Journal articles on the topic 'Handicrafts'
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1
Sawrov, Md Maksodul Haque. "Branding Handicrafts Products: a Study on Bangladesh." Economic Insights – Trends and Challenges 2022, no. 3 (2023): 21–29. http://dx.doi.org/10.51865/eitc.2022.03.03.
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"The aim of the study is to examine the branding of handicraft products in Bangladesh. This study has considered twelve districts in Bangladesh as the study area. Researcher has interviewed session with 6 branding and marketing experts first. Based on their opinions on how to brand handicrafts, structured questionnaires have been prepared to collect data from 40 respondents who are entrepreneurs, traders, marketers, suppliers, and other relevant people. Researcher extracts data on the perceptions towards various branding factors in categorical form. This study has used both qualitative and quantitative analysis to identify the impact of branding strategies on the demand for handicrafts. Exploratory factor analysis is used to sort out the statistically significant branding factors followed by multiple regression models to justify the relationship between different branding factors and the demand for handicrafts. This study reveals that the main four variables are handicraft studies, handicraft branding, handicraft promotion and handicraft branding patron associations. Multiple regression result shows that handicraft studies and handicraft branding have a large effect on increasing the demand for handicraft products. This is because handicrafts branding draw the attention to the potential customer about handicrafts products and the high possibility to increase the sales volume. This study recommends cumulative efforts from both public and private sectors to enlarge handicrafts market by incorporating handicraft as a course in each syllabus, advertising properly to encourage people to buy them and reminding the people that handicrafts was part of their ancestor’s lifestyle. Entrepreneurs, government and related organizations can take these steps of branding to increase demand for handicraft products."
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Mandal, Ram Krishna. "Present Scenario of Handloom and Handicrafts Industries of the ADIS." Journal of Global Economy 10, no. 3 (October 2, 2014): 191–203. http://dx.doi.org/10.1956/jge.v10i3.362.
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From beginning of the known history the handloom and handicrafts forms a valuable cultural trait of a society. The cultural pattern of a society is reflected in the quality and craftsmanship of their handicrafts. The term handloom and handicrafts refers those products of a common folk or a specific community, which are produced manually with their indigenous technology. The handicrafts of a society are one of the chief means of livelihood. The people of Arunachal Pradesh are artistically minded and gifted with deft hands and skilled fingers. Handloom and Handicraft for instance, offer wide scope to produce a variety of artistically blended and beautifully designed clothing. Handicraft is a very common craft in Arunachal Pradesh. The main handicraft items made in the state are masks, carpets, painted wooden vessels and silver articles. Cane and Bamboo play an important role in the rural economy of the state. Arunachal Pradesh has a rich tradition of Bamboo and Cane Handicrafts. The products reflect the rich and varied culture of the tribes inhabiting this enchanting State and the products featured are representative of the wide range of Handicrafts produced in the State.
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Sun, Xiaotian. "A Novel Method for Handicrafts Design Based on Fusion of Multi-Intelligent Decision Algorithm." Scientific Programming 2022 (January 3, 2022): 1–13. http://dx.doi.org/10.1155/2022/8495381.
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With the rapid development of artificial intelligence, handicraft design has developed from artificial design to artificial intelligence design. Traditional handicraft design has the problems of long time consumption and low output, so it is necessary to improve the process technology. Artificial intelligence technology can provide optimized design steps in handicraft design and improve design efficiency and process level. Handicrafts are regarded as important social products and exist in people’s daily life. In the current society, many people do handicrafts and there are major exhibitions. Furthermore, the display of handicrafts is also very grand and shocking. In the design of handicrafts, the traditional design method cannot completely keep up with the production speed and efficiency of handicrafts. Therefore, this paper adopts the fusion multi-intelligent decision algorithm of multi-node branch design in the design method of handicraft. The algorithm model combination is used to analyze and design the layout of the handicraft, which speeds up the design efficiency and production of the handicraft. In this paper, two intelligent algorithms will be used for fusion; they are genetic algorithm and GA-PSO fusion algorithm obtained by particle swarm optimization and they are embedded in handicraft design method for application through mathematical model construction and function construction. After comparing the performance parameter index data of three intelligent algorithms and GA-PSO fusion algorithm, it is obtained that GA-PSO fusion algorithm is 97% correct and has 82% readability, 72% robustness, and 61% structure, making it have better important indicators. Four algorithms optimize each design problem in all aspects of handicraft design at present. Design efficiency, image distribution rate, image optimization degree, and image clarity are compared by simulation experiments. Compared with three intelligent algorithms, traditional design methods, and manual design methods, GA-PSO fusion algorithm can effectively improve the design method and design effect of handicrafts with 92.1% design efficiency, 82.7% image distribution rate, 94.3% image optimization degree, and 84% layout void rate. Finally, the space complexity experiment of four algorithms shows that GA-PSO algorithm can achieve 9.73 dispersion with 11.42 space complexities, which makes the dimension reduction relatively stable, and the algorithm can maintain stability in the design and application of handicrafts.
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Shen, Ruoxi. "Design and Research of Beijing Eight Imperial Handicrafts Popular Science APP Based on CUBI Model." Studies in Art and Architecture 2, no. 1 (March 2023): 10–15. http://dx.doi.org/10.56397/saa.2023.03.02.
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This topic is aimed at the digital communication and science popularization of Beijing Eight Imperial Handicrafts, aiming to improve the public awareness of Beijing Eight Imperial Handicrafts, with the help of digital means to research and innovate the communication path of Beijing Eight Imperial Handicrafts, combined with CUBI user experience model to study the design of the APP of Beijing Eight Imperial Handicrafts, in order to promote Beijing Eight Imperial Handicrafts and Beijing traditional handicraft culture. And to provide a reference path for the digital transmission and inheritance of other intangible cultural heritage.
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Upadhyay, Manali, and U. C. Jain. "MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 122–26. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3719.
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India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.
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Le, Nguyen Vi, Nguyen Khac Huy, Chu Tien Minh, Vu Anh Tuan, and Nguyen Ngoc Diep. "Factors affecting Vietnam's handicrafts export." Uncertain Supply Chain Management 11, no. 2 (2023): 811–22. http://dx.doi.org/10.5267/j.uscm.2022.12.009.
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With the rapid development of international business activities and internationalization, export plays an important role in the existence and growth of businesses. Handicrafts, despite not being an essential product, have always been rated as a potential product for sustainable development and export. In Vietnam, a country with a lot of long-existing traditional handicraft villages, the export of handicrafts has always been considered as an advantageous activity that largely contributes to the economy as well as the society. According to statistics from the Vietnam Handicraft Exporter Association, every 1 million USD worth of handicraft export creates profit 5 to 10 times higher than that of the exploitation industry; as well as provides work for three to five thousand employees. Despite this fact, in the last few years the handicraft export in Vietnam has been modest and not fulfilled fully to its potential. In comparison with other export products, the export turnover of handicrafts still accounts for a low proportion. Recognizing this issue, the present study developed a model to analyze the effects of some certain factors to the handicraft export activity in Vietnam. The results of this paper will contribute to current literature as well as propose some solutions to promote the handicraft export in Vietnam.
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Wang, Yuan, Mingzhu Zhang, Lin Mi, Miaomiao Chen, and Jiaxin Liu. "Development of an Interactive Platform for Traditional Handicrafts and Creative Works Based on WeChat Mini Programs." Applied Science and Innovative Research 8, no. 2 (May 21, 2024): p72. http://dx.doi.org/10.22158/asir.v8n2p72.
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With the continuous improvement of modern living standards and the rapid development of science and technology, crafts produced by industrial mechanization have gradually replaced traditional handicrafts. In order to expand the dissemination range of traditional handicrafts, arouse people's enthusiasm for handmade art and promote traditional culture, this paper takes advantage of the operation convenience, recommendation personalization and informatization of WeChat applet to design and develop a green and healthy trading platform for traditional handicraftsmen, people who like to transform unused items into handicrafts or users who like all kinds of handicrafts. --Traditional Handicrafts and Creative Works Interactive Platform. This platform not only provides a trading platform for consumers, but also greatly promotes the development of handicraft products, and plays a positive role in the publicity and promotion of traditional handicrafts and creative works.
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Bano, Shahina, Neelam Farid, Asia Ashfaq, and Siti Mas'udah. "Uplifting the socio-economic empowerment of women through handicraft industry." Masyarakat, Kebudayaan dan Politik 34, no. 4 (November 29, 2021): 367. http://dx.doi.org/10.20473/mkp.v34i42021.367-379.
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Empowerment is seen as being capable of making choices about job, marriage, mobility, entertainment, and the number of children. The present study focused on the role of handicraft businesswomen, their experiences, and the role of handicraft business as a tool of empowerment for women in Gilgit, Pakistan. The study was limited to the experiences of women producing handicrafts and viewed as socio-economic empowerment for those who are producing handicrafts. This study employed a qualitative research design. The thematic analysis of interviews of the craftswomen showed that they were empowering themselves economically and socially through handicraft business. The research findings reinforced the objectives of the study that the craftswomen perceive empowerment as economic independence and the income generated through handicrafts strengthens their economic as well as social position in society. This study concludes that their economic and social position becomes stronger after starting to earn income. These women also felt like the source of change in terms of motivation, inspiration, and encouragement for the other women in the society. They viewed and regarded the skill of handicrafts as the source of income and financial support for their families.
