Journal articles: 'Handicrafts using wool'

1

Molik, Edyta, Piotr Szatkowski, Zuzanna Flis, Katarzyna Suchorowiec, Ewa Szczepanik, Marcin Niemiec, Monika Komorowska, and Paulius Matusevičius. "Tradition and innovative in the protection of the natural environment of mountain regions." Acta Scientiarum Polonorum Formatio Circumiectus 22, no. 3 (October 20, 2023): 33–40. http://dx.doi.org/10.15576/asp.fc/2023.22.3.09.

Full text

Abstract:

Aim of the study: Pastoral management in Europe is an important element in protecting biodiversity and the landscape. Shepherding stimulates the development of the market of traditional and regional products, handicrafts and services. Pastoral farming in Europe is an important element of biodiversity and landscape protection. Shepherding stimulates the development of the market for traditional, regional products, handicrafts and services. For many years, wool was an important product obtained in mountain areas from local sheep breeds, now treated as a waste product. The aim of the study is to describe farming methods in mountain areas, indicating innovative possibilities of using sheep wool. Material and methods: The material consisted of literature studies and own research on management in mountain areas. Own research and literature analyzes have shown that, due to its properties, wool obtained from mountain sheep can be used as a natural fiber in a biodegradable composite and constitute an alternative to plastic packaging. The introduction of natural fibers in the fertilizer composite can improve not only soil fertility but also bring economic effects, such as the use of wool of Polish mountain sheep as part of the circular economy. Results and conclusions: Summarize, the search for alternative directions for the use of sheep wool is of strategic importance for maintaining and even increasing the sheep population in Poland and in other European Union countries. Occurring soil droughts in the summer period affect the reduction of plant yields, and for this reason, the application of biodegradable biocomposite to the soil will not have a negative impact on the environment of mountain pastures and meadows.

APA, Harvard, Vancouver, ISO, and other styles

2

Maryono, Naili Farida, Ngatno, and Bulan Prabawani. "Building Innovation Capabilities on Collaboration and Market Orientation for Improving Marketing Performance of Wood Furniture Craft." Humanities and Social Sciences Letters 9, no. 4 (December 29, 2021): 439–51. http://dx.doi.org/10.18488/journal.73.2021.94.439.451.

Full text

Abstract:

This research aims to test the direct influence of market orientation and innovation capabilities collaboration, with relationship marketing orientation and excellence as mediating variables, on the marketing performance of the micro industry of wood furniture handicrafts. The data was collected using questionnaires submitted by 242 people, and the analysis was carried out using SmartPLS software. The significant impact of collaborative innovation ability and relational marketing orientation on market orientation was shown to have no effect on competitive advantage. The innovation capabilities of collaborating are known to have no significant impact on marketing performance. Competitive advantage has a relationship with marketing performance, and relational marketing orientation has a significant impact on the ability of collaborative innovation. It was also found that relationship marketing orientation has a significant effect on marketing performance. This study is related to improving the marketing performance of the micro industry of wood furniture handicrafts, which has a limited scope, so the results of this study can't be generalized. It was also difficult to determine if there was any bias from the respondents. The marketing orientation of relationships and competitive advantages have contributed significantly to marketing performance. The wood furniture handicraft micro industry must improve collaboration capabilities with dealers and customers and use this as a strategic component to improve the marketing performance of the woodcraft industry. The novelty of this research is related to the capability of collaboration innovation, which is able to improve the marketing performance of small industries.

APA, Harvard, Vancouver, ISO, and other styles

3

Cahyadi, Dwi, Siti Haida Ismail, Roslina Mohammad, Mohd Yusof MD Daud, and Muh Irwan. "An Aesthetic “Touch” for the Development of Rattan Bag Handicraft Products in Indonesia: A Systematic Literature Review." Harmonia: Journal of Arts Research and Education 24, no. 1 (July 5, 2024): 77–87. http://dx.doi.org/10.15294/harmonia.v24i1.43311.

Full text

Abstract:

One of the crucial factors in Indonesia’s National Industrial Development Master Plan 2015 - 2035 is enhancing human resources skills and creativity in producing wood/rattan handicrafts. Aesthetic factors are the main requirements for these products due to their cultural and artistic value. In determining the direction of the innovations, it is necessary to understand the product’s development, especially in this regard. Therefore, this study aimed to assess the aesthetic factors used in developing rattan bag handicraft products using the Systematic Literature Review (SLR) approach, guided by Preferred Reporting Items for Systematic Review and Meta-Analysis (PRISMA). The SLR was conducted based on the journal and proceedings obtained through the Science Direct, Google Scholar, and Springer databases. The contribution of this study was to find aesthetic factors considered for the development of bag product innovation. The results showed that six aesthetic factors were applied in developing rattan bag products: materials, motifs, ethnic/culture, shapes, patterns, and colors.

APA, Harvard, Vancouver, ISO, and other styles

4

Salim, Rais. "Daya Hambat Asap Cair Kayu Galam terhadap Serangan Jamur pada Eceng Gondok (Eichhornia crassipes) The Effect of Galam Wood Vinegar to The Growth of Fungi on Water Hyacinth (Eichhornia crassipes)." Jurnal Riset Industri Hasil Hutan 8, no. 2 (December 31, 2016): 71–86. http://dx.doi.org/10.24111/jrihh.v8i2.2201.

Full text

Abstract:

Eichhornia crassipes is a kind of weed species that can be used as material of woven handicrafts for commercial purposes. Generally, the problems that occurred while using natural fiber material (Eichhornia crassipes) for woven handicraft products were very susceptible from moisture that triggered organisms attack such as fungal attack. The alternative materials that can be used to protect Eichhornia crassipes from fungal attack is galam wood vinegar. The purpose of this research was to determine the effect of galam wood vinegar application to Eichhornia crassipes to against fungal attack and also to determine the optimum level of wood vinegar concentration to block the fungal attack on Eichhornia crassipes. The research used two treatments i.e: concentration variations A1 (20%), A2 (25%) and A3 (30%); and soaking time variations B1 (7 hours), B2 (10 hours) and B3 (15 hours). The results was compared with the controls (0%). The field test showed that the intensity of fungal attack in the Eichhornia crassipes treated by wood vinegar from week 6 to week 10 was ranged from 2-31%. Whereas the untreated Eichhornia crassipes from week 6 to week 10 was ranged from 31.5-56%. The laboratory tests showed that the average value of weight loss of treated water hyacinth due to the attack by Aspergillus niger and Penicillium sp. ranged from 5.848-10.553% and 6.664- 11.874%, while the the average value of weight loss of untreated water hyacinth were 18.945% and 14.325%. The treatment of wood vinegar to the Eichhornia crassipes in both field tests and laboratory tests showed significant effect in resisting fungal attack so that it can be used as a preservative for Eichhornia crassipes.Keywords: water hyacinth, galam wood vinegar, penicillium sp., aspergillus niger

APA, Harvard, Vancouver, ISO, and other styles

5

Adityatama, Ida Bagus Sedana, and Made Heny Urmila Dewi. "PENGARUH KURS DOLLAR AMERIKA, KUNJUNGAN WISATAWAN, LAMA MENGINAP WISATAWAN, DAN RATA-RATA PENGELUARAN WISATAWAN TERHADAP EKSPOR KERAJINAN UKIRAN KAYU DI PROVINSI BALI." E-Jurnal Ekonomi Pembangunan Universitas Udayana 11, no. 7 (September 2, 2022): 2723. http://dx.doi.org/10.24843/eep.2022.v11.i07.p10.

Full text

Abstract:

Bali Province is one of the tourist destinations and there are also many wood carving crafts. The export level of wood carving handicrafts in Bali Province has fluctuated every year, the fluctuating export value of wood carving crafts is due to global economic conditions. This research was conducted in Bali Province. The type of data used is quantitative data with secondary data. Data collection was carried out through non-participant observation methods, which came from books, records and reports from related sources or agencies, namely the World Bank, the Bali Provincial Statistics Agency, the Bali Provincial Tourism Office, and the Bali Provincial Industry and Trade Office. The analysis technique used is multiple linear regression using time series data from 1996-2019. The results of data analysis show simultaneously the US dollar exchange rate, tourist visits, length of stay of tourists, and the average tourist expenditure have a significant effect on the export of wood carving handicrafts in Bali Province. Partially, the US dollar exchange rate and the length of stay of tourists have a negative effect, but tourist visits and the average tourist expenditure have a positive and significant effect on the export of wood carving handicrafts in Bali Province. Keywords: Export, US Dollar Exchange Rate, Tourist Visit, Long Stay of Tourists, Average Tourist Expenditure

APA, Harvard, Vancouver, ISO, and other styles

6

Putri, Ida Ayu Tri Eka Naka, Ni Ketut Rini Astuti, and I. Gede Agus Indram Bayu Arta. "PERANCANGAN CORPORATE IDENTITY USAHA KERAJINAN MEBEL VICTORIA COLLECTION DI GIANYAR." AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL 2, no. 02 (July 30, 2021): 164–76. http://dx.doi.org/10.59997/amarasi.v2i02.256.

Full text

Abstract:

One of the producers of furniture in Bali is the Victoria Collection. Victoria Collection is a producer of wood and rattan furniture, which specializes in producing furniture made of teak, coffee and rattan. Products made in the form of chairs, tables, room dividers, swings and various handicrafts according to orders. Connoisseurs of wood and rattan furniture come from almost all over the world. So with the support of technology makes it easier to reach a wider audience. However, to move to a wider scope of Victoria Collection handicraft business requires a business identity that can introduce it to the public. The purpose of this design is to bring out the identity of the Victoria Collection based on its potential and make it a character that can be known by the public. The problem under study is how to design a corporate identity that contains business potential and can convey the company's goals. This research is expected to be useful as a design reference, especially in the field of visual communication design research. This study uses a qualitative method with descriptive analysis. Data was collected through interviews, documentation and library sources. All data collected were then analyzed using the theory of corporate identity and the theory of visual communication design. By taking the meaning of the word from wood which means kayon in Sanskrit, the visual form applied is kekayon with modified design elements designed with the impression of movement. The design concept that is carried out is authentic and dynamic based on a business engaged in wood and is a business that is expected to grow. The result of the research shows that the elements of forming Victoria Collection's corporate identity cannot be separated from the role of design principles and extrinsic values that make up the logo.

APA, Harvard, Vancouver, ISO, and other styles

7

Pandey, Anjali. "WOOD CRAFT OF BIHAR AND UTTAR PRADESH –A SURVEY." International Journal of Research -GRANTHAALAYAH 4, no. 2 (February 29, 2016): 239–42. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2834.

Full text

Abstract:

The tradition of wood carving is old. Wood craft is quite popular in Bihar and Uttar Pradesh. Craftsmen of these states are using their skill for making the designs in traditional and innovative way. A unique engraving creativity of ‘Nakkashi work’ appears with floral and figures etched out by the craftsmen. Lacquer work is obviously one of the major handicrafts of these regions. Various motifs of birds, peacock, fish, carved on the wood, appeals the viewers. The items made out of bamboo and wood are crafted in the shapes of birds, human figures and animals. Figures of Gods and Goddesses, animals and many mythological figures are crafted by the local craftsmen. The dolls, peacocks, parrots, elephants, horses, goats, bulls and cows are the repertoire of rural children. Uttar Pradesh is world known for its carved and brass inlayed or tarkashi wooden handicrafts. The craftsmen of Saharanpur are excelled in the art of inlayed wood work it is now widely used to decorate the centre-table, ash-trays, fruit-basket, service tray and other furniture articles etc. Varanasi and Amroha are particularly well known for lacquered woodcraft of UP. Numbers of lacquered toys, miniature kitchen utensils for children are made in this state.

APA, Harvard, Vancouver, ISO, and other styles

8

Ghani, Khawarizmi Abdul. "KERAJINAN KETAK DI DESA PENGADANG KECAMATAN PRAYA TENGAH KABUPATEN LOMBOK TENGAH." Jurnal Pendidikan Seni Rupa Undiksha 11, no. 2 (September 20, 2021): 68–79. http://dx.doi.org/10.23887/jjpsp.v11i2.39345.

