Journal articles on the topic 'Harpsichord Concertos'
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BILIR EYÜPOĞLU, Emine. "IDENTIFYING THE DIFFERENCES THE HARPSICHORD AND THE PIANO INTERPRETATION OF J. S. BACH'S BWV 1056 CONCERTO IN F MINOR." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 34 (November 15, 2022): 100–114. http://dx.doi.org/10.31567/ssd.770.
Full textCantet, R. J. C. "Statistical methods in animal breeding and Bach’s harpsichord concertos." Journal of Animal Breeding and Genetics 127, no. 5 (September 10, 2010): 334–35. http://dx.doi.org/10.1111/j.1439-0388.2010.00896.x.
Full textGórny, Tomasz. "Estienne Roger and his agent Adam Christoph Sellius: new light on Italian and French music in Bach’s world." Early Music 47, no. 3 (July 24, 2019): 361–70. http://dx.doi.org/10.1093/em/caz041.
Full textRogers, Victoria. "Thomas Goff, Four Harpsichords, J.S. Bach and the Royal Festival Hall." Royal Musical Association Research Chronicle 49 (2018): 50–67. http://dx.doi.org/10.1080/14723808.2017.1341204.
Full textMaunder, Richard. "J. C. Bach and the Early Piano in London." Journal of the Royal Musical Association 116, no. 2 (1991): 201–10. http://dx.doi.org/10.1093/jrma/116.2.201.
Full textOkuneva, Ekaterina G. "The Instrumental Concerto in Bent Sørensen’s Musical Output." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (July 2023): 162–76. http://dx.doi.org/10.56620/2782-3598.2023.2.162-176.
Full textSheludiakova, Svitlana. "The genre of the piano concerto in John Adams’s work on the example of “Must the Devil Have All the Good Tunes?”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 70, no. 70 (April 29, 2024): 161–84. http://dx.doi.org/10.34064/khnum1-70.09.
Full textKitchen, J. "Johann Sebastian Bach, Italian Concerto, French Overture; 4 Duetti, Chromatic Fantasy & Fugue Christophe Rousset (harpsichord), L'Oiseau-Lyre 433 054-2 (rec 1990); Italian Concerto, French Overture; 4 Duetti Kenneth Gilbert (harpsichord), Harmoma Mundi HMA 1901278 (rec 1988); Trio Sonatas, BWV525-30 John Butt (organ) Harmoma Mundi HMU 907055 (rec 1991); Antonio Vivaldi Concerto for 3 Violins; Johann Sebastian Bach; Concertos for 3 & 4 Harpsichords, Christopher Hirons, John Holloway, Monica Huggett, Catherine Mackintosh, Elizabeth Wilcock (violins), Christopher Hogwood, Davitt Moroney, Christophe Rousset, Colin Tilney (harpsichords), The Academy of Ancient Music, directed by Christopher Hogwood L'Oiseau-Lyre 433 053-2 (rec 1980, 1989, 1990)." Early Music XXI, no. 1 (February 1, 1993): 155–57. http://dx.doi.org/10.1093/em/xxi.1.155.
Full textZhukova, Olena. "HARPSICHORD IN THE SOUND PICTURE OF THE XX CENTURY MUSIC, EXEMPLIFIED BY F. POULENC’S СONCERT CHAMPETRE." Scientific Journal of Polonia University 62, no. 1 (July 8, 2024): 128–35. http://dx.doi.org/10.23856/6217.
Full textArtola, Ines R. "“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)." Notes Muzyczny 1, no. 15 (June 21, 2021): 67–107. http://dx.doi.org/10.5604/01.3001.0014.9691.
Full textKobler, Linda, Antonio Vivaldi, and Igor Kipnis. "Concerto in A Major for Harpsichord (Keyboard) and Strings." Notes 47, no. 2 (December 1990): 559. http://dx.doi.org/10.2307/942014.
Full textOwczarek-Ciszewska, Joanna. "Hammer mechanism instruments and their role in shaping the composition style of pieces written for keyboard instruments in the period of 1730-1780, part 3 – Keyboard instruments in concert halls and in the high society." Notes Muzyczny 1, no. 11 (June 28, 2019): 43–64. http://dx.doi.org/10.5604/01.3001.0013.3521.