9
Meng, Jiayun. "Innovative Marketing of Traditional Chinese Handicrafts." Advances in Economics, Management and Political Sciences 32, no. 1 (November 10, 2023): 23–28. http://dx.doi.org/10.54254/2754-1169/32/20231558.
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Traditional crafts are the continuation of the traditional culture and history of the nation. The cultural development of a group is documented by its artifacts, which also record the history of the nation or country and record its rise and fall. Marketing Innovation is an important contemporary marketing concept, and the effective use of innovation can rejuvenate traditional technologies. This paper analyzes the bottlenecks encountered by the contemporary Chinese traditional handicraft industry and provides new directions for the development of Chinese traditional handicraft industry by combining the innovation examples of related industries abroad. It can be concluded that modernizing the product and management structure of Chinese traditional handicrafts with modern advanced technology and management expertise, as well as innovating content marketing models and tools, can effectively enhance the development of Chinese traditional handicrafts. This can benefit the financial rewards of handicraft practitioners as well as the preservation of Chinese traditional handicrafts.
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Choudhary, Akanksha, and Poonam Mishra. "Indian Handicrafts: A Sustainable future of Utilitarian Consumer Goods." Ushus Journal of Business Management 21, no. 3 (November 22, 2022): 01–23. http://dx.doi.org/10.12725/ujbm.60.1.
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Utilitarian products are those which are designed to be useful rather than attractive. Handmade products are, thus, one among the wonders of Indian artisans, which are both useful and attractive at the same time. World-renowned Indian handicrafts are imported by several countries, which is highly supporting Indian art and culture. This is a source of livelihood for more than half of the unskilled labours and artisans of the Handicraft Industry. But with high-quality décor, luxurious items being exported to foreign lands, middleman income and trade fairs are sucking up most of the profits. Indian artisans and handicraft workers are therefore left with little income in hand except for the very famous art workers of big businessmen. This is one of the major problems which can be solved by encouraging the supply of handicrafts and domestic consumer demand. Since Indian consumers have been evolving through manufactured products, globalization, industrialization, etc. they are producing harmful effects on the environment and socio-economic conditions. Hence, it is very alarming for the handicraft sector to be able to protect its art and small business during an economic crisis. To address the small businesses and art of poor craftworkers this study intends to focus on the utilitarian aspect of handicrafts as being the sustainable alternative. The research broadly focusses on the socio-economic conditions of rural artisans and the environmental benefits of handicrafts by assessing the demand of domestic consumers and their perspectives. Based on primary data collected through the survey method, the study finds that domestic consumers are aware of the sustainable alternative handicrafts have to offer, while the utilitarian aspect has a vague response when it comes to purchasing handicrafts. However, demand for handicrafts is high because of their utilitarian aspect only. The study applied multiple regression analysis to analyse the results and conclude with suggestions based on qualitative research analysis to support rural handicraft artisans and small businesses. The study initiates a broad scope of research in consumer behaviour towards handicrafts in India as a sustainable alternative to mass production. This is one of the ways of supporting the cultural art forms as well as replenishing sustainability in the three major directions, which are economic, environmental & societal. Based on the empirical findings of this study, it concludes with the suggestions of co-existence with culture and sustainable development in India.
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Zhang, Yaping, and Dongdong He. "Inheritance and Innovation of Traditional Handicraft Skills based on Artificial Intelligence." Transactions on Computer Science and Intelligent Systems Research 2 (December 21, 2023): 163–69. http://dx.doi.org/10.62051/rc69jc38.
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Today, with the strong return of traditional culture, the integration of the two will deeply affect the protection of traditional handicrafts and the field of cultural communication. The industrialized production mode has gradually replaced the labor-intensive production mode, and handicrafts have gradually faded out of the public consumption field. The brain drain is serious, and many handicrafts with a long history have no successors. Under the background of AI(artificial intelligence) empowerment, this paper combines AI with traditional handicraft skills, and makes an in-depth study on the inheritance and dissemination of traditional handicraft skills. On this basis, it further thinks about the relationship between traditional handicraft skills display and experience, and the relationship between technology and experience, and studies the change of design concept from technology-oriented to human experience-oriented in traditional handicraft skills display design, and explores the development trend of experience design concept in future traditional handicraft skills display design. Develop the path and method of innovation, protection and inheritance with the comprehensive digital virtual traditional handicraft skill framework. The integration of AI and traditional culture will inevitably broaden and upgrade the path of inheritance and innovation of traditional handicraft skills, and make it achieve new development.
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Li, Wenhui, and Gaofeng Mi. "Protection of Handicraft Skills from the Perspective of Folklore Studies." Frontiers in Humanities and Social Sciences 4, no. 3 (March 28, 2024): 236–40. http://dx.doi.org/10.54691/j9yad930.
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Handicraft skills and material culture are a research perspective of folklore and a major landscape of various ethnic customs in China. The long history, vast territory, and clever and wise Chinese people have formed a colorful and diverse folk handicraft technique. Under the diverse paths of design participation in handicraft innovation, handicrafts have undergone semantic, functional, and situational transformations in contemporary times, presenting an ecosystem of alienation and diversification. This article takes the ceramic craftsmanship of Yaozhou kiln as an example to explore how to improve the construction of national cultural soft power by protecting local traditional handicrafts.
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Yang, Xu Guang, and Bin Zhou. "Design of Decorative Glass Handicraft Products in Qinhuangdao." Advanced Materials Research 598 (November 2012): 289–92. http://dx.doi.org/10.4028/www.scientific.net/amr.598.289.
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The development of domestic and foreign decorative glass handicraft products is introduced, and the processing of glass handicrafts is described in this paper. It is an imperative to design with local characteristics glass handicrafts and make full use of local resources in Qinhuangdao so as to promote the local economic development.
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Saparudin, Muhammad Agus, Rizal Justian Setiawan, Eko Budi, Aji Puspito, and Imam Fauzi. "DESIGN AND MANUFACTURE OF BAMBOO HANDICRAFT DRYER MACHINE BASED ON LPG GAS." Tadulako Science and Technology Journal 2, no. 1 (August 12, 2021): 01–09. http://dx.doi.org/10.22487/sciencetech.v2i1.15555.
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Bamboo plant is one of Indonesia's natural resources. People use bamboo to make household furniture, fences, frames, and handicrafts. Bamboo plant is a special commodity that can be used as various kinds of handicraft products in DIY, precisely in Brajan area, Sleman Regency. Based on observations that have been conducted on one of the bamboo craftsmen in the Brajan area, bamboo handicraft is in great demand due to they have a unique and ethnic appearance, but the production process is quite complicated and takes a long time. According to the literature, this is due to bamboo plants are classified as herbaceous plants, namely plants with watery or wet stems. So far, the method used is drying bamboo handicrafts under the hot sun, and using a dryer that can only be used for one type of handicraft. This method is not optimal and not effective for producing bamboo handicrafts. Therefore, it is necessary to apply appropriate technology to optimize the production of bamboo crafts, the solution is to manufacture bamboo dryers to facilitate bamboo handicraft producers in the bamboo drying process. In general, the appearance of this tool resembles a cupboard. This tool has a size of 1200x800x1800 mm with three chambers. This tool works by utilizing the heat from the LPG gas stove. As a temperature controller, this tool is equipped with a blower that has been programmed with Arduino Uno and functions to stabilize the temperature if the heat generated exceeds the maximum limit. The dryer machine can dry bamboo handicrafts to a water content of 2.5% in just 40 minutes, very efficient compared to conventional methods. This tool can facilitate and optimize the production of bamboo handicrafts in the Brajan area, Sleman, Special Region of Yogyakarta.
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JUNYA, MA, and TIM WRIGHT. "Industrialisation and Handicraft Cloth: The Jiangsu Peasant Economy in the Late Nineteenth and Early Twentieth Centuries." Modern Asian Studies 44, no. 6 (December 23, 2009): 1337–72. http://dx.doi.org/10.1017/s0026749x09990333.
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AbstractThis paper analyses the trajectories of handicraft cloth production in three major sub-regions of Jiangsu Province in the late nineteenth and early twentieth centuries. In contrast to traditional focus on the bankruptcy of rural handicrafts in the face of competition from the modern industry, it argues that the fate of handicrafts depended on the specific characteristics of each sub-regional economy. Thus in Song-Tai, handicraft weaving declined as labour was drawn off into modern industry. In Tong-Hai the availability of machine-spun yarn in the market enabled the development of a commercialised handicraft weaving sector. Finally, in Xu-Huai-Hai machine-spun yarn enabled the inhabitants to substitute their own subsistence handicraft production for cloth purchased from elsewhere.
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Pahlawi, Muflih Nurriza, and Abu Dharin. "Strategi Pengembangan Potensi Usaha Mikro, Kecil, dan Menengah Kerajinan Tangan Kiso “Jago Abadi” Di Desa Kemiri, Kabupaten Banyumas." BANTENESE : JURNAL PENGABDIAN MASYARAKAT 3, no. 2 (December 1, 2021): 113–25. http://dx.doi.org/10.30656/ps2pm.v3i2.3902.