Full text

Abstract:

Abstrak Penelitian ini bertujuan untuk mengetahui tentang (1) Untuk mengetahui perlakuan alat terhadap bahan baku ketak dalam kerajinan anyaman ketak di Desa Pengadang. (2) Untuk menganalisis kerajinan anyaman ketak di Desa Pengadang. (3) Untuk mengetahui varian produk kerajinan ketak di Desa Pengadang. Jenis penelitian yang digunakan adalah penelitian deskriftif kualitatif. Objek penelitian ini adalah kerajinan anyaman ketak di Desa Pengadang, Kecamatan Praya Tengah, Kabupaten Lombok Tengah. Metode pengumpulan data dilakukan dengan menggunakan metode observasi, wawancara, dokumentasi, dan keperpustakaan. Hasil penelitian menunjukkan, (1) perlakuan alat terhadap bahan baku ketak tergantung kondisi bahan baku. (2) proses analisis pembuatan kerajinan ketak yaitu mulai dari proses persiapan bahan baku, alat pendukung kerajina, penganyaman, perakitan, dan terakhir adalah finishing (3) terdapat beberapa varian produk kerajinan di desa Pengadang mulai produk setengah jadi maupun jadi yang terbuat dari bahan baku ketak serta bahan baku lainya seperti rotan, sintetis, kayu dan bambu, adapun produk yang di hasilkan seperti tas, keranjang, nampan, piring, dan lain-lain.Kata-kata kunci: kerajinan, anyaman, ketak Abstract This study aims to find out about (1) To find out the treatment of tools for ketak raw materials in the craft of woven ketak in Pengadang Village. (2) To analyze the craft of woven ketak in Pengadang Village. (3) To find out the variants of ketak handicraft products in Pengadang Village. The type of research used is descriptive qualitative research. The object of this research is the craft of woven ketak in Pengadang Village, Central Praya District, Central Lombok Regency. The method of data collection is done by using the methods of observation, interviews, documentation, and libraries The results showed, (1) the treatment of the tool on the raw material of the raw material depends on the condition of the raw material. (2) the analysis process of making ketak handicrafts, starting from the process of preparing raw materials, supporting tools for crafts, weaving, assembling, and finally finishing (3) there are several variants of handicraft products in Pengadang village ranging from semi-finished and finished products made from raw materials ketak and other raw materials such as rattan, synthetics, wood and bamboo, as for the products produced such as bags, baskets, trays, plates, and others.Keywords: craft, woven, ketak

APA, Harvard, Vancouver, ISO, and other styles

9

JHT, Admin. "PEMANFAATAN BAMBU DAN PEWARNA JARENANG SEBAGAI BAHAN PELENGKAP KERAJINAN ROTAN." HUTAN TROPIKA 12, no. 1 (August 29, 2019): 55–60. http://dx.doi.org/10.36873/jht.v12i1.40.

Full text

Abstract:

ABSTRACT Jarenang colouration coming from latex of Jarenang fruit (Daemonorops sp) species that grow well at the low land forest. Generally jerenang colouration has used to colouring wood, stone, vernis, ceramics, paper and paint etc. This substance also can to be used as medicine of dysentery, blood solidification, leather tanner and cosmetics material. The experiment was conducted at the social community group named Silip Rawi that be located at the Bukit Rawi Village, Kahayan Hilir District, Central Kalimantan Province. Silip Rawi group has guided by Science and Technology for Community Program (IbM). This experiment applied jerenang colouration to colouring bamboo as complement material of rattan handicraft. Some stages of this experiment as follow: First, cleaving bamboo and make s.t. thin. Second, colouring the bamboo using colour of red, black, blue ect. Then colored bamboo was dehydrated using sunlight. Finaly, colored bamboo as insertion insert to rattan handicraft to improve quality of them. Colored bamboo create the motif of line, curve, numeral, figure, scribal of personal or group name, village nama, city name etc. at the rattan handicraft to raise the sale price. Keynotes: Bamboo, colouring, jarenang, rattan handicraft.

APA, Harvard, Vancouver, ISO, and other styles

10

Astuti, Indah Yuni, and Miftahul Munir. "ORIENTASI PASAR DAN ORIENTASI KEWIRAUSAHAAN DALAM MEMPENGARUHI KINERJA PEMASARAN DI MASA RECOVERY PANDEMI COVID-19." Journal of Management Small and Medium Enterprises (SMEs) 15, no. 2 (May 21, 2022): 249–69. http://dx.doi.org/10.35508/jom.v15i2.6504.

Full text

Abstract:

The COVID-19 pandemic has become a separate obstacle for society in general, ranging from social constraints to improving the economy of a society in particular. This situation must be taken into consideration by the household craft industry players to be able to survive and develop their business activities in generating productivity and profits through market orientation and entrepreneurship strategies. The purpose of this study was to determine the effect of market orientation and entrepreneurship on the marketing performance of the wood craft industry business actors in the village area of Boro Kedungwaru, Tulungagung. The population and samples that became the object of this study were all wood craft business actor as many as 45 respondents. Sampling using saturated sampling technique, and data collection using a questionnaire with a Likert scale as the instrument. Data analysis used validity and reliability test, multiple linear regression test, determinant coefficient test and hypothesis testing (t test & F test). The results of the research conducted showed that 1) It was a significant and partial influence between market orientation and entrepreneurial orientation on the marketing performance of household handicraft business actors during the recovery period of the COVID-19 pandemic. 2). Market orientation and entrepreneurial orientation have a positive and significant impact simultaneously on the marketing performance of household handicraft business actors during the recovery period of the COVID-19 pandemic. The results of this study indicate that market orientation and entrepreneurial orientation have urgency and contribution in supporting the marketing performance of wood handicraft business actors especially during the COVID-19 pandemic. Keywords: Market Orientation, Entrepreneurship Orientation, Marketing Performance

APA, Harvard, Vancouver, ISO, and other styles

11

Marhaeni, A. A. I. N., Ni Nyoman Yuliarmi, and Nyoman Djinar Setiawina. "Empowering small industry of wood carving handicraft in Bangli district." Asia Pacific Journal of Innovation and Entrepreneurship 13, no. 1 (April 15, 2019): 121–36. http://dx.doi.org/10.1108/apjie-07-2018-0045.

Full text

Abstract:

Purpose The purpose of this study is to analyze the influence of social capital on human capital; the effect of social capital on transaction costs; the influence of social capital, human capital and transaction costs on empowerment; the indirect effect of social capital on empowerment through human capital; and the indirect effect of social capital on empowerment through transaction costs in Bangli Regency. Design/methodology/approach The population in this research is all wood carving business in Bangli Regency, in all districts some 366 business units. The number of respondents surveyed were 191 business units in all sub-districts. The sampling technique used is stratified random sampling, with strata of business area. Inferential analysis is preceded by using factor analysis techniques to obtain factor scores on each latent variable, followed by path analysis to answer the research objectives. Finding Based on the analysis, the following conclusions are drawn: social capital has a positive and significant impact on human resources; positive social capital and significant positive to transaction costs; social capital and human resources have a positive and significant effect while transaction costs and no significant positive effect on empowerment; human resources partially mediate the influence of social capital on empowerment; and transaction costs do not act as a variable, mediating the influence of social capital on empowering small woodcraft industry in Bangli Regency. Originality/value This study is one of the few to investigate the role of social capital, human capital and transaction cost on empowerment of small industries, especially wood carving in Bangli District. This small woodcraft industry is famous for its uniqueness that characterizes Balinese carving ornaments. But lately, the productivity of handicrafts wood carving, especially in Bangli District, fluctuates tend to decline. Social capital, in addition to human capital and technology, also plays an important role in the production process. Social capital equals other physical capital and can increase productivity and economic efficiency. Higher social capital owned by individuals or groups can reduce transaction costs; thus economic activity can run efficiently. Social capital is the information, trust and norms of reciprocity inherent in social networks.

APA, Harvard, Vancouver, ISO, and other styles

12

Eunice, Kibiro, and Muhoro Grieveesbon Mwangi. "HANDICRAFT INDUSTRY CHALLENGES AND OPPORTUNITIES IN CULTURAL TOURISM DEVELOPMENT IN MACHAKOS COUNTY, KENYA." International Journal of Tourism & Hospitality Reviews 5, no. 2 (January 26, 2019): 265–75. http://dx.doi.org/10.18510/ijthr.2018.524.

Full text

Abstract:

Purpose: This study investigated the roles of handicraft industries in cultural tourism development in Machakos County. Machakos County is home to Kenya’s oldest and biggest handicraft industry. The handicraft industry comprises of wood carvers and basket weavers in Mwala and Yatta constituencies’. Methodology: The study utilized qualitative research approach using an exploratory research design. The study population composed of wood carvers, craft cooperative officials and basket weavers drawn from two weavers’ community organizations in Machakos County. These are Yatta South Women Group and Muli Kyondo. The study employed unstructured interviews where focus group discussions, in-depth face to face interview were utilized to gather views directly from the respondents. Qualitative content analysis was used to analyze the data. Main findings: The findings of the research revealed that cultural resources have long been providing employment for the local community. Implications: The study, therefore, recommends that both the national and local government should collaborate with the local community in development and planning of cultural resources so as to ensure sustainability of the industry. This would, in turn, increase the competitiveness of Machakos County as a tourist destination. Novelty: Kenya’s tourism and in particular Machakos cultural tourism product plays a vital role both in the rural areas as well as in urban areas in ensuring sustainability of resources in a number of ways that include social-cultural, economic as well as environmental.

APA, Harvard, Vancouver, ISO, and other styles

13

Anggriani, Swastika Dhesti, Lisa Sidyawati, and Abdul Rahman Prasetyo. "Kerajinan Kayu Ornamen Cukli dengan Teknik Mozaik untuk Menambah Nilai Estetik." INVENSI 6, no. 1 (May 25, 2021): 65–78. http://dx.doi.org/10.24821/invensi.v6i1.4441.

Full text

Abstract:

Artikel ini bertujuan untuk menambah nilai fungsi (multifungsi) pada produk kerajinan kayu dengan menambahkan ornamen kerang cukli. Produk kerajinan yang digunakan adalah nampan dan sendok-garpu dari material kayu. Ornamen ditambahkan pada permukaan kayu dengan mengaplikasikan material kerang cukli. Pemilihan produk nampan dan sendok-garpu kayu didasari dari melimpahnya material kayu di Indonesia dan produk kayu dinilai relatif mudah untuk dikombinasikan dengan material lain dengan menggunakan teknik mozaik. Metode yang digunakan adalah metode perancangan yang meliputi tahap eksplorasi, perancangan, dan perwujudan. Hasil yang diproleh adalah karya kerajinan kayu nampan dan sendok-garpu yang telah diberi ornamen dari kerang cukli. Hasil karya kerajinan memiliki banyak fungsi/multifungsi setelah diberi ornamen dari kerang cukli. Cukli Ornament Wood Craft with Mosaic Techniques to Add Value to the Function ABSTRACTThis article aims to add value to the function (multifunction) of wooden handicraft products by adding ornament from cukli shells material. Craft products used are wooden trays and cutlery. Ornaments are added to the surface of the wood by applying cukli shell material. The selection of wooden trays and cutlery is based on the abundance of wood materials in Indonesia and wood products are considered relatively easy to combine with other materials using mosaic techniques. The method used is the design method which includes the exploration, design, and embodiment stages. The results obtained are the work of woodcraft trays and cutlery that have been given ornaments from cukli shells material. The handicraft works have many functions (multifunction) after being given ornamentation from cukli shells material.

APA, Harvard, Vancouver, ISO, and other styles

14

Reza, Mohammad, and Fardiah Qonita Ummi Naila. "Kajian Komoditas Unggulan Kehutanan dalam Mendukung Industri Kreatif Batik Kayu Kabupaten Gunungkidul." Journal of Regional and Rural Development Planning 4, no. 3 (October 31, 2020): 186–94. http://dx.doi.org/10.29244/jp2wd.2020.4.3.186-194.

Full text

Abstract:

Identification of Leading Forest Commodities in Supporting ‘Batik’ Wood Creative Industry in Gunungkidul Regency The forestry sector is one of the sectors that has a role in increasing revenue in Gunungkidul Regency, contributing more than a quarter of the regency’s GRDP with main commodities of mahogany, acacia, and sengon. With a forest area of 56,592 Ha, it is possible for Gunungkidul Regency to produce large amounts of wood. Wood produced in Gunungkidul Regency are processed into wood-derived products in the form of wooden batik handicrafts, with an average annual turnover of Rp 4,134,801,000.00. This study aims to identify leading commodities using Location Quotient method and to provide land suitability factor for forestry commodities as batik wood industry raw material. Secondary data and primary data are used in this study. Secondary data were obtained through data collection from related institutions, such as the Office of Cooperatives and SMEs of Gunungkidul Regency and Gunungkidul Regency in Figures, Meanwhile, primary data were sourced from interviews. From the results of the study, it was concluded that mahogany and acacia are leading commodities compared to sengon. The implications of this research are expected to be input for the formulation of local government strategies, as well as for batik wood craft producers concentrated at Patuk District in developing the creative economy sector using raw material from Gunungkidul Regency.

APA, Harvard, Vancouver, ISO, and other styles

15

Putra, Wirmie Eka, and Lutfi Lutfi Lutfi. "ANALISIS KINERJA KEUANGAN INDUSTRI KREATIF DI KOTA JAMBI PASCA ACFTA DAN AIFTA." Jurnal Manajemen Terapan dan Keuangan 6, no. 3 (December 10, 2017): 147–54. http://dx.doi.org/10.22437/jmk.v6i3.4249.

Full text

Abstract:

This research aims to determine the difference of sales and profit levels of creative industries in Jambi City before and after the application of ACFTA and AIFTA. This research was conducted in Jambi city whose data come from creative industry actor registered as member of Dekranasda of Jambi City, coming from various creative industries in Jambi city. The creative industries in Jambi include Jambi batik handicraft, Jambi songket, wood craft, batik scrap handicraft and crafts of old and silver coin accessories. This research is designed as quantitative research with survey method to creative industry players in Jambi City. The method used in sampling this study using convenience sampling with the number of samples of 36 creative industry players. Data analysis using different test Paired sample T test. The results of this study indicate that: (1) There is a difference of creative industry sales rate in Jambi city before and after ACFTA and AIFTA, and (2) There is a difference of creative industry profit rate in Jambi city before and after ACFTA and AIFTA.

