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1

Wedler, Esther-Maria. "Splendor caritatis : ein ökumenisches Gespräch mit Hans Urs von Balthasar zur Theologie in der Moderne /." Würzburg : Echter Verlag, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=2966645&prov=M&dok_var=1&dok_ext=htm.

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2

Steck, Christopher W. "The ethical thought of Hans Urs von Balthasar /." New York : Herder, 2001. http://catalogue.bnf.fr/ark:/12148/cb388067487.

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3

Lewis, Albert. "Responsorisch Kirche sein : Antwortgestalt und Sendung der Kirche nach Hans Urs von Balthasar /." Berlin : Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2922802&prov=M&dok_var=1&dok_ext=htm.

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4

Engelhard, Markus. "Gotteserfahrung im Werk Hans Urs von Balthasars /." Sankt-Ottilien : Eos Verl, 1998. http://catalogue.bnf.fr/ark:/12148/cb390036360.

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5

Klaghofer-Treitler, Wolfgang. "Gotteswort im Menschenwort : Inhalt und Form von Theologie nach Hans Urs von Balthasar /." Innsbruck : Tyrolia-Verl, 1992. http://catalogue.bnf.fr/ark:/12148/cb35597454h.

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6

Endriß, Stefan. "Hans Urs von Balthasar versus Sören Kierkegaard : ein Beitrag zur Diskussion über das Verhältnis von Theologie und Ästhetik /." Hamburg : Kovač, 2006. http://www.verlagdrkovac.de/3-8300-2342-1.htm.

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7

Healy, Nicholas J. "The trinitarian eschatology of Hans Urs von Balthasar." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365480.

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8

Kaiser, Christoph. "Theologie der Ehe : der Beitrag Hans Urs von Balthasars /." Würzburg : Echter, 1997. http://catalogue.bnf.fr/ark:/12148/cb39136652r.

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9

Endriss, Stefan. "Hans Urs von Balthasar versus Sören Kierkegaard : ein Beitrag zur Diskussion über das Verhältnis von Theologie und Ästhetik /." Hamburg : Dr. Kovač, 2006. http://catalogue.bnf.fr/ark:/12148/cb411434233.

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10

REIS, JAIR LUIS. "DIE SAKRAMENTALITAT DER OFFENBARUNG IN HANS URS VON BALTHASAR." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6175@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Die Sakramentalitat der Offenbarung erreicht ihren hochsten Ausdruck in der Person Jesu Christi, da sich uns in ihm die Totalitat des Seins Gottes manifestiert hat. In seiner menschlich-gottlichen Doppelnatur ist er zum Grundsakrament geworden, notwendiges Mittel, welches den Willen Gottes mitteilt und anzeigt, wie der Mensch mit Gott kommunizieren kann, vermittelt durch die Kirche, welcher aufgetragen ist, die heilswirsamen Geheimnisse durch ihre Okonomie zu verlangern: das Wort, die Sakramente und die Nachstenliebe. Ausgehend von der offenbarungstheologischen Reflektion Hans Urs von Balthasars versucht diese Studie die Grundmomente der sakramentalen Konstitution der Kirche aufzuzeigen, als wie auch der Vater sich in seinem Sohn durch den Heiligen Geist gegenwartig macht und seine heilswirksame Gnade mitteilt, zum gleichen Zeitpunkt, da er die Mittel zu ihrer historischen Visibilita hervorbringt. Gott hat sich fleischliches und horbares Wort gemacht. Deshalb bezieht sich die sakramentale Form auf Christus. Von ihm aus, seine Taten, Gesten und Worten, gewinnt das Göttliche ewigen Ausdruck in der Mitte der Geschichte. Er verleiht Elemente, welche die Präsenz und die Aktin Gottes in der Geschichte hervorheben, vor allem am Kreuz, hochster Moment der Sakramentalitat und der Offenbarung. Unser Ziel ist es deshalb die Wurzeln der sakramentalen Erfahrung hervorzuheben, vor allem um die ekklesiale Praxis zu erhellen, im Blick auf eine Aufwertung und ein Verstehen der sakramentalen Wirksamkeit und des geoffenbarten Wortes als auch dessen Fortbestehen in der Existenz der Kircher.
A sacramentalidade da revelação alcança sua plena expressão na pessoa de Jesus Cristo, porque por meio dele nos é manifestada a totalidade do Ser de Deus. Com suas duas naturezas: humano-divina, ele se torna o sacramento fonte, o meio indispensável que comunica a vontade divina e indica como o ser humano pode se comunicar com Deus, intermediado pela Igreja, a qual encarrega-se de prolongar os mistérios salvíficos, por sua economia sacramental: a palavra, os sacramentos e a caridade. A partir do pensamento teológico-revelacional de Hans Urs Von Balthasar o presente trabalho procura expor os momentos basilares da constituição sacramental da Igreja e como o próprio Pai, na pessoa do seu Filho e no Espírito Santo, se faz presente e comunica eficazmente a graça salvífica, ao mesmo tempo em que cria meios para sua visibilidade histórica. Deus se fez palavra carnal e palavra audível em Jesus Cristo. Assim, a forma sacramental remete a Cristo. É a partir dele, de seus atos, gestos e palavras, que o divino encontra expressividade eterna no seio da história. Ele concede elementos que assinalam e comunicam a presença e ação de Deus na história, essencialmente na cruz, momento cume da sacramentalidade e da revelação. O nosso objetivo, portanto, consiste em expor as raízes da experiência sacramental com o intuito de iluminar a prática eclesial, para uma valoração e compreensão do alcance e da eficácia sacramental e da Palavra revelada, como também da sua perenidade no existir da Igreja.
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11