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Small and Medium Enterprises (MSMEs) are an inseparable part of the national business world. The existence of MSMEs is something that is quite vital in improving the economy of the Indonesian people in various regions. This study aims to analyze the development strategy of the Kiso "Jago Abadi" handicraft SMEs in Kemiri Village, Banyumas Regency. This study uses qualitative research methods that involve researchers in their research subjects, then participatively identify problems and design empowerment models for development in the form of work programs that can be done. The strategy applied is to design the programs needed for MSMEs as capital for strengthening and knowledge for MSME actors who are involved in it. The way that can be applied is to continue to develop the uniqueness of handicraft products, expand market reach, always maintain and improve product quality, and consistently promote and maintain the production of Kiso "Jago Abadi" handicrafts. The results of this study are the finding of more optimal and efficient results in the production and marketing process of Kiso "Jago Abadi" handicrafts. The strategy for developing the potential of micro, small, and medium-sized handicrafts Kiso "Jago Abadi" in Kemiri village, Banyumas district can achieve maximum results. The results of this study are the finding of more optimal and efficient results in the production and marketing process of Kiso "Jago Abadi" handicrafts. The strategy for developing the potential of micro, small, and medium-sized handicrafts Kiso "Jago Abadi" in Kemiri village, Banyumas district can achieve maximum results. The results of this study are the finding of more optimal and efficient results in the production and marketing process of Kiso "Jago Abadi" handicrafts. The strategy for developing the potential of micro, small, and medium-sized handicrafts Kiso "Jago Abadi" in Kemiri village, Banyumas district can achieve maximum results.
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Abdullah, Zulkeflee, Nurul Fadzlina, Mohd Amran, Shamsul Anuar, Mohd Shahir, and Khairul Fadzli. "Design and Development of Weaving Aid Tool for Rattan Handicraft." Applied Mechanics and Materials 761 (May 2015): 277–81. http://dx.doi.org/10.4028/www.scientific.net/amm.761.277.
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The main purpose of this project is to design and develop an assisting tool in manufacturing of rattan handicraft. Rattan is a non-timber forest resource which has a variety of functions in the making of handicrafts and furniture. The production of rattan handicraft typically carried out using manual and traditional methods. However, there are some problems to be faced by the craftsman in making the handicrafts such as the time constraints for the creation of products, due to the difficulty in term of the size, and the pain in the hands while making the handicraft products. Therefore, assisting tools or devices in manufacturing of rattan handicraft are needed to solve the problem. The methods used are questionnaire survey, CATIA software for RULA analysis and SolidWork software for FEA analysis.
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Rati Syafiana Putri and Desyandri. "JENIS TEKNIK DAN BAHAN BAHAN YANG DIGUNAKAN PADA KERAJINAN TANGAN SUMBER BELAJAR SENI BUDAYA DAN PRAKARYA DI SEKOLAH DASAR." Didaktik : Jurnal Ilmiah PGSD STKIP Subang 9, no. 3 (July 31, 2023): 994–1006. http://dx.doi.org/10.36989/didaktik.v9i3.1572.
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The study aims at describing a variety of handicraft techniques and materials which exist in Sumatera Barat. This study employed qualitative descriptive approach. The subject of this study was handicraft home industry in Sumatera Barat. The data collection of this study obtained by conducting observation, documentation, and interviews. The results indicated that (1) home industry of handicraft in Sumatera Barat is feasible to be utilized as a learning resource in elementary school. In addition, the variety of technique of making handicrafts noted within this study are wickerworking, carving, sewing, tie, stringing-beading, application, embroidering, batik, folding, clay crafting, spinning, rotating, printing, screen printing, painting, scratching and lathing. (2) The variety of handicrafts materials selected or used is in the form of natural and artificial materials such as clay, katu, corn husk, cloth, plastic, and paper.
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Rahayu, Kania Sofiantina, and Anida Shafa Salsabila Putri. "PERANCANGAN PROGRAM EKOWISATA KERAJINAN TANGAN KOTA PALEMBANG PROVINSI SUMATERA SELATAN." Jurnal Sains Terapan 10, no. 2 (July 31, 2021): 1–13. http://dx.doi.org/10.29244/jstsv.10.2.1-13.
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ABSTRAKKota Palembang memiliki keanekaragaman sumberdaya budaya. Kesenian merupakan salah satu unsur budaya yang mencerminkan ciri khas suatu daerah asal kesenian. Kerajinan tangan merupakan salah satu kesenian Kota Palembang yang berpotensi sebagai daya tarik wisata. Ekowisata kerajinan tangan memiliki pengaruh dalam melestarikan produk kerajinan, meningkatkan perekonomian dan mensejahterakan para pengrajin tradisional di Kota Palembang. Tujuan penelitian ini adalah menginventarisasi dan mengindentifikasi sumberdaya kerajinan tangan di kota Palembang agar dapat dijadikan objek dalam rancangan program ekowisata di Kota Palembang Provinsi Sumatera Selatan. Metode yang digunakan yaitu studi literatur, wawancara, observasi langsung dan penyebaran kuisioner. Sumber daya wisata kerajinan tangan yang diinventarisasi terbagi menjadi dua klasifikasi yaitu kerajinan bahan keras dan bahan lunak. Terdapat empat kerajinan tangan di Kota Palembang yaitu terdiri dari satu kerajinan bahan keras dan tiga kerajinan bahan lunak. Sumber daya kerajinan tangan dianalis berdasarkan tujuh indikator penilaian Avenzora (2008) untuk mendapatkan hasil penilaian potensi sumber daya kerajinan tangan unggulan. Potensi kerajinan unggulan di Kota Palembang yaitu kerajinan Laker, Kain Songket, Kain Jumputan dan Ukir Kayu. Berdasarkan hasil identifikasi menunjukkan bahwa stakeholders setuju dan siap jika kerajinan tangan kota Palembang dimasukan ke dalam objek program ekowisata. Program Ekowisata dirancang dengan konsep eksplorasi kerajinan tangan yang melibatkan interaksi antara wisatawan dengan para pengrajin. Adanya program ekowisata kerajinan tangan ini diharapkan dapat merangsang pertumbuhan ekonomi kawasan dengan kapasitas masyarakat untuk mengelola sumberdaya.
ABSTRACTPalembang City has the diversities of cultural resources. Art is the cultural element that reflects the characteristics of an area. The Handicraft is one of Palembang City's arts which has the potential as a tourist attraction. Handicraft ecotourism has the influences in preserving the handicraft products, improving the economy, and the welfare of traditional craftsmen in Palembang City. This research purpose is to inventory and identify the handicraft resources in Palembang city so that they can be used as objects in the ecotourism program design in Palembang City, South Sumatra Province. The method used is literature study, interview, direct observation, and the questionnaire distribution. The handicraft tourism resources that are inventoried are divided into two classifications, namely the handicrafts with hard materials and soft materials. There are four handicrafts in Palembang City, consisting of one hard material handcraft and three soft material handicrafts. The handicraft resources were analyzed based on the seven assessment indicators from Avenzora (2008) to get the results of the superior handicraft resources potential assessment. The superior handicrafts potentials in Palembang are Laker, Songket, Jumputan, and the wood carving. Based on the identification results, it shows that the Stakeholders agree and are ready if Palembang handicrafts are included in the ecotourism program object. The Ecotourism program is designed with the handicraft exploration concept that involves interaction between the tourists and the craftsmen. The handicraft ecotourism program is expected to stimulate regional economic growth through the resource arranged by the community.
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Wang, Xiaoxi. "A Study on the Inheritance and Protection Mechanism of Chinese Handicraft Intangible Cultural Heritage." Культура и искусство, no. 12 (December 2023): 143–55. http://dx.doi.org/10.7256/2454-0625.2023.12.69097.
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This paper takes the intangible cultural heritage of Chinese handicrafts as the object of study, aiming to deeply explore the mechanism of its inheritance and protection. The intangible cultural heritage of handicrafts refers to traditional artefacts and handicraft products created through craftsmanship, as well as the knowledge, skills and cultural expressions associated with them. Such heritage is not only a collection of tangible products, but also intangible cultural expressions rich in history, culture, skills and philosophy. They often represent the history, tradition and identity of a culture. Chinese handicrafts have a rich history and contain many cultural connotations and historical values. Each craft holds deep cultural traditions and unique regional characteristics. The innovation of the article is that it proposes a diversified protection framework, stresses the synergy of government, market and society, and analyses the lessons learned in combination with specific cases. It is found that although China's intangible cultural heritage of handicrafts faces many challenges, such as the impact of industrialization, the transformation of the market economy, and the loss of talents in traditional skills, its inheritance and preservation can be effectively promoted through measures such as improving laws and regulations, strengthening public education, and promoting social participation. The article ultimately calls for the construction of an inclusive protection mechanism to achieve the sustainable development of China's handicraft-based intangible cultural heritage. (This article is the result of the project "Mutual learning of strategies for preservation and transmission of intangible cultural heritage of Russia and China in the field of handicrafts".)
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Li, Wen-Tao, Ming-Chyuan Ho, and Chun Yang. "A Design Thinking-Based Study of the Prospect of the Sustainable Development of Traditional Handicrafts." Sustainability 11, no. 18 (September 4, 2019): 4823. http://dx.doi.org/10.3390/su11184823.