APA, Harvard, Vancouver, ISO, and other styles

16

Manik, Asiman M., Henderina J. Keiluhu, Suriani Br Surbakti, and Sara Yuliana. "Etnobotani Kayu Khombow (Ficus spp.) di Kampung Asei, Distrik Sentani Timur, Jayapura." JURNAL BIOLOGI PAPUA 14, no. 1 (May 16, 2022): 1–10. http://dx.doi.org/10.31957/jbp.1104.

Full text

Abstract:

The use of Khombow bark (Ficus spp.) for traditional handicrafts is a form of forest product utilization by the Sentani community in East Sentani District, Jayapura. The purpose of this study was to identify the types of Khombow wood used by the Sentani Tribe in Kampung Asei Jayapura and to reveal the ethnobotanical aspects of the Khombow tree. Ethnobotanical data were collected by interviewing of Khombow bark collectors and craftsmen from the village, while observations on the species of Khombow wood by identifying specimens collected in the forest around Kampung Asei which were followed by purposive observation of their distribution. The results showed that there are two types of Khombow wood that are often used by residents as raw materials for bark crafts, namely the red Khombow (Ficus nodosa Teijsm & Binn.) and the white Kombow (Ficus variegata Blume). Red kombow wood is easier to find during observation than white Khombow wood, thought to be a result of overharvesting in the previous time and its ease of processing. The traditional use of Khombow wood is preceded by smoothing the fibers and drying before being painted according to traditional motifs, using a variety of dyes from natural and artificial materials that have been widely sold. Over time, the use of Khombow bark by the Sentani community has become increasingly diverse into craft materials such as hats, bags, other decorations, shifting from just traditional clothing materials.Key words: ethnobotany; Ficus spp.; Sentani; wood fiber; traditional crafts.

APA, Harvard, Vancouver, ISO, and other styles

17

Musfiroh, Hafshoh. "Kajian komparatif perancangan dan produksi peralatan saji (Studi kasus CV Estetika Indonesia)." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 3, no. 8 (July 22, 2020): 261–68. http://dx.doi.org/10.24821/productum.v3i8.3326.

Full text

Abstract:

The purpose of this study was to find out: (1) Comparison of the process of designing and producing serving serveware from wood and clay materials in CV Estetika Indonesia. (2) Types of food serveware products at CV Aesthetic Indonesia. (3) Comparison of design aspects of food and wood products from clay in CV Estetika Indonesia. This research was carried out at CV Estetika Indonesia and wood suppliers in Putat Wetan Village and Clay suppliers in Melikan Village, Klaten from 10 May to 10 June 2019. This study used a descriptive comparative method with a qualitative approach. The data used in this study are qualitative data with data sources in the form of informants, documents, observations, interviews, and documentation. Based on the results of the study it can be concluded: (1) The process of designing design serveware at CV Estetika Indonesia refers to the briefs given by the buyer. The process of designing food serveware products with wood material is carried out with machines so that it is more in line with the concept of the mass product or industrial products. While clay products are more directed at handicrafts because the products are produced manually using hands. (2) Types of fast food products CV Aesthetics of wood and clay materials include trays (tray), plates (cutting board), bowls (bowls), plates (plates), glass (glass), and coasters (coasters). (3) Design comparisons of serving serveware products include the design process, style and theme, finishing, color, ergonomics, and packaging.

APA, Harvard, Vancouver, ISO, and other styles

18

Islamiati, Dian, Evy Wardenaar, and Gusti Hardiansyah. "PEMANFAATAN HASIL HUTAN BUKAN KAYU SEBAGAI PENGHASIL KERAJINAN ANYAMAN OLEH MASYARAKAT DESA NIPAH KUNING KECAMATAN SIMPANG HILIR KABUPATEN KAYONG UTARA." JURNAL HUTAN LESTARI 10, no. 1 (June 18, 2022): 146. http://dx.doi.org/10.26418/jhl.v10i1.53352.

Full text

Abstract:

Non-timber forest products are biological forest products, both vegetable and animal along with their derivative and cultivation products, except wood originating from the forest. The purpose of this study was to obtain the types of non-timber forest products used for woven handicrafts and how to manage them. This research was conducted in Nipah Kuning Village, Simpang Hilir District, North Kayong Regency for four weeks. This study uses a survey method (in-depth interview) by using provosive sampling to determine the respondents. Data collected by interview, observation, and documentation. The results show that there are three types of plants that are used by the communities for weaving crafts, namely bamboo (Schizosstzchyum zolligeri steud), nipah (Nypa fruticans), pandanus (Pandanus tectorius). This type of plant is used as a raw material for woven crafts. Reed / Bamboo is used as basket and nyiru products. Nipah leaves are made for leaf roofing products and baskets. Pandan leaves are made for woven mats and bags.Keywords: Non-Wood Forest Products, Types of Plants, Woven Handicrafts AbstrakHasil hutan bukan kayu adalah hasil hutan hayati baik nabati maupun hewani beserta produk turunan dan budidayanya kecuali kayu yang berasal dari hutan. Tujuan penelitian ini untuk mendapatkan jenis-jenis hasil hutan bukan kayu yang dimanfaatkan untuk kerajinan tangan anyaman dan cara pengelolahanya. Penelitian ini dilaksanakan di Desa Nipah Kuning Kecamatan Simpang Hilir Kabupaten Kayong Utara selama empat minggu. Penelitian ini menggunakan metode survey (wawancara mendalam) dengan menggunakan purposive sampling untuk menentukan responden. Pengumpulan data dilakukan dengan wawancara, observasi, dan dokumentasi. Hasilnya menunjukkan bahwa ada tiga jenis tumbuhan yang dimanfaatkan masyarakat untuk kerajinan anyaman yaitu bambu (Schizosstzchyum zolligeri steud), nipah (Nypa fruticans wurmb), pandan (Pandanus tectorius parkinson). Jenis tumbuhan ini digunakan sebagai bahan baku kerajinan anyaman. Buluh / Bambu dijadikan produk bakul dan nyiru. Daun nipah dibuat menjadi produk atap daun dan bakul. Daun pandan dibuat menjadi produk anyaman tikar dan tas.Kata Kunci: Hasil Hutan Bukan Kayu, Jenis Tumbuhan, Kerajinan Tangan Anyaman

APA, Harvard, Vancouver, ISO, and other styles

19

Iswanto Suwarno, Robbi Rahim, Mohammad Aljanabi, Muhammad Ahmad Baballe, Omar Tanane, Irfan Ahmad, and Erwin L. Rimban. "Empowerment of Msmes by Optimizing Marketing of Local Products in Muntuk Hamlet with Digital Marketing." Jurnal Pengabdian dan Pemberdayaan Masyarakat Indonesia 1, no. 10 (December 3, 2021): 429–36. http://dx.doi.org/10.59247/jppmi.v1i10.50.

Full text

Abstract:

Muntuk Village is located in Dlingo District, Bantul Regency, Special Region of Yogyakarta. Muntuk Village is located in the east of Bantul City. Meanwhile, most of the residents of Dusun Muntuk work as day laborers, farmers, gardeners, wood and bamboo craftsmen. The majority of the population of Muntuk Hamlet work as wood craftsmen (furniture) and bamboo (woven) craftsmen. However, there are also those who work as farmers and traders, but that is only a side job because their main job is wood and bamboo craftsman. The people of Muntuk Village, the majority of whom work as wood craftsmen (meuble) and bamboo craftsmen (anyman) have problems, namely the lack of knowledge and understanding and access to promote these handicraft products using social media, resulting in less than optimal sales and the community's income does not develop. To overcome this, the local government can increase the entrepreneurial potential of the Muntuk Village community through micro and cultural policies, providing facilities, providing education and knowledge to the community in collaboration with surrounding campuses. The government also needs to pay attention to entrepreneurs so that they can use social media as a marketing medium so that they can expand the market more broadly which will ultimately help the economy of the Muntuk Village community.

APA, Harvard, Vancouver, ISO, and other styles

20

Syafwandi, Syafwandi, Danu Setyo Sembodo, Agyanata Tua Munthe, and Agung Sumarno. "Analysis of The Use of Sawdust Waste As Concrete Mixture Add Material Against Workability and Compressive Strength Concrete With Three Concrete Treatment Methods." International Journal of Engineering, Science and Information Technology 1, no. 2 (April 4, 2021): 81–87. http://dx.doi.org/10.52088/ijesty.v1i2.109.

Full text

Abstract:

Wood management activities that are often encountered, as in wood cutting activities in the manufacture of wooden handicrafts, basically after this activity can become a problem, namely sawdust waste, where this waste if left for so long will be a big problem and have an impact on the environment. One solution that can be used for the problem of sawdust waste is to mix this sawdust waste into a concrete mixture. This sawdust waste can be used in concrete mixtures because of the cellulose content in sawdust waste which can affect the compressive strength value with different concrete treatment methods (curing) and slump of concrete. In this research included into experimental research with wood used is wood kamper samarinda, from the leftover cutting of wood frames from craftsman wood UD. kembang Arum in Bekasi, West Java. Using sawdust waste with a size that passes through sieve No.4 (passes through a 4.75 mm) with variaes addition of 0 kg/m3 , 1 kg/m3 dan 1,5 kg/m3, as well as testing with a concrete mixture that has a mix design of 35 MPa f'c which is inserted into the test object in the form of a cylinder with a diameter and height of 15 and 30 cm which is then for the treatment method done by three different methods. The addition of saw dust waste with a varies of 1 kg/m3 dan 1,5 kg/m3 to the concrete mixture makes the slump and workability values decrease, but the slump value obtained is still in accordance with slump value plan. and for compressive strength values with an addition variation of 1 kg / m3 and 1.5 kg / m3 , The compressive strength value changes from the normal compressive strength value of concrete and the effect of the treatment method also affects the compressive strength value obtained.

APA, Harvard, Vancouver, ISO, and other styles

21

Shaik Hussain, Shaik Azahar, and Athirah Shahira'a Abdullah. "Aesthetics of the Bidayuh Community Kasah Mat Annah Rais Longhouse." Malaysian Journal of Social Sciences and Humanities (MJSSH) 7, no. 11 (November 30, 2022): e001904. http://dx.doi.org/10.47405/mjssh.v7i11.1904.

Full text

Abstract:

Kasah mat or Kelasah mat is one of the handicrafts known in the Bidayuh ethnic group. Weaving the Kasah mat is a heritage art made of rattan and woven using wood bark. This study is about the aesthetics of Kelasah mat of the Bidayuh community located in Annah Rais Longhouse. Annah Rais Longhouse is a village located in the foothills of the Borneo Highlands and must -visit tourism which are located near Kuching; Sarawak Therefore, the focus of this study is the material of mat production. This study was conducted with qualitative method and interviewed the residents of this longhouse also known as the producer of this Kasah mat. The study revealed that besides concentrating on reviving the culture value, the community of Bidayuh can generated their income through selling this culture product. As a conclusion, the materials used by the manufacturer is to highlight the aesthetics of a mat that is the pride of the Bidayuh people.

APA, Harvard, Vancouver, ISO, and other styles

22

Maulita, Karil, Sri Indah Nikensari, and Saparudin Mukhtar. "Competitiveness of Export-Based Small and Medium Industries (IKM): Case Study of Creative in DKI Jakarta." Equity: Jurnal Ekonomi 9, no. 1 (December 28, 2021): 21–37. http://dx.doi.org/10.33019/equity.v9i1.59.

Full text

Abstract:

Ministry of Industry assesses that the processing industry is still consistently contributing the most tothe achievement of export value national. There are manufacturing industry sectors that have achieved lowscores on the contribution of export value. Namely the apparel industry, wood industry, and industrialfurniture. There are obstacles and problems for the three industries to increase export value. The problem isthe low competitiveness of the three industries in exporting. This study aims to analyze and see thecondition of the competitiveness of the Small and Medium Creative Industry in the KI Jakarta basedon exports from the supply-side analysis. This research is qualitative research using interview and surveymethods. The samples of this research were Furniture / Furniture IKM, Batik IKM, and Handicraft IKMwhich succeeded in contributing the export contribution value to IKM. The results of this study indicate thatthe conditions of the three creative SMIs in Jakarta have different capabilities and strategies in contributing toexport value. Based on the results of the SWOT and SPACE matrix analysis, a special strategy is needed toincrease competitiveness. Among them, the right strategies are Furniture IKM and Handicraft IKM located inthe quadrant size “aggressive” which indicates that the Furniture IKM in DKI Jakarta is in a very goodposition in using its internal strength. Therefore, the strategies suitable for use by IKM Furniture in DKI Jakartainclude market penetration strategy, market development, product development, backward integration, forwardintegration, horizontal integration, or diversification. Meanwhile, IKM Batik is in the quadrant position“Conservative” which indicates that IKM Batik is in a low or weak competitive position and must improve thecompany's strategic position to have strong competitiveness.

APA, Harvard, Vancouver, ISO, and other styles

23

Mendonça Silva, Geislayne, and Claudete Catanhede do Nascimento. "Use of wood waste from Amazonian tree species for the manufacture of products with regional identity." International Journal for Innovation Education and Research 9, no. 1 (January 11, 2021): 66–76. http://dx.doi.org/10.31686/ijier.vol9.iss1.2869.

