Relevant bibliographies by topics / Handicrafts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Handicrafts'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Handicrafts"

1

Sawrov, Md Maksodul Haque. "Branding Handicrafts Products: a Study on Bangladesh." Economic Insights – Trends and Challenges 2022, no. 3 (2023): 21–29. http://dx.doi.org/10.51865/eitc.2022.03.03.

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"The aim of the study is to examine the branding of handicraft products in Bangladesh. This study has considered twelve districts in Bangladesh as the study area. Researcher has interviewed session with 6 branding and marketing experts first. Based on their opinions on how to brand handicrafts, structured questionnaires have been prepared to collect data from 40 respondents who are entrepreneurs, traders, marketers, suppliers, and other relevant people. Researcher extracts data on the perceptions towards various branding factors in categorical form. This study has used both qualitative and quantitative analysis to identify the impact of branding strategies on the demand for handicrafts. Exploratory factor analysis is used to sort out the statistically significant branding factors followed by multiple regression models to justify the relationship between different branding factors and the demand for handicrafts. This study reveals that the main four variables are handicraft studies, handicraft branding, handicraft promotion and handicraft branding patron associations. Multiple regression result shows that handicraft studies and handicraft branding have a large effect on increasing the demand for handicraft products. This is because handicrafts branding draw the attention to the potential customer about handicrafts products and the high possibility to increase the sales volume. This study recommends cumulative efforts from both public and private sectors to enlarge handicrafts market by incorporating handicraft as a course in each syllabus, advertising properly to encourage people to buy them and reminding the people that handicrafts was part of their ancestor’s lifestyle. Entrepreneurs, government and related organizations can take these steps of branding to increase demand for handicraft products."
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Mandal, Ram Krishna. "Present Scenario of Handloom and Handicrafts Industries of the ADIS." Journal of Global Economy 10, no. 3 (October 2, 2014): 191–203. http://dx.doi.org/10.1956/jge.v10i3.362.

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From beginning of the known history the handloom and handicrafts forms a valuable cultural trait of a society. The cultural pattern of a society is reflected in the quality and craftsmanship of their handicrafts. The term handloom and handicrafts refers those products of a common folk or a specific community, which are produced manually with their indigenous technology. The handicrafts of a society are one of the chief means of livelihood. The people of Arunachal Pradesh are artistically minded and gifted with deft hands and skilled fingers. Handloom and Handicraft for instance, offer wide scope to produce a variety of artistically blended and beautifully designed clothing. Handicraft is a very common craft in Arunachal Pradesh. The main handicraft items made in the state are masks, carpets, painted wooden vessels and silver articles. Cane and Bamboo play an important role in the rural economy of the state. Arunachal Pradesh has a rich tradition of Bamboo and Cane Handicrafts. The products reflect the rich and varied culture of the tribes inhabiting this enchanting State and the products featured are representative of the wide range of Handicrafts produced in the State.
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Sun, Xiaotian. "A Novel Method for Handicrafts Design Based on Fusion of Multi-Intelligent Decision Algorithm." Scientific Programming 2022 (January 3, 2022): 1–13. http://dx.doi.org/10.1155/2022/8495381.