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Traditional handicrafts have a time-honored history and tremendous cultural value in China. However, even with the strong impact of globalization and consumerism in recent years, design-oriented scientific thinking and sustainable development models are not yet available. Based on Stanford Design Thinking, this study explores the prospect of the sustainable development of traditional handicrafts. First, a literature review and analysis were conducted to show that design science, as a bridge between natural science and humanities, aims to improve the important methods and research tools for the sustainable development of traditional handicrafts. Then, we studied ceramic product design via workshops. Methods such as action research, expert questionnaires, and factor analysis were adopted to establish 24 “indicators of the sustainable value of handicraft design” and four value dimensions, namely, “material and innovative value”, “handicraft and cultural value”, “empirical and local value”, and “sharing and interactive value”. Next, an experimental method was employed to make design product prototypes according to the design-thinking procedure. These prototypes were measured and evaluated with the indicators to form an evaluation report. In addition, the exploration of the sustainable development of traditional handicraft design also contributes to the establishment of a sustainable development model of design thinking. It was demonstrated that scientific design is the current trend and future of the sustainable development of traditional handicrafts. Finally, this study put forward five dynamic thinking methods and design strategies, providing the most direct methods and theoretical evidence for the sustainable development of traditional handicraft design. Finally, taking design thinking as the sustainable design framework, five dynamic thinking approaches were proposed: Thinking with the body, thinking with the mind, thinking with the heart, thinking with the hands, and thinking with the soul. Five design strategies were also proposed: Enquiry learning, values education, future problem solving, experiential design, and appropriate assessment. These approaches and strategies provide the most direct method and theoretical basis for the future of sustainable design regarding traditional Chinese handicraft products.
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Ugryumova, Mariya Viktorovna, and Marina Viktorovna Fomenko. "Production and sale of handicraft toys by Russian Zemstvos." Genesis: исторические исследования, no. 4 (April 2024): 1–13. http://dx.doi.org/10.25136/2409-868x.2024.4.70198.
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The activities of the zemstvo self-government bodies to support handicrafts occupied a special place in many territories of pre-revolutionary Russia. Through the creation of workshops for the production of handicrafts, special schools, creative associations, museums and connections with individual handicrafts, the zemstvo productively established the production of artisanal domestic toys. Individual zemstvos were actively engaged in advertising the toy, its sale both domestically and abroad through regional, Russian and European exhibitions. The organization of sales outlets and a specialized Moscow store, coordination of packaging and shipment of individual toys or their batches were also included in the scope of activity of the zemstvos. The subject of this study is the activity of Russian zemstvos in organizing the production and sale of handicraft toys in the second half of the XIX - early XX centuries. The main methodological foundations of this research are the principles of scientific objectivity, consistency and historicism. The center, of course, is the method of searching for archival documents, and a retrospective method of studying the activities of individual zemstvos in organizing training in the art of creating toys, its production and sale on domestic and foreign sites. During the research, the author discovered, analyzed and for the first time introduced into scientific circulation documents containing data on the organization of production and sale of handicraft toys by the zemstvo authorities, which were deposited in the fund of the Moscow Provincial Zemstvo (both in the cases of structural divisions of the zemstvo, the Handicraft Museum, and in individual cases of the county zemstvos of the Moscow province) and are stored in The Central State Historical Archive of Moscow (TSGIA of Moscow), various reports and indexes of handicraft, industrial and art exhibitions. Of course, the main centers of the appearance of handicraft toys, in the production and marketing of which the zemstvo participated, were the Moscow province with handicrafts from Sergiev Posad and S. Bogorodsky, Nizhny Novgorod, Vyatka, Tambov, Perm and Kazan provinces.
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Angelina, Christin Clarita, and Putu Bagus Adidyana Anugrah Putra. "Aplikasi Pengenalan Kerajinan Tangan Khas Kalimantan Tengah Menggunakan Augmented Reality Berbasis Android." Journal of Information Technology and Computer Science 1, no. 3 (December 12, 2021): 210–19. http://dx.doi.org/10.47111/jointecoms.v1i3.8815.
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Augmented Reality is an environment that incorporates 3D virtual objects into the real environment in real-time. This study aims to develop applications for handicrafts typical of Central Kalimantan based on Unity 3D. With this application, it is hoped that it can be useful to help elementary school students to get to know handicrafts in Central Kalimantan which has been almost extinct. And the purpose of this application is so that students can learn more interactively using the Android platform without having to go to a place for making or selling handicrafts typical of Central Kalimantan.Making this application is built using Unity, Blender, and Figma Web. The methodology used in making this application for introducing handicrafts typical of Central Kalimantan is the Multimedia Development Life Cycle (MDLC), namely Concept, Design, Material Collecting, Assembly, Testing and Distribution. Design the design with UML. This thesis incorporates AR technology into handicraft applications typical of Central Kalimantan, so that this handicraft application becomes more real with the presence of 3D objects in handicrafts. Then this application will track and detect the marker, if the marker is detected correctly it will open an image of a 3D handicraft object and an audio explanation. The results of this study indicate that the Unity 3D-based learning evaluation media is feasible to be used as a learning medium in the arts. This is evidenced by the positive assessment of material experts and media experts. The results of the study were also strengthened by the assessment of the students in the agree category from the 15 respondents. Meanwhile , in the calculation of the calculation scale model , the respondent 's answer score is 345. Meanwhile, in the Likert scale calculation, the percentage is 92%. Based on these data, it can be concluded that the Unity 3D-based learning application is feasible to be used as an evaluation medium for elementary school art learning.
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Tekwani, Kritika, and Rinku Raghuvanshi. "GST: A Tax Reform for Sustainability of Indian Handicrafts." Humanities & Social Sciences Reviews 7, no. 1 (August 2, 2019): 354–59. http://dx.doi.org/10.18510/hssr.2019.7141.
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Purpose of the study: Taxation is one of a tool, which helps the Government for the achievement of the goal of sustainable development for every sector including handicraft. The objectives of this study are to know about Goods and Services Tax & its inferences on sustainable development of Indian handicrafts and to identify the role of GST as tax reform in the sustainable development of handicrafts sector in India. The Indian handicraft is economically important and it has more potential for exports. This sector places a major role in the Indian economy.
Methodology: The Descriptive method of research has been used to gather information about the existing conditions of GST and Handicraft sector of India. This study is based on secondary data. The data has been taken from different journals, books, magazines, websites, and published data from government institutions. This study is explanatory in nature. The collected data from different sources has been reviewed and data relevant to the handicraft sector further analyzed. The researcher concluded that how GST is helping Indian handicraft sector for sustainable development.
Main Findings: GST brought transparency in the tax system and it also eliminated the multiple taxes, which ultimately increases the final prices. This study revealed that GST would make Indian handicrafts more competitive in the domestic and foreign markets. GST is fiscal tax reform which helps in the sustainable development of Indian handicrafts. This research study found that the handicraft sector of India became more organized, centralized, and regulated after the implementation of Goods and Services Tax.
The implication of the study: GST implemented on July 01, 2017 with the aim of simplification of the tax system, fiscal structure, United Indian Market, and sustainable development in India. It is a comprehensive value-added tax which merged different taxes including VAT, service tax, surcharges, CST, etc. This study can be useful for future researchers, traders, and exporters to know the implication of GST in the handicraft sector. Traders and exporters can get knowledge about the GST, tax rates, and exports under LUT/ bond. This study may be benefited to the Government for further development in GST as per the findings of this study.
Novelty/Originality of this study: GST is new tax reform in India, only a few studies have been done on it. As per the researcher ’ s best knowledge few studies have been carried out on GST and handicraft sector, but none of the study is carried out on this topic. This study highlights the unrevealed facts and figures about the role of GST in the sustainable development of the handicraft sector.
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Hidayah, Debby Ummul, Masyruri Rizka Maulana, and Puji Lestari. "Pelatihan aplikasi Hand Craft untuk meningkatkan kompetensi teknologi di Nasyiatul Aisyiyah." ABSYARA: Jurnal Pengabdian Pada Masyarakat 3, no. 1 (July 31, 2022): 88–99. http://dx.doi.org/10.29408/ab.v3i1.5835.
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Improving technological competence in an organization can be done in various ways. One of them can be done by conducting training on the technology. Like the Rabak Branch of the Nasyiatul 'Aisyiyah organization, related technology training, until now, is still rarely done. One of the activities that technological tools can support is making handicrafts. However, the activity of making handicrafts is still done traditionally. Often do not arrive at the expected result. This condition makes the activity of making handicrafts not optimal. Even the modules used are usually unavailable, so each member of Nasyiatul 'Aisyiyah cannot finish making these handicrafts after the activity. Therefore, this community service activity aims to introduce android-based technology in the form of handicraft applications and to help Nasyiatul 'Aisyiyah members make handicrafts. The implementation methods in this community service activity include giving lectures explaining handcraft applications, assisting participants, and direct practice using handcraft applications. The activity is carried out offline, which is located in Bustanul Athfal 'Aisyiyah Rabak. The steps in this community service activity start from preparation, implementation, and evaluation. The implementation of this community service activity indicates that the handcraft application training activities are included in good criteria, with the evaluation value from the results of the questionnaire calculation showing the figure of 79.58%. This shows that most of the participants have been able to understand and use handcraft applications in making handicrafts
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Novrianti, Richa Melysa, Irwan Anwar, Teguh Sahibillah Alfajri, and Ochi Willya Chevrananda. "Development of Resin Handicrafts (Crude Oil Derivative Products) for Students at MTs Negeri 7 Kampar." Journal of Community Service and Application of Science 2, no. 2 (April 2, 2024): 41–48. http://dx.doi.org/10.62769/jgwqa624.