Full text

Abstract:

Based on the problem of the quantity of wood waste generated by the timber milling process in sawmills in the state of Amazonas and the possibility of manufacturing products using this material, the aim of this study was to develop a product with regional identity made from this wood waste. The research process involved analysis of cultural issues in the North Region of Brazil and the quantity and quality of wood waste present in the Wood Engineering and Artefacts Laboratory (LEAM/INPA). This wood was donated by the company Mil Madeireira, located in the municipality of Itacoatiara in the state of Amazonas. Assessment of the regional themes of northern Brazil found that animals are represented in many products. This is especially true for handicrafts, where artisans seek to represent animals typical of the region in carvings, paintings, sewing and other crafts. As a result, a mood board was created with images of the most popular animals in the North region. The product was developed from hand drawings and 3D modeling to check the relationship between the pieces. Later, a physical prototype was developed using sawmill waste from the species Peãozinho (Micrandropsis sclerorylum W. Rodr), Cardeiro (Scleronemoma micranthum) and Mandioqueira (Qualea paraenses), after their classification. Based on the quality and quantity of waste generated from milling, one of the proposed alternatives was a coffee table called Arara (Macaw). The coffee table consists of 5 (five) pieces: 4 (four) of wood and 1 (one) of glass. In search of satisfactory results, this idea arose based on two factors: the aesthetic and emotional appeal, and modularity. The product was generated from analysis of elements of the northern Brazilian regional identity and the classification of waste from milling of certified wood and forestry residues. It has been observed that much of the wood is discarded or is burned to generate energy. In addition to the amount of wood wasted, two other factors were also analyzed: the first is the possibility of generating value through the culture of the northern region, specifically that of the state of Amazonas, through the manufacturing of products, and the second is to leverage the production of the wood industry. The product is easy to construct and the process can be taught to third parties, since the technical details are presented so as to facilitate its large-scale production.

APA, Harvard, Vancouver, ISO, and other styles

24

Maulita, Karil. "Competitiveness of Export-Based Competitiveness of Export-Based Small and Medium Industries (IKM): Case Study of Creative in DKI Jakarta." Equity: Jurnal Ekonomi 9, no. 1 (June 28, 2021): 21–37. http://dx.doi.org/10.33019/equity.v9i1.58.

Full text

Abstract:

Ministry of Industry assesses that the processing industry is still consistently contributing the most to the achievement of export value national. There are manufacturing industry sectors that have achieved low scores on the contribution of export value. Namely the apparel industry, wood industry, and industrial furniture. There are obstacles and problems for the three industries to increase export value. The problem is the low competitiveness of the three industries in exporting. This study aims to analyze and see the condition of the competitiveness of the Small and Medium Creative Industry in the KI Jakarta based on exports from the supply-side analysis. This research is qualitative research using interview and survey methods. The samples of this research were Furniture / Furniture IKM, Batik IKM, and Handicraft IKM which succeeded in contributing the export contribution value to IKM. The results of this study indicate that the conditions of the three creative SMIs in Jakarta have different capabilities and strategies in contributing to export value. Based on the results of the SWOT and SPACE matrix analysis, a special strategy is needed to increase competitiveness. Among them, the right strategies are Furniture IKM and Handicraft IKM located in the quadrant size “aggressive” which indicates that the Furniture IKM in DKI Jakarta is in a very good position in using its internal strength. Therefore, the strategies suitable for use by IKM Furniture in DKI Jakarta include market penetration strategy, market development, product development, backward integration, forward integration, horizontal integration, or diversification. Meanwhile, IKM Batik is in the quadrant position “Conservative” which indicates that IKM Batik is in a low or weak competitive position and must improve the company's strategic position to have strong competitiveness

APA, Harvard, Vancouver, ISO, and other styles

25

Sukesi, Keppi, and Jedda Ayu Inggrida. "The Changes of Economic Structure and Poverty of Women Migrant Worker in Majangtengah Village." MIMBAR : Jurnal Sosial dan Pembangunan 35, no. 2 (December 31, 2019): 360–70. http://dx.doi.org/10.29313/mimbar.v35i2.4899.

Full text

Abstract:

The problem of poverty in the rural area of Java is a structural and cultural problem in multidimensional aspects. This research attempts to discern the women migrant workers (WMW) contribution to change their origin, the village they live, so that the WMW family is able to fulfill the needs for a worthy life and later increases the welfare of the village. This research was conducted in Majangtengah Village, Dampit, Malang District. It analyses the economic and poverty condition using a mixed-method, both qualitative and quantitative. The poverty level in the village of sender’s of WMW has changed over 30 years. There is no longer poverty in this village which can be seen from the resident house, source of drinking water, facilities of village infrastructure, including the means of worship and Islamic religious school, Madrasah. The WMW has a substantial contribution to their village. There is no unemployment; the children can get their education; the husband can create jobs outside the farm such as being a driver, open stalls/shops, make handicrafts from wood/bamboo, and establish a productive household business.

APA, Harvard, Vancouver, ISO, and other styles

26

Kurniawan, Achendri M. "PENAMBAHAN ABU PADAM SERBUK KAYU MAHONI SISA PEMASAKAN TAHU SEBAGAI BAHAN IMBUH PASIR DALAM MENINGKATKAN KUAT TEKAN BATA RINGAN." Jurnal Qua Teknika 8, no. 1 (March 28, 2018): 42–53. http://dx.doi.org/10.35457/quateknika.v8i1.501.

Full text

Abstract:

Â Blitar city experienced a fairly rapid development in the field of trade. One of them is handicraft industry from wood, especially kendang jimbe. The area that is quite famous as a producer of jimbe kendang is Tanggung Village, Kepanjenkidul Subdistrict, Blitar City. In this area most of the people work as kendang craftsmen, is also a center of handicraft lathe in Blitar City. Basically, Blitar people earn from this activity, in this case people can not make good use of the rest of the activity, especially the utilization of ash of burning of mahogany powder. Of the abundant ash of the combustion of mahogany wood is expected to be used as an additional mixture of lightweight concrete. The method used in this study using laboratory experiments and guided on SNI 03-0691-2000. Mixture of mahogany ash dust, and know the compressive strength of lightweight brick with dust ash material as added sand material 0%, 25%, 50%. From this comparison can be generated as follows: The use of ash of dried mahogany ash adds fine aggregate material (sand) in concrete brick mixture at 7 days old for 0% mixture is 3.28 MPa. Strong press for substitution 25% wood ash larger 26,37% that is 4,14 MPa and object of test with substitution 50% decrease 12,46% that is 2,87 MPa.Â Kota Blitar mengalami perkembangan yang cukup pesat di bidang perdagangan. Salah satunya adalah industri kerajinan dari kayu, terutama kendang jimbe. Daerah yang cukup terkenal sebagai penghasil jimbe kendang adalah Desa Tanggung, Kecamatan Kepanjenkidul, Kota Blitar. Di daerah ini sebagian besar orang bekerja sebagai pengrajin kendang, juga merupakan pusat kerajinan bubut di Kota Blitar. Pada dasarnya, orang Blitar mendapatkan dari kegiatan ini, dalam hal ini orang tidak dapat memanfaatkan sisa kegiatan, terutama pemanfaatan abu pembakaran serbuk mahoni. Dari abu yang melimpah dari pembakaran kayu mahoni diharapkan dapat digunakan sebagai campuran tambahan beton ringan. Metode yang digunakan dalam penelitian ini menggunakan eksperimen laboratorium dan dipandu pada SNI 03-0691-2000. Campuran debu abu mahoni, dan mengetahui kekuatan tekan bata ringan dengan material abu debu sebagai bahan pasir tambahan 0%, 25%, 50%. Dari perbandingan ini dapat dihasilkan sebagai berikut: Penggunaan abu abu mahoni kering menambah bahan agregat halus (pasir) dalam campuran bata beton pada umur 7 hari untuk campuran 0% adalah 3,28 MPa. Pers yang kuat untuk substitusi 25% abu kayu lebih besar 26,37% yaitu 4,14 MPa dan objek uji dengan substitusi 50% turun 12,46% yaitu 2,87 MPa.

APA, Harvard, Vancouver, ISO, and other styles

27

Kurniawan, Achendri M. "PENAMBAHAN ABU PADAM SERBUK KAYU MAHONI SISA PEMASAKAN TAHU SEBAGAI BAHAN IMBUH PASIR DALAM MENINGKATKAN KUAT TEKAN BATA RINGAN." JURNAL QUA TEKNIKA 8, no. 1 (March 28, 2018): 42–53. http://dx.doi.org/10.30957/quateknika.v8i1.501.

Full text

Abstract:

Blitar city experienced a fairly rapid development in the field of trade. One of them is handicraft industry from wood, especially kendang jimbe. The area that is quite famous as a producer of jimbe kendang is Tanggung Village, Kepanjenkidul Subdistrict, Blitar City. In this area most of the people work as kendang craftsmen, is also a center of handicraft lathe in Blitar City. Basically, Blitar people earn from this activity, in this case people can not make good use of the rest of the activity, especially the utilization of ash of burning of mahogany powder. Of the abundant ash of the combustion of mahogany wood is expected to be used as an additional mixture of lightweight concrete. The method used in this study using laboratory experiments and guided on SNI 03-0691-2000. Mixture of mahogany ash dust, and know the compressive strength of lightweight brick with dust ash material as added sand material 0%, 25%, 50%. From this comparison can be generated as follows: The use of ash of dried mahogany ash adds fine aggregate material (sand) in concrete brick mixture at 7 days old for 0% mixture is 3.28 MPa. Strong press for substitution 25% wood ash larger 26,37% that is 4,14 MPa and object of test with substitution 50% decrease 12,46% that is 2,87 MPa. Kota Blitar mengalami perkembangan yang cukup pesat di bidang perdagangan. Salah satunya adalah industri kerajinan dari kayu, terutama kendang jimbe. Daerah yang cukup terkenal sebagai penghasil jimbe kendang adalah Desa Tanggung, Kecamatan Kepanjenkidul, Kota Blitar. Di daerah ini sebagian besar orang bekerja sebagai pengrajin kendang, juga merupakan pusat kerajinan bubut di Kota Blitar. Pada dasarnya, orang Blitar mendapatkan dari kegiatan ini, dalam hal ini orang tidak dapat memanfaatkan sisa kegiatan, terutama pemanfaatan abu pembakaran serbuk mahoni. Dari abu yang melimpah dari pembakaran kayu mahoni diharapkan dapat digunakan sebagai campuran tambahan beton ringan. Metode yang digunakan dalam penelitian ini menggunakan eksperimen laboratorium dan dipandu pada SNI 03-0691-2000. Campuran debu abu mahoni, dan mengetahui kekuatan tekan bata ringan dengan material abu debu sebagai bahan pasir tambahan 0%, 25%, 50%. Dari perbandingan ini dapat dihasilkan sebagai berikut: Penggunaan abu abu mahoni kering menambah bahan agregat halus (pasir) dalam campuran bata beton pada umur 7 hari untuk campuran 0% adalah 3,28 MPa. Pers yang kuat untuk substitusi 25% abu kayu lebih besar 26,37% yaitu 4,14 MPa dan objek uji dengan substitusi 50% turun 12,46% yaitu 2,87 MPa.

APA, Harvard, Vancouver, ISO, and other styles

28

Ollivia, Ollivia, Zulfahita Zulfahita, Nurul Anjani Diah Azizah, Nanda Nuryadi, and Witri Witri. "MAKING OF BOHEMIAN SKY DECORATION (FRINGE BOHEMIAN)." JURNAL TERAPAN MANAJEMEN DAN BISNIS 6, no. 1 (March 30, 2020): 1. http://dx.doi.org/10.26737/jtmb.v6i1.2207.

Full text

Abstract:

For the student creativity program in this entrepreneurship class, we run a business program for hanging ornaments made of rope. We give this business the name of Making a Bohemian Ceiling Decoration (Fringe Bohemian). This Bohemian Ceiling Decoration is a craft made from rope. The rope used can be various as desired, such as rope, wool rope, plastic rope, etc. But we are here using the basic material of wool rope. This handicraft business aims to increase creativity and be innovative in entrepreneurship, especially for young entrepreneurs. The hanging decoration business from this rope is easy in the manufacturing process but it takes time and requires patience in making it and the materials needed to make this decoration easy to get. The form of our business is still in an individual stage only. We do not yet have official permission from the government, because this business is still new and is still trying to enter the business world. In the future, if this business can get extraordinary profits and have enough customers, then we will increase this business to be even bigger. Many factors need to be considered in order to advance this Bohemian Ceiling Decoration business. Important factors that must be considered in order to advance this business include choosing the right location, a good marketing strategy and determining affordable prices in the community. If all the factors above can be planned properly, it will be able to make this business grow well. For this reason, it is necessary to make a business plan as a reference in accelerating the business of making Bohemian Ceiling Decorations (Bohemian Fringe).

APA, Harvard, Vancouver, ISO, and other styles

29

Veronika, Agis, Kadenun Kadenun, and Wahyudi Wahyudi. "Tinjauan Hukum Islam terhadap Praktik Uang Kethip di Pasar Dhoplang Desa Pandan Slogohimo Wonogiri." Social Science Academic 1, no. 1 (July 13, 2023): 129–36. http://dx.doi.org/10.37680/ssa.v1i1.2906.

