileiras, fragilizaria as possibilidades de apropria??o do habitat de loca??o social. Essa quest?o se coloca como um dos entraves ? apropria??o do habitat fundamentado no aluguel e, do ponto de vista qualitativo e quantitativo, tamb?m est?o presentes no discurso dos habitantes, os conflitos resultantes da descontinuidade no acompanhamento s?cioeducativo aos benefici?rios do Programa e seu abandono pelas gest?es que se sucedem na PMSP entre 2005 e 2013. Por outro lado, nos empreendimentos onde as fam?lias e ind?viduos est?o engajados em movimentos sociais de luta por moradia e estes atuam como uma ponte entre os habitantes e os ?rg?os p?blicos de gest?o dos empreendimentos, se evidenciam as possibilidades de supera??o dos conflitos e condu??o ? apropria??o do habitat. Ao longo dos caminhos aqui trilhados, descortinamos tamb?m a apropria??o dos idosos pelo habitat em loca??o social, que n?o compartilham do sonho da casa pr?pria.
This research verses about the possibilities of habitat appropriation conceded by Social Tenancy Program (PLS), implemented in the sphere of the S?o Paulo City Hall, by its inhabitants. Oriented by the theories and methods of the french sociologist and philosopher Henri Lefebvre (1958; 1970; 1974; 2002; 2001; 2008; 2013) and by the application of the discourse analysis method developed by researches of the French Urban Sociology Institute (ISU), the current research investigates the relationship between the ?inhabitant?s word? (RAYMOND, 2001; HAUMONT, 2001, RAYMOND et. al, 2001) and the appropriation of social tenancy in S?o Paulo. The method here employed and reviewed makes use of open and non-structured interviews ? complemented by field observation and photographic registers ? for the setting of the space perceived by those contemplated by the Program, understanding that this tool brings to the fore the main agent of this research: the inhabitant. Thus, the spatial limits of our empirical field embraces four of the six buildings contemplated by the program between 2002 and 2015, being the Vila dos Idosos, Residencial Olarias, Senador Feij? Building and the Palacete dos Artistas. The use of a qualitative and, specifically, the application of the method ?inhabitant?s word, made possible the formulation of several conclusions that go beyond the initial hypothesis that said that the reaffirming of the private propriety value by brazilian habitational policies would bring frailty to the possibilities of social tenancy of habitat appropriation. This matter presents itself as one of the difficulties for the appropriation of habitat by rent and, from qualitative and quantitative points of view, they are also present in the inhabitants? discourse, the resulting conflicts from the cancelling of the socio-educative accompaniment of the ones contemplated by the Program and its abandon by the successive terms in the City Hall between 2005 and 2013. On the other hand, in the buildings that there are families and individuals that are engaged in social movements for livelihood, they act as a bridge that links the inhabitants and the public management of the buildings, and is also noticed the possibilities of conflict solving and appropriation of habitat. Throughout this research we also verse about the appropriation of habitats by the elderly population in social tenancy, who share not the dream to own a house.
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Sgibnev, Wladimir. "Remont: the Social Production of Space in Central Asia." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/19448.
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Die Dissertation baut auf Henri Lefebvres Theorie einer sozialen Produktion des Raums auf und bietet eine ethnographisch fundierte Untersuchung der Komplexität urbaner Phänomene in der nordtadschikischen Stadt Khujand. Die drei Bestandteile einer sozialen Produktion des Raums – Konzeptualisierung, Wahrnehmung und Anpassung – stehen nicht isoliert voneinander, denn die Produktion von Raum erfolgt im Prozess ihres Zusammenwirkens. Die vorliegende Arbeit ist, vor diesem Hintergrund, die erste Monographie, welche die komplexen Zusammenhänge der Raumproduktion in einer peripheren zentralasiatischen Stadt zum zentralen Forschungsgegenstand nimmt.
Nach einer Einführung in Theorie und Methoden wende ich mich der Produktion des mentalen Raums in Khujand zu. Ich erläutere unterschiedliche Ideologien von Raum und Urbanität, welche für Khujand relevant waren – etwa die „Islamisch-orientalische“, „sowjetische“ sowie „westliche“ – und untersuche ihre Bedeutung für aktuelle Raumproduktionsprozesse. Im zweiten Teil wende ich mich dem physischen Raum zu und arbeite zentrale Elemente der urbanen Topographie von Khujand heraus. Nach einer Analyse städtischer Mobilität präsentiere ich vier Fallstudien, welche einen Querschnitt von Khujands physischem Raum darstellen und eine breite Vielfalt urbaner Erfahrungen abdecken.