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With the rapid development of artificial intelligence, handicraft design has developed from artificial design to artificial intelligence design. Traditional handicraft design has the problems of long time consumption and low output, so it is necessary to improve the process technology. Artificial intelligence technology can provide optimized design steps in handicraft design and improve design efficiency and process level. Handicrafts are regarded as important social products and exist in people’s daily life. In the current society, many people do handicrafts and there are major exhibitions. Furthermore, the display of handicrafts is also very grand and shocking. In the design of handicrafts, the traditional design method cannot completely keep up with the production speed and efficiency of handicrafts. Therefore, this paper adopts the fusion multi-intelligent decision algorithm of multi-node branch design in the design method of handicraft. The algorithm model combination is used to analyze and design the layout of the handicraft, which speeds up the design efficiency and production of the handicraft. In this paper, two intelligent algorithms will be used for fusion; they are genetic algorithm and GA-PSO fusion algorithm obtained by particle swarm optimization and they are embedded in handicraft design method for application through mathematical model construction and function construction. After comparing the performance parameter index data of three intelligent algorithms and GA-PSO fusion algorithm, it is obtained that GA-PSO fusion algorithm is 97% correct and has 82% readability, 72% robustness, and 61% structure, making it have better important indicators. Four algorithms optimize each design problem in all aspects of handicraft design at present. Design efficiency, image distribution rate, image optimization degree, and image clarity are compared by simulation experiments. Compared with three intelligent algorithms, traditional design methods, and manual design methods, GA-PSO fusion algorithm can effectively improve the design method and design effect of handicrafts with 92.1% design efficiency, 82.7% image distribution rate, 94.3% image optimization degree, and 84% layout void rate. Finally, the space complexity experiment of four algorithms shows that GA-PSO algorithm can achieve 9.73 dispersion with 11.42 space complexities, which makes the dimension reduction relatively stable, and the algorithm can maintain stability in the design and application of handicrafts.
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Shen, Ruoxi. "Design and Research of Beijing Eight Imperial Handicrafts Popular Science APP Based on CUBI Model." Studies in Art and Architecture 2, no. 1 (March 2023): 10–15. http://dx.doi.org/10.56397/saa.2023.03.02.

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This topic is aimed at the digital communication and science popularization of Beijing Eight Imperial Handicrafts, aiming to improve the public awareness of Beijing Eight Imperial Handicrafts, with the help of digital means to research and innovate the communication path of Beijing Eight Imperial Handicrafts, combined with CUBI user experience model to study the design of the APP of Beijing Eight Imperial Handicrafts, in order to promote Beijing Eight Imperial Handicrafts and Beijing traditional handicraft culture. And to provide a reference path for the digital transmission and inheritance of other intangible cultural heritage.
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Upadhyay, Manali, and U. C. Jain. "MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 122–26. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3719.

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India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.
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Le, Nguyen Vi, Nguyen Khac Huy, Chu Tien Minh, Vu Anh Tuan, and Nguyen Ngoc Diep. "Factors affecting Vietnam's handicrafts export." Uncertain Supply Chain Management 11, no. 2 (2023): 811–22. http://dx.doi.org/10.5267/j.uscm.2022.12.009.

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With the rapid development of international business activities and internationalization, export plays an important role in the existence and growth of businesses. Handicrafts, despite not being an essential product, have always been rated as a potential product for sustainable development and export. In Vietnam, a country with a lot of long-existing traditional handicraft villages, the export of handicrafts has always been considered as an advantageous activity that largely contributes to the economy as well as the society. According to statistics from the Vietnam Handicraft Exporter Association, every 1 million USD worth of handicraft export creates profit 5 to 10 times higher than that of the exploitation industry; as well as provides work for three to five thousand employees. Despite this fact, in the last few years the handicraft export in Vietnam has been modest and not fulfilled fully to its potential. In comparison with other export products, the export turnover of handicrafts still accounts for a low proportion. Recognizing this issue, the present study developed a model to analyze the effects of some certain factors to the handicraft export activity in Vietnam. The results of this paper will contribute to current literature as well as propose some solutions to promote the handicraft export in Vietnam.
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Wang, Yuan, Mingzhu Zhang, Lin Mi, Miaomiao Chen, and Jiaxin Liu. "Development of an Interactive Platform for Traditional Handicrafts and Creative Works Based on WeChat Mini Programs." Applied Science and Innovative Research 8, no. 2 (May 21, 2024): p72. http://dx.doi.org/10.22158/asir.v8n2p72.

