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Haydon, Katharine Risdon. "George Henry Haydon (1822-1891) : an Anglo-Australian life." Thesis, King's College London (University of London), 2008. https://kclpure.kcl.ac.uk/portal/en/theses/george-henry-haydon-18221891--an-angloaustralian-life(53376304-82e0-49ba-881f-1338f001987c).html.
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This biographical study of George Henry Haydon (1822-1891) seeks to show how and why five years spent in early Port Phillip (Australia) informed his whole life. Haydon left a variety of (previously unexamined) journals, sketches and letters which are here analysed for what they show of the process of emigration, and the ways in which the colonist attempted to record and comprehend his new environment. For Haydon this included his engagement with the land (he undertook some exploration) and the Aboriginal population. The study assesses Haydon's contribution to the records of life in and around Melbourne in the early 1840s. Haydon went back to England in 1845 and he is examined as a returned emigrant. Through his lectures on emigration and his two published works, Haydon represented and promoted Australia to an English audience. The study examines how, in the context of the contemporary literary and artistic genres, perceptions of Australia were constructed in the European imagination. Haydon's later career was spent in London as Steward of the lunatic asylum, Bethlem Royal Hospital (Bedlam). In keeping with his middle-class, high-Victorian sensibilities he took an interest in natural history, Freemasonry, and the Volunteer Movement. Haydon moved in circles which included some of the best known writers and caricaturists of the day, including Charles Dickens. A continued and evolving engagement with Australia is traced through Haydon's activities both within the hospital and outside, and in his later writings and drawings. Underpinning the argument is an acknowledgement of the shifting trends in Australian historiography which have in recent years moved away from i~olationist approaches towards a reintegration of Australian and European history. Haydon is presented as a figure who saw his place within the wider sphere that was the British Empire. In this context, his life can be seen to have been a truly 'Anglo-Australian' one.
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Haydon, Daniel T. [Verfasser], and Diederik [Akademischer Betreuer] Kruijssen. "Visualising the Synthetic Universe / Daniel Thomas Haydon ; Betreuer: J. M. Diederik Kruijssen." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-275801.
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Haydon, Daniel T. [Verfasser], and J. M. Diederik [Akademischer Betreuer] Kruijssen. "Visualising the Synthetic Universe / Daniel Thomas Haydon ; Betreuer: J. M. Diederik Kruijssen." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/120507192X/34.
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Haydon, Daniel Thomas [Verfasser], and J. M. Diederik [Akademischer Betreuer] Kruijssen. "Visualising the Synthetic Universe / Daniel Thomas Haydon ; Betreuer: J. M. Diederik Kruijssen." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/120507192X/34.
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Weiske, Katja. "Die ärztliche Sicht auf Menschen mit Down-Syndrom /." Göttingen : V & R Unipress [u.a.], 2008. http://d-nb.info/990519783/04.
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Weiske, Katja. "Die ärztliche Sicht auf Menschen mit Down-Syndrom." Göttingen V & R Unipress, Bonn Univ. Press, 2006. http://d-nb.info/990519783/04.
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Enselein, Thomas. "Der Kontrapunkt im Instrumentalwerk von Joseph Haydn." Köln Dohr, 2008. http://d-nb.info/992910285/04.
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Sutcliffe, William Dean. "The Piano Trios of Haydn." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303133.
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Stenberg, Katarina. "Hornkonsert nr 1 av Joseph Haydn." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1998.
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Gerlach, Sonja. "Werkvarianten, Fremdbearbeitungen und Vermarktung bei Haydn." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36838.
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Anderson, Ellis T. II. "The Reception of Franz Joseph Haydn in Austria and Germany 1798-1830: Biography and Criticism." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115997037.
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Cournoyer, Eve-Marie. "Haydn et l'opera buffa, analyse dramaturgique et stylistique de "La fedelta premiata" (French text, Joseph Haydn, Austria)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ55747.pdf.
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Marquez, Rodrigo Oliveira. "Teoria da história : Hayden White e seus críticos." reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/7679.
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Dissertação (mestrado)—Universidade de Brasília, 2008.Submitted by Allan Wanick Motta (allan_wanick@hotmail.com) on 2011-05-05T19:41:06Z No. of bitstreams: 1 2008_RodrigoOliveiraMarquez.pdf: 1025977 bytes, checksum: 8fcf8f04967bed26d4b82e41ff330f29 (MD5)
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A dissertação apresenta os quatro principais livros de Hayden White: "Meta-História" (1973), "Trópicos do Discurso" (1978), "O Conteúdo da Forma" (1987) e "Realismo Figural" (1999). Os quatro primeiros capítulos levam, respectivamente, o título de cada um dos livros de Hayden White e são apresentados em obediência ao critério cronológico dos anos das suas respectivas publicações. Ao final de cada um dos quatro capítulos são apresentadas críticas de alguns autores as possíveis conclusões que Hayden White chega em cada um dos seus livros. O quinto capítulo, intitulado "Quatro Polêmicas com Hayden White", apresenta quatro debates diretos que ele trava com quatro dos seus muitos críticos, apresentados também em obediência à ordem dos diferentes anos em que essas discussões ocorreram: Roger Chartier (1993), Arthur Marvick (1995), George Iggers (2000) e Dirk Moses (2005). _______________________________________________________________________________ ABSTRACT
The dissertation presents the four main books of Hayden White: "Metahistory" (1973), "Tropics of Discourse" (1978), "The Content of the Form" (1987) and "Figural Realism" (1999). The first four chapters were named, respectively, after the titles of each one of Hayden White's books, and are presented according to the chronological criterion of the years of their respective publication. By the end of each one of the four chapters, some reviews of other authors over Hayden White's conclusions in his books are presented. The fifth chapter, entitled "Four Polemics with Hayden White", presents four direct debates that he wages against four of his many critics, also presented in order respecting the different years in which these discussions took place: Roger Chartier (1993), Arthur Marvick (1995), George Iggers (2000) and Dirk Moses (2005).