Ribaric, Sergio Alejandro. "O silêncio de Deus segundo Hans Urs von Balthasar." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/18286.

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Many questions come to us from the tragedies and atrocities that mark the history. Mankind has faced so many situations that put the speech about God in shock. The analysis of the history of man leads to the impossibility of speaking of God from traditional ideas of a transcendent God, unchanging, omnipotent. Cans someone speak of a God active in the world, before the pain, the misery and human tragedy? If He can talk to us and modify a situation of pain and He does not do, so Is God a malicious or negligent. And if He can not, Can we still define him as an omnipotent God? How Cans the theology answer the question about to behold God in a world capable of such atrocities as Auschwitz and Hiroshima? Would not the theology need to search for new paradigms that may speak of God from the man's scream? The pain experienced by Jesus, would not be a way to reflection. The present work in the Theology of Hans Urs von Balthasar, brings the elements of the question for this study of God's silence. In his mystical bias, and about studies of Kenosis of the three persons of the Trinity seeking to find the way, opening up about two connotations of silence: The silence of God and a silence of God front to human suffering. It can not talk of God's silence without seeking the elements within the mystical understanding and dimension trinitarian of God revealed in the cross of Christ. The reflections contained here seek some responses in the Christology of Hans Urs von Balthasar. The God that Jesus show us, it's a God of the relegation, Kenotic, the total annihilation of his divinity and that acquires the form of a servant, as opposed to God magical and majestic that is always expected by the man. The God's presence in disasters and major tragedies of humanity, has always been overlooked, unnoticed and questioned. This study aims to seek God in His own choice: to be present where the the man's pride prevents him to find God : In the man's suffering. In shame and humiliation that man imposes on others , the poor's weakness , about one that is helpless and in the foolishness of the cross of Jesus Christ
Muitas indagações se nos apresentam desde as tragédias e atrocidades que marcam a história. A humanidade tem enfrentado tantas realidades que colocam o discurso sobre Deus em choque. A análise da história do homem leva a impossibilidade de se falar de Deus a partir de idéias tradicionais, de um Deus transcendente, imutável, onipotente. Pode-se falar de um Deus atuante no mundo, diante da dor, das misérias e das tragédias humanas? Se Ele pode se pronunciar e modificar uma situação de dor e não o faz, então é um Deus maldoso, omisso. E se não pode, ainda podemos defini-Lo como um Deus onipotente? Como a Teologia pode responder a pergunta sobre como contemplar Deus num mundo capaz de atrocidades como Auschwitz e Hiroshima? Não teria a Teologia a necessidade da busca de novos paradigmas que possam falar de Deus a partir do grito do homem? A dor experimentada por Jesus, não seria um caminho de reflexão. O presente trabalho busca na Teologia de Hans Urs von Balthasar, elementos para este estudo da questão do silêncio de Deus. No seu viés místico, e pelos seus estudos sobre a Kénosis das três pessoas da Trindade, procura encontrar o caminho, abrindo-se sobre duas conotações de silêncio: O silêncio em Deus e o silêncio de Deus frente ao sofrimento humano. E não se pode falar em silêncio de Deus sem buscar os elementos dentro da mística e da compreensão da dimensão trinitária de Deus, revelada na cruz de Cristo. As reflexões aqui contidas buscam enfim, algumas respostas na Cristologia de Hans Urs von Balthasar. O Deus que Jesus nos apresenta, um Deus do rebaixamento, Kenótico, do total aniquilamento de sua divindade e que adquire a condição de servo, em contraposição do Deus mágico e majestoso que é sempre esperado pelo homem. A presença de Deus nas catástrofes e nas grandes tragédias da humanidade, sempre foi despercebida menosprezada, questionada. A presente pesquisa procura buscar Deus na Sua própria escolha: estar presente aonde a soberba do homem o impede de encontrá-lo: No sofrimento do homem. Na vergonha e na humilhação que o homem sujeita seu semelhante, na fraqueza do pobre e do desamparado e na loucura da cruz de Jesus Cristo
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12