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The program for promoting the creation of resin-based handicrafts (a byproduct of crude oil) is conducted at MTS Negeri 7 Kampar, the village o Kuntu in the Kampar District. This village is known for being one of the places of religious tourism attraction, particularly the tomb of Syekh Burhanuddin. The community service activity (PKM) aims to introduce students to various resin-based handicrafts and to provide them with direct hands-on experience. The methods for this activity involve preparing equipment and materials and creating sample handicrafts at the Faculty of Engineering, Islamic University of Riau. The implementation includes educating and training the students, with evaluations carried out through pre-tests and post-tests to measure the students' knowledge improvement in relation to resin, as well as evaluating the success of the students' crafted handicrafts. The results of this community service activity have successfully increased students' knowledge and skills by 100%, as shown by a questionnaire survey conducted both before and after the resin-based handicraft creation mentoring.
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Anh Thu, Luong, Sun Fang, and Sham Sunder Kessani. "Factors influencing Vietnam’s handicraft export with the gravity model." Journal of Economics and Development 21, no. 2 (October 7, 2019): 156–71. http://dx.doi.org/10.1108/jed-08-2019-0021.
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Purpose The purpose of this paper is to investigate the factors that affect handicraft export from Vietnam to trading partners in the period 2007–2017, and how those factors influence the export of handicraft products of Vietnam. Design/methodology/approach The research uses the approach of gravity model based on panel data to evaluate the export of Vietnamese handicraft to 50 main trading partners, covering the period from 2007 to 2017. Findings The estimated results reveal that Vietnam’s GDP, importer’s GDP, trading partner’s population, Vietnam’s inflation, the economic distance between Vietnam and importer, the openness of Vietnam, importing country’s common language and the issue that both Vietnam and importer are member of APEC are the main factors affecting Vietnamese handicraft export. Research limitations/implications This study also has some limitations. It is limited in the data, as some other areas in the world have not been observed and included in the research. In the future, a study with large-scale data of space and time should be conducted, which will certainly give a universal result and fewer errors. However, this paper, in our opinion, provides a significant result and may help the government and policy makers to undertake appropriate measures to improve and promote the export of Vietnamese handicrafts to the world markets. Practical implications The research describes the current situation, and it studies factors influencing Vietnam’s handicraft export using the qualitative analysis. The result should be useful for the policy maker and enterprises to promote export activities of Vietnamese handicrafts to international markets. Social implications Handicraft export of Vietnam plays an important part in retaining the culture value and social development as well as encouraging sustainable development for the rural poor within the country. Originality/value The past research related to Vietnamese handicraft export almost analyzed the situation to promote export handicrafts. This research is based on the study of factors affecting trade and the gravity model to elaborate and supplement the factors that affect the export of handicraft in accordance with the actual conditions of Vietnam.
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Upadhyay, Prakash. "Handicraft Tourism in Pokhara: Connecting the Past Tradition to the Present." Journal of Nepalese Business Studies 12, no. 1 (December 31, 2019): 33–44. http://dx.doi.org/10.3126/jnbs.v12i1.28181.
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Although the importance of handicraft has been widely recognized, the literature regarding the role of handicraft in tourism market is scarce. Based on empirical data, the present article aimed to explore the interplay between handicraft and tourism, the contribution of handicraft in tourism promotion and the challenges faced by handicraft sector in Pokhara, Nepal. This study identifies that there is a significant level of correlation and dependency between handicraft and foreign tourist arrivals, job creation and the increase in income and social status of handicraft shop proprietor. As a harbinger of past tradition, handicraft tourism/souvenir items has created a unique experience for tourist, enriched nation’s pride, belief and identity and connected the past tradition to the present. Lack of effective advertisement/marketing, inequitable price, scarcity of raw materials, intrusion of foreign goods, ineffective government policies are the key challenges of handicraft tourism. Policy improvement, increase in source/supply of raw materials, supply of handicrafts as per demand, creative production and marketing are the ways that can promote handicraft market. Handicraft tourism is not just about displaying and selling products, it is about allowing tourists to truly understand the skill/craft at rear and realize handicrafts unique tradition, linking tourists to artisans to facilitate them understand and appreciate the art. It is necessary recognizing the importance of local handicraft in sustainable tourism development and the importance of tourism as an agent for protection and preservation of traditional crafts, methods of production and cultural milieu.
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Nair, Amshitha Sajikumar, Atharvi Ashok Nair, Disha Manjunatha Shenoy, Ishika Shailesh More, and Roshani Vinod Bhaskarwar. "Unspoken Craft: e-commerce site for handlooms and handicrafts." Brazilian Journal of Development 10, no. 3 (March 12, 2024): e68002. http://dx.doi.org/10.34117/bjdv10n3-034.
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India has a rich cultural heritage, and its many different ethnic groups produce a vast variety of unique arts and crafts. In order to accurately represent the culture and traditions of our country, handicrafts and handlooms are crucial. Compared to other e-commerce sectors in the modern world, the handicrafts and looms industry is less developed. With the help of this e-commerce website, people can simplify and optimize their shopping experience. The project aims to strengthen positive relationships between businesses and consumers so that businesses can charge customers a fair price for their goods. The handicraft sector creates a variety of products utilizing traditional technology. Even while the handicraft business employs millions of artisans, it is still small compared to the whole industry. This paper aims to demonstrate how essential e-commerce is for the growth of Indian rural craftsmen.
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Cheng, Xiao Min, Zi Qing Ye, and Xin Hua Yi. "Rapid Prototyping of Handicraft Based on Reverse Engineering." Applied Mechanics and Materials 109 (October 2011): 451–54. http://dx.doi.org/10.4028/www.scientific.net/amm.109.451.
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Reverse Engineering of handicrafts refers to many aspects, such as data collection, data mergence of point clouds, surfaces reconstruction, and rapid prototyping. This paper takes a handicraft horse for example. Once this horse is scanned partially by using non-contact optical 3D measurement system, we can get point clouds data, and accumulate, merge, and combine them into one data file, then build up a three-dimensional picture, and obtain STL format file after slicing. Finally, rapid prototype manufacture can be used. By using this method, handicrafts that are the same as or similar with the mock-ups can be produced.
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You, Xuemin, Rafeah Legino, Ling Wang, and Xiao Pan. "Transforming "Internet Celebrity " Elements into Yingjing Black Sand Product Design: An exploration of traditional handcrafts development." Environment-Behaviour Proceedings Journal 9, SI17 (January 7, 2024): 139–46. http://dx.doi.org/10.21834/e-bpj.v9isi17.5435.
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The history of the YingJing black sand product can trace back to the Spring and Autumn Periods in China. Like many traditional handicrafts, the techniques of this product list as a national intangible cultural heritage. In today's 5G world, consumers have increasingly high demands for fashion, unique cultural attributes, and product interest. YingJing black sand products have also faced unprecedented challenges. This paper aims to transform Internet celebrity elements into the Yingjing black sand product design to discuss the development of traditional handicraft products and the design methods and design models of cultural products derived from traditional handicrafts.
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Ifa, Khoirul, Ria Meilan, and Ani Yulianti. "Commercialization of Handicraft Products from Water Hyacinth in Aren Handicrafts." Empowerment Society 6, no. 2 (August 25, 2023): 59–65. http://dx.doi.org/10.30741/eps.v6i2.1090.
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The superior product of Aren Handicraft is a product made from water hyacinth which has not been commercialized in the market and is not well known by the public, therefore this product needs to carry out product commercialization with innovation and promotion. The objectives of this activity are: online promotional assistance through social media and e-commerce and product innovation assistance, through the creation of unique and attractive new products. The approach methods offered to solve partner problems consist of surveys, interviews, online promotion assistance, product innovation assistance, monitoring and evaluation. Based on the results of the PKM implementation, several informants said that the product was quite interesting because there were not many businesses that could make handicrafts made from water hyacinth. The business capital is IDR 5,000,000. The price of the product depends on the type of product, baskets of water hyacinth are priced at 55,000-65,000 while palcemates cost 24,000-30,000. The marketing area for water hyacinth products is the local area of Jember, namely the area around the sub-districts of Bangsalsari, Umbulsari, Balung, Puger and its surroundings. The scope of online marketing covers all regions of Indonesia. Promotion through online media such as Instagram, TikTok, website and marketplace Shopee, Bukalapak. The form of product innovation from Aren Handicraft varies from new product innovations such as tissue holders and several products to photo props and hampers.
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CEYLAN, Murat, and Semra KILIÇ KARATAY. "THE ART OF CLOTH WEAVING WITHIN THE SCOPE OF INTANGIBLE CULTURAL HERITAGE AND EXAMPLE FOR LIVING HUMAN HISTORY MASTER TEACHER EMİNE ÖZKAN." SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, no. 36 (March 15, 2023): 51–66. http://dx.doi.org/10.31567/ssd.849.
