Journal articles on the topic 'Heinrich Schenker'
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Koslovsky, John. "Heinrich Schenker, Walter Dahms, and the Music of the South." Journal of Musicology 34, no. 3 (2017): 391–431. http://dx.doi.org/10.1525/jm.2017.34.3.391.
Full textCook. "HEINRICH SCHENKER, ANTI-HISTORICIST." Revista de Musicología 16, no. 1 (1993): 420. http://dx.doi.org/10.2307/20795900.
Full textGut, Serge, Nicolas Meuùs, and Nicolas Meuus. "Heinrich Schenker: une introduction." Revue de musicologie 82, no. 2 (1996): 377. http://dx.doi.org/10.2307/947145.
Full textRink, John, and Nicolas Meeus. "Heinrich Schenker: une introduction." Music Analysis 15, no. 2/3 (July 1996): 367. http://dx.doi.org/10.2307/854068.
Full textRothfarb, Lee. "August Halm on Body and Spirit in Music." 19th-Century Music 29, no. 2 (2005): 121–41. http://dx.doi.org/10.1525/ncm.2005.29.2.121.
Full textJackson, Timothy L. "Heinrich Schenker as Composition Teacher: The Schenker-Oppel Exchange." Music Analysis 20, no. 1 (March 2001): 1–115. http://dx.doi.org/10.1111/1468-2249.00129.
Full textHEWLETT, KIRSTIE. "Heinrich Schenker and the Radio." Music Analysis 34, no. 2 (July 2015): 244–64. http://dx.doi.org/10.1111/musa.12050.
Full textMarvin, William M. "Schenker Documents Online." Nineteenth-Century Music Review 14, no. 2 (November 17, 2016): 303–7. http://dx.doi.org/10.1017/s1479409816000537.
Full textDEISINGER, MARKO. "Heinrich Schenker and the Photogram Archive." Music Analysis 34, no. 2 (June 8, 2015): 221–43. http://dx.doi.org/10.1111/musa.12046.
Full textKassler, Michael. "Heinrich Schenker counterpoint: A translation ofKontrapunkt." Musicology Australia 13, no. 1 (January 1990): 54–55. http://dx.doi.org/10.1080/08145857.1990.10420663.
Full textKassler, Michael. "Heinrich Schenker and Beethoven's ‘Hammerklavier’ Sonata." Musicology Australia 37, no. 1 (January 2, 2015): 90–92. http://dx.doi.org/10.1080/08145857.2015.1035205.
Full textMcCallum, Peter. "Heinrich Schenker and Beethoven's ‘Hammerklavier’ Sonata." Musicology Australia 37, no. 1 (January 2, 2015): 92–95. http://dx.doi.org/10.1080/08145857.2015.1046485.
Full textBent, Ian. "Heinrich Schenker, Chopin and Domenico Scarlatti." Music Analysis 5, no. 2/3 (July 1986): 131. http://dx.doi.org/10.2307/854183.
Full textFederhofer, Hellmut. "Heinrich Schenker und die deutschsprachige Musikwissenschaft." Die Musikforschung 59, no. 3 (September 22, 2021): 246–51. http://dx.doi.org/10.52412/mf.2006.h3.582.
Full textMarston, Nicholas. "‘ … nur ein Gleichnis’: Heinrich Schenker and the Path To ‘Likeness’." Music and Letters 100, no. 2 (May 1, 2019): 271–301. http://dx.doi.org/10.1093/ml/gcz021.
Full textBorio, Gianmario. "Schenker versus Schoenberg versus Schenker: The Difficulties of a Reconciliation." Journal of the Royal Musical Association 126, no. 2 (2001): 250–74. http://dx.doi.org/10.1093/jrma/126.2.250.
Full textBeach, David. "An Analysis of Schubert's "Der Neugierige": A Tribute to Greta Kraus." Canadian University Music Review 19, no. 1 (March 8, 2013): 69–80. http://dx.doi.org/10.7202/1014606ar.
Full textBroyles, Michael. "Beethoven's Ninth Symphony Heinrich Schenker John Rothgeb." Music Theory Spectrum 16, no. 1 (April 1994): 139–43. http://dx.doi.org/10.2307/745836.