Heße, Stefan. "Berufung aus Liebe zur Liebe : auf der Spurensuche nach einer Theologie der Berufung, unter besonderer Berücksichtigung des Beitrags von Hans Urs von Balthasar /." St. Ottilien : Eos Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb38886394z.

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13

Merkelbach, Heiko. "Propter nostram salutem : die Sehnsucht nach Heil im Werk von Hans Urs Balthasar /." Münster : Lit, 2004. http://catalogue.bnf.fr/ark:/12148/cb392611310.

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14

Hartmann, Michael. "Ästhetik als ein Grundbegriff fundamentaler Theologie : eine Untersuchung zu Hans Urs von Balthasar /." St. Ottilien : EOS-Verl, 1985. http://catalogue.bnf.fr/ark:/12148/cb366173797.

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15

Neri, Marcello. "La testimonianza forma fondamentale della mediazione storica della rivelazione cristiana di Dio ; una ricerca nell'opera di H.U. von Balthasar e in alcune proposte di interesse teologico-fondamentale /." [S.l. : s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=961314958.

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16

Pouliquen, Tanguy-Marie. "Liberté et substitution : essai sur la liberté chrétienne dans la pensée de Hans Urs von Balthasar à partir de l'expression "la liberté d'amour crucifié /." Rome : Ateneo pontificio Regina Apostolorum, 2007. http://catalogue.bnf.fr/ark:/12148/cb41317574z.

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17

Farrow, Anna Susan Domini. "Holy Saturday and the spiritual theology of Hans Urs von Balthasar." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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18

Wigley, Stephen David. "Karl Barth and Hans Urs von Balthasar : a critical engagement." Thesis, University of Birmingham, 2006. http://etheses.bham.ac.uk//id/eprint/247/.

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This thesis examines the relationship between two major twentieth century theologians, Karl Barth and Hans Urs von Balthasar. It seeks to show how their meeting, resulting in von Balthasar’s seminal study The Theology of Karl Barth, goes on to influence von Balthasar’s theological development throughout his trilogy beginning with The Glory of the Lord, continuing in the Theo-Drama and concluding with the Theo-Logic. In particular it explores the significance of the debate over the ‘analogy of being’ and seeks to show that von Balthasar’s decision to structure his trilogy around the transcendentals of ‘being’, the beautiful, the good and the true, results from his re-affirmation of the role of analogy in light of his debate with Barth. It will also suggest that von Balthasar’s adoption of a ‘theo-dramatic’ approach to God’s saving action and assertion of the role of Church as a ‘theo-dramatic character’ in her own right is prompted by concern over what he alleges to be ‘christological constriction’ and an inadequate doctrine of the Church in Barth. This argument will be conducted in dialogue with other theologians and interpreters of von Balthasar and conclude with a personal reflection on how the issues raised remain relevant today.
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19