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Enselein, Thomas. "Der Kontrapunkt im Intrumentalwerk von Joseph Haydn." Köln : Dohr, 2008. http://catalog.hathitrust.org/api/volumes/oclc/298777409.html.
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Sohet, Dominique. "Les operas de haydn : contraintes et liberte." Paris 4, 1987. http://www.theses.fr/1987PA040388.
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Esterhaza, ou furent composes la majorite des operas de haydn, impliquait par sa geographie, sa situation politique et culturelle, et les gouts des princes regnants, une serie de contraintes qui eurent des consequences directes aussi bien sur les types de livrets selectionnes (themes, adaptations) que sur les choix musicaux lies a la constitution de la troupe (orchestre, choeur, solistes). Il s'avere que le compositeur, toujours respectueux envers son prince et envers ses interpretes, a puise dans ces imperatifs l'originalite meme de son style d'opera: de la contrainte a la liberteEsterhaza, where most of haydn's operas were composed, implied, because of its geographical, political and cultural position and of its reigning princes tastes, a set of constraints. These had direct consequences both of selected libretti (themes, adaptations) and on musical choices concessing the makeup of the troupe (orchestra, choir, soloists). It appears that the composer, ever respectful of his prince and his artists, found in these constraints the true originality of his opera style: from constraint to liberty
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Sohet, Dominique. "Les Opéras de Haydn : contraintes et liberté /." Paris : [D. Sohet], 1987. http://catalogue.bnf.fr/ark:/12148/cb353447667.
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RIZZO, Marcelo Augusto Parrillo. "A HISTÓRIA DE META-HISTÓRIA: Um estudo sobre a teoria de Hayden White." Universidade Federal de Goiás, 2009. http://repositorio.bc.ufg.br/tede/handle/tde/2295.
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Previous issue date: 2009-05-05This work concerns to Hayden White´s conception of history, like was exposed in his book Metahistory and the compilations of his articles. It will be presented and discussed White´s interpretation about the relation of the historical discipline with literature and science, Relation that guides his understanding of historical writing.
Este trabalho trata da concepção de história de Hayden White, tal como exposta em seu livro Meta-História e nas compilações de seus artigos. Será apresentada e discutida a interpretação de White sobre a relação da disciplina histórica com a literatura e a ciência, relação que norteia sua ompreensão sobre a escrita histórica.
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Mello, Ricardo Marques de. "Da utilidade e desvantagem da história para Hayden White." reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/1782.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Humanas, 2008.Texto parcialmente liberado pelo autor. Conteúdo liberado: pré-textuais.
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A Dissertação ora apresentada investigou as funções que o conhecimento produzido pelos historiadores pode exercer segundo o historiador e teórico da literatura e historiografia Hayden White. O primeiro capítulo expõe sucintamente sua teoria do discurso historiográfico, enfatizando os aspectos pertinentes para se compreender o objeto deste trabalho. O segundo capítulo analisa as funções que devem ser evitadas pela historiografia. O terceiro apresenta as funções que a historiografia pode exercer, relacionando-as à teoria do discurso historiográfico (cap. 1) e às funções cognitivas da história refutadas por White (cap. 2). Na última seção, buscou-se sintetizar o que foi exposto anteriormente e questionar alguns aspectos da proposta whiteana. A partir disso, observou-se que a idéia norteadora consiste em argumentar a favor da limitação epistêmica do discurso produzido pelos historiadores, o que permitiria, por sua vez, usá-lo de determinadas maneiras a fim de auxiliar os homens do presente na resolução de seus problemas. Desta forma, o que possibilitaria à historiografia valer-se do passado com vistas ao presente e desempenhar tal ou qual função seria sua condição cognitivamente restrita. ________________________________________________________________________________________________ ABSTRACT
The Dissertation presented investigated the roles that knowledge produced by historians can exercise according to the historian and theoretical literature of historiography and Hayden White. The first chapter briefly outlines his theory of historiographic speech, emphasizing aspects relevant to understand the object of this work. The second chapter discusses the functions that should be avoided by historiography. The third presents the functions that historiography can exercise, listing them on the theory of speech historiographic (chap. 1) and the cognitive functions of the story refuted by White (chap. 2). In the last section, sought summed up what has been previously exposed and questioned some aspects of the proposal whiteana. From this, the main idea is to argue in favour of limiting epistemic the discourse produced by historians, which would, in turn, use it, certain ways, to help the men of this in the resolution of their problems. Thus, what would the historiography assert itself in the past with a view to the present and play such a role would be or what their condition cognitively limited.
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Medeiros, Pedro Araujo. "Pós-modernidade e historiografia: Um estudo sobre Hayden White." Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/VGRO-6XSQ2U.
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Since the end of Second World War, a great acceleration in the scope of science and technique caused significant changes in all the other scopes of society. These changes, which in occidental world begun in 1945, were so important that marked the beginning of a new era, the postmodernity. In that context, scientific knowledge and, in a specific way, the historical knowledge, were modified. And what did 'make history' become in postmodernity? In the dialog between present time and
nowadays historiography, our main study object is Hayden White, the historian that explores in the widest way the possibilities offered by postmodenrnity to the historiography. It is in the narrative of White that the postmodernity expresses itself with most intensity in the historical knowledge.Desde o final da Segunda Guerra, uma aceleração vertiginosa na esfera da ciência e da técnica provocou transformações significativas em todas as outras esferas da sociedade. Essas mudanças ocorridas no mundo ocidental a partir de 1945 foram tão grandes que marcaram o início de uma nova era, a pós-moderna. Nesse contexto, o conhecimento científico e, em particular, o conhecimento histórico, sofreu grandes alterações. Mas o que se tornou fazer história na pósmodernidade? Nesse diálogo entre o tempo presente e a historiografia atual, nosso objeto central é Hayden White, o historiador que explora de forma mais ampla as possibilidades oferecidas pela pós-modernidade para a historiografia. É na narrativa de White que a pós-modernidade se expressa com maior intensidade dentro do conhecimento histórico.
