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Relevant bibliographies by topics / Hans Urs von Balthasar (1905-1988)

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Academic literature on the topic 'Hans Urs von Balthasar (1905-1988)'

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Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Hans Urs von Balthasar (1905-1988)"

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Mengus, Raymond. "L'« Épilogue» de Hans Urs von Balthasar (1905-1988)." Revue des Sciences Religieuses 62, no. 4 (1988): 252–64. http://dx.doi.org/10.3406/rscir.1988.3106.

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Herinci S.J., Peter. "Hans Urs von Balthasar – une pensee en dialogue." Perseitas 2, no. 2 (July 1, 2014): 244. http://dx.doi.org/10.21501/23461780.1304.

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Une présentation de l’oeuvre vaste et complexe du théologien suisse Hans Urs von Balthasar (1905-1988) sous un angle jusqu’à présent inexploré: le dialogue. La plupart de ses ouvrages, souvent monographiques sont écrits en dialogue avec d’autres penseurs, théologiens, philosophes ou littéraires, dont il s’efforce de mettre en évidence la «Gestalt» (figure). Au centre de sa Trilogie théologique en 14 volumes se trouve une «Dramatique théologique» qui présente l’histoire du salut comme dialogue entre la liberté divine et la liberté humaine. A l’amont decette pensée on découvre une conception dialogale (et non pas dialectique) de la vérité et de l’être.

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Oakes, Edward T. "Hans URS von Balthasar (1905–88): The Wave and the Sea." Theology Today 62, no. 3 (October 2005): 364–74. http://dx.doi.org/10.1177/004057360506200307.

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Hans Urs von Balthasar's unique approach to theology took the form of a trilogy of works focused on the beauty, goodness, and truth of God: Theological aesthetics, theo-dramatic, and theo-logic. Rejecting the conventional binaries of both modern liberalism and traditional conservatism, as well as eschewing the radical perspectivalism of postmodern theology, Balthasar developed his own phenomenological view of Christian life, focusing on the inherent attractiveness of God's splendor, initial human response to that beauty, and the truth revealed only in and through that human response. His extensive, creative theology leaves many theological fruits on which contemporary thinkers may continue to feast.

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Petit, Jean-Claude. "Présence et pensée. Essai sur la philosophie religieuse de Grégoire de Nysse Hans Urs von Balthasar Paris, Beauchesne, 1988. 153 p." Studies in Religion/Sciences Religieuses 21, no. 1 (March 1992): 116. http://dx.doi.org/10.1177/000842989202100127.

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Dissertations / Theses on the topic "Hans Urs von Balthasar (1905-1988)"

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Meira, André Luiz Bordignon. "A Kénosis Trinitária como manifestação da misericórdia." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20751.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-12-21T11:25:50Z No. of bitstreams: 1 André Luiz Bordignon Meira.pdf: 1061985 bytes, checksum: 1260c444d7db67b0e62e1954a8f35fda (MD5)
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Trinitarian kenosis in Christ’s event allows to grasp Church’s practice based in the perichoretic trinitarian relationship of Trinity’s donation in history. The fundamental issue lies within the drama of God and human relationship, where God donates Himself to be near the human being. Church’s practice is then understood as a merciful and loving pastoral. God’ mercy to human being, from Balthasar’s discussion of kenosis and Trinity reveals kenosis as an expression of Trinity’s mercy. Theological reflection allows to search for new paradigms that might address God in our times. This study explored Hans Urs von Balthasar’s theology, especially in his text Misterium Paschale, to study God’s will that, in His kenosis, in each person of Trinity, seeks for human beings in a loving and merciful action. People in our times, despite technological progress, seem to be distant to each other, developing a merciless awareness. Thus, reflections produced by this study search in Balthasar’s theology what is revealed by Christ in His incarnation, death, and resurrection: a lowering of God, kenotic, of a total annihilation of His divinity, to manifest all His Mercy to human person. God, in His freedom, chooses to be present in the drama of human life, despite humanity’s sufferings, and leads the Church to a mystic and merciful practice
A Kénosis trinitária possibilita, no evento Cristo, compreender a prática da Igreja baseada na relação pericorética intratrinitária da doação da Trindade na história. A questão fundamental está na relação entre Deus e o ser humano, na dramática, em que Deus doa a Si mesmo para estar próximo do ser humano. A prática eclesial passa a ser compreendida numa pastoral misericordiosa e amorosa. A misericórdia de Deus para com o ser humano na discussão da Kénosis e a Trindade, a partir de Balthasar, evidencia a Kénosis como manifestação da misericórdia da Trindade. A reflexão teológica proporciona buscar novos paradigmas que possam falar de Deus nos tempos em que vivemos. Este estudo buscou na teologia de Hans Urs von Balthasar, em especial na sua obra Misterium Paschale, estudar a vontade divina que na sua Kénosis, de cada Pessoa da Trindade, buscar o ser humano, como um gesto de amor e de misericórdia. As pessoas em nossos tempos, mesmo com os avanços tecnológicos, parecem distanciar-se um das outras, o que forma uma consciência sem misericórdia. Portanto, as reflexões realizadas neste trabalho buscam na Teologia de Balthasar o que o Cristo nos revela na sua encarnação, morte e ressurreição: um rebaixamento de Deus, kenótico, de total aniquilar de sua divindade para manifestar toda a sua misericórdia à pessoa humana. Deus na Sua liberdade escolhe estar presente na dramática da vida humana, mesmo diante do sofrimento da humanidade, e conduz a Igreja a uma mística e prática misericordiosa