Plettscher, Stephan. "Die Selbstevidenz des Christusereignisses in der Geschichte : die offenbarungstheologische Dimension der trinitarischen Aussagen bei Hans Urs von Balthasar /." Würzburg : Echter, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783429031367.

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20

Hoffmann, Alexander. "Kenosis im Werk Hans Urs von Balthasars und in der japanischen Kyoto-Schule : ein Beitag zum Dialog der Religionen /." Bonn : Borengässer, 2008. http://d-nb.info/991408462/04.

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21

Turek, Margaret M. "Towards a theology of God the Father : Hans Urs von Balthasar's theodramatic approach /." New York : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb39088540t.

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22

Pesarchick, Robert A. "The trinitarian foundation of human sexuality as revealed by Christ according to Hans Urs von Balthasar : the revelatory significance of the male Christ and the male ministerial priesthood /." Roma : Pontificia università gregoriana, 2000. http://www.loc.gov/catdir/toc/casalini01/00480908.pdf.

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23

Plaga, Ulrich Johannes. ""Ich bin die Wahrheit" die theo-logische Dimension der Christologie Hans Urs von Balthasars /." Hamburg : Lit, 1997. http://catalogue.bnf.fr/ark:/12148/cb38885196v.

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24

Wedler, Esther-Maria. "Splendor caritatis ein ökumenisches Gespräch mit Hans Urs von Balthasar zur Theologie in der Moderne." Würzburg Echter, 2006. http://d-nb.info/984397574/04.

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25

Gray, Naomi Nyquist. "The glory of the Lord Mary in the theological aesthetics of Hans Urs von Balthasar /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Hadley, Christopher M. "Glory, Kenosis, and Distance in Hans Urs von Balthasar’s Glory of the Lord, Volume VII: The New Covenant." Thesis, Boston College, 2010. http://hdl.handle.net/2345/1971.

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Ade, Edouard. "Le temps de l'Église : esquisse d'une théologie de l'histoire selon Hans Urs von Balthasar /." Roma : Ed. Pontificia università gregoriana, 2002. http://catalogue.bnf.fr/ark:/12148/cb391022433.

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28

Ekéus-Oldfelt, Christina K. "Hans Urs von Balthasar's interpretation of Goethe as reflected in his theological aesthetics." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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29

Elamparayil, Joseph G. "The concept of person as mission in the Theo-drama of Hans Urs von Balthasar." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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30

Cichon-Brandmaier, Silvia. "Ökonomische und immanente Trinität ein Vergleich der Konzeptionen Karl Rahners und Hans Urs von Balthasars." Regensburg Pustet, 2007. http://d-nb.info/986926256/04.

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31

Morrison, Glenn, and res cand@acu edu au. "Levinas, Von Balthasar and Trinitarian Praxis." Australian Catholic University. School of Theology, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp50.29082005.