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The urge to survive and exist has always pushed human beings to live as a community, unlike other beings. This necessity has caused each society to build its own identity over time, and the reflex of transferring this to the next generations has provided the basis for the existence of culture and, in connection with this, cultural heritage. In this respect, intangible cultural heritage, which has a very important place under the main heading of culture, is one of the most important elements of the genetics of existence of societies. The mission of master trainers, who carry an identity more than just a teacher, is in a much more privileged position in the transfer of this heritage, which we can embody with the tradition of handicrafts, to the next generations. It is of great cultural importance to make a biographical analysis of the people who perform these arts in order to research and keep alive the handicrafts that are about to be forgotten. In this context, the subject of the study is the art of cloth weaving, which is one of the forgotten handicrafts, and the biographical research of Emine ÖZKAN, who has been teaching this art to her trainees for about 30 years. In the research, a literature review was made within the framework of Intangible Cultural Heritage at first. Later, in line with this information, Emine ÖZKAN, who has been working as a master trainer for years at the weaving looms established in Ankara Polatlı Public Education Center, how she met the cloth weaving handicraft, It is aimed to conduct research on how this art is made and what are the examples of traditional handicrafts reflected today. The products that emerged with this handicraft, which has survived from the past to the present, and the contributions of these products were collected as data in the research. The findings obtained as a result of the research show that the art of cloth weaving is tried to be kept alive, people are still willing to take lessons to learn this handicraft, and after the art of cloth weaving, qualified and various products have emerged. Also, in handicraft examples, it can be the most concrete equivalent of not only the motifs that reflect the taste of today's cultural perception, but also the reflection of this cultural accumulation, It is seen that there are also motifs inspired by the symbols of the ancient city of Gordion, which was the capital of the Phrygian Kingdom, especially in the district of Polatlı. It is possible to say that the art of cloth weaving is given importance and that there are efforts to transfer this heritage to future generations by enabling its sustainability through various collaborations, that the traditional handicrafts that have been uncovered also have a share in the economic development and promotion of the district, and that this and similar arts should be further supported. It is possible to say that the traditional handicrafts unearthed have a share in the economic development and promotion of the district, and that this and similar arts should be supported even more. It is possible to say that the traditional handicrafts unearthed have a share in the economic development and promotion of the district, and that this and similar arts should be supported even more.
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Hafifah, Sisfarina, and Aan Putra. "Systematic Literature Review: Hasil Kerajinan Tangan Dalam Kajian Etnomatematika." Elementar : Jurnal Pendidikan Dasar 1, no. 2 (February 7, 2022): 193–201. http://dx.doi.org/10.15408/elementar.v1i2.24203.
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Abstract* This article discusses about improving mathematics learning in ethnomathematical learning through handicrafts. This study aims to conduct an ethnomathematical study of the results of handicrafts and their relation to mathematics learning. The research method chosen in this study is the SLR (Systematic Literature Review) method. Data collection is done by documenting and reviewing all articles regarding the results of handicrafts. The articles used in this study were 14 accredited national journal articles obtained from the Google Scholar database. Based on this research, it was found that the results of handicrafts in ethnomathematical studies can improve mathematics learning.Keywords: Handicraft Results, Ethnomathematics, Systematic Literature ReviewAbstrak* Artikel ini membahas tentang meningkatkan pembelajaran matematika pada pembelajaran etnomatematika melalui hasil kerajinan tangan. Penelitian ini bertujuan untuk melakukan kajian etnomatematika tentang hasil kerajinan tangan dan kaitannya dengan pembelajaran matematika. Metode penelitian yang dipilih dalam penelitian ini ialah metode SLR (Systematic Literature Review). Pengumpulan data dilakukan dengan mendokumentasi dan mereviu semua artikel mengenai hasil kerajian tangan. Artikel yang digunakan pada penelitian ini sebanyak 14 artikel jurnal nasional terakreditasi yang diperoleh dari database Google Scholar. Berdasarkan penelitian ini didapatkan bahwa hasil kerajinan tangan dalam kajian etnomatematika dapat meningkatkan pembelajaran matematika.Keywords: Hasil Kerajinan Tangan, Etnomatematika, Systematic Literature Review
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Oleinik, N. N., V. V. Nevlev, and N. P. Maslov. "STATE-LEGAL INTERACTION OF CREDIT LEGISLATION AND ARTISANAL POLICY IN PRE-REVOLUTIONARY RUSSIA." Bulletin of Udmurt University. Series Economics and Law 30, no. 2 (April 23, 2020): 276–81. http://dx.doi.org/10.35634/2412-9593-2020-30-2-276-281.
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The peasant reform of 1861 brought to life the intensive development of handicrafts in the rural population. The popular initiative found support in the Russian government, was enshrined in law, and was called artisanal policy. The article explores the basic changes in Russian legislation and the main directions of government activity in the field of cooperation in the artisanal industry of the second half of the 19th and early 20th centuries. Particular attention is paid to highlighting the achievements and problems of handicraft-encouraging activities of the state in the southern provinces, the analysis of the effectiveness of administrative and legal methods in the process of modernization of handicrafts in the post-reform period. The contribution of the agrarian reform of the government of P. A. Stolypin to the development of manufacturing industries is examined. The results of a study of the state of credit legislation, a study of the historical experience of the Russian state in the handicraft industry of this period are summarized.
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Wang, Yanyan, Hassan Alli, and Siti Mastura Md Ishak. "SUSTAINABLE TOURISM SOUVENIRS: FOSTERING CULTURAL HERITAGE PRESERVATION THROUGH LOCAL HANDICRAFT PRODUCT." Journal of Tourism, Hospitality and Environment Management 8, no. 34 (December 8, 2023): 45–53. http://dx.doi.org/10.35631/jthem.834004.
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The study aims to investigate the relationship between cultural tourism and traditional handicraft experiences on local handicrafts products namely souvenirs. It explores the significance of souvenir products through sustainable tourism practices and preserving cultural heritage. A qualitative approach is used to analyse the tourism souvenir in the market and proposes a new recommendation to meet the demands. Literature review, interviews, and case studies are employed to explore a strategy for enhancing the commercial value of tourism souvenirs. Interviews with master craftsmen, practitioners, and consumers provided insights the resource development, product innovation, production organisation, and market positioning. It also obtained a good understanding of customer experiences related to local handicraft products for effective marketing strategies based on customer experiences. The finding indicates that the sustainability of tourism souvenirs plays a crucial role in cultural heritage preservation, supporting the local economy, and enhancing overall tourism experiences for tourists as well as promoting traditional handicrafts, safeguarding indigenous knowledge, and facilitating cultural exchange between tourists and local artisans.
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Adi Wiriatama, Gusti Ngurah, and Nyoman Dini Andiani. "Peluang dan Tantangan Pengembangan Souvenir Desa Wisata Berbasis Kerajinan Lokal." Masyarakat Pariwisata : Journal of Community Services in Tourism 2, no. 2 (August 1, 2021): 75–98. http://dx.doi.org/10.34013/mp.v2i2.397.
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Tigawasa Village is one of the Old Villages or Bali Aga villages in Banjar District, Buleleng Regency, Bali which is the center of bamboo handicrafts. The local handicraft really needs development, one of the developments of the local handicrafts of Tigawasa Village, namely tourism village souvenir products. The development of local handicraft-based tourism village souvenirs is the beginning of increasing the value of local crafts in Tigawasa Village. This article describes the opportunities and challenges of developing local handicraft-based tourist village souvenirs in Tigawasa Village, which is the center of bamboo handicrafts in the Bali Aga village environment, Buleleng, Bali. The method used is a descriptive qualitative method which begins with data collection from interviews with several informants, filling out questionnaires by tourists visiting Tigawasa Village and also direct documentation to Tigawasa Village such as traditional houses and also to craftsmen in Tigawasa Village. The results show that local crafts have the opportunity to develop as souvenirs because the crafts produced are of good quality, besides that the tourism development component is also an opportunity in the development of these souvenirs such as tourists visiting Tigawasa Village will be invited to do weaving activities (something to do) with the woven results can be used as a souvenir to take home (something to buy). The results of the questionnaire also stated that 70% of tourists strongly agree with the existence of local handicraft-based tourism village souvenirs, and 30% agree and there are no opinions disagree and strongly disagree. The challenges faced related to the development of tourism village souvenirs include the limitations of existing bamboo sources so that craftsmen buy materials from outside the village so that additional capital is needed so that capital is also a challenge for Tigawasa Village crafts, lack of innovation from bamboo crafts, and lack of promotion. With the development of local handicraft-based souvenirs in Tigawasa Village can increase the selling value of local crafts, can make it a tourist attraction and as a memory for every tourist who comes to Tigawasa Tourism Village.
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Ranamagar, Binita, and Sita Karki. "The Effectiveness of Handicrafts on Anxiety Reduction among Hospitalised Children in Paediatric Ward of Dhulikhel Hospital." Journal of Nepal Paediatric Society 41, no. 3 (December 31, 2021): 432–38. http://dx.doi.org/10.3126/jnps.v41i3.36115.
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Introduction: Disease and hospitalization can be the first crisis which a child encounters. It can cause acute anxiety to them which may sequel their uncooperative behavior to the treatment procedures. Furthermore, high level of anxiety if persisted for longer period can affect their physiological and psychological health. So, in order to deal this anxiety beforehand, handicraft has become an effective play intervention in the hospital. Hence, we conducted this study to investigate the effectiveness of handicrafts on anxiety reduction among hospitalized children. Method: This is a pre-experimental study administered to 30 admitted children in Paediatric Ward of Dhulikhel Hospital who were selected using consecutive sampling technique. Anxiety levels before and after intervening handicraft were assessed via interview using State-Trait Inventory of Cognitive and Somatic Anxiety - Child Version (STICSA-C) tool where intervention was making handicrafts with colorful paper as per children’s capacity and preference for total six times in two consecutive days at four hours interval. Results: The study showed significant difference between anxiety score before and after intervening handicraft (42.70 ± 10.60 Vs. 33.30 ± 8.70, p = < 0.001). While, anxiety level before intervening handicraft was not significantly associated with the selected demographic and clinical variables of children. Conclusions: In the study, handicraft was an effective play material in reducing anxiety among hospitalized children. But it is necessary to perform further studies that will take into account greater methodological stringency.