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Gon, Federico. "Le influenze su Rossini della musica di Haydn." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3422578.
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Rossini's musical language is the first pillar which underpins the complex architecture of melodramatic Nineteenth century, a "keystone" - as has been appealed - essential in the definition of the relationship between text and music scene through the relationship sign-sound. While presenting various points of contact with the previous generation of opera composers (Paisiello, Cimarosa, Fioravanti, Pavesi, Generali, Mayr, Paer, Mosca, Morlacchi, Spontini, Cherubini, etc ...) his style differs from that of their colleagues thanks to a strong sense of formal balance, thematic economy and harmonic cohesion, so that it has sometimes been associated with the stylistic elements of symphonic music of the Viennese master. This report is confirmed both by the testimony of Rossini that the same nickname (the Tedeschino) that the companions and teachers give him during the years of study at the Liceo musicale of Bologna.
This passion for the Wiener Klassik essentially means a close relationship with the works of Mozart and Haydn, by his own admission known since childhood (in Lugo, at the library of the brothers Malerbi, then in Bologna, thanks to the personal study and practice). The influence of Mozart is to be found into dramaturgy (the works of Mozart were a constant mine of ideas scenic-narrative for him), but the pen of Rossini is more complex, and Haydn’s heritage could invest structural and compositional levels.
An attempt was therefore to found in the music of Rossini (especially but not strictly between 1804 and 1814, respectively the years of Sonate a quattro and his transfer to Neaples) what features of his language could be due to the production of Haydn, with particular reference to the repertoire at that time known in Italy (symphonies, quartets and oratori).
The process of analysis begins with the recognition of haydnian source of that era (Rossini’s memories, concert programs, manuscripts and prints), followed by the organization of a grid of various parameters (harmony, thematic, form, orchestration , humor, musical rhetoric, quotes) within which to inscribe the style of Haydn, to finally define of the salient features. After the language specification, it shall be considered three moments of the production of Rossini, such as chamber music (Sonate a quattro) instrumental (the symphonies of work) and melodramatic (arias, ensembles and finali in the operas), analyzing the technical and expressive references with Haydn’s way of composition: the presence of similar solutions in both composers testifies, if not a real direct influence (the proof of which, in the light of the documents, is a utopia) at least the adherence to a common technical and expressive vocabulary, the same early conferred on him by friends and colleagues during Bologna’s yearsIl linguaggio musicale rossiniano è il primo pilastro sul quale si fonda la complessa architettura melodrammatica ottocentesca, una “chiave di volta” - come è stato appellato - imprescindibile nella definizione dei rapporti tra testo, musica e scena tramite la relazione segno-suono. Pur presentando vari punti di contatto con la generazione di operisti precedenti (Paisiello, Cimarosa, Fioravanti, Pavesi, Generali, Mayr, Päer, Mosca, Morlacchi, Spontini, Cherubini, etc…) il suo stile si discosta da quello dei colleghi grazie ad una forte connotazione di equilibrio formale, di economia tematica e di coesione armonica, tanto da essere stato talvolta associato agli stilemi della musica sinfonica di matrice viennese. Tale relazione viene confermata sia da testimonianze di Rossini medesimo che dal soprannome (il Tedeschino) che compagni e docenti gli affibbiarono durante gli anni di studio presso il Liceo musicale di Bologna. Questa passione per la Wiener Klassik significa in sostanza una stretta correlazione con i lavori di Mozart ed Haydn, per sua stessa ammissione conosciuti fin dalla giovinezza (prima a Lugo, presso la biblioteca dei fratelli Malerbi, poi a Bologna, grazie allo studio ed alla pratica personali). L’influenza di Mozart è da ricercarsi maggiormente a livello drammaturgico (le opere del salisburghese furono per Rossini un costante miniera di spunti scenico-narrativi); ma la penna rossiniana è più complessa, ed il portato dell’autore della Creazione potrebbe investirne il livello strutturale e compositivo. Si è tentato perciò di ricercare nella musica di Rossini (specialmente ma non tassativamente tra il 1804 ed il 1814, anni rispettivamente delle precoci Sonate a quattro e del trasferimento napoletano) quali caratteristiche del suo linguaggio si potessero ricondurre alla produzione di Haydn, con particolare riferimento al repertorio allora presente in Italia (sinfonie, quartetti ed oratori). L’iter dell’analisi inizia con la ricognizione delle fonti haydniane dell’epoca (ricordi rossiniani, programmi di concerti, manoscritti e stampe), cui fa seguito l’ organizzazione di una griglia composta da vari parametri (armonia, tematismo, forma, orchestrazione, humour, retorica musicale, citazioni) entro la quale poter inscrivere lo stile di Haydn alfine di connotarne le caratteristiche salienti. Definite le specifiche del linguaggio, si sono presi in esame tre momenti topici della produzione rossiniana quali la musica da camera (Sonate a quattro) strumentale (le sinfonie d’opera) e melodrammatica (arie, insiemi e finali dalle opere), analizzandone i rimandi tecnici ed espressivi con quanto riscontrato nella prassi haydniana: la presenza di soluzioni simili sia in Rossini che nel compositore austriaco testimonia, se non una vera e propria influenza diretta (la prova della quale, alla luce dei documenti, è perlomeno utopistica) perlomeno l’adesione ad un comune vocabolario tecnico ed espressivo, lo stesso precocemente riconosciutogli da amici e colleghi negli anni bolognesi
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Christianson, Evan Gary. "A hydrogeologic investigation of Ada Hayden Lake in Ames, Iowa." [Ames, Iowa : Iowa State University], 2008.