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1. Aim The thesis aims to explore Emmanuel Levinas’ philosophy as a fertile resource for Christian theology. In this general context, we focus specifically on the way Levinas opens the possibility of a language of alterity, or radical “otherness”, in theology, in a manner which escapes the limitations of such categories as objectivity, presence and Being. Recent attempts to employ Levinas’ philosophy for the benefit of Christian theology have hesitated to go beyond onto-theology. This thesis, however, aims to show how Levinas’ philosophy opens up a style of thinking and suggests a vocabulary of expression that can serve Christian theology, especially by intensifying its sense of encounter with Christ and of the Other in him. Accordingly, the thesis will make use of a number of Levinasian notions to critique and complement the theology of Hans Urs von Balthasar. This will lead to the development of what we call a “prolegomenon to a Trinitarian praxis”. 2. Scope The thesis firstly remarks on Christian theology’s discovery of Levinas’ philosophy. We then go on to introducing three of the major influences of Levinas’ philosophy, namely Edmund Husserl, Martin Heidegger and Franz Rosenzweig. This will be followed by an introduction to the life of von Balthasar. But the major part of the thesis will be made up of three extensive explorations. The first introduces a number of key terms and concepts in Levinasian thought, taking into account their possible contribution to the theology of von Balthasar. Here we examine especially the notions of “otherness” and “passivity”. The second exploration takes us into what might be called a recontextualisation of the major sections of von Balthasar’s theology (aesthetics, dramatics and logic) through Levinasian analysis. We will concentrate especially on von Balthasar’s treatment of Holy Saturday, the Resurrection, Trinitarian and Soteriological “Inversion”, and truth as participation. The third exploratory exercise attempts to develop a prolegomenon to a Trinitarian praxis. Intrinsic to the very understanding of this Trinitarian praxis is the notion of alterity to such a degree that ethical transcendence is the very inspiration for theology if it is to go beyond the limits of objectivity, Being and presence. This prolegomenon will, therefore, contain an articulation of Trinitarian praxis in the context of ethical transcendence, eschatology and soteriology. To this end, we employ Levinas’ ideas of passivity and otherness to critique von Balthasar’s eschatological conception of Christian existence and his soteriological understanding of the eucharist. Because Levinas and von Balthasar have both used the writings of Husserl, Heidegger and Rosenzweig as sources, there will be abundant references to these writers at various junctures in this study. Likewise, the views of a number of Christian theologians who have been influenced by Levinas (Purcell, Ward, Barnes and Ford) will be critically examined. 3. Conclusions The thesis concludes that, with the aid of Levinas’ ideas, theology is offered the possibility of breaking out of the limits imposed by traditional notions of objectivity, Being and presence. In reaching such a conclusion, the thesis contests von Balthasar’s prioritising of the beautiful by resituating his use of analogical thought. In this context, our study suggests new ways of speaking of Holy Saturday and the Resurrection, in a non-phenomenal manner. It means developing a theology of Gift to understand the unity between Christ’s missio and processio. Here we highlight the deepest problem to be faced by a theo-logic as one of giving priority to the ethical over the ontological. In short, the thesis argues for a conception of Christian life that goes beyond the categories of ontology and experience. From what we have learned from Levinas, we propose a notion of Trinitarian praxis in which we come to God by way of ethical transcendence.
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32

Hoffmann, Alexander. "Kenosis im Werk Hans Urs von Balthasars und in der japanischen Kyoto-Schule ein Beitag zum Dialog der Religionen." Bonn Borengässer, 2007. http://d-nb.info/991408462/04.

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33

Chia, Roland. "Revelation and theology : the knowledge of God in Balthasar and Barth /." Bern ; Berlin ; Bruxelles [etc.] : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb37196769q.

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34

Endriss, Stefan. "Hans Urs von Balthasar versus Sören Kierkegaard ein Beitrag zur Diskussion über das Verhältnis von Theologie und Ästhetik." Hamburg Kovač, 2005. http://www.verlagdrkovac.de/3-8300-2342-1.htm.

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35

Riverin, Louis. "Structure de l'acte de foi chez Hans Urs von Balthasar et Karl Rahner." Thesis, Université Laval, 2009. http://www.theses.ulaval.ca/2009/26449/26449.pdf.

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36

Nuss, David W. "Jesus the Christ as Stellvertreter aspects of dramatic soteriology in selected writings of Hans Urs von Balthasar /." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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37

Almstedt, Bengt. "The role of Bonaventure in the later Christology of Hans Urs von Balthasar." Thesis, Heythrop College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431762.

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Oliveira, Isaque Sicsú de. "A trindade como dramatis personae no Theo-Drama de Hans Urs von Balthasar." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20923.