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Rahmatika, Tiara Putri, Syamswisna Syamswisna, and Asriah Nurdini Mardiyyaningsih. "Ethnobotany of Plants as Handicrafts by The Dayak Kerambay Tribe Community in Raut Muara Village." Jurnal Biologi Tropis 23, no. 2 (December 3, 2023): 209–19. http://dx.doi.org/10.29303/jbt.v23i2.6151.
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Ethnobotany is a depiction of the use of natural plants by local people for various activities such as rituals, handicrafts, food, cosmetics, and medicinal materials. The Dayak Kerambay etnic still uses many plants as handicraft materials. This study aims to determine the types of plants that can be used as handicrafts by the people of Raut Muara Village, Sanggau Regency from the results of ethnobotany. The collection of ethnobotanical results was carried out by triangulation techniques, namely semi-structured interviews, documentation of handicraft plants and observation to the field. From the results of this study, 29 types and 11 families of plants were obtained that have the potential to be handicraft plants and are widely used by the Kerambay dayak tribe community in Raut Muara Village for generations. There are 10 types of rattan plants that are often used by the people of the Kerambay dayak tribe for the needs of life and work activities with the products produced, namely bubu (Ju), takin, penampi', bakul, keranjang and ayakan. The potential use of rattan as a source of income because it has high economic value, such as being used household furniture and completeness of work activities.
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Svyatkin, Mikhail I. "Commercial Specialization of Mordva Settlements." Economic History 18, no. 3 (September 30, 2022): 221–32. http://dx.doi.org/10.15507/2409-630x.058.018.202203.221-232.
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Introduction. The post-reform era was characterized by the rapid growth of handicrafts. This phenomenon was noted not only in the Russian, but also in the Mordva village. In some Mordva villages there was a concentration of a wide variety of types of handicrafts and they began to represent a kind of handicraft centers. The article pays attention to the study of the distribution of handicrafts among Mordva villages. On the basis of pre-revolutionary statistical documents, reports of provincial and county zemstvo committees, the level of development of fishing activity among the Mordva has been considered. Materials and Methods. The research is based on the following methods: comparative-historical, historical-genetic, problem-chronological, structural-systemic. As the general scientific research methods, logical, descriptive-narrative, generalization, classification and systematization have been involved. To achieve the results of the study, archival sources, reports of county and provincial statistical committees, journals of meetings of county zemstvo assemblies have been used. Results and Discussion. Mordva artisans lagged behind the Russians in terms of the rate of development of the handicraft industry. The same types of bushcraft were common among Mordva as among Russians. Handicraft production gradually expanded in the Mordva villages in the second half of the XIX – early XX century. Peasants begin to specialize in a certain kind of handicraft. Usually in the Mordva villages there were several handicrafts at once, but there were also those that specialized in one craft. In such settlements, as a rule, artisanal artels were created. So, in the Spassky district of the Tambov province, woodworking crafts dominated, in the Alatyr and Ardatov counties of the Simbirsk province – wool-cutting and felting, in the Saransk district of the Penza province, crew fishing was widespread. P. S. Pallas, I. I. Lepekhin, V. N. Kuklin, I. I. Firstov, A. S. Luzgin, N. F. Mokshin, G. A. Kornishina, E. N. Mokshina and others made a significant contribution to the study of traditional crafts and occupations of the Mordva. Conclusion. Currently, certain types of craft activities are preserved in some Mordva villages. For example, felting is widespread in the villages of the Ardatovsky district of the Republic of Mordva – Urusovo, Zhabino, Old Ardatovo. In the village of Podlesnaya Tavla, Kochkurovsky district, Mordovian craftsmen are engaged in wood carving, making wooden toys. Crafts such as knitting, basket weaving, carpentry, birch bark weaving, cooperage are preserved.
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Rychkova, Ekaterina А. "THE HANDICRAFTS MUSEUM AS AN ACTUAL FORM OF MUSEUM ACTIVITY IN THE SECOND HALF OF THE XIX - THE FIRST THIRD OF THE XX CENTURIES (ON THE EXAMPLE OF THE MOSCOW HANDICRAFTS MUSEUM)." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 273–78. http://dx.doi.org/10.17223/22220836/40/25.
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The development of folk crafts in Russia was closely connected with the formation of handicrafts museums that performed complex tasks of preserving, studying and promoting folk art. The study of their history today is one of the problems that have not yet been sufficiently studied in museology. Handicrafts museums were considered by researchers primarily in the general historical context of the influence of state policy and provincial zemstvos on the development of handicraft industry in Russia. However, the phenomenon of handicrafts museums remains insufficiently studied from the point of view of history and the theory of museum work. The type of the handicrafts museum has not yet been singled out as an actual form of the museum institution of the last quarter of the XIX – the first third of the XX centuries, which spread in several provinces of the Russian Empire. The purpose of the article is to review the main activities of the Moscow Handicrafts Museum - an example of the formation of new types of museums in Russia and their influence on the development of folk crafts in the second half of the 19th century – the first third of the 20th centuries. Moscow Handicrafts Museum opened in 1885. His task was to fully promote the development of folk art and the implementation of handicrafts. One of the main features and goals of creating the Handicrafts Museums in the Russian Empire was the formation of an established system of state patronage over the peasants who were freed from serfdom and promotion of their involvement in the new sector of the economy. The museum staff formed the museum collection, actively participated in organizing the training of folk craftsmen, arranging production workshops, became intermediaries in the art market, and was engaged in active exhibition work around the world, especially at large industrial fairs. In the 1890–1910s, the case started in Moscow spread quickly to almost the whole country. Handicrafts museums immediately arose in several provinces of Russia. One of the program documents of that period was the concept of the development of the Handicrafts Museum, proposed in a report of Sergey Morozov in 1910. Thus, at the beginning of the twentieth century in Moscow, the structure of an effective museum was formed, aimed at systematic work with folk crafts and successfully involving a wide range of partners: artists and scientists, merchants and foreign industrialists. Thanks to the assistance of handicrafts museums in Russia in the late XIX – early XX centuries traditional folk crafts were able to survive and be adequately represented throughout the world. The aesthetic significance of folk art has been recognized. The study of folk art has become an important subject of scientific research. All aspects of the multifaceted history of the formation and development of handicrafts museums and their role in the socio-economic and cultural development of Russia are of great scientific interest and require careful further study.
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Wang, Xianghua. "Narrative Study of Chinese Traditional Handicraft Brand." Advances in Humanities Research 6, no. 1 (June 30, 2024): 65–68. http://dx.doi.org/10.54254/2753-7080/6/2024067.
Full textAbstract:
Shaping Chinese traditional handicraft brands through brand narratives is a systematic, comprehensive, and complex research and practical topic. This article innovatively adopts the perspective of brand stories and bases itself on brand narrative theory. It examines the current status of Chinese traditional handicraft brands in narrative practice, focusing on new narrative contexts such as the communication and consumption environments faced by the modern inheritance of traditional handicrafts. Furthermore, it proposes strategies for narrative construction of Chinese traditional handicraft brands, aiming to explore a path for shaping handicraft brands that is positive, modern, warm, and emotionally engaging.
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Hasnida, Namora Lumongga Lubis, Ramona Dumasari Lubis, and Lilis Novitarum. "Improving the Quality of Life by Utilizing Social Media as a Media for Marketing Activity Therapy Product of Breast Cancer Survivor in Medan City." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 8, no. 1 (June 26, 2023): 454–64. http://dx.doi.org/10.32734/abdimastalenta.v8i1.9683.
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Breast cancer survivors have a desire to remain productive in helping the family's economic function. As housewives, breast cancer survivors have free time that can be used to earn income. Moreover, at this time, easy access to information through social media is one way to market their handicraft products. However, this is still not the main focus of the group. Considering that the average age has passed the age of 50, their ability to use social media is still very lacking. Whereas with survivors having positive activities, they are expected to increase their motivation and quality of life. The purpose of this community service is to improve the quality of life of survivors by preparing breast cancer survivors to be able to independently produce handicrafts and market them digitally through social media. Activities carried out using training and mentoring methods in using social media as an effective marketing medium. After providing assistance in uploading handicrafts to social media by using services to expand their reach, the interest of buyers began to increase and the sales of handicrafts began to increase.
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Chouhan, Manish. "INFLUENCE OF MODERN PAINTING ON HANDICRAFTS OF JODHPUR DISTRICT." ShodhKosh: Journal of Visual and Performing Arts 2, no. 2 (December 10, 2021): 124–33. http://dx.doi.org/10.29121/shodhkosh.v2.i2.2021.48.
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English: With the development of civilization, we get evidence of handicrafts creation art. Many types of were made by humans, whose use is seen in many forms. According to the demand of time and their utility, their form changed. In the present time, the forms, shapes, expressions etc. of the prevailing arts have been changed and influenced. In such a situation, how can ancient arts like handicrafts remain untouched. The desire for new art and new experiments have changed the meaning of handicraft art. In this context, The influence of modern painting can also be on the handicrafts being made in jodhpur district. Handicrafts made of wood and iron sheet can also be seen combined and separately. In this work, handicrafts are being made from 80:20 part of wood and iron sheet and only iron sheet, in which the creation of spiritual form, natural form, human figures and animal and bird forms is very artistic. The mutual competitions have also changed the sentiments and thoughts of the handicraftsmen. Combining antiquity and modernity with the influence of new promises, a new revolution is being initiated in the field of handicrafts. In the present time, handicraft art has also covered the colors, forms and expressions of modern painting.