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Sharman, Elizabeth, and n/a. "Imagining the revealed God : Hans Urs von Balthasar, Eberhard Jungel, and the triduum mortis." University of Otago. Department of Theology and Religious Studies, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070615.112629.

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'Do not be conformed to this world, but be transformed by the renewing of your minds.' [Rom 12:2] Hans Urs von Balthasar and Eberhard Jungel are profound and imaginative thinkers who unreservedly ground their theologies in revelation as God�s self-disclosure. This thesis asks what resources such revelation-centred authors, from different traditions, may contribute to a theological understanding of the human imagination. Although theology has often been more interested in the constructive capacities of the imagination, it is the responsive quality of the imagination that is of particular interest to this thesis. Can the imagination contribute to a theological understanding which comprehends the action and speech of God as antecedent to human response? This thesis examines the epistemological issues that are related both to the imagination and to revelation as the self-communication and self-interpretation of God. The imagination is conceived of as essential to perception and understanding; it allows for both recognition and re-cognition. Through the imagination we can rethink the patterns or paradigms that shape our lives. The renewing of the mind can be said to involve the imagination. However, spiritual transformation requires more than a notion of the imagination as a spontaneous mental act which determines its own content. Balthasar and Jungel, while thinking in lively and narrative ways, are constrained by divine self-disclosure. God�s self-revelation provides the content of the paradigm or pattern by which the Christian believer is to live. The imagination can be said to act as the context or locus of revelation. This thesis demonstrates that the three days of Easter are central to Balthasar�s and Jungel�s respective understandings of God. For Balthasar and Jungel, the triduum mortis is where the self-revelation of God is most apparent; it is here that God is understood to be self-giving love as Father, Son, and Holy Spirit. While quite distinct in their approaches, both authors work within trinitarian, and therefore relational, frameworks. This thesis traces the motifs that not only express their understandings of the paschal mystery in relational terms but also ground their respective understandings of renewed existence; for Balthasar, the motifs of mission and kenosis, and for Jungel, those of identification and justification. For both Balthasar and Jungel, the events of the triduum mortis can be said to provide the content of, and act as a boundary to, our conception of God. Nonetheless, it is proposed that, within their respective understandings of divine prevenience, Balthasar and Jungel leave room for the exercise of the imagination. God is mystery; God is not a fixed or completed concept.

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Riverin, Louis. "Structure de l'acte de foi chez Hans Urs von Balthasar et Karl Rahner." Thesis, Université Laval, 2009. http://www.theses.ulaval.ca/2009/26449/26449.pdf.

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Oglesby, Leslie Ellis. "God's involvement with evil : a dialogue between psychology and theology constructed from the works of Carl Gustav Jung and Hans Urs von Balthasar." Thesis, Lambeth Palace Library, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.734177.

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Dřevojánek, David. "La figure mariale dans l'ecclésiologie d'Yves Congar et d'Hans Urs Von Balthasar." Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/19333.

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Faguer, Nicolas. "« Un constant approfondissement du cœur ». L’unité de l’œuvre de Péguy selon Hans Urs von Balthasar." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040009.