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Aliança de Misericordia - ADVENIAT
The present dissertation contemplates an investigation on the trinitarian dogma, as exposed and outlined by the Swiss theologian Hans Urs von Balthasar (1905-1988). The emphasis lies on the dramatic Balthasarian method. That is, the investigation seeks to clarify how Balthasar presents his vision of the Trinity in the second episode of his trilogy, Theo- Drama. In addition, it seeks to show how this method can be useful in presenting the Christian faith to an increasingly skeptical audience. Balthasar is one of the leading theologians of the 20th century. Its theological production is extremely long. Throughout his life, there were hundreds of works produced. The present dissertation concentrates mainly on the exposition of the trinitarian dogma in the five volumes of theodramik: (1) Prolegomena; (2) Dramatis Personae: Man in God; (3) Dramatis Personae: Persons in Christ; (4) The Action; (5) The Last Act. The hypothesis of the present dissertation is based on the way in which Balthasar presents the three Persons of the Trinity, as personages within a redemptive drama, in which the Father appears as the playwright and architect of the history of the redemption; the Son appears as the main character in the redemptive history, performing his role to the last consequences; and the Holy Spirit as the great drama director and guiding agent who guides the main character; For this, the first part of the dissertation concentrates on a brief summary of the life and work and distinctive features of the thought of Balthasar, trying to show how his geographical and historical locus was determinant in the construction of his theological convictions. Next, the doctrine of the Trinity is investigated in its classic dogmatic formulation, passing through Scripture, history of theology, main characters in the process of theological refinement of the Trinity, eventual doctrinal dissonances, culminating in an exposition of the balthasarian argumentation of the Trinity. Finally, it focuses on the way Balthasar was influenced by the theology of Karl Barth and how this robust theological dialogue can be a prototype of a respectful dialogue between Catholic and Protestant traditions within their convergences and divergences
conforme exposto e delineado pelo teológico suíço Hans Urs von Balthasar (1905-1988). A ênfase recai no método balthasariano dramático. Isto é, a investigação busca esclarecer como Balthasar apresenta sua visão da Trindade no segundo episódio de sua trilogia, o Theo- Drama. Além disso, busca-se mostrar como este método pode ser útil na apresentação da fé cristã para uma audiência cada vez mais cética. Balthasar é um dos principais teólogos do séc. XX. Sua produção teológica é extremamente longa. Ao longo de sua vida, foram centenas de obras produzidas. A presente dissertação concentra-se majoritariamente na exposição do dogma trinitário nos cinco volumes da theodramik: (1) Prolegomena; (2) Dramatis Personae: Man in God; (3) Dramatis Personae: Persons in Christ; (4) The Action; (5) The Last Act. A hipótese da presente dissertação apoia-se na maneira como Balthasar apresenta as três Pessoas da Trindade, como personagens dentro de um drama redentivo, no qual o Pai se apresenta como o dramaturgo e arquiteto da história da redenção; o Filho se apresenta como a personagem principal na história redentiva, performando seu papel até as últimas consequências; e o Espírito Santo como o grande diretor do drama e agente que guia o orienta a personagem principal; Para isto, a primeira parte da dissertação concentra-se em um breve resumo da vida e obra e traços distintivos do pensamento de Balthasar, buscando mostrar como o seu locus geográfico e histórico foi determinante na construção de suas convicções teológicas. Logo em seguida, investiga-se a doutrina da Trindade em sua formulação dogmática clássica, passando pela Escritura, história da teologia, personagens principais no processo de refinamento teológico da Trindade, eventuais dissonâncias doutrinarias, culminando em uma exposição da argumentação balthasariana da Trindade. Finalmente, concentra-se na maneira como Balthasar foi influenciado pela teologia de Karl Barth e como esse robusto diálogo teológico pode se um protótipo de um diálogo respeitoso entre as tradições católica e protestante, dentro de suas convergências e divergências
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39

Narcisse, Gilbert. "Les raisons de Dieu : argument de convenance et esthétique théologique : selon saint Thomas d'Aquin et Hans Urs von Balthasar /." Fribourg (Suisse) : Éd. universitaires, 1997. http://catalogue.bnf.fr/ark:/12148/cb36190115j.

