Dissertations / Theses on the topic 'Heinrich Schenker'
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Keil, Werner. "Heinrich Schenker als Herausgeber." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23342.
Full textHewlett, Kirstie. "Heinrich Schenker and the radio." Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/378136/.
Full textBurgstaller, Georg. "Kritikerdämmerung : Heinrich Schenker and music journalism." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/378160/.
Full textWhittle, Barbara. "The cultural context of the theories of Heinrich Schenker." Thesis, n.p, 1993. http://ethos.bl.uk/.
Full textAyotte, Benjamin McKay. "Incomplete Ursatzformen transferences in the vocal music of Heinrich Schenker." Diss., Connect to online resource - MSU authorized users, 2008.
Find full textTitle from PDF t.p. (viewed on March 30, 2009) Includes bibliographical references (p. 155-158). Also issued in print.
Auerbach, Jennifer Sadoff. "Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz: The Collection at the Austrian National Library and Schenker's Generative Process." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9936.
Full textFoster, Peter. "Brahms, Schenker and the rules of composition compositional and theoretical problems in the clarinet works /." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1994. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.260570.
Full textHinton, Stephen. "Die Musiktheorie Heinrich Schenkers und ihre Übertragung ins Englische." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36825.
Full textKurth, Ulrich. "Alte Musik im Werk Heinrich Schenkers und Felix Salzers." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38339.
Full textKarnes, Kevin C. "Music, criticism, and the challenge of history : shaping modern musical thought in late nineteenth-century Vienna /." Oxford : Oxford University Press, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780195368666.
Full textLipp, Gerhard. "Das musikanthropologische Denken von Viktor Zuckerkandl /." Tutzing : H. Schneider, 2002. http://catalogue.bnf.fr/ark:/12148/cb38886275d.
Full textTeboul, Jean-Claude. "Le concept de la tonalité selon Heinrich Schenker (1868-1935) : application aux 27 études de Chopin." Paris 4, 1995. http://www.theses.fr/1995PA040095.
Full textHeinrich Schenker's theory rests on a new conception of tonality which combines the vertical aspect (harmony) and the horizontal aspect (counterpoint) of the "natural" chord. According to this theory, it is the fundamental structure (ursatz) which makes up the core of any tonal musical composition; the prolongations, compositional unfoldings, articulations diversify the ursatz by going through three levels of development: the background, the middle ground and the foreground. The successive transformations are achieved through chromaticism and tonicization. The musical works, deconstructed in this way, reveal their coherence and logic to the analyst. Applied to Chopin’s 27 studies, the Schenkerian analysis gives an account both of the unity of each of these works and of all the elements of their diversity
Iniesta, Masmano Rosa. "Una relación dialógica improbable: Edgar Morin/Heinrich Schenker. Hacia una teoría de la complejidad para el sistema tonal." Doctoral thesis, Universitat de València, 2009. http://hdl.handle.net/10803/10007.
Full textThis thesis considers as primary reference the Complexity Paradigm of Edgar Morinand the theories of Heinrich Schenker. Art in general and music in particular areconsidered from the perspective of the organizations of ourinformational/communicational/computational organization universe as products of thehuman system/mind. Thus, everything that occurs inside and outside a tonalcomposition does so on the basis of its antagonism and complementarity, always in arecurrent way, as.Edgar Morin articulates notions, overcoming the Western dichotomy introducingthe notion of loop. Heinrich Schenker sought to construct a theoretical building basedon the ideas of coherence and organic growth, using as the fundamental pillar theassociation of ideas, Association Motivic, the notion of parallelism and the similaritiesand differences between the grammaticality and functionality of the events in the tonalcomposition, which develops from three integrated levels of transformationorganization:background, middleground and foreground.Shenker's notions have been transferred to the paradigm of Morin's complexity,so that they fit together with no effort, in like Morin's notions have been shifted intoSchenker's paradigm, with the happy result, of watching them loop together in adialogical relationship. The tonal composition appears as aninformational/communicational/computational organization, through Morin's principlesof complexity: the dialogic principle, the recursive-retroactive principle and thehologramatic principle. Thus, we've carried out a re-organization of the knowledge ofSchenker, an interdisciplin which offers a conceptual isomorphism, from which totranscend the theoretical corpus, to the apprehension of the musical/tonal compositionin all its dimensions, to discover that what maintains unity in the sonorous body isconsistency, but about the information that is produced and transmitted frominside one sound to another, from relationship to relationship, from the initialmotive to the transformed motive, from side to side, from a part to the whole, fromthe whole to a part, that is, the coherence of the informational, communicationaland computational organization.
Silva, Rafael Palmeira da. "Estruturas fundamentais no blues." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/27991.
Full textVasconcelos, Renato Luciano de. "A análise Schenkeriana e a ornamentação." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/28018.
Full textFranco, César Henrique Rocha. "Um estudo da forma-sonata : análise : Johannes Brahms, Sinfonia n°3, Allegro com brio, segundo os modelos de Heinrich Schenker e Felix Salzer." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284210.
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Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-02T12:26:48Z (GMT). No. of bitstreams: 1 Franco_CesarHenriqueRocha_M.pdf: 4594458 bytes, checksum: f4374bfa88db1e2f5411bd661eadebcd (MD5) Previous issue date: 2002
Resumo: Este projeto tem por principal objetivo analisar a estrutura harmônica da forma-sonata no repertório sinfônico do final do século XIX. Especificamente, é estudado de Johannes Brahms, Sinfonia no. 3, movimento Allegro com brio, através da elaboração de análises gráficas, segundo as teorias de Felix Salzer e Heinrich Schenker. Esta pesquisa tem como justificativa a contribuição para o enriquecimento da bibliografia brasileira, uma vez que o repertório analisado é pouco explorado e as técnicas de análise, pouco utilizadas. A metodologia constou de: audição com partitura da peça escolhida até a familiarização com a mesma; leitura harmônica da referida peça; leitura da bibliografia utilizada; análise gráfica de trechos selecionados e posterior comparação dos dados obtidos. Entre os resultados esperados, contam-se a aplicação de conhecimentos teóricos na prática analítica; a contribuição para maior conhecimento e entendimento deste repertório específico, além de fornecer material útil para o ensino e o estudo da análise
Abstract: Not informed.
Mestrado
Mestre em Música
Ross, Valerie, and kimg@deakin edu au. "EXTERNAL PUBLIC PIANO EXAMINATIONS IN MALAYSIA: SOCIAL AND SYMBOLIC SIGNIFICANCE." Deakin University, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20031028.140256.
Full textRoss, Valerie, and mikewood@deakin edu au. "External public piano examinations in Malaysia: Social and symbolic significance." Deakin University, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050808.135747.
Full textDeisinger, Marko. "Fortschrittliche Technologie im Dienste eines Antimodernisten. Heinrich Schenker und der österreichische Rundfunk." 2020. https://slub.qucosa.de/id/qucosa%3A72566.
Full textMansoori-Dara, Reva. "Divine and sublime creativity : a comparison of Schenkerian and Ciceronian principles." Thesis, 2001. http://hdl.handle.net/2429/11866.
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