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Cho, So Young. "Béla Bartók’s Editorial Input As Seen in His Edition of Piano Sonata Hobxvi:49 in E Flat Major by Joseph Haydn." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699908/.
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Béla Bartók (1881-1945), one of the twentieth century’s most significant composers, is also well known as an ethnomusicologist and concert pianist. However, Bartók’s work as a pedagogue and as an editor has received relatively little scholarly attention, despite famous pupils and despite his preparation of numerous critical and educational editions of his own and others’ works. While the critical editions are few, a significant number of Bartók’s editions of piano works have an educational purpose; these editions contain highly detailed performing indications and hold substantial potential for investigating Bartók’s ideas on the performance of works by other composers. Bartók edited nineteen piano sonatas by Haydn for educational purposes between 1911 and 1920. Bartók’s edition of Haydn’s Piano Sonata Hob.XVI:49 in E-flat Major is compared with both the first edition and the facsimile of the manuscript, with a focus on articulation, pedaling, dynamics, fingering, and other significant markings such as indications of expression and ornamentations. This document examines Bartók’s editorial input in this edition as an exemplar of his stylistic principles, and explores the value of Bartók’s Haydn editions as performing editions by critically examining both his editorial contributions and possible execution issues. This study thus provides an understanding of Bartók’s stylistic ideas regarding classical style, and promotes consideration of these editions for contemporary performers.
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Ickstadt, Peter. "Die Messen Joseph Haydns Studien zu Form und Verhältnis von Text und Musik." Hildesheim Zürich New York, NY Olms, 2008. http://d-nb.info/995403791/04.
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Odenkirchen, Andreas. "Die Konzerte Joseph Haydns : Untersuchungen zur Gattungstransformation in der zweiten Hälfte des 18. Jahrhunderts /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb35680110b.
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Haydys, Andriy. "Generalized Seiberg-Witten equations and hyperKähler geometry." [S.l.] : [s.n.], 2006. http://webdoc.sub.gwdg.de/diss/2006/haydys.
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Bakulina, Olga. "Polyphony as a loosening technique in Mozart's «Haydn» quartets." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92332.
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This study explores the relationship between texture and form in Mozart's six string quartets dedicated to Haydn and claims that texture can act as a form-defining factor. Building on William Caplin's theory of formal functions and on his distinction between tight-knit and loose formal organization, I argue that polyphonic texture serves as a loosening device through grouping-structure conflicts and thus acts as one of the determinants of medial and sometimes concluding formal functionality. Polyphony is also used as a means of contrast, distinguishing two formal sections that use the same motivic material but that differ from each other with regard to textural and formal organization. I define and give examples of contrast pair, a concept that embraces questions of formal functionality, formal structure textural types, and motivic material. Therefore this concept allows one to combine two different, but compatible approaches: the theory of formal functions and motivic analysis.Cette étude explore la relation entre texture et forme dans les six quatuors à cordes de Mozart dédiés à Haydn, et soutient que la texture peut être un facteur déterminant de la forme. En m'inspirant des concepts de fonctions formelles de William Caplin et de la distinction qu'il apporte entre certaines organisations formelles très rigoureuses et d'autres moins structurées, je soutient que la texture polyphonique est utilisée comme élément relâchant lors de conflits groupes-structure, et ainsi agit comme un des éléments détérminants de fonctions formelles médianes, et parfois conclusive. La polyphonie est également employée comme moyen de contraste, en distinguant deux sections formelles utilisant le même matériau motivique mais qui diffèrent entre elles au niveau de la texture et de l'organisation formelle. Je définis et donne des exemples de paires de contrastes, un concept englobant les questions de fonctionnalité formelle, structure formelle, types de texture et matériau motivique. Ce concept permet donc de combiner deux approches différentes, mais compatibles: le théorie de la fonction formelle at l'analyse motivique.
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Jayasuriya, David. "Fonte and Monte in the symphonies of Joseph Haydn." Thesis, University of Southampton, 2016. https://eprints.soton.ac.uk/413462/.
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Fonte and Monte were prominent harmonic-contrapuntal schemata frequently encountered in galant and classical compositions. This thesis examines the application and manipulation of these schemata in the symphonies of Joseph Haydn. It considers the historical roots of Fonte and Monte in the partimenti and solfeggi from the Italian pedagogical tradition of the eighteenth century, before proceeding to discuss how these schemata were interpreted and presented in the treatises of the German theorists, Joseph Riepel and Heinrich Christoph Koch. A close examination of schema theory in artificial intelligence and cognitive psychology leads to the construction of an analytical framework for the classification and description of the two galant schemata. This framework is then applied to an empirical study of Haydn’s symphonies, revealing many interesting and significant results. Formal statistical testing is employed to identify salient trends in stylistic change across selected sub-groups of the symphonies. The thesis includes concise musical analyses of several musical passages from these works, and concludes with two extended case studies of Symphonies No.56 and No.104. These analyses reveal schematic manipulation of remarkable skill and sophistication, while also confirming the qualities of wit, humour and irony for which the composer is renowned. The study establishes that Haydn’s employment of Fonte and Monte is far more extensive than previously realised, and moreover his inventive manipulations of them offer important insights into his strategies and methods of communication with his contemporary listeners.
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Figueiredo, Fernanda Ronssani de. "Medidas que maximizam a entropia no Deslocamento de Haydn." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/127974.