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40

Khovacs, Ivan. "Divine reckoning in profane spaces : towards a theological dramaturgy for theatre /." St Andrews, 2007. http://hdl.handle.net/10023/329.

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41

Sowerbutts, Anne Marie. "Towards a theology of freedom : a critical engagement with the stem cell debate in dialogue with the theology of Hans Urs von Balthasar." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494070.

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Freedom is a key element in contemporary Western thinking and one which is central to all bioethical discussions, including the stem cell debate. However, the adequacy of the current understanding of the concept has not been subject to sufficient analysis. In order to address this deficiency, using the stem cell debate as a case study, I engage with the current understanding of freedom in a particular area of social activity. Examining the stem cell debate, I consider that freedom is defined in three ways; as the freedom of research, as the consent of gamete and embryo donors to create stem cells and as the freedom to transcend physical limitations. I argue that Isaiah Berlin’s categorization of freedom as negative and positive is useful in examining the understandings of freedom in the stem cell debate. I conclude that all of the currently accepted understandings of freedom in the stem cell debate tend to be focused on the individual and I argue that they are consequently problematic, resulting in individualism, conflict, subjectivism and inappropriate attitudes toward natural resources. In response to the problems identified, in the second part of the thesis I draw on the theology of Hans Urs von Balthasar in order to offer an alternative conception of freedom. Von Balthasar argues that although freedom entails individual willing and choosing, it also is relational, involving interaction with other people and God, both in the realisation of the possession of freedom and in the fulfilment of that freedom. Thus I argue that von Balthasar’s theology provides an effective counter to the neglect of relationships in the contemporary understanding of freedom. However von Balthasar, in his analysis, focuses on interpersonal relationships and he can be criticised for underplaying the role of society. I therefore expand upon his work employing the concept of the common good. This provides a means of examining freedom in the context of wider society. The conception of freedom thus arrived at is then considered in relation to the original case study of the stem cell debate. In doing this I provide a more nuanced rendering of the issues involved; one that is better able to accommodate the social and personal aspects.
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Kim, Son-Tae. "Christliche Denkform : Theozentrik oder Anthropozentrik ? : die Frage nach dem Subjekt der Geschichte bei Hans Urs von Balthasar und Johann Baptist Metz /." Freiburg : Universitätsverl. Freiburg, 1999. http://catalogue.bnf.fr/ark:/12148/cb376454146.

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43

Poukhaev, Andrej. "Ludwig Wittgenstein and Hans Urs von Balthasar faith and reason in the postmodern age /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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44

Sharman, Elizabeth, and n/a. "Imagining the revealed God : Hans Urs von Balthasar, Eberhard Jungel, and the triduum mortis." University of Otago. Department of Theology and Religious Studies, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070615.112629.

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'Do not be conformed to this world, but be transformed by the renewing of your minds.' [Rom 12:2] Hans Urs von Balthasar and Eberhard Jungel are profound and imaginative thinkers who unreservedly ground their theologies in revelation as God�s self-disclosure. This thesis asks what resources such revelation-centred authors, from different traditions, may contribute to a theological understanding of the human imagination. Although theology has often been more interested in the constructive capacities of the imagination, it is the responsive quality of the imagination that is of particular interest to this thesis. Can the imagination contribute to a theological understanding which comprehends the action and speech of God as antecedent to human response? This thesis examines the epistemological issues that are related both to the imagination and to revelation as the self-communication and self-interpretation of God. The imagination is conceived of as essential to perception and understanding; it allows for both recognition and re-cognition. Through the imagination we can rethink the patterns or paradigms that shape our lives. The renewing of the mind can be said to involve the imagination. However, spiritual transformation requires more than a notion of the imagination as a spontaneous mental act which determines its own content. Balthasar and Jungel, while thinking in lively and narrative ways, are constrained by divine self-disclosure. God�s self-revelation provides the content of the paradigm or pattern by which the Christian believer is to live. The imagination can be said to act as the context or locus of revelation. This thesis demonstrates that the three days of Easter are central to Balthasar�s and Jungel�s respective understandings of God. For Balthasar and Jungel, the triduum mortis is where the self-revelation of God is most apparent; it is here that God is understood to be self-giving love as Father, Son, and Holy Spirit. While quite distinct in their approaches, both authors work within trinitarian, and therefore relational, frameworks. This thesis traces the motifs that not only express their understandings of the paschal mystery in relational terms but also ground their respective understandings of renewed existence; for Balthasar, the motifs of mission and kenosis, and for Jungel, those of identification and justification. For both Balthasar and Jungel, the events of the triduum mortis can be said to provide the content of, and act as a boundary to, our conception of God. Nonetheless, it is proposed that, within their respective understandings of divine prevenience, Balthasar and Jungel leave room for the exercise of the imagination. God is mystery; God is not a fixed or completed concept.
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Raguž, Ivica. "Sinn für das Gott-Menschliche : transzendental-theologisches Gespräch zwischen den Ästhetiken von Immanuel Kant und Hans Urs von Balthasar /." Würzburg : Echter Verl, 2003. http://catalogue.bnf.fr/ark:/12148/cb39257444d.