Full text

Abstract:

Buying and selling is exchanging assets for assets in a certain way or exchanging something that is desired in a commensurate way through certain ways that are useful. Buying and selling transactions are activities that are permissible in Islam based on the Koran, hadith, and the consensus of the Ulama. In transactions at the Dhoplang Market, buyers are required to exchange rupiah into coins made of wood, this money is called kethip money and the place to exchange it is in a place to exchange money or called a place where money is exchanged. The data sources for this research are primary data sources where the data is obtained from buying and selling parties in the market and secondary data sources, namely data sources obtained from notes and books and are already related to the problems the author is researching. The method used by the author to collect information and data is using observation, interviews and documentation, as well as data analysis techniques using deductive analysis. The conclusion that can be drawn from this Kethip money is money made of wood and the nominal value is the same as the rupiah currency used in everyday life. How to use it, the buyer exchanges rupiah for kethip money, that is, exchanges it first at the place where the money is collected, after which the buyer can spend whatever has been provided by the seller, namely food, drinks and handicrafts. Transaction practices at the Dhoplang Market have fulfilled the pillars and conditions and legal status in Islam may be used.

APA, Harvard, Vancouver, ISO, and other styles

30

Kaur, Perminder Jit, Preity Yadav, Manyata Gupta, Vinita Khandegar, and Arinjay Jain. "Bamboo as a source for value added products: Paving way to global circular economy." BioResources 17, no. 3 (May 25, 2022): 5437–63. http://dx.doi.org/10.15376/biores.17.3.kaur.

Full text

Abstract:

Bamboo biomass is known for its low cost, abundance, fast growth rate, low weight-to-height ratio, and load-bearing abilities, making it an attractive alternative to materials such as wood, metal, steel, and plastic for multiple applications. Bamboo is traditionally used in handicrafts, food, building, construction, pulp, and paper. The production of energy and green adsorbents with unique properties are a few emerging applications of bamboo. Porous structured, bamboo-based charcoal allows the separation of solute from solvent and can be used to detoxify the air, water, and soil. The surface functional groups can be enhanced during thermal processing, yielding activated carbon products and serving greenhouse gas capturing applications. Nanoparticle particles (Ni0.5Zn0.5Fe2O4 and silver) coated bamboo charcoal has shown microwave and Infrared energy shielding effects. Bamboo-based charcoal also has exceptional medicinal values, is an efficient drug-delivery agent, and has tremendous potential for small and medium enterprises. Bamboo charcoal is also investigated as a toxin adsorber and hence a blood purifier. This review also considers the potential and challenges in using bamboo and its products for many applications that can contribute to a renewable society.

APA, Harvard, Vancouver, ISO, and other styles

31

Ratna Gumilang, Risa. "IMPLEMENTASI DIGITAL MARKETING TERHADAP PENINGKATAN PENJUALAN HASIL HOME INDUSTRI." Coopetition : Jurnal Ilmiah Manajemen 10, no. 1 (August 14, 2019): 9–14. http://dx.doi.org/10.32670/coopetition.v10i1.25.

Full text

Abstract:

Development of information technology is developing very faster now influencing the community in supporting various business activities both large and small to be known globally. The most obvious impact is not only being known but also increasing the volume of sales and profits. Digital Marketing is one of the very large marketing media that has an influence. By using digital marketing in this case is social media, sculpture carvings from Cipacing Bandung market the results of home industry in the form of handicrafts from a piece of unused wood carved into a unique sculpture. Initially this activity was only as a free time, but at this time it became the main activity as an increase in economic turnover in the household. Formerly the sales activities of these industrial products were conventional and traditional, they make products only on order. But after getting to know about the existence of some social cipacing residents, they have started to receive a lot of orders, so the sales volume is increasing faster compared to when selling with the old way. Digital marketing is seen as the best media as the most effective and efficient promotional tool and able to increase sales volume significantly.

APA, Harvard, Vancouver, ISO, and other styles

32

Mulyanto, Indro Herry, and Agung Prabowo. "Marketing Innovation Through Integrated Social Media in Small Bussiness Wood Artists by Karya Langit Mangunan Bantul." RSF Conference Series: Business, Management and Social Sciences 1, no. 3 (October 20, 2021): 226–35. http://dx.doi.org/10.31098/bmss.v1i3.323.

Full text

Abstract:

This study aims to design a way of marketing wooden handicraft products in the 'Karya Langit' Craftsmen Group. Product marketing originally relied on word of mouth (WOM). In this research, marketing is done using integrated social media. Marketing through integrated social media is assumed to expand the market and allow craftsmen to communicate with consumers without the constraints of distance or pandemic situations. The method used by the researcher is a qualitative method that is exploratory in nature. Exploration here is in the context of extracting material to create social media content, both images, and product creation processes. The steps taken are (1) Exploring material that will be used as content on social media; (2) Processing the material to be used as content on social media; (3) Creating promotional applications on social media; (4) Training on content creation and uploading to social media. The results showed that 'Karya Langit' woodcraft products have strength in the types of kitchen utensils and health accessories. As for the type of decoration they bring from outside. It still takes time to educate the craftsmen to promote on social media because the process, according to them, is not instant.

APA, Harvard, Vancouver, ISO, and other styles

33

Santoso, Adi, Ignasia M. Sulastiningsih, Abdurachman Abdurachman, and Rohmah Pari. "COMPATIBILITY OF SOME ADHESIVES WITH BATANG RATTAN (Calamus zollingeri Becc.) AS RAW MATERIAL OF RATTAN LAMINATED BOARD." Indonesian Journal of Forestry Research 9, no. 2 (October 31, 2022): 185–95. http://dx.doi.org/10.20886/ijfr.2022.9.2.185-195.

Full text

Abstract:

Rattan in Indonesia is traditionally utilized for furniture, binding materials, household appliances, and handicraft items. Small diameter rattans are commonly used by craftsmen, while large diameter rattans are not optimally utilized. Large diameter rattan, however, has potential to be developed into rattan laminated board (RLB) by gluing rattan strips using appropriate adhesive. Nevertheless, the information of the suitable natural adhesive for RLB production is still limited. Laboratory scale of RLBs with the dimensions of 60 cm x 7.5 cm x 1.5 cm were manufactured using batang rattan strips (Calamus zollingeri Becc.). The strips were glued with six types of adhesives (4 types of natural adhesives and 2 types of commercial synthetic adhesives) and three glue spread rates of (100, 150, and 200 g/m2) were used. The study objective was to determine the effect of rattan pre-treatments, adhesive types and glue spread rates on the bonding quality and formaldehyde emission of RLBs. The results showed that batang rattan can be processed into RLBs by using natural adhesives originating from wood bark extract (mangium, mahogany), merbau wood powder, as well as commercial synthetic adhesives such as isocyanate and polyurethane. The appropriate pre-treatment in producing RLBs for interior furniture was by applying oil heat treatment with kerosene solution (80 kerosene : 20 water) and glued with tannin adhesive of mangium bark extract with glue spread of 200 g/m2. Similarly, rattan strips treated with heated oil (80 kerosene : 20 water) and glued with polyurethane adhesive (glue spread of 200 g/m2) produced excellent RLBs for exterior furniture.

APA, Harvard, Vancouver, ISO, and other styles

34

Sugiantoro, Bambang, Sakuri Sakuri, and Hartono Hartono. "Penerapan Teknologi Epoxy Wood dan Pallet Dari Limbah Kayu Sebagai Produk Kerajinan Unik Bernilai Ekonomis Tinggi Bagi Kelompok Pengrajin di Desa Sangkanayu, Kecamatan Mrebet Kabupaten Purbalingga." Jurnal Surya Masyarakat 1, no. 1 (November 30, 2018): 12. http://dx.doi.org/10.26714/jsm.1.1.2018.12-20.

Full text

Abstract:

Purbalingga mempunyai keunggulan ketersediaan kayu yang tinggi, kondisi tanah yang kebanyakan pegunungan sangat mendukung tumbuhnya kayu keras, hampir setiap desa memiliki jumlah tanaman keras yang melimpah. Beberapa perusahaan kayu lapis dan mebelair juga banyak menginvestasikan dibidang produksi kayu lapis dan barecore di beberapa kawasan di purbalingga. UKM mebelair, kayu lapis dan kusen membutuhkan tenaga kerja yang cukup banyak, tidak membutuhkan pendidikan formal, sehingga terbuka pengentasan tenaga kerja secara umum. UKM pengrajin mebelair dan kusen kayu di Desa Sangkanayu, Kecamatan Mrebet, Kabupaten Purbalingga, membuat model berdasarkan pesanan lokal, tidak mengikuti trend furniture terbaru, memiliki kesulitan pada pembentukan model radius dan lengkung, finishing kurang halus dan waktu yang lama. Kayu dengan lubang dan tidak simetris biasanya tidak digunakan sebagai produk kusen/furnitur, limbah kayu dalam bentuk potongan secara umum tidak dimanfaatkan, padahal volume kayu limbah pada pembentukan mencapai kurang lebih 30% dari bahan baku. UKM mebelair belum memiliki pengetahuan pembentukan kayu dari limbah untuk menjadi produk kerajinan. Disamping itu pengetahuan manajeman usaha, pengelolaan keuangan, dan metode pemasaran produk juga masih rendah hanya menunggu pelanggan, mengakibatkan UKM sulit berkembang, persaingan harga antar UKM. Permasalahan pembentukan dengan menggunakan limbah kayu dan bahan baku dalam bentuk potongan digunakan untuk pembuatan kerajinan. Pembentukan ditingkatkan dengan kemampuan untuk membentuk lengkung menggunakan cutting vertical/bendsaw, untuk percepatan pembelahan menggunakan mesin TTG circle cutting. Teknologi yang diterapkan untuk pemanfaatan limbah kayu akibat kerusakan lobang, tidak lurus, akan diubah menjadi produk bernilai ekonomis tinggi, unik dengan epoxy wood resin. Metode pembentukan produk kusen dan mebelair dari kayu (limbah) akan memberikan alternatif untuk meningkatkan nilai tambah dan pendapatan, keuntungan lainnya penggunaan epoxy juga meningkatkan daya tahan, anti rayap dan bernilai ekonomis tinggi, berpotensi memiliki brand merk yang khas. Untuk penguatan manajemen, UKM dikenalkan administrasi keuangan, dan strategi pemasaran produk secara online. Solusi diatas diharapkan akan meningkatkan daya saing dan produktifitas UKM, desain produk baru dengan memanfaatkan limbah kayu untuk menjadi produk dinding kayu, dan produk epoxy wood resin, akan meningkatkan pendapatan UKM.Kata kunci: epoxy wood resin, wooden wall, circle rotary.AbstractPurbalingga has the advantage of high wood availability, the condition of the land that is mostly mountainous strongly supports the growth of hardwood, almost every village has an abundance of perennials. Several plywood and furniture companies also invested heavily in the production of plywood and barecore in several areas in Purbalingga. Furniture furniture, p lywood and sills need a lot of workforce, do not need formal education, sothere is a general elimination of labor. UKM of furniture and wood frame craftsmen in Sangkanayu Village, Mrebet Subdistrict, Purbalingga Regency, make a model based on local orders, do not follow the latest furniture trends, have difficulty in forming radius and curved models, less smooth finishing and long time. Holey and asymmetrical wood is usually not used as a frame / furniture product, wood waste in the form of pieces is generally not utilized, even though the volume of waste wood at the formation reaches approximately 30% of the raw material. Mebelair UKM has no knowledge of wood formation from waste to become handicraft products. Besides that, business management knowledge, financial management, and product marketing methods are also still low, just waiting for customers, which makes it difficult for SMEs to develop, price competition among SMEs. The problem of formation by using wood waste and raw materials in the form of pieces is used for making crafts. Formation is enhanced by the ability to form curves using vertical cutting/bendsaw, for acceleration of cleavage using circle cutting machine. The technology applied to the utilization of wood waste due to damage to the hole, not straight, will be converted into high economic value products, unique with epoxy wood resin. The method of forming frame and furniture products from wood (waste) will provide an alternative to increase added value and income, other benefits of using epoxy also increase durability, anti termites and high economic value, potentiallyhaving a distinctive brand brand. To strengthen management, SMEs are introduced to financial administration, and online product marketing strategies. The above solution is expected to improve the competitiveness and productivity of SMEs, the design of new products by utilizing wood waste to become wood wall products, and epoxy wood resin products, will increase the income of SMEs.

APA, Harvard, Vancouver, ISO, and other styles

35

Liu, Pan-Pan, En-Ping Yu, Zong-Jian Tan, Hong-Mei Sun, Wei-Guang Zhu, Zheng-Feng Wang, and Hong-Lin Cao. "Genome Assemblies of Two Ormosia Species: Gene Duplication Related to Their Evolutionary Adaptation." Agronomy 13, no. 7 (June 29, 2023): 1757. http://dx.doi.org/10.3390/agronomy13071757.