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L’objet de notre thèse est l’unité de l’œuvre de Péguy selon Hans Urs von Balthasar. Balthasar est le premier commentateur qui a tenté de relire tout l’itinéraire du poète à la lumière du petit autoportrait que le poète a laissé dans Un nouveau théologien. M. Fernand Laudet : « c’est par un approfondissement constant de notre cœur… que nous avons retrouvé la voie de chrétienté. » En prenant ce mot de « cœur » dans les différentes acceptions que l’écrivain lui a données, Balthasar a été capable de rassembler l’œuvre de Péguy de façon organique en une voûte qui a les Mystères pour clé. À la lumière des plus profondes intentions du cœur du jeune Péguy, Balthasar peut éclairer non seulement le rejet d’un certain christianisme augustinien et la décision de se placer résolument au cœur du socialisme, mais encore le retour progressif au catholicisme. En retrouvant la foi, Péguy entame cependant un approfondissement ultérieur : il médite le mystère même du cœur chrétien et pénètre enfin le cœur du Père. Notre travail a voulu présenter une lecture très originale de l’itinéraire de Péguy. La pertinence de cette lecture est prouvée, entre autres choses, par sa capacité à intégrer les plus grandes interprétations de Péguy qui l’ont précédée et même suivie
The theme of the present dissertation is the unity of the work of Charles Péguy in the interpretation of Hans Urs von Balthasar. Balthasar is the first commentator who has attempted to re-read the whole trajectory of Péguy’s life and work in light of the brief self-portrait that the poet offers us in Un nouveau théologien. M. Fernand Laudet. “It was,” Péguy writes there, “a constant deepening of our heart . . . that lead us to discover the path of Christendom.” Meditating on the various meanings of the word “heart” in the poet’s thought, Balthasar is able to show his work rising into an organic edifice with the Mysteries as its keystone. He shows how not only Péguy’s repudiation of an Augustinian Christianity and his resolute embrace of the heart of socialism, but his eventual return to Catholicism make sense only in light of what were from the very beginning his heart’s deepest intentions. But Péguy’s rediscovery of faith meant also the entry into a new deepening of the heart: the contemplation of the mystery of the Christian heart and at last of the Father’s heart. This dissertation seeks to present Balthasar’s original reading of Péguy’s trajectory and, at the same time, to show its fecundity, which is demonstrated by, among other things, its capacity to integrate the major readings of Péguy produced both before and after Balthasar’s own work on the poet

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Novotny, Ronald W. "Mary, fulfillment of person in the Annunciation: a study of the dialogic principle of Martin Buber and Hans Urs von Balthasar: a proposed re-reading of the Annunciation (as a dialogic event)." IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431439857.

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Farlow, Matthew S. "The dramatising of theology : humanity’s participation in God’s drama with particular reference to the theologies of Hans Urs von Balthasar and Karl Barth." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2102.

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The aim of this project is to investigate the proper response of theology to the Christian God who, as revealed through revelation, is Being-in-act. This project takes seriously the idea posited by Shakespeare, that totus mundus agit histrionem, and upon this stage ‘all the men and women merely players: They have their exits and their entrances; and one man in his time plays many parts.’ If, then, God’s Being is in act, and as so many have deduced, life and death are enveloped within the drama of everyday, then, might it be possible that our theological endeavours would prosper through a dramatic rendering? In light of this, the project seeks to illumine that it is beneficial for both the Church and society, to realise how drama can be, and is, fruitful for our theological endeavours. God is Being-in-act, and through His revelation, He invites humanity to enter into and participate in His action. In light of the aforementioned, then, theology must contend with the implications for its practices, which, as is being argued, are benefited most through a full embrace of the dramatising of theology. The thesis is situated in the recent movement of our theological endeavours that recognise the profundity of the dramatic and its ability to illuminate God’s action and call to action from theology, the Church and society. Moving forward from the seminal work of Hans Urs von Balthasar, and set forth in the context of the theologies of Balthasar and Karl Barth, this project argues that it is through the dramatising of theology that theology is best equipped to illumine God’s desire for humanity’s participation in His Theo-drama. The dramatising of theology is a natural response to God’s Being-in-act; it is the natural movement of theology’s response to God’s action which calls for an active response on our part. Current examples of today’s theological movement towards the dramatic can be seen in such authors as Max Harris, Trevor Hart, Stanley Hauerwas, Michael Horton, Todd Johnson and Dale Savidge, Ben Quash, Kevin Vanhoozer, Samuel Wells and N.T. Wright. This project hopes to contribute to the movement towards the dramatising of theology.

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Ehret, Jean. "Verbum Vitae : études sur le rapport entre la foi et la vie chrétiennes." Thesis, Metz, 2009. http://www.theses.fr/2009METZ021L/document.