Im dritten Teil zeige ich, wie die soziale Produktion des Raums durch einen Fokus auf Anpassungen des Raums erfasst werden kann. Ich analysiere Beispiele auf der Staats-, Nachbarschafts- und Haushalts-Ebene im Hinblick auf Lefebvres Konzept der Transduktion, also einer Praxis vor dem Hintergrund von Einschränkungen und Wünschen. In diesem Teil stelle ich die zentrale Rolle von remont und obodi heraus – zwei kulturell eingebetteten kreativen Konzepten, welche maßgeblich an der Produktion des sozialen Raums in Khujand mitwirken.The dissertation builds upon Henri Lefebvre's theory of a social production of space in order to provide an anthropologically founded account, grasping the complexity of the urban phenomenon in the northern Tajik city of Khujand. The three parts of a social production of space – conceptions, perceptions, and adaptations of space – are not isolated from each other. In the process of their interaction, space is being produced. In this regard, the present work is the first monograph which explores the intertwined contemporary urban space in a regional city of Central Asia. After delving into theory and methodology, I address in a first part the production of mental space in Khujand. I present different ideologies of space and urbanity which were at work in Khujand: inter alia, the 'Islamic-Oriental', and the 'Soviet' and 'Western' ideologies of urbanity, and assess their relevance to Khujand today. In the second part, I work out the defining elements of Khujand's physical space. After an examination of urban mobility, I proceed to presenting four case studies which provide a cross-section of Khujand's physical space, covering a wide range of urban experiences. In the third part I show how the production of social space can be seen through the lens of adaptations. I analyse cases on the state, the neighbourhood and the household levels, with regard to Lefebvre's concept of transduction, that is, action taken within a framework of constraints and desire. In this part, I emphasise two crucial notions which permeate the social production of space in Khujand: remont and obodi, which stand out as culturally embedded creative concepts.
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Whybray, Adam Gerald. "Animate dissent : the political objects of Czech stop-motion and animated film (1946-2012)." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/17936.
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Czech animated allegories of the period of 1946 to 2012 encode their political ideas in objects and things, rather than through conventional narrative techniques such as voice-over or dialogue. The existence of these objects in cinematic time and space is integral to this process of political encoding, which is achieved through the selection of objects, cinematography and editing. In some of these films, time and space themselves are politically encoded. Materialist critical approaches to the film texts can help illuminate these latent political meanings. 'Thing theory', which puts a critical emphasis upon reading objects and things, exposes the politically resistant role of simple, domestic objects in the films of Jiří Trnka and Hermína Týrlová. Trnka's cinema in particular defends traditional, pastoral modes of being in which the individual is rooted within their environment. 'Actor-network-theory', a means of interrogating the relationship between actors in networks, resonates with the political ideas present in the cinema of Surrealist artist Jan Švankmajer. Švankmajer's central political project is an interrogation of anthropocentrism and attempts by humans to exert systems of control and order upon non-human actors. Rather than celebrating functional, domestic objects like Trnka or Týrlová, Švankmajer's cinema is radically anti-utilitarian. Objects are depicted as things that resist categorisation. 'Rhythmanalysis' – a mode of poetic-scientific investigation developed by philosopher Henri Lefebvre – can be used to unpick the rhythms in the animations of Jirí Barta. Barta's films critique rational clock time and the design of urban spaces through the use of editing patterns and repetition. Finally, all three materialist approaches in combination help illustrate the political content of animated films (and live-action films with significant passages of animation) produced in the wake of the Velvet Revolution. Such films often question the relationship between the individual Czech citizen and the Czech capital city of Prague. The animated films of the aforementioned directors and historical periods, tend to give precedence to the material world of objects over the semiotic world of humans, though these two realms are often shown to be inter-dependent. To this end, the political messages of the films are conveyed not through language, but through images and things.
50
McDaniel, Scott C. "Of Mountain Flesh: Space, Religion, and the Creatureliness of Appalachia." University of Dayton / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1524776446663574.
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