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Neste trabalho é abordado o exemplo proposto por Nicolai Haydn, no qual é dado um exemplo de um deslocamento onde é possível construir in nitas medidas de máxima entropia, além de in nitos estados de equilíbrio.In this work, we present the example shown by Nicolai Haydn, which is given by subshift where is possible to show in nity measures of maximal entropy, besides in nitely many distinct equilibrium states.
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Irvine, Thomas. "Mozart’s ›Haydn‹ Quartets, ›Ausführung‹, and the Aesthetics of Nuance." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71939.
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Angulo, Mariselli Rafael Leonardo, Cueva Gliseth Lidia Mallma, Plaza Jorge Eduardo Malqui, and Olivera Saulo Italo Vargas. "Diagnóstico operacional empresarial – Pesquera Hayduk." Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/8781.
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xx, 364 p. : il. ; 30 cm.El presente diagnóstico representa un análisis profundo de las operaciones de Pesquera Hayduk, organización dedicada a la producción y comercialización de productos hidrobiológicos en el Perú. El diagnóstico se basó en el análisis de la cadena de suministro de la organización, al igual que en el análisis de cada una de las partes que la componen. A lo largo de este análisis, se ha realizado una descripción del modelo operativo de la organización, detallando los procesos productivos, las interacciones de dichos procesos y las estrategias definidas para alcanzar las metas. Es importante señalar, que las operaciones productivas analizadas corresponden a las diversas líneas de productos que la organización comercializa, teniendo en consideración los estándares que hoy son materia de implementación en cada una de las sedes operativas. En términos generales, la organización desarrolla sus actividades operativas y comerciales de acuerdo a la realidad del sector, y de acuerdo a la coyuntura, ya sea económica, política o social, esto debido a que es un sector fuertemente influenciado directamente por estos factores. En cuanto a los resultados obtenidos, se han presentado recomendaciones que deben ser ampliadas. Por otra parte, las propuestas de mejora que integran una valorización económica, presentan un diversidad de oportunidades como las mejoras en los procesos logísticos, que con una acción inicial se puede generar ahorros de más de 15,000 dólares al año, el modelamiento del sistema de gestión hacia la estrategia de la organización, donde se presentan oportunidades de retorno de inversión alrededor de los 90,000 dólares al año, la implementación de una nueva planta en el Callao con un TIR positivo y un VAN de más de 980,000 dólares, además de una mejora en la gestión de productos actuales, que puede llevar a un ahorro de más de 700,000 dólares. Finalmente, este diagnóstico es un documento de mucho valor para la organización, debido a que sustenta y describe claramente cómo se están desarrollando las diversas actividades de la organización
The present study represents a depth analysis of the productive operations of Pesquera Hayduk, an organization dedicated to the production and commercialization of hydro biological products in Peru. This study is related to the analysis of the supply chain of the organization, and also the analysis of each of the parts that compose it. Throughout this analysis, a description of the operational model of the organization has been made, detailing the productive processes, the interactions of these processes and the defined strategies to reach the goals. It is important to note that the analyzed productive operations correspond to the various product lines that the organization promotes, taking into consideration the standards that are currently the subject of implementation in each of the operating headquarters. In general terms, the organization develops the operative and commercial activities according to the reality of the sector, and according to the economic, political or social situation, this is because the sector is strongly influenced by these factors. With the results several recommendations have been presented that should be expanded. By the other hand, the proposals of improvements that integrate an economic valorization, display a diversity of opportunities like the improvements in the logistic processes, that with an initial action can generate savings of more than 15,000 dollars to the year, the modeling of the management system to the organization strategy, which presents an investment return opportunity of around 90,000 dollars per year, the implementation of a new plant in Callao with a positive TIR and a VAN of over 980,000 dollars, in addition to an improvement in the current product management, which can lead to savings of more than $ 700,000. Finally, this diagnosis is a document of great value for the organization, because it sustains and clearly describes how the various activities of the organization are being developed
Tesis
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Proksch, Bryan Jeffrey Bonds Mark Evan. "Cyclic integration in the instrumental music of Haydn and Mozart." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,203.
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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2006.Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music." Discipline: Music; Department/School: Music.
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Dinse, Susanna. "Die Idee des Popularen in der Musik des 18. Jahrhunderts dargestellt an den Sinfonien Joseph Haydns." Kassel Bosse, 2006. http://d-nb.info/989360903/04.
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Young, Dale J. "BRIDGING THE GAP: DREW HAYDEN TAYLOR, NATIVE CANADIAN PLAYWRIGHT IN HIS TIMES." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1131125416.
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Micconi, Giovanna. "Circus Aesthetics, Travel, History, and Mourning in the Poetry of Robert Hayden." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718732.
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Circus Aesthetics examines the work of the African American poet Robert Hayden and engages with the problem of identifying different frameworks with which to think about Hayden’s poetry and African American literature more broadly. In 1978, two years before his death, Hayden, the first African American poet to be nominated Poetry Consultant at the Library of Congress, was still struggling and fighting with the idea of being considered a “black poet” and with the socio-political implications and expectations that accompanied that label. During his address to the Library of Congress on May 8, 1978, he reiterated his discomfort at discussions of whether he was or was not a black poet and claimed that “poets too are keepers of a nation’s conscience, the partisans of freedom and justice, even when they eschew political involvement.” Hayden has often been analyzed and read in the context of his racial, religious, or stylistic affiliations (as an African American, a Bahá’í, or a modernist poet). His poetics, however, are inclusive and engage with the exploration of a universal ethos where alterity is examined and celebrated. Circus Aesthetics argues that Hayden’s formal and thematic features are grounded in the African American literary tradition as well as in cosmopolitan and Universalist principles, thus making of him a rooted “transpolitan,” who defies notions of national borders as well as western understandings of cosmopolitanism. Looking at Hayden’s poetry through careful and sustained close readings, this dissertation adds a new dimension to Hayden’s work by thinking of new, hemispheric ways in which to think of literature and the intersection of time, space, and history.African and African American Studies
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Cashman, Jennifer Lynne 1962. "Desert mule deer response to mitigations along the Hayden-Rhodes Aqueduct, Arizona." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/277991.