Full textHarrison, B. "Eighteenth-century music for two keyboard instruments, Bernard Brauchli (harpsichord, clavichord), Esteban Elizondo (organ, clavichord), Titanic Records T1-185 (rec 1989); Joseph Haydn, Harpsichord Sonatas In C Minor (XVI 20), F Major (XVI:23), A Major (XVI 26), E Flat Major (XVI 28), B Minor (XVI 32), Shirley Mathews (harpsichord), Gasparo GSCD-284 (issued 1991); Wolfgang Amadeus Mozart, Concertos KV107 (After J. C. Bach's Keyboard Sonatas Op.5 Nos 2, 3 & 4); Leopold Mozart, Sonata Da Camera A Tre No.4; Johann Christian Bach, Sonata In D Major, Op.20 No 2, Keyboard Concerto In E Flat Major, Op.7 No 5, London Baroque, Harmonia Mundi HMC 901395 (rec 1990); Wolfgang Amadeus Mozart, Piano Sonatas K545 & K57O, Fantasie K475, Rondos K486 & K511, Andras Schiff (fortepiano), L'Oiseau-Lyre 433 328-2 (rec 1991)." Early Music XXI, no. 1 (February 1, 1993): 161–63. http://dx.doi.org/10.1093/em/xxi.1.161.
Full textNex, Jenny, and Lance Whitehead. "A Copy of Ferdinand Weber's Account Book." Royal Musical Association Research Chronicle 33 (2000): 89–150. http://dx.doi.org/10.1080/14723808.2000.10540991.
Full textde Vries, Han, John Downey, Gary Karr, London Symphony Orchestra, and Geoffrey Simon. "John Downey: Declamations; Discourse for Oboe, Harpsichord and String Orchestra; Jingalodeon; Concerto for Double Bass and Orchestra." Musical Times 133, no. 1795 (September 1992): 466. http://dx.doi.org/10.2307/1002386.
Full textRoveda, Lyndia. "Le P.~Castel et l'ethos du mathématicien." Rhetorica 25, no. 2 (2007): 159–82. http://dx.doi.org/10.1525/rh.2007.25.2.159.
Full textGalbraith, D. "Thomas Wright's innovative method for expressing tempos, as shown in his Concerto for harpsichord or piano forte (1797)." Early Music 39, no. 3 (August 1, 2011): 409–14. http://dx.doi.org/10.1093/em/car052.
Full textDebenham, Margaret. "Joseph Merlin in London, 1760–1803: the Man behind the Mask. New Documentary Sources." Royal Musical Association Research Chronicle 45 (2014): 130–63. http://dx.doi.org/10.1080/14723808.2014.888175.
Full textKrasnogorova, O. A. "THE SOUND OF THE "GOLDEN AGE": PROBLEMS IN PERFORMING ENGLISH VIRGINAL ART." Arts education and science 1, no. 3 (2020): 104–14. http://dx.doi.org/10.36871/hon.202003013.
Full textKodenko, I. I. "Concepts of Early Music Re-creation in Wanda Landowska’s Work." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 261–79. http://dx.doi.org/10.34064/khnum2-17.17.
Full textVandagriff, Rachel S. "An Old Story in a New World." Journal of Musicology 35, no. 4 (2018): 535–66. http://dx.doi.org/10.1525/jm.2018.35.4.535.
Full textBauer, Amy. "Richard Steinitz, György Ligeti: Music of the Imagination (London: Faber and Faber, 2003), ISBN 0 571 17631 3 (hb)." Twentieth-Century Music 2, no. 2 (September 2005): 302–9. http://dx.doi.org/10.1017/s1478572206220292.
Full textAndriuţa, Viorica. "3. Pianist Aurelia Simion - Talent, Creativity, Performance." Review of Artistic Education 25, no. 1 (March 1, 2023): 16–21. http://dx.doi.org/10.2478/rae-2023-0003.
Full textRickards, Guy. "Icarus Soaring: the music of John Pickard." Tempo, no. 201 (July 1997): 2–5. http://dx.doi.org/10.1017/s0040298200005763.
Full textGrebneva, I. "”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 115–27. http://dx.doi.org/10.34064/khnum2-49.08.
Full textGrebneva, I. "”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 115–27. http://dx.doi.org/10.34064/khnum1-49.08.
Full textКарелина, Е. К. "The World of Shamanic Practice in the Work of Khuresh-ool Damba." Научный вестник Московской консерватории 15, no. 1(56) (March 27, 2024): 86–113. http://dx.doi.org/10.26176/mosconsv.2024.56.1.05.
Full textWebber, Geoffrey. "Bach’s keyboard concertos on harpsichord and piano." Early Music, January 20, 2022. http://dx.doi.org/10.1093/em/caab077.
Full textSoloviova, O. "JOHANN BACH’S HARPSICHORD CONCERTOS IN THE CONTEXT OF THE DEVELOPMENT OF BAROQUE INSTRUMENTAL GENRES." European Journal of Humanities and Social Sciences, November 9, 2020, 51–55. http://dx.doi.org/10.29013/ejhss-20-5-51-55.
Full text"ANTHONY HART writes:." Eighteenth Century Music 12, no. 2 (August 24, 2015): 259–60. http://dx.doi.org/10.1017/s1478570615000160.
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