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With the continuous improvement of modern living standards and the rapid development of science and technology, crafts produced by industrial mechanization have gradually replaced traditional handicrafts. In order to expand the dissemination range of traditional handicrafts, arouse people's enthusiasm for handmade art and promote traditional culture, this paper takes advantage of the operation convenience, recommendation personalization and informatization of WeChat applet to design and develop a green and healthy trading platform for traditional handicraftsmen, people who like to transform unused items into handicrafts or users who like all kinds of handicrafts. --Traditional Handicrafts and Creative Works Interactive Platform. This platform not only provides a trading platform for consumers, but also greatly promotes the development of handicraft products, and plays a positive role in the publicity and promotion of traditional handicrafts and creative works.
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Bano, Shahina, Neelam Farid, Asia Ashfaq, and Siti Mas'udah. "Uplifting the socio-economic empowerment of women through handicraft industry." Masyarakat, Kebudayaan dan Politik 34, no. 4 (November 29, 2021): 367. http://dx.doi.org/10.20473/mkp.v34i42021.367-379.

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Empowerment is seen as being capable of making choices about job, marriage, mobility, entertainment, and the number of children. The present study focused on the role of handicraft businesswomen, their experiences, and the role of handicraft business as a tool of empowerment for women in Gilgit, Pakistan. The study was limited to the experiences of women producing handicrafts and viewed as socio-economic empowerment for those who are producing handicrafts. This study employed a qualitative research design. The thematic analysis of interviews of the craftswomen showed that they were empowering themselves economically and socially through handicraft business. The research findings reinforced the objectives of the study that the craftswomen perceive empowerment as economic independence and the income generated through handicrafts strengthens their economic as well as social position in society. This study concludes that their economic and social position becomes stronger after starting to earn income. These women also felt like the source of change in terms of motivation, inspiration, and encouragement for the other women in the society. They viewed and regarded the skill of handicrafts as the source of income and financial support for their families.
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Meng, Jiayun. "Innovative Marketing of Traditional Chinese Handicrafts." Advances in Economics, Management and Political Sciences 32, no. 1 (November 10, 2023): 23–28. http://dx.doi.org/10.54254/2754-1169/32/20231558.

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Traditional crafts are the continuation of the traditional culture and history of the nation. The cultural development of a group is documented by its artifacts, which also record the history of the nation or country and record its rise and fall. Marketing Innovation is an important contemporary marketing concept, and the effective use of innovation can rejuvenate traditional technologies. This paper analyzes the bottlenecks encountered by the contemporary Chinese traditional handicraft industry and provides new directions for the development of Chinese traditional handicraft industry by combining the innovation examples of related industries abroad. It can be concluded that modernizing the product and management structure of Chinese traditional handicrafts with modern advanced technology and management expertise, as well as innovating content marketing models and tools, can effectively enhance the development of Chinese traditional handicrafts. This can benefit the financial rewards of handicraft practitioners as well as the preservation of Chinese traditional handicrafts.
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Choudhary, Akanksha, and Poonam Mishra. "Indian Handicrafts: A Sustainable future of Utilitarian Consumer Goods." Ushus Journal of Business Management 21, no. 3 (November 22, 2022): 01–23. http://dx.doi.org/10.12725/ujbm.60.1.