Hindi: सभ्यता के विकास क्रम के साथ ही हमें हस्तशिल्प सृजन कला के प्रमाण मिलते है। मानव द्वारा कई प्रकार के हस्तशिल्प बनाये गये, जिनका उपयोग कई रूपों में दृष्टिगत होता है। समय की मांग और इनकी उपयोगिता के आधार पर इनके स्वरूप बदलते गये। वर्तमान समय में प्रचलित कलाओं के रूप, आकार, भाव आदि परिवर्तित व प्रभावित हो चुके है। ऐसे में हस्तशिल्पीय जैसी प्राचीन कलाएँ कैसे अछूती रह सकती है। नूतन कला की चाह और नवीन प्रयोगों ने हस्तशिल्पीय कला के मायने ही बदल दिये है। इसी संदर्भ में जोधपुर जिले में बनाये जा रहे हस्तशिल्पों पर भी आधुनिक चित्रकला के प्रभावों को देखा जा सकता है। लकड़ी व लौह चद्दर से बने हस्तशिल्पों को संयुक्त व पृथक रूप में भी देखा जा सकता है। इस कार्य में लकड़ी व लौह चद्दर का 80ः20 भाग एवं सिर्फ लौह चद्दर से भी हस्तशिल्प बनाये जा रहे है, जिनमें आध्यात्मिक रूप, प्राकृतिक रूप, मानवाकृतियॉ व पशु-पक्षी रूपों का सृजन अत्यंत ही कलात्मक है। आपसी प्रतिस्पर्द्धाओं ने हस्तशिल्पी के भावों और विचारों को भी परिवर्तित कर दिया है। नये-नये वादों के प्रभाव के साथ पुरातन व आधुनिकता का मेल करते हुए हस्तशिल्पीय कला के क्षेत्र में मानों नवीन क्रान्ति का सूत्रपात किया जा रहा हो। वर्तमान समय में हस्तशिल्पीय कला भी आधुनिक चित्रकला के रंग, रूप और भावों का आवरण ओढ़ चुकी है।
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Ho, Bach Q. "Customers’ Prior Knowledge in the Servitization of Traditional Handicrafts." Businesses 4, no. 1 (February 13, 2024): 53–63. http://dx.doi.org/10.3390/businesses4010004.
Full textAbstract:
To enhance the competitiveness of the traditional handicraft industry, providers should offer service experiences using their products (i.e., servitization) instead of merely selling them. Effective management for servitization in the traditional handicraft industry must consider the differences in customers’ prior knowledge. Nevertheless, previous studies have overlooked how this knowledge about traditional handicrafts impacts service experiences. This study explores which factors of consumer behavior (during services) and service outcomes (post-services) are affected by customers’ prior knowledge about a traditional handicraft. An organic food restaurant booth was provided at an annual summer festival about pottery as an experiment, and data were collected on customers’ meal experiences with a pottery plate through a questionnaire. The findings suggest that customers’ prior knowledge about a traditional handicraft promotes their search for information from service resources (i.e., organic foods) which are integrated with the traditional handicraft and their creativity during services, thereby changing their understanding of service resources and increasing satisfaction with service experience. This study contributes to services marketing by identifying the factors of during and post-services that are affected by customers’ prior knowledge about a traditional handicraft in the context of servitization.
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Fatoni, Nur, Rinaldy Imanuddin, and Ahmad Ridho Darmawan. "Pendayagunaan Sampah Menjadi Produk Kerajinan." Dimas: Jurnal Pemikiran Agama untuk Pemberdayaan 17, no. 1 (July 27, 2017): 83. http://dx.doi.org/10.21580/dms.2017.171.1505.
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Waste management is still defined as limited to collection, transportation and garbage disposal. The follow-up of the meaning is the provision of facilities such as garbage bins, garbage trucks and waste collection land. Waste management has not included waste separation. Segregation of waste can minimize the amount of waste that must be discharged to the final place. Segregation of waste can supply recyclable raw materials and handicrafts made from garbage. The manufacture of handicraft products from garbage is still local and requires socialization and training. It is needed to increase the number of craftsmen and garbage absorption on the crafters. Through careful socialization and training, citizens' awareness of waste management becomes advanced by making handicrafts of economic value from waste materials.
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Rautray, Priyabrata, and Boris Eisenbart. "ADDITIVE MANUFACTURING – ENABLING DIGITAL ARTISANS." Proceedings of the Design Society 1 (July 27, 2021): 323–32. http://dx.doi.org/10.1017/pds.2021.33.
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AbstractNew technologies have always been disruptive for established systems and processes. Additive Manufacturing (AM) is proving to be one such process which has the potential to disrupt handicraft and its manufacturing processes. AM is customisable, adopt multiple materials and is not restricted by the manufacturing process. Our research discusses this global phenomenon with case studies to highlights the growth of a new kind of professionals known as ‘Digital Artisans’. These artisans will assimilate the latest technologies with the cultural practices of the societies to create a new genre of products. The evolution of such artisans will be majorly led by people who have an equal inclination towards art and science and can act as the bridge between the handicrafts and technology. The development of such artisans will be supported by academics that will serve as a cradle and expose them to AM, design and handicraft. Its will also help in paving the growth of contemporary artisans who will utilise the strength of algorithms, artificial intelligence, CAD software and traditional aesthetics to create handicrafts of the future.
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Deya Gayatri, G., and C. S. Udhayakumar. "A Study on Motivations for Career Switching to Entrepreneurship in Handicrafts Among Women." International Journal of Engineering & Technology 7, no. 3.6 (July 4, 2018): 21. http://dx.doi.org/10.14419/ijet.v7i3.6.14926.
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The handicraft sector in India, due to its rich history and promising growth has been attracting a large number of entrepreneurs in recent times. A significant portion of these are women who have quit their previous careers due to the allure of the handicrafts sector. This study makes a modest attempt to explore the reasons why women choose to switch their careers at various organizations in favor of becoming a handicraft entrepreneur. The methodology employed uses a structured questionnaire which was circulated among women entrepreneurs through mail survey. The data was collected from select 53 women entrepreneurs in India who managed small to medium sized enterprises and who met the criteria of having quit their previous jobs to pursue their current chosen career and it was analyzed through the statistical software S.P.S.S. The results reveal that most of the respondents were motivated to engage in an entrepreneurial career in handicrafts because it made sense, they regarded it as a personal achievement and for some of them it was because they wanted to challenge themselves.
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Haziza, Eva Latifatul, and Ida Bagus Nyoman Udayana. "Penerapan Strategi Pemasaran dan Kualitas Pelayanan Delivery terhadap Minat Purchase Decision Konsumen UMKM Kerajinan Tangan Toko Serba:." Al-Kharaj : Jurnal Ekonomi, Keuangan & Bisnis Syariah 5, no. 4 (October 7, 2022): 1434–48. http://dx.doi.org/10.47467/alkharaj.v5i3.1696.
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This study aims to find out how the marketing strategy is applied by the MSME Convenience Store, and how the quality of the delivery service for handicrafts at the MSME Convenience Store and how consumer purchasing decisions are made at the MSME handicraft at the Giwangan Convenience Store. This research is a quantitative study using survey methods until the population in the study is the consumer of Handicrafts in a department store. Collecting data using a questionnaire method that has been tested for validity and reliability. The data that has been collected is then tested for data, model testing and hypothesis testing. SPSS is used for data analysis and for taking a sample of 50 people so that the validity and reliability can be tested. Based on the results of the analysis and discussion, the authors conclude that marketing strategy and service quality together have a positive and significant effect on consumer purchasing decisions at the Yogyakarta Giwangan Handicraft Shop.
The keywords: Marketing strategy, Service Quality on delivery, and Purchase Decision.
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Pujianto, Defi, Sri Hartati, Dian Sri Agustina, Suryanto Suryanto, Budi Kurniawan, Wisnumurti Wisnumurti, Kadarsih Kadarsih, Rusidi Rusidi, Salamudin Salamudin, and Haris Saputro. "Pendampingan Implementasi Digital Marketing Desa Kelumpang sebagai Sarana Pengenalan Potensi Desa Wisata." Jurnal Pengabdian Masyarakat (abdira) 2, no. 1 (January 27, 2022): 289–97. http://dx.doi.org/10.31004/abdira.v2i1.107.
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Kelumpang Village, Ulu Ogan District, Ogan Komering Ulu Regency, has the potential for a variety of handicraft tourism, handicrafts, rafting, waterfalls and so on. The management of the village tourism sector in Kelumpang is starting to become a concern in the Ogan Komering Ulu district. This service activity focuses on promoting village tourism and community crafts in the form of creating marketing content that will be distributed through social media Facebook and Instagram. Activities carried out in the creation of marketing content. Marketing content for service activities in the form of images and videos. The method of implementing this service is assistance in the introduction of tourist villages and handicrafts from the Kelumpang village community through digital marketing that focuses on social media Facebook and Instagram. The purpose of this assistance is to increase the publication of handicraft products and tourist objects in Kelumpang Village. Through this service activity, content is produced on types of crafts and tourist objects in the form of photos that are ready to be published on social media Facebook and Instagram.