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Books on the topic 'Harold Criticism and interpretation'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Dukore, Bernard Frank. Harold Pinter. 2nd ed. London: Macmillan, 1988.

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2

Harold Pinter. London: Faber and Faber, 2000.

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3

Harold Pinter, the dramatist. New Delhi: Creative, 1992.

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4

Canziani, Roberto. Harold Pinter: Scena e potere. Milano: Garzanti, 2005.

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5

1954-, Desmet Christy, and Sawyer Robert 1953-, eds. Harold Bloom's Shakespeare. New York: Palgrave, 2002.

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6

H, Gale Steven, ed. Harold Pinter: Critical approaches. Rutherford: Fairleigh Dickinson University Press, 1986.

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7

G, Gordon Lois, ed. Harold Pinter: A casebook. New York: Garland Pub., 1990.

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8

Harold Pinter, le maître de la fragmentation. Paris: Harmattan, 2003.

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9

Radici sepolte: Il teatro di Harold Pinter. [Firenze]: L.S. Olschki, 1996.

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10

Knowles, Ronald. Understanding Harold Pinter. Columbia, S.C: University of South Carolina Press, 1995.

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11

Sorelli, Erica. Il testo ritrovato: Le sceneggiature di Harold Pinter. Firenze: MCS, 1990.

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12

Harold Pinter's The dumb waiter. Amsterdam: Rodopi, 2009.

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13

Behera, Guru Charan. Reality and illusion in the plays of Harold Pinter. New Delhi: Atlantic Publishers, 1998.

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14

Harold Pinter. New York: Continuum, 2008.

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15

Marzola, Alessandra. Sospensioni di senso in scena: Harold Pinter e Tom Stoppard. Ravenna: Longo, 1989.

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16

Linton, Harold. Harold Linton, paintings, 1976-1986: Muskegon Museum of Art. Muskegon, Mich: The Museum, 1986.

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17

Regal, Martin S. Harold Pinter: A question of timing. Basingstoke, Hampshire: Macmillan Press, 1995.

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18

Harold Pinter: The theatre of power. Ann Arbor: The University of Michigan Press, 2013.

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19

Harold Pinter: Towards a poetics of his plays. New York: P. Lang, 1989.

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20

Angst und Furcht in den Dramen Harold Pinters. Frankfurt am Main: P. Lang, 1990.

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21

Peter, Raby, ed. The Cambridge companion to Harold Pinter. 2nd ed. New York: Cambridge University Press, 2009.

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22

Peter, Raby, ed. The Cambridge companion to Harold Pinter. Cambridge: Cambridge University Press, 2001.

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23

The experimental plays of Harold Pinter. Newark: University of Delaware Press, 2012.

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24

The life and work of Harold Pinter. London: Faber and Faber, 1997.

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25

Attridge, Harold W., Andrew Brian McGowan, and Kent Harold Richards. Method and meaning: Essays on New Testament interpretation in honor of Harold W. Attridge. Leiden: Brill, 2011.

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26

Peacock, D. Keith. Harold Pinter and the new British theatre. Westport, Conn: Greenwood Press, 1997.

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27

Oeder, Horst G. Die Philosophie in Harold Pinters Frühwerk: Verbindungen zum Neuplatonismus der italienischen Renaissance. Hamburg: Kovac, 2004.

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28

Oeder, Horst G. Die Philosophie in Harold Pinters Frühwerk: Verbindungen zum Neuplatonismus der italienischen Renaissance. Hamburg: Kovac, 2004.

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29

Jalote, S. R. The plays of Harold Pinter: A study in neurotic anxiety. New Delhi: Harman Pub. House, 1996.

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30

Pinter's female portraits: A study of female characters in the plays of Harold Pinter. Basingstoke: Macmillan, 1988.

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31

1943-, Bold Alan Norman, ed. Harold Pinter, you never heard such silence. London: Vision Press, 1985.

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32

Hirsch, Foster. Harold Prince and the American musical theatre. Cambridge: Cambridge University Press, 1989.

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33

Craven, Tim. Harold Gilman + William Ratcliffe: "a clean and solid mosaic". London: P. Holberton Pub., 2002.

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34

William, Baker. Harold Pinter: A bibliographical history. London: British Library, 2005.

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35

1938-, Ross J. C., ed. Harold Pinter: A bibliographical history. New Castle, DE: Oak Knoll Press, 2005.

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36

Method and meaning: Essays on New Testament interpretation in honor of Harold W. Attridge. Atlanta: Society of Biblical Literature, 2011.

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37

Harold Prince and the American musical theatre. New York: Applause Theatre and Cinema Books, 2005.

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38

Hirsch, Foster. Harold Prince and the American musical theatre. New York: Cambridge University Press, 1989.

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39

The plays of Harold Pinter: From absurdism to political drama? Marburg: Tectum Verlag, 2009.

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40

Harold Pinter, la liberté artistique et ses limites: Approches des scénarios. Paris: L'Harmattan, 2011.

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41

Merritt, Susan Hollis. Pinter in play: Critical strategies and the plays of Harold Pinter. Durham: Duke University Press, 1990.

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42

1918-, Greenlee J. Harold, and Black David Alan 1952-, eds. Scribes and scripture: New Testament essays in honor of J. Harold Greenlee. Winona Lake, Ind: Eisenbrauns, 1992.

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43

Gauthier, Brigitte. Harold Pinter et les dramaturges de la fragmentation: Antonin Artaud, Peter Brook, Samuel Beckett, Tom Stoppard, Peter Shaffer, Dennis Reardon, le living theatre, David Mercer, Bob Wilson, David Edgar, Harold Pinter. Paris: Harmattan, 2003.

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44

I luoghi della memoria: Harold Pinter sceneggiatore per il cinema di Losey. Bari: Dedalo, 1986.

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45

Viva Pinter. New York: Peter Lang, 2009.

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46

G, Gordon Lois, ed. Pinter at 70: A caseboook. New York: Routledge, 2001.

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47

H, Burkman Katherine, Kundert-Gibbs John L, Pinter Harold 1930-, and Pinter Festival (1991 : Ohio State University), eds. Pinter at sixty. Bloomington: Indiana University Press, 1993.

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48

Aaron's code: Meta-art, artificial intelligence, and the work of Harold Cohen. New York: W.H. Freeman, 1991.

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49

Harold Frederic's social drama and the crisis of 1890s evangelical protestant culture. Lewiston, N.Y: Edwin Mellen Press, 2013.

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50

Wimmer, Paul. Der Dramatiker Harald Zusanek. Innsbruck: Universitätsverlag Wagner, 1988.

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