Full text

Abstract:

Ormosia is a genus of the Fabaceae family that shows a distinct evolutionary history due to its typical Asian-American tropical disjunction distribution pattern. However, both its phylogeny and biogeographic mechanisms have not been fully resolved. In addition, Ormosia species have great economic and ecological potential in the wood and handicraft (using their attractive seeds) industries, reforestation, and folk medicine (due to their flavonoids, alkaloids, and terpenoids), making them highly valuable in research, especially from a genomic perspective. We report the genome assemblies of two common Ormosia species, Ormosia emarginata and Ormosia semicastrata, in South China, using both long and short sequencing reads. The genome assemblies of O. emarginata and O. semicastrata comprised 90 contigs with a total length of 1,420,917,605 bp and 63 contigs with a total length of 1,511,766,959 bp, respectively. Benchmarking Universal Single-Copy Orthologs (BUSCO) assessment revealed 97.0% and 98.3% completeness of the O. emarginata and O. semicastrata assemblies, respectively. The assemblies contain 48,599 and 52,067 protein-coding genes, respectively. Phylogenetic analyses using 1032 single-copy genes with 19 species indicated that they are closely related to Lupinus albus. We investigated genes related to plant hormones, signaling, the circadian rhythm, transcription factors, and secondary metabolites derived from the whole genome and tandem and proximal duplications, indicating that these duplications should play important roles in the growth, development, and defense of Ormosia species. To our knowledge, our study is the first report on Ormosia genome assemblies. This information will facilitate phylogenetic and biogeographic analyses and species breeding in the future.

APA, Harvard, Vancouver, ISO, and other styles

36

Kondakova, Tatyana. "Historical and Geographical Features of the Development of Types of Economic Regionalization of European Russia in the Late 19th – Early 20th Century." Historical Geography Journal 2, no. 3 (2023): 58–73. http://dx.doi.org/10.58529/2782-6511-2023-2-3-58-73.

Full text

Abstract:

The main objective of the study is to systematize little-studied and little-used experiences of economic regionalization based on the study of primary sources of the pre-revolutionary period (from the mid-19th to the early 20th centuries). The article identifies the features of the formation and evolution of types of economic regionalization during this period based on the analysis of historical statistical sources; a grouping of economic zoning experiences is given: private zoning, complex economic expert zoning, agricultural statistical zoning; for each group, main and auxiliary characteristics and indicators for identifying and defining areas are established; the characteristics of examples of agricultural zoning in chronological order are given in more detail; in private zoning, the division of provinces into districts is considered based on the principles of fertility and the size of the land plot per 1 male soul. When characterizing the types of complex economic zoning, the most well-known, along with little-known, types of economic zoning are shown, including industrial zoning, supplemented by division into districts based on the grouping of distilleries, by the volume of handicraft wood processing, by the volume of match production; the importance of using these indicators is shown. When characterizing agricultural zoning, the importance of statistical indicators for identifying and defining regions is shown. Experiences of comprehensive economic and agricultural zoning are systematized on a chronological basis.

APA, Harvard, Vancouver, ISO, and other styles

37

Kurniawan, Achendri M. "PENAMBAHAN ABU PADAM SERBUK KAYU MAHONI SISA PEMASAKAN TAHU SEBAGAI BAHAN IMBUH PASIR DALAM MENINGKATKAN KUAT TEKAN BATA RINGAN." JURNAL QUA TEKNIKA 8, no. 1 (March 28, 2018): 42–54. http://dx.doi.org/10.30957/quateknika.v8i1.365.

Full text

Abstract:

Blitar city experienced a fairly rapid development in the field of trade. One of them is handicraftindustry from wood, especially kendangjimbe. The area that is quite famous as a producer ofjimbekendang is Tanggung Village, KepanjenkidulSubdistrict, Blitar City. In this area most of thepeople work as kendang craftsmen, is also a center of handicraft lathe in Blitar City. Basically, Blitarpeople earn from this activity, in this case people can not make good use of the rest of the activity,especially the utilization of ash of burning of mahogany powder. Of the abundant ash of thecombustion of mahogany wood is expected to be used as an additional mixture of lightweightconcrete. The method used in this study using laboratory experiments and guided on SNI 03-0691-2000. Mixture of mahogany ash dust, and know the compressive strength of lightweight brick withdust ash material as added sand material 0%, 25%, 50%. From this comparison can be generated asfollows: The use of ash of dried mahogany ash adds fine aggregate material (sand) in concrete brickmixture at 7 days old for 0% mixture is 3.28 MPa. Strong press for substitution 25% wood ash larger26,37% that is 4,14 MPa and object of test with substitution 50% decrease 12,46% that is 2,87 MPa.Kota Blitarmengalamiperkembangan yang cukup pesat di bidang perdagangan. Salah satunya adalahindustri kerajinan dari kayu, terutama kendang jimbe. Daerah yang cukup terkenal sebagai penghasiljimbe kendang adalah Desa Tanggung, Kecamatan Kepanjenkidul, Kota Blitar. Di daerah ini sebagianbesar orang bekerja sebagai pengrajin kendang, juga merupakan pusat kerajinan bubut di Kota Blitar.Pada dasarnya, orang Blitar mendapatkan dari kegiatan ini, dalam hal ini orang tidak dapatmemanfaatkan sisa kegiatan, terutama pemanfaatan abu pembakaran serbuk mahoni. Dari abu yangmelimpah dari pembakaran kayu mahoni diharapkan dapat digunakan sebagai campuran tambahanbeton ringan. Metode yang digunakan dalam penelitian ini menggunakan eksperimen laboratoriumdan dipandu pada SNI 03-0691-2000. Campuran debu abu mahoni, dan mengetahui kekuatan tekanbata ringan dengan material abu debu sebagai bahan pasir tambahan 0%, 25%, 50%. Dariperbandingan ini dapat dihasilkan sebagai berikut: Penggunaan abu abu mahoni kering menambahbahan agregat halus (pasir) dalam campuran bata beton pada umur 7 hari untuk campuran 0% adalah3,28 MPa. Pers yang kuat untuk substitusi 25% abu kayu lebih besar 26,37% yaitu 4,14 MPa dan objekuji dengansubstitusi 50% turun 12,46% yaitu 2,87 MPa.

APA, Harvard, Vancouver, ISO, and other styles

38

Sumanto, Slamet E., and Mariana Takandjandji. "Identifikasi Pemanfaatan Hasil Hutan oleh Masyarakat: Upaya Konservasi Sumber Daya Genetik dan Sosial Budaya." Buletin Plasma Nutfah 20, no. 1 (October 12, 2016): 27. http://dx.doi.org/10.21082/blpn.v20n1.2014.p27-40.

Full text

Abstract:

Utilization of Forest Products by the Society at the Time Have Been Amended Due to Changes in Tastes and Consumption Levels of Society and Increase Social Dynamics of Society. Slamet E. Sumanto and Mariana Takandjandji. This study aims to determine patterns of utilization of forest products by communities and the pattern changes and the influence on forest management. Research conducted in Timor Tengah Selatan regency of East Nusa Tenggara. Methods of data collection using direct interview techniques, field documentation and library literature. The results showed that the general public has long recognized and use forest products for housing construction, energy and wood fences, craft materials and traditional musical instruments, a dye, and the use of other (honey bees, forest products followup likes as tamarin and walnut, as well as handicrafts). Local knowledge and utilization of local plant species should be a consideration in forest management policy in the future. AbstrakPemanfaatan hasil hutan oleh masyarakat pada saat ini telah mengalami perubahan karena perubahan selera dan tingkat konsumsi masyarakat serta peningkatan dinamika sosial masyarakat. Penelitian ini bertujuan untuk mengetahui pola pemanfaatan hasil hutan oleh masyarakat dan pola perubahannya serta pengaruhnya terhadap pengelolaan hutan. Penelitian dilakukan di Kabupaten Timor Tengah Selatan, Provinsi Nusa Tenggara Timur. Pengumpulan data menggunakan teknik wawancara langsung, dokumentasi lapang serta beberapa literatur. Hasil penelitian menunjukan bahwa secara umum masyarakat telah lama mengenal dan memanfaatkan hasil hutan untuk keperluan pembangunan rumah, kayu energi dan pagar, bahan kerajinan dan alat musik tradisional, bahan pewarna kain, serta pemanfaatan lainnya (lebah madu, hasil hutan ikutan asam dan kemiri, kerajinan tangan). Pengetahuan lokal dan pemanfaatan tumbuhan lokal seyogianya dapat menjadi pertimbangan kebijakan pengelolaan hutan di masa depan.

APA, Harvard, Vancouver, ISO, and other styles

39

Putri Dewi, Salsabiyla Rizqi. "PROSES PEMBUATAN KERAJINAN MAKRAME DESA YEH SUMBUL KECAMATAN MENDOYO KABUPATEN JEMBRANA." Jurnal Pendidikan Seni Rupa Undiksha 11, no. 3 (October 2, 2021): 113–24. http://dx.doi.org/10.23887/jjpsp.v11i3.40269.

Full text

Abstract:

AbstrakArtikel ini berjudul “ Proses Pembuatan Kerajinan Makrame Desa Yeh Sumbul Kecamatan Mendoyo Kabupaten Jembrana”. Tujuan penulisan artikel ini untuk mengetahui alat dan bahan yang digunakan dalam proses pembuatan makrame, dan untuk mengetahui proses pembuatan makrame serta hasil akhir dan proses pemasaran kerajinan makrame di Desa Yeh Sumbul Kecamatan mendoyo Kabupaten Jembrana. Sumber data diperoleh melalui tahap observasi dan wawancara terhadap pemilik kerajinan, pengrajin setempat kemudian data diolah dengan model Miles dan Huberman (1984) yakni dengan mereduksi data, menyajikan data, dan menarik kesimpulan. Dengan demikian hasil penelitian ini sebagai berikut: alat yang digunakan yaitu gunting, pita ukur, mesin jahit, jarum jahit sedangkan bahan yang digunakan antara lain tali makrame, kain, kayu, benang jahit. Proses pembuatan makrame terdiri dari penyiapan alat, pemotongan tali, pelilitan tali pada kayu, proses pembuatan motif simpul makrame, pelepasan makrame dari kayu, kemudian yang terakhir finishing. Hasil dan bentuk kerajinan makrame dibagi menjadi dua yaitu benda fungsional dan benda non fungsional. Benda fungsional antara lain sarung bantal, hammock, ayunan bulat, payung pantai, kursi bundar, tas, lampion, gantungan pot, sedangkan benda non fungsional dreamcathcher dan tirai. Pemasaran dilakukan dengan cara online yakni melalui instagram, facebook atau market place. Kata-kata Kunci: Alat dan bahan, proses pembuatan, yeh sumbul. Abstract This research is entitled "Macrocraft Crafts in Yeh Sumbul Village, Mendoyo District, Jembrana Regency". The purpose of writing this article is to find out the tools and materials used in the process of making macrame, and to find out the process of making macrame as well as the final result and marketing process for macrame crafts in Yeh Sumbul Village, Mendoyo District, Jembrana Regency. Sources of data were obtained through observation and interviews with handicraft owners, local craftsmen and then the data was processed using the Miles and Huberman (1984) model, namely by reducing data, presenting data, and drawing conclusions. Thus the results of this study are as follows: the tools used are scissors, measuring tape (meter), sewing machine, sewing needle while the materials used include macrame rope, cloth, wood, sewing thread. The process of making macrame consists of preparing the tools, cutting the rope, wrapping the rope on the wood, the process of making the macrame knot motif, removing the macrame from the wood, then finishing. The results and forms of macrame crafts are divided into two, namely functional objects and non-functional objects. Functional objects include pillowcases, hammocks, round swings, beach umbrellas, round chairs, bags, lanterns, pot hangers, while non-functional items are dreamcatchers and curtains. Marketing is done online, namely through Instagram, Facebook or market place. Keywords: Tools and materials, manufacturing process, yeh sumbul

APA, Harvard, Vancouver, ISO, and other styles

40

Pareira, Magdalena Sunarti, Irdika Mansur, and Dewi Wulandari. "Pemanfaatan FMA dan Tanaman Inang untuk Meningkatkan Pertumbuhan Bibit Cendana (Santalum album Linn.)." Journal of Tropical Silviculture 9, no. 3 (August 14, 2019): 151–59. http://dx.doi.org/10.29244/j-siltrop.9.3.151-159.

Full text

Abstract:

The sandalwood tree (Santalum album Linn.) is an important tree species as well as a primadonna for the people of East Nusa Tenggara (NTT). It has high economic value for its aromatic wood and essential oil content that have a very distinctive aroma used to make various products such as handicrafts, woodcarvings, incense, and oil for the perfume and cosmetics industry. Sandalwood is a semi parasite plant that part of its life phase requires a host plant to get the nutrients and water. There are many types of host plants that have been used, among others, Casuarina equisetifolia, Acacia mangium, Terminalia microcarpa, Sesbania grandiflora, Alternanthera sp and Capsicum annum. In this research will be tested to try sandalwood planted with Cymbopogon nardus host plants, in terms of economics can provide benefits.Arbuscular mycorrhizal fungi (AMF) is a group of fungi from glomeromycota phylum that can symbiosis mutualism with root system of high level plant. The working principle of the mycorrhiza is to infect the root system of the host plant, producing intensive hyphae tissue so that the plant containing mycorrhiza will be able to increase the capacity in nutrient uptake. The utilization of host plants Alternanthera sp, Capsicum annum, and its application with AMF is the best solution to overcome the problem of developing sandalwood in TTU on the nursery. The purpose of this study was to analyze the effectiveness of AMF and utilization of the atsiri host plant to increase the growth of sandalwood seedlings in TTU. This study was designed using a complete random method (RAL) in split plot design. If the treatment has a significant effect then followed by Duncan Multiple Range Test (DMRT). Parameters observed were height (cm), number of leaf, diameter of sandalwood (mm), dry weight of root, seed quality index, ratio of root buds, and haustorium observation of Sandalwood, and also number of spore, root colonization and AMF dependency of Sandalwood.The results showed that the treatment of AMF with Capsicum annum host plant was 19.8 of high, number of leaf 18.9 on FMA treatment with host plant Capsicum annum, diameter of stem 2.24 mm on Alternanthera sp host treatments without AMF and 1.83 mm at AMF treatment with host plant Capsicum annum, dry weight of buds 2.00g on AMF treatment with Capsicum annum host plant, dry weight of roots AMF (M1) with alternanthera sp 0.70 g, root buds ratio of AMF with host plant alternanthera sp 4.05, seed quality index AMF with Alternanthera sp 4.16 and 82 % of root colonization on AMF with host plant Capsicum annum.Keywords: Santalum album Linn., AMF, host plant.