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Utilitarian products are those which are designed to be useful rather than attractive. Handmade products are, thus, one among the wonders of Indian artisans, which are both useful and attractive at the same time. World-renowned Indian handicrafts are imported by several countries, which is highly supporting Indian art and culture. This is a source of livelihood for more than half of the unskilled labours and artisans of the Handicraft Industry. But with high-quality décor, luxurious items being exported to foreign lands, middleman income and trade fairs are sucking up most of the profits. Indian artisans and handicraft workers are therefore left with little income in hand except for the very famous art workers of big businessmen. This is one of the major problems which can be solved by encouraging the supply of handicrafts and domestic consumer demand. Since Indian consumers have been evolving through manufactured products, globalization, industrialization, etc. they are producing harmful effects on the environment and socio-economic conditions. Hence, it is very alarming for the handicraft sector to be able to protect its art and small business during an economic crisis. To address the small businesses and art of poor craftworkers this study intends to focus on the utilitarian aspect of handicrafts as being the sustainable alternative. The research broadly focusses on the socio-economic conditions of rural artisans and the environmental benefits of handicrafts by assessing the demand of domestic consumers and their perspectives. Based on primary data collected through the survey method, the study finds that domestic consumers are aware of the sustainable alternative handicrafts have to offer, while the utilitarian aspect has a vague response when it comes to purchasing handicrafts. However, demand for handicrafts is high because of their utilitarian aspect only. The study applied multiple regression analysis to analyse the results and conclude with suggestions based on qualitative research analysis to support rural handicraft artisans and small businesses. The study initiates a broad scope of research in consumer behaviour towards handicrafts in India as a sustainable alternative to mass production. This is one of the ways of supporting the cultural art forms as well as replenishing sustainability in the three major directions, which are economic, environmental & societal. Based on the empirical findings of this study, it concludes with the suggestions of co-existence with culture and sustainable development in India.
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Dissertations / Theses on the topic "Handicrafts"

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Szydlowski, Rachael A. "Expansion of the Vietnamese Handicraft Industry: From Local to Global." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1218497546.

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Ribeiro, Maria Isabel da Cunha Donas Boto. "Em defesa da arte do quotidiano-a estética socialista e humanista de William Morris." Phd thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 1998. http://dited.bn.pt:80/30379.

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Lino, Maria do Carmo Pimenta de Vasconcelos e. Sousa. "As artes decorativas na obra de Raul Lino." Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1999. http://dited.bn.pt:80/29196.

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Sá, Sérgio 1943. "Santeiros da Maia no último ciclo da escultura cristã em Portugal." Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1998. http://dited.bn.pt:80/29899.

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Chhetri, Dinesh. "Strategic for the development of traditional handicrafts : a case study of Darjeeling Hill areas." Thesis, University of North Bengal, 2011. http://hdl.handle.net/123456789/1296.

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Limkriengkrai, Jitsuda. "Paper, pottery and prosperity: handicrafts and rural development in Thailand." Thesis, Durham University, 2010. http://etheses.dur.ac.uk/268/.

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The focus of this thesis is on the role of handicraft production in rural development in Northern Thailand, exploring how handicrafts evolve over time in the context of a modernising economy. This links with on-going debates on community-based development theory, including those related to rural industrialisation, rural-urban relations and biases, indigenous knowledge, rural poverty and livelihoods. The thesis seeks to return to an issue which was a popular area of investigation in the 1970s, namely the role of small-scale industries in rural development. Rural spaces have always contained an element of non-farm activities, often classified as ‘handicraft production’. Two villages in Chiang Mai province in Northern Thailand have been selected for study in order to assess the roles of handicrafts in rural development. One selected case study village is Baan Ton Pao, which is engaged in saa (mulberry) paper making. The other selected village is Baan Muang Kung, where handicraft production is based on pottery making. Through an empirical study of these two villages, Baan Ton Pao and Baan Muang Kung, this thesis shows that handicrafts have significant potential for promoting rural industrialisation and supporting rural development, especially through the One Tambon One Product programme. Handicrafts are, therefore, contributing to rural poverty alleviation through employment and income generation, and through generating economic growth rooted in the countryside, separate from efforts directed at agriculture and farming. However, it is also important to understand how this very effort is also creating new inequalities in the countryside and, arguably, new populations of poor people. The study is important because it has been argued – as noted above – that handicrafts have significant potential for promoting rural industries and supporting rural development and rural livelihoods – and yet this has rarely been studied in any great detail. The conceptual frameworks are impressive; the empirical support remains thin. This thesis contributes in a significant way to debates about rural development and particularly handicrafts in Thailand and beyond.
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Mok, Chi-yuen Derek, and 莫智遠. "Revitalization of the 'Lower Bazaar': a new place for Chinese handicrafts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31985968.

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Lazaridis, Gabriella. "Agriculture, handicrafts and women's associations in two villages in western Crete." Thesis, University of Bristol, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318363.

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Mok, Chi-yuen Derek. "Revitalization of the 'Lower Bazaar' : a new place for Chinese handicrafts /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25953163.

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Khan, Farah Deeba <1981&gt. "Preserving the heritage : a case study of handicrafts of Sindh (Pakistan)." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1046.

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Sindh is known the world over for its various handicrafts and arts. Sindh has a rich heritage of traditional handicraft that has evolved over the centuries. The work of Sindhi artisans was sold in ancient markets of Armenia, Baghdad, Basra, Istanbul, Cairo and Samarkand. The diverse Sindhi cultures, lifestyles, traditions as well as geographical conditions have influenced Sindhi art, and for over a century handicrafts have been a source of pride and a livelihood for the people of Sindh. ‘What we know of customs, beliefs and culture of man throughout centuries, has came to us from surviving works of arts and crafts which lie scattered like a crystal bowl thrown on marble. One has to collect particularly these stray pieces to study and to know how arts and crafts developed in a particular era. Sindh has a rich heritage of traditional handicraft that has evolved over the centuries. Perhaps the most professed exposition of Sindhi culture is in the handicrafts of Hala, a town some 30 kilometres from Hyderabad. Hala’s artisans are manufacturing high quality and impressively priced wooden handicrafts, textiles, paintings, handmade paper products, blue pottery, etc. Lacquered wood works known as Jandi, painting on wood, tiles, and pottery known as Kashi, hand woven textiles including Khadi, Susi, and Ajrak are synonymous with Sindhi culture preserved in Hala’s handicraft. However, with the passage of time the quality of craftsmanship has been diminishing. The value chain has been infringed and the traditional sense of handicrafts has disappeared. This sector is in dire need o f development and promotion in order to revive the culture and art of the Pakistani heritage. Lack of patronage, impact of modern manufactures, change in tastes, paucity of raw materials, and failure to channel the traditional forms and designs into modern tastes have been the main factors contributing to the set back suffered by the traditional arts and crafts. Conservatism of the artisan and craftsman to stick to the traditional forms and designs, however, need not be disparaged. It has been as much an asset as a liability. But for his tenacity, the traditional designs might have been entirely lost. While new designs and forms conforming to modern taste need to be introduced, the traditional design motif must be preserved. It is more important to improve the technique and method of production, rather than replace the traditional designs with the modern one. Traditional crafts are endangered. The attention focused on craft today attests that we recognize this fact. Artisans struggle to earn wages that may not even equal those of manual labour. The social status of the artisan is still sadly low. Moreover, the social mobility of artisans is limited by chronically low levels of education; and the perceived irrelevance of the education available perpetuates the status quo. A spectrum of Government offices programmes and schemes, as well as non-government organizations are trying many ways to save traditional crafts. There are various forms of subsidy, bazaars and fairs organized for marketing, awards, and seminars to raise awareness and respect. But something is not working. To foster genuine sustainability, to restore the vitality of traditional craft, these issues must be addressed by artisans themselves. Realising these needs of the cottage industry, Aik Hunar, Aik Nagar (AHAN) [One Village, One Product], a non-profit organization, is working towards removing barriers faced by poor artisans and craftsman in rural areas. Primary objective of this project is to alleviate poverty in rural and semi-urban areas of Pakistan by supporting rural micro and small enterprises engaged in non-farm products. Thus, AHAN aims at providing the much needed non traditional work opportunities in rural areas by adopting and indigenizing the One Village One Product concept. AHAN Project was formally initiated in July 2006 after its approval by the Planning Commission. During a short period of one year it has actively started work in all four provinces in collaboration with Provincial / District Governments, RSPs, Microfinance Institutions and other stakeholders. The project has adopted two pronged approach. On the one hand it has started pilot projects in different clusters of artisans and poor producer groups while on the other hand it has also started research and analysis exercise to discover the potential in this area and to see how a long term strategy can be developed for creating sustainable income generation opportunities to a large segment of our society living in rural, semi urban and small cities and towns of Pakistan. Artisans are surely a country's valuable asset. They work with devotion, and they must not be forced to walk away in search of greener pastures. The government must provide their craft a flourishing market, national as well as international. Bangladesh has made a village for the artisans where 4000 of them are living, working and exporting handicrafts, and prospering. I suggest that, we need a model like Art and Craft Village or Dilli Haat (see in last chapter) in Karachi also, which can boost up the economy of the artisans and respectively for country. Fairs and exhibition on yearly basis are good for the encouragement but not enough for the artisan’s better financial condition. By having a model like Dilli Haat in a cosmopolitan city of Karachi, will provide a permanent place for the crafts persons to exhibit their masterpieces. It would be easier for the Sindhi artisans to come to Karachi to exhibit and gain profit, it may take time to establish , but sooner the better because already we are losing international market , so to revive and handicraft culture and promote our artisans locally and abroad government have to start working on this very project. The flood in 2010 has caused huge destruction to the houses and workshops of people, they are left with no money and no place to live, the only thing they have with them is there craft and with it they sure can live and built everything that, they have lost, but only if they get appropriate support and mostly financial help by the government and other organizations, which has been given at some levels but it is very small, it needed to be on big scale in order to save this intangible heritage.
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Books on the topic "Handicrafts"