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The Hayden-Rhodes Aqueduct (HRA) extends from Lake Havasu along the California and Arizona border to 40 km northeast of Phoenix, Arizona. The Bureau of Reclamation established water catchments for wildlife, and wildlife bridges to provide access for wildlife across the HRA. I investigated the effectiveness of these mitigations for desert mule deer (Odocoileus hemionus crooki) from July 1989 to July 1990. I examined deer use of wildlife bridges, concrete overchutes, and water catchments; the quality of deer habitat at crossings; and the influence of mountain lions (Felis concolor) on deer at water catchments. All water catchments were used by deer. There was very little use of wildlife crossings by deer. Deer habitat on the north side of the HRA received more use by deer than habitats south of the HRA. I could not determine if mountain lions capture prey more often near water catchments than in other areas.
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Harrison, Bernard M. "Aspects of performance practice in the keyboard music of Joseph Haydn." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315062.
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Leisinger, Ulrich. "Joseph Haydn und die Entwicklung des klassischen Klavierstils bis ca. 1785 /." Laaber : Laaber-Verlag, 1994. http://catalogue.bnf.fr/ark:/12148/cb357404099.
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Haydn, Michael [Verfasser]. "Aktives Dämpfersystem zum Einsatz in modularen, lang auskragenden Ausspindelwerkzeugen / Michael Haydn." Düren : Shaker, 2019. http://d-nb.info/1208599437/34.
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Jonsson, Markus. "Die Schöpfung - en klangstudie." Thesis, Kungl. Musikhögskolan, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-890.
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Garces, Emília Helena. "O sturm und drang de Joseph Haydn: uma revisão da nomenclatura segundo as preceptivas setecentistas." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-07032017-123107/.
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Esta pesquisa se concentra na discussão acerca da utilização da terminologia Sturm und Drang no que se refere o repertório de Joseph Haydn escrito nas cercanias da década de 1770. Este período das composições de Haydn tem sido considerado como parte do movimento precursor do romantismo, que na literatura é denominado Sturm und Drang. Entretanto, existem algumas inconsistências na incorporação desta nomenclatura na música de Haydn. Desta forma, através do exame de preceptivas do século XVIII, destacando o tratado escrito por Johann Mattheson, Der Vollkommene Capellmeister [O Mestre de Capela Perfeito ] de 1739, se pretende recuperar o universo de referências musicais do compositor austríaco e reavaliar as suas composições inseridas na categoria Sturm und Drang. Através da consideração sobre os argumentos daqueles que defendem a existência do Sturm und Drang musical, visamos neste trabalho, por meio do confronto das ideias, avaliar a adequação da utilização do termo ao contexto musical de Joseph Haydn.This research concentrates in the quarrel regarding the use of Sturm und Drang terminology commonly used to define Joseph Haydn\'s repertoire composed around 1770. This period of Haydn\'s composition has been considered as part of the literatute movement known as Sturm und Drang. However, there are some inconsistencies in the incorporation of this nomenclature in music. In such a way, through the examination of treatises from the 18th century , detaching the treaty written by Johann Mattheson, in 1739, Der Vollkommene Capellmeister [The Perfect Chapel Master] , it is intended to understand the thoughts of this period in music and be able to infer about Haydn\'s composition. Thus, by means of the confrontation of the ideas between the scholars who defend the existence of the musical Sturm und Drang and the 18th century treatises, verify the legitimacy of Sturm und Drang terminology in Haydn\'s musical context.
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Price-Brenner, Kevin. "Pedagogical transcriptions for teaching two advanced works for cello : Beethoven’s Sonata for cello and piano no. 3 in A major, op. 69 and Haydn’s Cello concerto no. 1 in C major, Hob.VIIb.1." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2131.
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Advanced cello students and their studio teachers have a wide range of literature to study and perform that spans approximately 400 years. Despite this wealth of repertoire, advanced music from the classical era is often understudied or overlooked due to difficulties of the accompanying part, written either for the piano or the orchestra. For example, Beethoven’s cello sonatas tend to be avoided by teachers of advanced young students because of the difficulties in securing a pianist. Additionally, Haydn’s cello concerti demand a great deal of rehearsal time with an experienced pianist in preparing the student to perform with a full ensemble.
The purpose of this study is to provide pedagogical assistance to the cello studio teacher of advanced students. This detailed teaching edition reduces the original accompaniment into a single cello part to be played by the studio teacher during lessons. The transcriptions do not replace the music written for the piano, but functions as a three-part pedagogical bridge: teaching the student the solo; accompanying the student in the cello reduction; and preparing the student to play with the accompaniment as originally conceived. The two compositions presented in this aid are Beethoven’s Sonata for Cello and Piano No. 3 in A major, Op. 69 and Haydn’s Cello Concerto No. 1 in C major, Hob. VIIb.1. This practical study will refer to An Annotated Translation of Evegeny Shenderovich’s Overcoming Technical Difficulties in the Piano Transcriptions of Orchestral Scores by Marcelina Turcanu.
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Henderson, Jennifer Jacobs. "Hayden Covington, the Jehovah's Witnesses and their plan to expand First Amendment freedoms /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/6183.
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Kulosa, Alexander [Verfasser]. "Paukenschläge - Die Sinfonie Nr. 60 (Der Zerstreute) von Joseph Haydn / Alexander Kulosa." Aachen : Shaker, 2004. http://d-nb.info/1172614253/34.
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Lucas, Mônica Isabel. "Humor e agudeza nos Quartetos de Cordas op. 33 de Joseph Haydn." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285006.