APA, Harvard, Vancouver, ISO, and other styles

41

Ndiaye, Lémou, Mamadou Ousseynou Ly, Ousmane Ndiaye, and Daouda Ngom. "Perception communautaire des biens et services écosystémiques fournis par les espèces ligneuses en haute Casamance, Sénégal." International Journal of Biological and Chemical Sciences 17, no. 3 (August 24, 2023): 1056–71. http://dx.doi.org/10.4314/ijbcs.v17i3.24.

Full text

Abstract:

Les ressources ligneuses occupent une place très importante notamment pour les populations locales qui en bénéficient considérablement à travers leur savoir-faire longtemps existaient depuis leurs ancêtres. Cependant, ces connaissances locales (variant en fonction des zones, des ethnies, de l’âge et de l’existence de la ressource) sont diversifiées et moins connues pour la plupart du temps. Alors que certaines ressources ligneuses sont maintenant menacées par des facteurs climatiques et anthropiques qui leurs rendent vulnérables ces dernières années. L’objectif de cette étude menée dans la commune de Coumbacara était de contribuer à une meilleure connaissance de la végétation ligneuse et son importance en termes de biens et services écosystémiques pour les populations locales. Pour atteindre cet objectif, des enquêtes ethnobotaniques ont été réalisées à l’aide d’un questionnaire administré à 242 chefs de ménages. Les résultats ont révélé au total 87 espèces ligneuses citées par les populations, appartenant à 33 familles et 71 genres. Elles sont rencontrées par les populations dans les forêts (38,3%), les champs de brousses (28,5%), les vallées (23,9%) et les champs de cases (11,4%). Ces espèces procurent deux catégories de services. Il s’agit des services de régulation (17,5%) et d’approvisionnement (82,5%). Un seul service régulation qui est la fertilisation (17,5%) a été cité par les populations. Les services d’approvisionnements cités sont la pharmacopée (16,9%), l’énergie (15,8%), le fourrage (15,3%), la construction d’habitats (12,7%), l’alimentation humaine (10,8%), l’artisanat (7,6%) et les soins phytosanitaires (3,3%). Ces espèces sont utilisées pour leur bois (32%), feuilles (26,2%), fruits (20,1%), écorces (13,4%), racines (4,1%), graines et noix (2,2%) et autres (2%). Les Facteurs de Consensus Informateurs obtenus sur les usages faits aux espèces variant entre 0,85 et 0,95 soit 85% à 95% montrent qu’il existe un accord important au niveau des populations sur les usages faits aux espèces. Ceci étant dit que les populations locales de cette zone connaissent bien les ressources ligneuses et savent l’utiliser dans différents usages. English title: Community perception of ecosystem goods and services provided by woody species in upper Casamance, Senegal Wood resources are very important, especially for local populations who benefit considerably from their know-how, which has existed since their ancestors. However, this local knowledge (which varies according to area, ethnicity, age and existence of the resource) is diverse and less known for the most part. While some woody resources are now threatened by climatic and anthropogenic factors that make them vulnerable in recent years. The objective of this study conducted in the commune of Coumbacara was to contribute to a better knowledge of woody vegetation and its importance in terms of ecosystem goods and services for local populations. To achieve this objective, ethnobotanical surveys were conducted using a questionnaire administered to 242 heads of households. The results revealed a total of 87 woody species cited by the populations, belonging to 33 families and 71 genera. They are found by the populations in forests (38.3%), bush fields (28.5%), valleys (23.9%) and hut fields (11.4%). These species provide two categories of services. These are regulation (17.5%) and provisioning (82.5%) services. Only one regulatory service, fertilization (17.5%), was cited by the populations. The supply services cited are pharmacopoeia (16.9%), energy (15.8%), fodder (15.3%), habitat construction (12.7%), human food (10.8%), handicrafts (7.6%) and phytosanitary care (3.3%). These species are used for their wood (32%), leaves (26.2%), fruits (20.1%), bark (13.4%), roots (4.1%), seeds and nuts (2.2%) and others (2%). The Informative Consensus Factors obtained on the uses made of the species vary between 0.85 and 0.95, i.e., 85% to 95%, showing that there is significant agreement at the population level on the uses made of the species. This being said, the local populations of this zone are well aware of the woody resources and know how to use them in different ways.

APA, Harvard, Vancouver, ISO, and other styles

42

Washington, Rahmad, Ranelis Ranelis, Siska Mitria Nova, and Alipuddin Alipuddin. "PEMBERDAYAAN UMKM SULAMAN BENANG EMAS MELALUI PENGEMBANGAN DESAIN MOTIF & PRODUK DI NAGARI KOTO BARU KECAMATAN KUBUNG KABUPATEN SOLOK SUMATERA BARAT." SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan 7, no. 3 (September 21, 2023): 1880. http://dx.doi.org/10.31764/jpmb.v7i3.17041.

Full text

Abstract:

ABSTRAKKoto Baru adalah nama sebuah nagari yang terletak di kecamatan Kubung Kabupaten Solok Sumatera Barat. Koto Baru merupakan salah satu nagari yang terkenal dengan kerajinan sulaman benang emasnya. kerajinan sulaman benang emas ini merupakan salah satu UMKM yang menjadi binaan Dekranasda Kabupaten Solok. Sulaman Benang Emas adalah memberi hiasan pada kain yang telah diberi motif yang dijahit menggunakan benang emas atau perak (wasia, 2009: 85). Sulaman benang emas ini memiliki keunikan dari alat dan bahan yang digunakan, alat yang digunakan adalah pamedangan berbentuk bulat yang terbuat dari kayu dan diberi kaki dibawahnya, sehingga membedakan dengan alat menyulam yang biasa dipakai di daerah lain. Selain menggunakan benang emas juga memakai benang perak untuk menghias motifnya berupa motif flora dan fauna yang sudah distilirisasi. Kerajinan Sulaman benang emas yang dibuat oleh perajin baru terbatas pada perlengkapan upacara adat perkawinan, dan batagak penghulu. Keahlian perajin dalam membuat kerajinan sulaman benang emas tidak diragukan lagi, hanya saja dalam bidang lain seperti pembuatan desain motif, produk yang kreatif dan inofatif seperti produk lenan rumah tangga berupa sarung bantal kursi, alas meja dan hiasan dinding perlu dilakukan semacam pelatihan. Tujuan dilakukan kegiatan pengabdian ini adalah untuk meningkatkan bentuk produk dan motif yang baru dari kerajinan sulaman benang emas berupa produk lenan rumah tangga sehingga secara tidak langsung dapat meningkatkan perekonomian dan taraf hidup masyarakat di nagari Koto Baru. Metode pelaksanaan dalam kegiatan pengabdian ini adalah metode ceramah dengan cara memberikan sosialisasi dan memberikan penjelasan kepada perajin tentang desain kreatif dan inovatif. Metode demonstrasi dengan cara praktek langsung dalam membuat motif dan produk kerajinan sulaman benang emas dan perak. Kata kunci: sulaman benang emas; desain; produk; motif ABSTRACTKoto Baru is the name of a nagari located in Kubung sub-district, Solok district, West Sumatra. Koto Baru is a nagari which is famous for its gold thread embroidery. This gold thread embroidery craft is one of the SMEs assisted by Dekranasda Solok Regency. Gold Thread Embroidery is the provision of decoration on cloth that has been given a motif sewn using gold or silver thread (Wasia, 2009: 85). This gold thread embroidery is unique in terms of the tools and materials used, the tool used is a round pamedangan made of wood and has legs underneath, thus distinguishing it from embroidery tools commonly used in other areas. Apart from using gold thread, silver thread is also used to decorate motifs in the form of stylized flora and fauna motifs. Gold thread embroidery crafts made by new craftsmen are limited to traditional wedding ceremonial equipment, and batagak penghulu. There is no doubt about the expertise of the craftsmen in making gold thread embroidery, but in other fields such as making motif designs, creative and innovative products such as household linen products in the form of cushion covers, table mats and wall hangings, some kind of training is required. The purpose of this service activity is to improve the shape of the product and new motifs from the gold thread embroidery craft in the form of household linen products so that it can indirectly improve the economy and standard of living of the people in Nagari Koto Baru. The implementation method in this community service activity is the lecture method by providing socialization and providing explanations to craftsmen about creative and innovative designs. Demonstration method with hands-on practice of making motifs and handicraft products of gold and silver thread embroidery.Keywords: gold thread embroidery; designs; products; motifs

APA, Harvard, Vancouver, ISO, and other styles

43

Cseh, Fruzsina. "Käsitööoskus väljasuremise äärel: ratassepa käsitööoskuste kadumine / A craft on the brink of extinction: The loss of the wheelwright’s craf." Studia Vernacula 10 (November 5, 2019): 46–65. http://dx.doi.org/10.12697/sv.2019.10.46-65.

Full text

Abstract:

Taking into consideration the lives of the craftsmen, as influenced by the changing social and economic conditions and being aware of their memories, is beneficial not only for understanding the technical aspects of wheeler’s craft but also for following the loss of workmanship in their biographies and attitude. During my fieldwork in the settlements of Northeastern and Eastern Hungary and Bácska (Serbia) between 2006 and 2011, I focused on former wheelwrights working in the handicraft industry. Studying the loss of knowledge raises new questions regarding the research methodology of disappearing craft and sometimes incomplete knowledge, compared to an active and living craft. In narratives that are collected decades after the craft has disappeared, some aspects of it are emphasised, while otheraspects are considered less significant by the wheelwrights. It depends on how the craftsmen’s attitudes and values were influenced by their experiences in the past 30–40 years. In the analysis, the immediate surroundings that determine one’s choices and means of adaptation have to be taken into account. The process of losing craft incorporates different memories and experiences in the case of each individual master. The loss of memory takes much more time – fifty to ninety years – than the loss of practice. This process is worth following, as the ways the craftsmen have lost their knowledge also says a lot about wheeler craft, but also about the varied range of values and social relations of craftsmen. L. G. and P. L. were born and lived in Bükk Mountains. Due to forest wood works, everybody knew the forest and the different species of trees well, and the carriage industry, as well as the growing mining industry later on, provided enough employment opportunities for those that did not specialise in agriculture or animal husbandry. When the demand for the wheelwrights’ products decreased, they could find a job in mines, working parallel at home, too, using their original craft expertise. It was mainly the co-operative farms that offered employment opportunities for the wheelwright from Tiszaigar (Great Hungarian Plain) after the decline of the craft, as here beside industry, agriculture and animal husbandry were more significant than in the mountain regions. The fourth informant, P. B. was born in Törökszentmiklós (a town with ca 10,000 inhabitants) into a wheeler dynasty. However, he never practiced his profession actively. His family of wheelwrights had a significant past in the craft and consequently more properties and social fame. Since the other three wheelwrights came from peasant families and to them craftsmanship meant an advancement on social level, for P. B., the next step in the social hierarchy was the diploma. P. B.’s high social status, which he achieved in the community through his political career, connects with the historic status of his family of handicraftsmen. Therefore, in this case, the prestige related to the profession is based not on the wheelwright’s expertise as a craftsman but on the family’s history and on his own political career. The craftsmen who had once practiced their profession actively have not yet lost their knowledge; they have, however, lost some social relationships, and their roles in the community have also changed. The master—apprentice relationship disappeared, along with all the rules; there is no longer any respect for a good master or good apprentice, and the milieu in which the craftsmen identified themselves is nowhere to be found. Also gone is the craftsman—customer relationship, which consisted of deals, reliability, assistance to each other, and just a general knowledge of people. Although all of these were lost after the practice had been abandoned, the expertise will be lost much later than the values and social interactions that accompany it. As the demand for wheelwrighting and several other crafts disappeared in the second half of the 20th century, the values created by small peasant communities and subscribed to by all honest craftsmen lost their validity under the new social and economical circumstances. These values were the prestige of craftsmanship, emphasised by the number of the apprentices and assistants, the independent workshop, the knowledge and the social roles. The process of loss can be grasped also through still existing or incomplete sets of tools. The once-essential tools and models gradually disappeared from the mechanised workshops and were replaced by machines in workshops still in use. In the only workshop where I found almost every tool, all of them were in effect part of an exhibition space. Even if the tools disappear physically, they play an important role in recollections. Their former use symbolised the expertise, the „true“ craft that had not yet utilised machines. The examination of loss, cessation, i.e., change, draws our attention to the fact that the history of the wheelwrighting industry also includes the last decade when craftsmen used machines, and all the more so since, technical innovations were partly what led to the loss of the craft. Keywords: wheelwright, loss, craftsmanship, skill, toolset, social relationships, biography study

APA, Harvard, Vancouver, ISO, and other styles

44

Cseh, Fruzsina. "Käsitööoskus väljasuremise äärel: ratassepa käsitööoskuste kadumine / A craft on the brink of extinction: The loss of the wheelwright’s craf." Studia Vernacula 10 (November 5, 2019): 46–65. http://dx.doi.org/10.12697/sv.2019.10.46-65.