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Neelam, Mathews, and Kumar Amrita, eds. Handicrafts. New Delhi: Rupa & Co., 1994.

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Jueming, Hua, Li Jinsong, and Wang Lianhai, eds. Chinese Handicrafts. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8.

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Liao, Dongfan. Tibetan handicrafts. Beijing: China Intercontinental Press, 2003.

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Liao, Dongfan. Tibetan handicrafts. Beijing: China Intercontinental Press, 2003.

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Barışta, Örcün. Turkish handicrafts. Ankara: Ministry of Culture and Tourism, 1988.

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Council, Ghana Export Promotion, ed. Handicrafts, Ghana. Accra-North, Ghana: Black Mask, 1989.

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Handique, Krishna Jyoti. Handicrafts in Assam. New Delhi: Kalpaz Publications, 2010.

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Pakistan. Directorate of Films & Publications., ed. Handicrafts of Pakistan. Islamabad, Pakistan: Directorate of Films & Publications, Ministry of Information and Broadcasting, 1992.

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(Iran), Khakian Art Group. Iran handicrafts directory. Edited by Yeganeh Nafiseh Hosseinian, Bazeghi Mohammad Reza, and Sāzmān-i Mīrās̲-i Farhangī va Gardishgarī-i Kishvar (Iran). Tehran: Alhoda, 2010.

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Handicrafts of India. 2nd ed. New Delhi: Indian Council for Cultural Relations, 1985.

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Book chapters on the topic "Handicrafts"

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Lianhai, Wang, and Zhao Hansheng. "Spinning, Dyeing, and Embroidering." In Chinese Handicrafts, 297–423. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_4.

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Jueming, Hua. "Furniture Making." In Chinese Handicrafts, 809–73. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_10.

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Xiaowu, Guan, and Feng Lisheng. "Making Tools and Devices." In Chinese Handicrafts, 1–114. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_1.

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Jueming, Hua. "Metallurgy and Metalworking." In Chinese Handicrafts, 521–636. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_6.

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Jinsong, Li. "Agricultural and Mineral Processing." In Chinese Handicrafts, 115–226. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_2.

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Jianshi, Zhou, and Hua Jueming. "Lacquering." In Chinese Handicrafts, 757–807. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_9.