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Orientador: Helena JankTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta investigação propõe o estudo do contexto teórico que envolve a produção do compositor Joseph Haydn (1732-1809), concentrando-se nas idéias de humor e agudeza [Witz], que têm sido freqüentemente relacionadas à produção deste compositor, desde sua própria época. Para isto, selecionamos críticas de jornais e revistas do século XVIII que discorrem sobre esses aspectos da produção haydniana. No sentido de possibilitar a melhor compreensão do sentido setecentista desses termos, é necessário tratar também de outros conceitos relacionados a eles: a idéia de cômico e as visões setecentistas sobre o riso. Estas informações estão contidas em obras teóricas sobre as artes do século XVIII, como a enciclopédia sobre as artes de Sulzer (1771-74) e a estética musical de Schubart (1784). A recuperação destas noções é utilizada para obter uma melhor compreensão das críticas escritas a Haydn em sua própria época. Elas apresentam visões negativas ou positivas de Haydn, e, com os fundamentos teóricos, é possível atribuir seus conteúdos a premissas conservadoras, de orientação retórica, ou que seguiam as tendências da disciplina então recém surgida, a estética. Assim, as críticas a Haydn permitem criar subsídios para estudar o humor e a agudeza em obras que indubitavelmente representam o estilo maduro destes compositor: os quartetos de cordas op. 33 (1781)
Abstract: This investigation proposes a study of the theoretical context that involves the works of Joseph Haydn (1732-1809), concentrating in the ideas of humor and wit [Witz]. This ideas have been related to the music of Haydn since his own time. Therefore, we selected some eighteenth century journal and magazine critics that involves these aspects of his production. In order to have a better comprehension of the eighteenth century meaning of these concepts, it is necessary to handle also other related notions: the idea of comic and the Eighteenth-Century visions about laughter, contained in works like the arts encyclopedia by Sulzer (1771-74) and the music aesthetic by Schubart (1784). These notions enables us to have a better comprehension of the eighteenth century critics involving the music of Haydn. They contain negative or positive visions about his music, and it is possible to attribute this visions to conservative, rhetorically oriented, or to aesthetic (then a recently created discipline) premises. These critics allow us to create subsidies to observe how humor and wit occur in works that undoubtedly represent Haydn¿s mature style: the string quartets op. 33 (1781)
Doutorado
Doutor em Música
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Haydn, Johannes [Verfasser], and Svenja [Akademischer Betreuer] Meierjohann. "Regulation of ERK1/2 signaling in melanoma / Johannes Haydn. Betreuer: Svenja Meierjohann." Würzburg : Universität Würzburg, 2012. http://d-nb.info/1111912157/34.
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Knop, Christian George. "EXERCÍCIOS AUXILIARES: CONCERTO PARA VIOLONCELO DE HAYDN EM RÉ M - 1º MOV." Escola de Música, 2017. http://repositorio.ufba.br/ri/handle/ri/25898.
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Made available in DSpace on 2018-05-02T11:15:42Z (GMT). No. of bitstreams: 1 EXERCÍCIOS AUXILIARES - Concerto para Violoncelo de Haydn Nº2 em Ré M - 1. Mov.pdf: 12696618 bytes, checksum: 9af93c245c0f47593169358863df0993 (MD5)
O presente trabalho tem por finalidade desenvolver exercícios planejados com o intuito de auxiliar o violoncelista a superar problemas técnicos em peças para violoncelo com elevado grau de dificuldade. A pesquisa foi dividida em três partes: um memorial, o produto final composto por exercícios que podem servir de modelo de estudo para outras peças e um artigo sobre os processos de tensão e relaxamento necessários para uma boa execução técnica de forma geral. O memorial relata os principais aspectos abordados pelas disciplinas cursadas e a sua influência sobre o presente trabalho. Na segunda parte será apresentado um guia para os exercícios auxiliares baseados no 1º movimento do Concerto Nº 2 de Haydn. A terceira parte, a título de complementação, consta de um artigo que investiga como se dá a relação entre tensão e relaxamento nos principais processos da técnica violoncelística na opinião de professores e violoncelistas de renome.
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Tse, Ka-sze Hayson, and 謝家樹. "Bayesian network analysis of evidence in criminal court cases / y Hayson Ka-sze Tse." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2015. http://hdl.handle.net/10722/212618.
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When justice goes wrong, grave consequences entail. They are damaging to the standing of the legal system and people’s lives. Humans are not good at assessing uncertainties. Parties to a legal proceeding adduce evidence to support or reject hypotheses. Errors happen when the tribunal fails to consider properly all the evidence in the context of inherent probabilities or improbabilities.
This research work does not advocate trials by mathematics or statistics. This work extends the understanding of the application of Bayesian Networks in the law domain. The original contribution to knowledge is the analysis of evidence by Bayesian Network in the context of specific legal requirements of Hong Kong.
The research questions are:
1. What are the legal requirements for the analysis of evidence in a criminal trial in Hong Kong?
2. How can a Bayesian Network be constructed for the purpose of such analysis?
3. Is such a Bayesian Network effective for the analysis?
In answering the questions, this research work examined the feasibility of generic models created for digital crime scene investigations and concluded that each case must be, for the purpose of analysis of evidence in the trial, represented by a different Bayesian Network.
This research work examined the trial processes, the tasks of tribunal of facts of criminal trials and some appellate decisions in Hong Kong. The work also created models of reasoning processes for the juries in Hong Kong. The work then compared the properties of Bayesian Networks with the processes of evaluation of evidence during trials.