Full text

Abstract:

Taking into consideration the lives of the craftsmen, as influenced by the changing social and economic conditions and being aware of their memories, is beneficial not only for understanding the technical aspects of wheeler’s craft but also for following the loss of workmanship in their biographies and attitude. During my fieldwork in the settlements of Northeastern and Eastern Hungary and Bácska (Serbia) between 2006 and 2011, I focused on former wheelwrights working in the handicraft industry. Studying the loss of knowledge raises new questions regarding the research methodology of disappearing craft and sometimes incomplete knowledge, compared to an active and living craft. In narratives that are collected decades after the craft has disappeared, some aspects of it are emphasised, while otheraspects are considered less significant by the wheelwrights. It depends on how the craftsmen’s attitudes and values were influenced by their experiences in the past 30–40 years. In the analysis, the immediate surroundings that determine one’s choices and means of adaptation have to be taken into account. The process of losing craft incorporates different memories and experiences in the case of each individual master. The loss of memory takes much more time – fifty to ninety years – than the loss of practice. This process is worth following, as the ways the craftsmen have lost their knowledge also says a lot about wheeler craft, but also about the varied range of values and social relations of craftsmen. L. G. and P. L. were born and lived in Bükk Mountains. Due to forest wood works, everybody knew the forest and the different species of trees well, and the carriage industry, as well as the growing mining industry later on, provided enough employment opportunities for those that did not specialise in agriculture or animal husbandry. When the demand for the wheelwrights’ products decreased, they could find a job in mines, working parallel at home, too, using their original craft expertise. It was mainly the co-operative farms that offered employment opportunities for the wheelwright from Tiszaigar (Great Hungarian Plain) after the decline of the craft, as here beside industry, agriculture and animal husbandry were more significant than in the mountain regions. The fourth informant, P. B. was born in Törökszentmiklós (a town with ca 10,000 inhabitants) into a wheeler dynasty. However, he never practiced his profession actively. His family of wheelwrights had a significant past in the craft and consequently more properties and social fame. Since the other three wheelwrights came from peasant families and to them craftsmanship meant an advancement on social level, for P. B., the next step in the social hierarchy was the diploma. P. B.’s high social status, which he achieved in the community through his political career, connects with the historic status of his family of handicraftsmen. Therefore, in this case, the prestige related to the profession is based not on the wheelwright’s expertise as a craftsman but on the family’s history and on his own political career. The craftsmen who had once practiced their profession actively have not yet lost their knowledge; they have, however, lost some social relationships, and their roles in the community have also changed. The master—apprentice relationship disappeared, along with all the rules; there is no longer any respect for a good master or good apprentice, and the milieu in which the craftsmen identified themselves is nowhere to be found. Also gone is the craftsman—customer relationship, which consisted of deals, reliability, assistance to each other, and just a general knowledge of people. Although all of these were lost after the practice had been abandoned, the expertise will be lost much later than the values and social interactions that accompany it. As the demand for wheelwrighting and several other crafts disappeared in the second half of the 20th century, the values created by small peasant communities and subscribed to by all honest craftsmen lost their validity under the new social and economical circumstances. These values were the prestige of craftsmanship, emphasised by the number of the apprentices and assistants, the independent workshop, the knowledge and the social roles. The process of loss can be grasped also through still existing or incomplete sets of tools. The once-essential tools and models gradually disappeared from the mechanised workshops and were replaced by machines in workshops still in use. In the only workshop where I found almost every tool, all of them were in effect part of an exhibition space. Even if the tools disappear physically, they play an important role in recollections. Their former use symbolised the expertise, the „true“ craft that had not yet utilised machines. The examination of loss, cessation, i.e., change, draws our attention to the fact that the history of the wheelwrighting industry also includes the last decade when craftsmen used machines, and all the more so since, technical innovations were partly what led to the loss of the craft. Keywords: wheelwright, loss, craftsmanship, skill, toolset, social relationships, biography study

APA, Harvard, Vancouver, ISO, and other styles

45

Shrivastava, Sanjay. "Sustainable approaches to rejuvenate the Handloom and Handicraft in India." Journal of Textile Engineering & Fashion Technology 6, no. 6 (November 10, 2020). http://dx.doi.org/10.15406/jteft.2020.06.00257.

Full text

Abstract:

Handlooms and Handicrafts are one of the most important cottage industries in the country giving livelihood to most of rural India. A number of handlooms in India are engaged in weaving with natural fibers such as cotton, silk, and wool. Most of the villages in India are directly or indirectly dependent for their bread and butter on the handloom and handicraft sector. This sector carries proudly the traditional beauty associated with India's such precious heritage. A research study on one of the silk handloom sectors situated in a small village named Bhagaiya in Jharkhand was carried out with an objective to gather considered data and references reflecting the aspects and aspirations of this lively craft and its position in the region. The ambition of the research is to add perspective to the development of this craft and the craftsmen associated with it. The study was carried out with the intention to understand the existing supply chain, to gain insight through a diagnostic study of the environment, specific realities prevailing, resources available and mapping the aspects of the handloom industry practiced in the region. The study and its outcomes aims to bring forth the strength, weaknesses, opportunities, and threats. This SWOT can be used by interested agencies/Government Sector, researchers who can approach this region with an objective to provide or facilitate necessary aids that can bring about positive changes in the lives of the weaver. This paper also tries to provide insights into the handloom textile industry and attempts to explain the challenges and opportunities that lie within. This paper also takes into account the usage of cost-effective and eco-friendly technology using natural dyes from identified resources of India and which has also been evaluated, adopted and adapted by the various handloom weavers segments in India. This paper looks at handcraft as one of the potential segment for accomplishing sustainable development by examining the colorful region of Kutch and to bring forth successful elements being practiced here for a better conservation of resources and its moving towards sustainability.

APA, Harvard, Vancouver, ISO, and other styles

46

Larry Sait, Eva Kristin, Neilson Ilan Mersat, and Wong Swee Kiong. "TRADITIONAL HANDICRAFTS AND THE USE OF NATURAL RESOURCES AMONG THE IBAN OF BALAI RINGIN, SERIAN." Journal of Borneo-Kalimantan 3, no. 2 (January 22, 2018). http://dx.doi.org/10.33736/jbk.625.2017.

Full text

Abstract:

This study investigates the possible gaps in current indigenous knowledge in the use of natural resources, specifically in traditional handicraft making. The Iban women are known for their traditional weaving skills. However, due to various reasons, this knowledge is declining. Through interviews and focus group discussions, the knowledge on the types and availability of resources in the respective areas, as well as the gap of knowledge in resource use and management between the older and younger generations and its cause were identified. Through observation, while traditional baskets and mats are still used by the Iban today, most of the traditional handicrafts made using natural materials seen in the longhouses are relics from the past, made by previous generations. The scarcity of raw materials such as rattan and wood has resulted in the decline of the production of such handicrafts. Though the skills of making these baskets especially among younger generation are eroding, the cultural significance of this basket among Iban community should not be forgotten.

APA, Harvard, Vancouver, ISO, and other styles

47

Dahyanti, Dahyanti, Gusti Hardiansyah, and Lolyta Sisillia. "PEMANFAATAN HASIL HUTAN BUKAN KAYU (HHBK) PENGHASIL KERAJINAN TANGAN ANYAMAN OLEH MASYARAKAT DESA PANGKALAN BUTON KECAMATAN SUKADANA KABUPATEN KAYONG UTARA." JURNAL HUTAN LESTARI 7, no. 4 (December 5, 2019). http://dx.doi.org/10.26418/jhl.v7i4.37839.

Full text

Abstract:

Utilization of non-wood products for woven crafts isone of the pottentials in Pangkalan Buton Village, Sukadana Subdistrict, North Kayong Regency and becomes a raw material in making woven crafts. The research aims to obtain types of non-wood forest products for woven handicrafts and to describe the types of woven handicraft products by the people of Pangkalan Buton Village, Sukadana District. Research using descriptive qualitative methods. Data Collection is done by intetview, observation, and documentation. The results showed that there are 6 types of plants that are used by the community for woven crafts, namely bamboo rope (Gigantochloa apus), coconut (Cocos nucifera), nipah (Nypa fruticans), pandanus thorn (Pandanus tectoris) recam (Distranopteris linearis) and rattan candles (Calamus javensis). These types of planys are used as raw materials for woven crafts. Bamboo Reeds are into baskets and mistaken products. Coconut leaves are made into rattan products. Nipah leaf is made intoa woven roofing product. Pandan thom leaves are made into woven products for table mats, wallets, bags, pencil cases, tissues and mats. Resam rod is made into woven ring and bracelet products. Rattan rods are made into woven basket and cupboard products.Keyword: Non wood forest product, Types of plants, Woven crafts product, Utilization

APA, Harvard, Vancouver, ISO, and other styles

48

Winangun, I. Gusti Agung Raditya Pasupati, and I. Wayan Wenagama. "PENGARUH MODAL, BAHAN BAKU, DAN TENAGA KERJA TERHADAP PRODUKSI KERAJINAN KAYU DI KABUPATEN TABANAN." E-Jurnal Ekonomi dan Bisnis Universitas Udayana, March 31, 2024, 615. http://dx.doi.org/10.24843/eeb.2024.v13.i03.p19.

Full text

Abstract:

Indonesia has a variety of industries, one of which is the handicraft industry. The handicraft industry is a combination of hand skills with artistic values ??and beauty, which is an inseparable part of Indonesian culture. The implementation of production cannot be separated from the production factors used, such as capital, raw materials, and labor. The purpose of this study was to determine how capital, raw materials, and labor affect the wood craft industry in Tabanan Regency. The method used in this research is Random Sampling, in which the selection of wood craftsmen is random because the distribution of wood craftsmen in Tabanan Regency is uneven. The way of collecting data is using a questionnaire. The data analysis technique used is multiple linear regression. Based on the results of research, capital, raw materials, and labor simultaneously have a significant effect on the production of wood crafts produced in Tabanan Regency. Partially, raw materials, and labor have a positive and significant effect on the production of wood crafts produced in Tabanan Regency.

APA, Harvard, Vancouver, ISO, and other styles

49

Prastowo, Eko Yudhi. "Pengenalan Jenis Kayu Berdasarkan Citra Makroskopik Menggunakan Metode Convolutional Neural Network." Jurnal Teknik Informatika dan Sistem Informasi 7, no. 2 (August 18, 2021). http://dx.doi.org/10.28932/jutisi.v7i2.3706.

Full text

Abstract:

Until now, wood has an irreplaceable function. Building materials, shipping, furniture, sports equipment, carvings and handicrafts using wood. Indonesia has more than 4,000 types of wood, so choosing the right wood is a challenge because choosing the wrong type of wood can make the quality of processed products decline and not as expected. In addition, proper identification of timber can also prevent illegal logging, especially on certain types of wood which are now increasingly scarce. Recognition to wood by looking directly is a difficult thing for ordinary people to do and can only be done by a wood expert, so it is necessary to find a method of recognizing wood that can be used by people independently. One method that can be used to identify type of wood is image processing based on characteristics of wood which include color, fiber direction and texture. This paper will describe recognition of wood-based image processing using Convolutional Neural Network (CNN) method. This method is derived from Neural Networks with addition of an extraction layer feature, which can reduce free parameters that are not needed by the system. Wood image data used in this study are four types of wood that are often used as raw materials for making houses and furniture, namely Glugu, Teak, Sengon and Waru. Results of this study were able to recognize four types of wood with an accuracy of 95% in 600 epochs/iteration, so that it can be used as a simple, easy and inexpensive wood recognition system.

APA, Harvard, Vancouver, ISO, and other styles

50

Mainur, Mainur. "Seni Ukir Kayu Khas Palembang di Home Industri Q Laquer Kota Palembang." Besaung : Jurnal Seni Desain dan Budaya 5, no. 2 (May 3, 2021). http://dx.doi.org/10.36982/jsdb.v5i2.1443.

Full text

Abstract:

This article is the result of a typical Palembang wood carving work. Starting from the increasingly few antiques in the antique gallery owned by Ibu Hj's family. Roswati made him intrigued to grow and develop his business since 1974 and to preserve the carving art furniture in the form of Palembang wood carving. Then continued by a similar craftsman in the Home Industry Q Laquer owned by Mr. Jaja is a typical Palembang wood carving art craftsmanship in Kelurahan 19 Ilir. The purpose of this research is to find out and describe the process of making Palembang's unique wood carving arts. The research method used is a qualitative descriptive method using data collection techniques of observation, interviews, and documentation. The types of decoration in the wood carving art are the decoration that characterizes the city of Palembang as from the motifs of plants with golden, black, and red patterns. The variety of wood carving that is applied to handicraft objects is basically a pure decoration, which functions solely to decorate or beautify. The results of typical Palembang carving crafts include decorative cabinets, chairs, tables, wardrobes, frames, and various kinds of furniture. Through this research by examining how Palembang wood carving art in particular the manufacturing process, is expected to contribute to the people of Palembang City in order to develop and preserve these cultural assets.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Handicrafts using wool'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles