Academic literature on the topic 'Harmonics (Ptolemy)'

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Journal articles on the topic "Harmonics (Ptolemy)"

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Crane, Joseph. "Ptolemy’s Digression: Astrology’s Aspects and Musical Intervals." Culture and Cosmos 11, no. 1 and 2 (October 2007): 211–27. http://dx.doi.org/10.46472/cc.01211.0221.

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The rationale behind aspects has been relatively unexamined in astrology’s tradition, although much development has occurred over the centuries. This article explores a passage in Ptolemy’s Tetrabiblos Book I, Chapter 14. While presenting the different aspect relationships, Ptolemy alludes to musical intervals, in addition to arithmetical relationships. Examining this and similar passages in Ptolemy’s Harmonics and Plato’s Timaeus, this article asserts the importance of specific harmonizing musical intervals to bring together planets, solve the ancient problem of action at a distance, and account for astrology’s aspects.
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Tolsa, Cristian. "Porphyry's Distortion of Ptolemy Harmonics II.1." Phoenix 71, no. 1-2 (2017): 44–65. http://dx.doi.org/10.1353/phx.2017.0030.

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Bobo de la Peña, Miguel. "Ptolemy on Sound: Harmonics 1.3 (6.14-9.15 Düring)." Mnemosyne 62, no. 4 (2009): 548–85. http://dx.doi.org/10.1163/156852509x339897.

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AbstractPtolemy's acoustics develops throughout his Harmonics chapter 1.3. He defines sound as παος αερος πλησσομενου, expressing it—as most authors at the time—in terms of a stroke (πληγη), and thus linking the study of sound attributes to that of the strokes. His tripartite analysis of sound stroke represents an original description of sound production by means of an agent (το πληττον) exciting a medium (το δι' ου η πληγη) which, in turn, stimulates the air (το πληττομενον). However clear Ptolemy's explanation is, a wide consensus on its interpretation has not been reached, since almost each scholar has read Ptolemy's three factors in a different way. As a result, several problems arise in different authors, especially the contradiction between η του δι' ου η πληγη σοδροτης seen as responsible for pitch and η του πληττοντος βια thought of as cause of loudness, but also the understanding of η αποχη του πληττομενου προς την αρχην της κινησεως as a differential cause of sounds. This paper tries to settle the aforesaid factors and to clear up the difficulties arising, as well as to comment on some fundamental aspects of Ptolemy's acoustics.
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Cristian Tolsa. "Porphyry's Distortion of Ptolemy Harmonics II.1." Phoenix 71, no. 1/2 (2017): 44. http://dx.doi.org/10.7834/phoenix.71.1-2.0044.

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Tolsa, Cristian. "PTOLEMY, HARMONICS - A. Barker Porphyry's Commentary on Ptolemy's Harmonics. A Greek Text and Annotated Translation. Pp. viii + 581, figs. Cambridge: Cambridge University Press, 2015. Cased, £100, US$160. ISBN: 978-1-107-00385-9." Classical Review 66, no. 2 (July 21, 2016): 392–94. http://dx.doi.org/10.1017/s0009840x16001323.

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Raffa, Massimo. "Ancient Musical Writings as Persuasive Texts." Greek and Roman Musical Studies 9, no. 2 (August 20, 2021): 271–84. http://dx.doi.org/10.1163/22129758-bja10025.

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Abstract This contribution is meant to shed light on how ancient Greek music theorists structure argumentations and address their readership in order to be understandable, effective and persuasive. On the one hand, some of the most important treatises, e.g. Ptolemy’s Harmonics (with Porphyry’s Commentary) and what remains of Archytas’ and Theophrastus’ works, are taken as case studies; on the other hand, the paper deals with some argumentative patterns recurring in harmonics demonstrations, especially with reference to the usage of everyday life experience as evidence supporting acoustic and harmonic theories.
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Solomon, Jon, and Andrew Barker. "Scientific Method in Ptolemy's "Harmonics"." Classical World 96, no. 3 (2003): 329. http://dx.doi.org/10.2307/4352768.

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Sefrin-Weis, Heike. "Scientific Method in Ptolemy's Harmonics (review)." Journal of the History of Philosophy 41, no. 1 (2003): 123–24. http://dx.doi.org/10.1353/hph.2002.0110.

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Olson, S. Douglas, and Ineke Sluiter. "An emendation in Porphyry's commentary on Ptolemy's Harmonics." Classical Quarterly 46, no. 2 (December 1996): 596. http://dx.doi.org/10.1093/cq/46.2.596.

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So far am I from rejecting the use of what has been well stated by others, that I would wish that everyone said the same things about the same things and, as Socrates puts it, in the same words, and then there would be no undisputed quarrelling among men about the matters at hand.
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Campion, Nicholas. "Harmony, Politics and Utopia in the Cosmology of Jean Bodin and Johannes Kepler." Culture and Cosmos 25, no. 0102 (October 2021): 125–65. http://dx.doi.org/10.46472/cc.01225.0213.