This research work also considered the reluctance of courts in the United Kingdom to allow experts to express their opinions on the bases of Bayesian calculations; even though trials are practically evaluations of uncertainties and assignments of degrees of beliefs. This research work then constructed a schedule of levels of proof and proposed a schematic method, to be used with the schedule, to construct Bayesian Networks for any types of trial in Hong Kong. The method requires an analyst to go through a mass of evidence systematically, and analyse their relationships amongst the ultimate probandum, the penultimate probanda, the intermediate propositions, the facts in issue and the facts relevant to the issue. This work then demonstrated the applications by two criminal cases in Hong Kong.
The analyses show that the construction of Bayesian Network by the schematic method enables an analyst to take precaution to reach an assessment rationally and to approximate as far as capable his or her belief to the facts in
issue.published_or_final_version
Computer Science
Doctoral
Doctor of Philosophy
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Jordan, Harriet. "Thomas Hayton Mawson 1861-1933 : the English garden designs of an Edwardian landscape architect." Thesis, University of London, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261307.
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Maqway, Simon Azaria. "Profile of, and challenges experienced by, stroke patients admitted at Haydom Lutheran hospital, Tanzania." Thesis, University of the Western Cape, 2012. http://hdl.handle.net/11394/4501.
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Magister Scientiae (Physiotherapy) - MSc(Physio)Background and aim: Despite the high number of strokes globally, and among people of African origin in particular, there are few available data on stroke in most countries of sub-Saharan African (SSA), including Tanzania. In addition, the profile and challenges affecting stroke patients in these countries has not been adequately explored. The aim of this study was to determine the profile and explore the challenges experienced by stroke patients admitted at Haydom Lutheran Hospital in Tanzania. The objectives of the study were to determine the documented risk factors among the patients admitted to Haydom Lutheran Hospital, to identify the stroke on-set admission interval and length of hospital stay, to identify the process of physiotherapy for the stroke patients, and to explore the challenges experienced by stroke patients discharged from Haydom Lutheran Hospital, Tanzania. Methods: Qualitative and quantitative research designs were used to collect the data. The quantitative design used a retrospective descriptive study, in which medical records of stroke patients were reviewed. The qualitative approach included in-depth interviews to collect information regarding the challenges experienced by stroke patients residing in Haydom, Tanzania. Existing medical records were perused to obtain information related to demographic profile, medical characteristics and rehabilitation data among stroke patients admitted at Haydom Lutheran Hospital. Relevant data was captured on a data information sheet. The SPSS (14.0 version) and Microsoft Excel (2007) were used to analyse quantitative data. Descriptive Statistics were used to determine ranges, percentages, frequencies, means and standard deviations calculate. The qualitative interviews were transcribed verbatim and also translated from Kiswahili to English. Stated concepts were coded, grouped into categories, and reduced into sub-themes and main themes. Prior to conducting this study, final permission was obtained from the Senate Research Grant and Study Leave Committee at the University of the Western Cape as well as the relevant authorities of the Tanzania Ministry of Health, Tanzanian National Institute of Medical Research, and the Administration of Haydom Lutheran Hospital. Written informed consent were obtained from the participants prior to interviews. Results: A total number of 145 stroke patients were admitted to Haydom Hospital between 1st January 2004 and 31st December 2010. However, only 128 of the potential sample participants met the inclusion criteria for the sample. The mean age of the participants was 57.7years, (SD=18.673). Of these, 104 (81.2%) had haemorrhagic stroke and 24(18.7%) had ischemic strokes. HIV infection (78.1%), previous stroke (74.2%), smoking (58.5%) and hypertension (55.4%) were the most common risk factors for stroke. Among the participants, the documented impairments included emotional impairments 42(32.8%), speech impairment 47(36.7%), cognitive impairment 39(30.4%), muscle impairment 36(28.1%), and occurrence of coma 33(25.8%) respectively. The mean time from onset of stroke to admission was 1.2 days with (SD=0.42 days). The mean length of hospital stay was 12.16 days (SD=4.1 days), the majority (61.7%), started physiotherapy within 3 days after admission, mean duration of physiotherapy was 14.1 days (SD=5.79), and the mean number sessions of physiotherapy 3.7days (SD=18.8 days). The challenges that emerged during the qualitative interviews with participants were limitation in walking activities, inability to return to work and to participate in leisure activities as before the onset of stroke, and environmental factors such as physical barriers and attitude of family. Conclusion: The findings of the research reveal that stroke in Tanzanian patients occurs at a relatively young age, and that frequency of intra-cerebral haemorrhage is higher than that reported in developed countries. The clinical presentations and risk factors are similar to those in other studies. The qualitative findings revealed that the stroke patients had problems with limitation of activity, participation restrictions, and environmental challenges. They also expressed uncertainties as a result of a lack of knowledge about stroke and its effects, and discharge challenges relating to rehabilitation. These challenges should be addressed in the process of management of patients with stroke in the research setting.
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Domler, Laurie Ann 1960. "Influence of the Hayden-Rhodes aqueduct on use of habitat by desert mule deer." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/291516.
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I studied 1,472 locations of desert mule deer (Odocoileus hemionus crooki) (1M, 6F) before completion of the Hayden-Rhodes Aqueduct (HRA) (pre-HRA, 1981-1984), and 2,300 locations (6M, 10F) after completion of the Hayden-Rhodes Aqueduct (post-HRA, 1989-1991) to examine habitat use. I used a Geographic Information System to measure and analyze deer locations by season, sex, and year. I compared home-range size, distance to water catchments, distance to washes, vegetation use versus availability and deer interactions ≤1 km from the canal between the periods. Home-range sizes did not change significantly (P≤0.05) as a result of completion and operation of the HRA. Deer were closer to water catchments in the warmer seasons before completion of the HRA, but farther from water in the warmer seasons after completion of the HRA. Deer locations ≤1 km from the HRA increased after completion and operation of the HRA. Deer were probably relying on areas ≤1 km from the canal for forage and thermal cover.