Full textBrown, Matthew, and Robert W. Wason. "Counterpoint Heinrich Schenker John Rothgeb Jürgen Thym." Music Theory Spectrum 11, no. 2 (October 1989): 232–39. http://dx.doi.org/10.2307/745938.
Full textBrown, Matthew, and Robert W. Wason. ": Counterpoint . Heinrich Schenker, John Rothgeb, Jurgen Thym." Music Theory Spectrum 11, no. 2 (October 1989): 232–39. http://dx.doi.org/10.1525/mts.1989.11.2.02a00060.
Full textBroyles, Michael. ": Beethoven's Ninth Symphony . Heinrich Schenker, John Rothgeb." Music Theory Spectrum 16, no. 1 (April 1994): 139–43. http://dx.doi.org/10.1525/mts.1994.16.1.02a00090.
Full textArndt, Matthew. "Becoming Heinrich Schenker: Music Theory and Ideology." Journal of Music Theory 60, no. 1 (April 2016): 89–95. http://dx.doi.org/10.1215/00222909-3448764.
Full textVogt, Florian. "Otto Vrieslanders Kommentar zu Heinrich Schenkers Harmonielehre. Ein Beitrag zur frühen Schenker-Rezeption." Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 3, no. 2 (2006): 183–207. http://dx.doi.org/10.31751/228.
Full textKarnes, Kevin C. "Another Look at Critical Partisanship in the Viennese fin de sièècle: Schenker's Reviews of Brahms's Vocal Music, 1891-92." 19th-Century Music 26, no. 1 (2002): 73–93. http://dx.doi.org/10.1525/ncm.2002.26.1.73.
Full textBarros, Guilherme Sauerbronn. "A Humoreske Op. 20 de Schumann e a Urlinie de Schenker." Revista Música 18, no. 1 (August 27, 2018): 9–24. http://dx.doi.org/10.11606/rm.v18i1.147206.
Full textRast, Nicholas. "A Checklist of Essays and Reviews by Heinrich Schenker." Music Analysis 7, no. 2 (July 1988): 121. http://dx.doi.org/10.2307/854052.
Full textCordeiro, Djalma Bianco, and Sergio Paulo Ribeiro de Freitas. "Leis artificiais de inversão e leis naturais de desenvolvimento: revisando uma oposição que permeia o Harmonielehre de Schenker." DAPesquisa 14, no. 24 (December 2, 2019): 068–91. http://dx.doi.org/10.5965/1808312914242019068.
Full textHagberg, Garry L. "Wittgenstein's Philosophical Investigations, Linguistic Meaning and Music." Paragraph 34, no. 3 (November 2011): 388–405. http://dx.doi.org/10.3366/para.2011.0032.
Full textMiller, Patrick. "The published music of Heinrich Schenker: An historical‐archival introduction." Journal of Musicological Research 10, no. 3-4 (December 1990): 177–97. http://dx.doi.org/10.1080/01411899108574634.
Full textCook, Nicholas, Heinrich Schenker, and John Rothgeb. "Heinrich Schenker, Polemicist: A Reading of the Ninth Symphony Monograph." Music Analysis 14, no. 1 (March 1995): 89. http://dx.doi.org/10.2307/853964.
Full textMeeùs, Nicolas. "Heinrich Schenker, le contenu de la musique et le langage." Musurgia XXIII, no. 1 (2016): 27. http://dx.doi.org/10.3917/musur.161.0027.
Full textSZOCS, Botond. "Parallelism between Linguistics and Music – Noam Chomsky and Heinrich Schenker." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 287–94. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.31.
Full textProksch, Bryan. "“Forward to Haydn!”: Schenker's Politics and the German Revival of Haydn." Journal of the American Musicological Society 64, no. 2 (2011): 319–48. http://dx.doi.org/10.1525/jams.2011.64.2.319.
Full textMarston, Nicholas. "Becoming Heinrich Schenker: Music Theory and Ideology. By Robert P. Morgan." Music and Letters 96, no. 3 (August 2015): 480–84. http://dx.doi.org/10.1093/ml/gcv046.
Full textWeiner, Brien. "Becoming Heinrich Schenker: Music Theory and Ideology by Robert P. Morgan." Notes 72, no. 2 (2015): 391–92. http://dx.doi.org/10.1353/not.2015.0141.