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Xingbo, Luo, and An Peijun. "Construction." In Chinese Handicrafts, 227–96. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_3.

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Lianhai, Wang. "Carving and Painting." In Chinese Handicrafts, 1007–51. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_13.

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Lianhai, Wang. "Weaving and Tying." In Chinese Handicrafts, 693–755. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_8.

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Xiaowu, Guan, and Fang Xiaoyan. "Printing." In Chinese Handicrafts, 935–1005. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_12.

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Conference papers on the topic "Handicrafts"

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Chen, Junchun, and Jian Peng. "Artistic Characteristics and Multi-value of Huayao Cross-stitch from the Perspective of Cultural Ecology." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003643.

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Huayao cross-stitch is a traditional handicraft with distinctive regional characteristics in China. Aesthetically appealing with rich cultural implications, Huayao cross-stitch has been listed in the first national list of intangible cultural heritage of China since 2006. With the rapid development of cultural consumption globally, the innovative design and industrial transformation potential have made traditional handicrafts highly-valued resources, and the analysis of cultural representation and multi-value of traditional handicrafts is the basis of cultural reuse. From the perspective of cultural ecology, the current study aims to summarize the spatial organization mode of Huayao cross-stitch patterns and conduct a deep analysis of the concepts and beliefs represented in Huayao cross-stitch by examining 70 samples of cross-stitch skirt pieces collected from the composition and semantics of patterns. The study then analyzes the basis of multi-value of the Huayao cross-stitch from both aesthetic and cultural dimensions, providing a research basis for the innovation and regeneration of Huayao’s cross-stitch, through which its value can be seen in contemporary times as well as in the future.
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Sagi, Ms Varnika. "Marketing of Indigenous Handicrafts." In International Conference On Contemporary Researches in Engineering, Science, Management & Arts, 2020. Bonfring, 2020. http://dx.doi.org/10.9756/bp2020.1002/46.

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Torrealba, Laura Guerra, Alex Toapanta, Stalin Arciniegas, and Santiago Quishpe. "Digital marketing of Sarumaky handicrafts." In 2022 17th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2022. http://dx.doi.org/10.23919/cisti54924.2022.9820584.

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Neitsel, A. V. "FROM HANDICRAFTS TO OPTICAL EXPERIMENTS." In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604789377_600.

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Netto, Marinilse, Ana Maria Duarte, and Ketlin Hass Tibes. "Signification and resignification of kaingang indigenous art in contemporaneity: cultural resistance and survival." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-192.

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The present research has as its theme the Kaingang indigenous handicrafts in contemporary times, evidencing how the meaning and resignification of cultural elements occurs in processes involving trade for income generation and survival. The work presents a brief history of the Kaingang indigenous cultural universe with a focus on handicrafts, in order to understand its original context of production, including the materials commonly used, as well as the representation of symbolic elements. It records the perception of an indigenous Kaingang in the process of signification and resignification of the symbolic elements that make up the handicrafts sold in the streets of Chapecó and region, in the state of Santa Catarina, and, in this sense, exposes the apprehensions of a non-indigenous visual artist about the relations between art and indigenous crafts in processes of cultural resignification.
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Pareigiene, Lina, and Erika Ribasauskiene. "Protection of traditional handicrafts: the Lithuanian case." In Research for Rural Development, 2018. Latvia University of Life Sciences and Technologies, 2018. http://dx.doi.org/10.22616/rrd.24.2018.078.

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Zhang, Wanyu, and Muqie Refu. "Handicrafts and Aesthetics of Qiang People's Silver Accessories." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.87.

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Chung, Wonsub, and Byunghyun Shin. "Research to Prevent Discoloration of Silver Traditional Handicrafts." In International Conference on Culture Heritage, Education, Sustainable Tourism, and Innovation Technologies. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0010304701350138.