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Johnson, Jeffrey. "Finding God in Literary Realism : Balthasar, Auerbach, Lynch and a Theology of Prose." Thesis, Boston College, 2011. http://hdl.handle.net/2345/2476.

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Thesis advisor: Dominic F. Doyle
Examines the relationship between theology and literature with a goal of developing a starting point for a comprehensive theology of literature
Thesis (STL) — Boston College, 2011
Submitted to: Boston College. School of Theology and Ministry
Discipline: Sacred Theology
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Peng, Sheng-Yu. "Transcendental in Hans Urs von Balthasar's theological aesthetics and its significance for Chinese academic aesthetics." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/9917.

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This thesis begins a dialogue between Hans Urs von Balthasar’s theological aesthetics and Chinese academic aesthetics. We identify a tension between aesthetics and religion in Chinese academic aesthetics, and argue that a dialogue with von Balthasar’s work has the potential to contribute to the development of Chinese academic aesthetics with regard to overcoming that tension. In order to set a ground for the dialogue, von Balthasar’s theological aesthetics is examined in Part I. His theological aesthetics reveals that genuine beauty can never be fully accounted for by a perspective based in modern aesthetics, an aesthetics that limits itself to worldly categories. Rather, genuine beauty comes only from the beauty of the Christ form, in which religion and aesthetics converge. In Part II, we examine the tension between religion and aesthetics in Chinese academic aesthetics. The origin and influence of Chinese academic aesthetics stems from Cai Yuan-pei’s proclamation calling for the “substitution of aesthetics for religion”. For Cai, with a perspective based in modern aesthetics, aesthetics and religion occupied opposed and incompatible positions. Social and historical factors, for example government backed Marxist ideology, also contribute to hostility towards Christianity. We argue that due to the lack of the transcendental dimension, a result of rejecting the divine and so divine beauty, the further development of Chinese academic aesthetics may be stunted. Finally, in Part III, we outline the beginning of a dialogue between von Balthasar’s theological aesthetics and Chinese academic aesthetics. We argue that by dialoguing with von Balthasar’s theological aesthetics, Chinese academic aesthetics may potentially obtain a transcendental dimension in coming to recognise genuine beauty, divine beauty. In coming to recognise genuine beauty, we argue that true progress in Chinese academic aesthetics may be made.
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Plettscher, Stephan. "Die Selbstevidenz des Christusereignisses in der Geschichte die offenbarungstheologische Dimension der trinitarischen Aussagen bei Hans Urs von Balthasar." Würzburg Echter, 2008. http://d-nb.info/995404615/04.

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Bellafiore, I. Michael. "Representation and reconciliation Hans Urs von Balthasar's theological interpretation of Shakespeare in the light of the Theo-drama /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p029-0688.

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Brown, Joshua R. "Incorporating Xiao: Exploring Christ's Filial Obedience Through Hans Urs von Balthasar and Early Confucian Philosophy." University of Dayton / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1465306370.

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