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La "Parole de Vie" est pour le chrétien à la fois parole humaine et parole divine : le Christ est vrai Dieu et vrai homme. La théologie s'expose à une constante tension : en effet, elle ne doit sacrifier un des deux aspects au profit de l'autre. Aussi doit-elle accorder une place aux sciences humaines et naturelles sans perdre sa spécificité. Le lieu originel de la théologie serait alors l'Alliance nouvelle et éternelle que Dieu a conclue avec son peuple dans le Christ : toute la réalité humaine y trouve sa place, se dirigeant vers son accomplissement eschatologique. La théologie s'enracine donc dans la spiritualité comme expérience de l'Alliance en même temps qu'elle approfondit la connaissance de celle-ci à travers le mouvement continu d'une pensée qui rend compte du rapport des deux pôles en relation, Dieu et son peuple. Consacrées respectivement au rapport de la spiritualité à la Bible, au dogme, à l'eschatologie, aux lettres et aux sciences, les cinq parties de ce dossier explorent ce mouvement elliptique et prêtent une attention particulière à la problématique interdisciplinaire
For Christians, the "Word of Life " is both human and divine : Christ is true God and true man. Theology experiences a constant tension as it mustn't sacrifice either one of the two aspects : in fact, it has to take into account the contribution of the human and natural sciences without losing its own specificity. The original place of theology would be the new and everlasting covenant, into which God entered with his people in Christ: all human reality finds its due place in it, moving towards its eschatological perfection. Thus theology is rooted in spirituality as the experience of the covenant, of which it deepens the knowledge as a continuous reasoning moving around the two poles that are in constant relation : God and his people. Dedicated to the relationship spirituality has respectively with the Bible, dogma, eschatology, literature and sciences, the five parts of this thesis explore this elliptical movement of theological reasoning and pay special attention to interdisciplinary questions

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Khovacs, Ivan Patricio Morillo. "Divine reckonings in profane spaces : towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von Balthasar." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/329.

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If from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have done has required rethinking the Church’s long-established antagonism towards the stage. Of late, theology has opened up academic exchange with the drama’s understanding of ‘the great theatre of the world’. Hans Urs von Balthasar’s theo-drama in particular has given Christians a means for entering into discussion with dramatic forms. Contemporary theological engagements with ‘drama’, however, have been limited to its most literary/metaphorical aspects; less attention has been paid to the potentialities in theology’s exchange with the performance aesthetics of live theatre. Pressed to its logical ends, however, von Balthasar’s idea of a ‘theological dramatics’ and its advances made in contemporary theology, suggest the need for sustained engagement with other modes of dramaturgy, including performance theory and the stage. This thesis attempts to instantiate this theological engagement through the aesthetics of theatrical performance.

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Books on the topic "Hans Urs von Balthasar (1905-1988)"

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Hans Urs von Balthasar, 1905-1988. Paris: Cerf, 2012.

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The mysteries of March: Hans Urs von Balthasar on the Incarnation and Easter. London: Collins, 1990.

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The mysteries of March: Hans Urs von Balthasar on the Incarnation and Easter. Washington, D.C: Catholic University of America Press, 1990.

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Für einen befreienden Glauben: Drei Theologen als Wegbereiter ; [Herbert Haag 1915-2001, Otto Karrer 1888-1976, Hans Urs von Balthasar 1905-1988]. Luzern: Pro Libro, 2005.

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Harrison, Victoria S. Hans Urs von Balthasar. Edited by William J. Abraham and Frederick D. Aquino. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199662241.013.9.

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This chapter focuses on two themes that recur throughout the writings of Hans Urs von Balthasar (1905–1988) and that provide keys to understanding his theological epistemology: (i) Christian experience and its relation to the ‘form of Christ’, and (ii) the connection between holiness and theology. The chapter also considers the role of ‘exemplary people’, or saints, within Balthasar’s epistemology and discusses the impact of his theological anthropology on his epistemological position. In examining these themes and ideas this chapter throws light onto the epistemic considerations that lie at the heart of Balthasar’s theology. The chapter discusses two objections to his approach: one from Karen Kilby (2012) who charges Balthasar with a ‘performative contradiction’, and the further complaint that his demand for holiness on the part of theologians is too stringent a requirement. The chapter concludes with the observation that Balthasar’s epistemology is highly suggestive of a form of exemplarism.

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1943-, Schindler David L., ed. Hans Urs von Balthasar: His life and work. San Francisco: Ignatius Press, 1991.

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Schindler, David L. Hans Urs Von Balthasar: His Life and Work (Communio Books). Ignatius Press, 1991.

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Saward, John. The Mysteries of March. HarperCollins Publishers Ltd, 1990.

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Book chapters on the topic "Hans Urs von Balthasar (1905-1988)"

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McIntosh, Mark. "Hans Urs Von Balthasar (1905-88)." In The Student's Companion to the Theologians, 353–66. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118427170.ch48.

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