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This paper explores Harmonice Mundi as a political text and considers the influence on Kepler of the French political theorist Jean Bodin (1530–1596). Both Bodin and Kepler subscribed to the political cosmology inherited from Plato, Aristotle and the Stoics, and elaborated in detail by Claudius Ptolemy, in which the terrestrial state was part of a wider entity including the celestial spheres and the use of the planets to identify changes in the quality of time and fluctuations in natural influences. Both sought to remedy failures in contemporary astrology and create a new and empirical discipline which could avert future crises by predicting them. The paper examines Bodin’s theories and then locates the work of both him and Kepler as attempts to establish ways to create stability in the unstable politics of the post-Reformation era, and contextualises Kepler’s attempts to delineate the perfect state as utopian.
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Books on the topic "Harmonics (Ptolemy)"

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Ptolemy. Harmonics. Leiden: Brill, 2000.

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Porphyry. Commentarius in Claudii Ptolemaei Harmonica. Berlin: De Gruyter, 2016.

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Solomon, Jon. Harmony in Ptolemy's harmonics. Armidale, N.S.W: University of New England-Armidale, 1990.

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Solomon, Jon. Ptolemy Harmonics: Translation and Commentary (Mnemosyne, Bibliotheca Classica Batava Supplementum). Brill Academic Publishers, 1999.

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Feke, Jacqueline. Ptolemy's Philosophy. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691179582.001.0001.

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The Greco-Roman mathematician Claudius Ptolemy is one of the most significant figures in the history of science. He is remembered today for his astronomy, but his philosophy is almost entirely lost to history. This book reconstructs Ptolemy's general philosophical system—including his metaphysics, epistemology, and ethics—and to explore its relationship to astronomy, harmonics, element theory, astrology, cosmology, psychology, and theology. The book uncovers references to a complex and sophisticated philosophical agenda scattered among Ptolemy's technical studies in the physical and mathematical sciences. It shows how he developed a philosophy that was radical and even subversive, appropriating ideas and turning them against the very philosophers from whom he drew influence. The book reveals how Ptolemy's unique system is at once a critique of prevailing philosophical trends and a conception of the world in which mathematics reigns supreme. The book demonstrates how Ptolemy situated mathematics at the very foundation of all philosophy—theoretical and practical—and advanced the mathematical way of life as the true path to human perfection.
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Porphyry's Commentary on Ptolemy's Harmonics: A Greek Text and Annotated Translation. Cambridge University Press, 2015.

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Solomon, Jon. Harmony in Ptolemy"s Harmonics: The Eighth Gordon Athol Anderson Memorial lecture delivered at the Univers. of New England. Armidale, 1990.

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Barker, Andrew. Scientific Method in Ptolemy's Harmonics. Cambridge University Press, 2006.

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9

Andrew, Barker. Scientific Method in Ptolemy's Harmonics. Cambridge University Press, 2001.

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10

Scientific Method in Ptolemy's 'Harmonics'. Cambridge University Press, 2001.

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Book chapters on the topic "Harmonics (Ptolemy)"

1

Feke, Jacqueline. "Harmonics and Astronomy." In Ptolemy's Philosophy, 114–43. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691179582.003.0006.

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This chapter analyzes in what ways and to what degree harmonics and astronomy are complementary, particularly with respect to their epistemic efficacy. In Almagest 1.1, Ptolemy claims that mathematics provides sure and incontrovertible knowledge. In his study of harmonics and astronomy, does he maintain this position? Does Ptolemy consider his harmonic and astronomical judgments to be sure and incontrovertible knowledge? It is argued that Ptolemy's Harmonics and Almagest indicate that harmonics does attain this epistemic success, but astronomy does so only in certain respects. How astronomy falters epistemologically has consequences for Ptolemy's practice of astronomy as well as the relevance of the various parts of his astronomy to his ethical system.
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"Preliminary Material." In Ptolemy Harmonics, i—xxxvii. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_001.

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"Book I." In Ptolemy Harmonics, 1–57. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_002.

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"Book II." In Ptolemy Harmonics, 59–125. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_003.

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"Book III." In Ptolemy Harmonics, 127–66. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_004.

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"Bibliography." In Ptolemy Harmonics, 167–79. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_005.

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"Index of Greek Terms." In Ptolemy Harmonics, 181–82. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_006.

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"Index of Manuscripts and Papyri Cited." In Ptolemy Harmonics, 183. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_007.

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"General Index." In Ptolemy Harmonics, 184–92. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_008.

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"Supplements to Mnemosyne." In Ptolemy Harmonics, 193. BRILL, 2000. http://dx.doi.org/10.1163/9789004351165_009.

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