Full textDRABKIN, WILLIAM. "SCHUBERT, SCHENKER AND THE ART OF SETTING GERMAN POETRY." Eighteenth Century Music 5, no. 2 (September 2008): 209–36. http://dx.doi.org/10.1017/s1478570608001498.
Full textKassler, Michael. "The Masterwork in Music; a Yearbook; Volume I (1925) by Heinrich Schenker." Musicology Australia 18, no. 1 (January 1995): 61–62. http://dx.doi.org/10.1080/08145857.1995.10415264.
Full textRothstein, William, and Hellmut Federhofer. "Heinrich Schenker: Nach Tagebuchern und Briefen in der Oswald Jonas Memorial Collection." Music Analysis 7, no. 2 (July 1988): 233. http://dx.doi.org/10.2307/854059.
Full textBottge, K. M. "Lessons in "Pure Visibility" (reine Sichtbarkeit): Victor Hammer's Correspondence with Heinrich Schenker." Music Theory Spectrum 37, no. 1 (January 9, 2015): 25–50. http://dx.doi.org/10.1093/mts/mtu019.
Full textLubben, Joseph. "The Masterwork in Music: A Yearbook. Volume I (1925) . Heinrich Schenker , William Drabkin ." Journal of the American Musicological Society 52, no. 1 (April 1999): 145–56. http://dx.doi.org/10.1525/jams.1999.52.1.03a00040.
Full textKramer, Richard. "Heinrich Schenker: Selected Correspondence. Edited by Ian Bent, David Bretherton, and William Drabkin." Music Theory Spectrum 40, no. 2 (2018): 357–60. http://dx.doi.org/10.1093/mts/mty016.
Full textBuch, Esteban. "Valeurs morales et controverses autour de l’avant-garde musicale : Heinrich Schenker contre le chromatisme." Enjeux éthiques et valeurs morales en histoire de la musique 11, no. 1-2 (November 21, 2018): 61–69. http://dx.doi.org/10.7202/1054024ar.
Full textHooper, Jason. "Beethoven’s Last Piano Sonatas: An Edition with Elucidation. Vols. 1–4. By Heinrich Schenker." Music Theory Spectrum 40, no. 2 (2018): 361–65. http://dx.doi.org/10.1093/mts/mty015.
Full textSabourin, Carmen. "Méthodologie schenkérienne et apprentissage de l’analyse musicale." Canadian University Music Review, no. 14 (February 22, 2013): 98–145. http://dx.doi.org/10.7202/1014313ar.
Full textRothstein, William. "J. S. Bach's Chromatic Fantasy and Fugue: Critical Edition with Commentary Heinrich Schenker Hedi Siegel." Music Theory Spectrum 7 (April 1985): 203–7. http://dx.doi.org/10.2307/745890.
Full textRothstein, William. ": J. S. Bach's Chromatic Fantasy and Fugue: Critical Edition with Commentary . Heinrich Schenker, Hedi Siegel." Music Theory Spectrum 7, no. 1 (April 1985): 203–7. http://dx.doi.org/10.1525/mts.1985.7.1.02a00130.
Full textLubben, Joseph. "Review: The Masterwork in Music: A Yearbook. Volume I (1925) by Heinrich Schenker, William Drabkin." Journal of the American Musicological Society 52, no. 1 (1999): 145–56. http://dx.doi.org/10.2307/832026.
Full textCohn, Richard. "Uncanny Resemblances: Tonal Signification in the Freudian Age." Journal of the American Musicological Society 57, no. 2 (2004): 285–324. http://dx.doi.org/10.1525/jams.2004.57.2.285.
Full textBarros, Guilherme Sauerbronn de. "Relato de Pesquisa: “Procedimentos Analíticos e Princípios Filosóficos – uma Avaliação Crítica da Obra de Heinrich Schenker”." DAPesquisa 3, no. 5 (December 31, 2008): 798–801. http://dx.doi.org/10.5965/1808312903052008798.
Full textRothgeb, John, and Hellmut Federhofer. "Heinrich Schenker: Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection, University of California, Riverside." Journal of Music Theory 45, no. 1 (2001): 151. http://dx.doi.org/10.2307/3090651.
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