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Mourão, Nadja Maria, and Willian de Melo. "Plant species for handicrafts: a study for the preservation of the Atlantic Forest and the Cerrado in Minas Gerais." In SDS 2023 - IX SIMPÓSIO DE DESIGN SUSTENTÁVEL. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/978-65-00-87779-3.sds2023.p585-596.

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This paper presents a brief survey of plant species from the Atlantic Forest and Cerrado Mineiro, in the Belo Horizonte Metropolitan Region. The aim is to analyze the viability of these native species as raw materials for handicrafts, while respecting the local biomes. This is a qualitative study, based on a literature review. Individual studies and reports were carried out on the 46 species collected, using bibliographies that address the geographical, morphological and usual aspects of these species. Some species are presented, which will make up a catalog, containing the popular names, scientific names, characteristics and possible applications of the species for handicrafts. It is believed that this work, based on design, can contribute to the preservation of nature and local culture, encouraging the development of sustainable products
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Burneikaite, S., J. Andrejeva, and O. Volkova. "OPPORTUNITIES OF CREATING TEXTILE HANDICRAFTS DURING THE REHABILITATION PROCESS." In PSYCHOLOGICAL HEALTH OF THE PERSON: LIFE RESOURCE AND LIFE POTENTIAL. Verso, 2017. http://dx.doi.org/10.20333/2541-9315-2017-326-335.

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Reports on the topic "Handicrafts"

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Kachhipati, C. P., and S. Shahi. Collective Marketing; The Case of Handicrafts in Nepal. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1999. http://dx.doi.org/10.53055/icimod.297.

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Kachhipati, C. P., and S. Shahi. Collective Marketing; The Case of Handicrafts in Nepal. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1999. http://dx.doi.org/10.53055/icimod.297.

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Ahmed AlGarf, Yasmine. Harnessing the Power of the Collective: The Women’s Handicrafts Production Cooperative in Aswan, Egypt. Oxfam IBIS, August 2021. http://dx.doi.org/10.21201/2021.7857.

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The Women’s Handicrafts Production Cooperative is a success story that has transformed the lives of its members, who had been finding it hard to obtain employment. They are now focused on creating their own enterprise. Started in 2018, today the cooperative’s membership has expanded tenfold and created employment opportunities by using the principles of social solidarity economy and collective business models. The Youth Participation and Employment (YPE) project in Egypt, developed in partnership with the Better Life Association for Community Development (BLACD), provided technical training to the cooperative in handicrafts production, as well as life skills training, to empower the workers to continue despite all the societal pressure for them to give up. Assistance from BLACD came in when it was needed. Particularly during the COVID-19 crisis, with the tourism market shut down, BLACD has provided crucial technical advice and support, supporting the cooperative to brainstorm and identify several parallel income-generating activities. This case study contains some testimonies from members of the cooperative on how their collective strength was harnessed to create employment and income.
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Mikkelsen, Lene. Good Practices in Marketing for Micro and Small Enterprise Products: Cases from Latin-America. Inter-American Development Bank, December 1999. http://dx.doi.org/10.18235/0008889.

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It has been established that access to profitable markets is a key factor which determines the long-term success for all businesses. For small and microenterprises, however, various constraints limit this access, such as inadequate technology, geographic isolation, lack of raw materials and inefficient production. By providing ways to overcome these constraints, marketing service providers play an essential role in developing the businesses of small and micro producers. Based on three case studies of marketing service providers -from Colombia, Nicaragua and El Salvador- dealing with handicrafts, nontraditional agricultural products, and household goods, this study focuses on the possibility for short and long-term sustainability of marketing services. The study discusses the impact ancillary services have on the ability for partial or full cost-recovery and for institutional sustainability, and the business strategies adopted by each marketing service provider.
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Norwegian Alternatives: Decorative and Applied Arts. Inter-American Development Bank, December 1999. http://dx.doi.org/10.18235/0006420.

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Fifty-two contemporary craft, decorative and applied art objects by thirty-one members of the Norwegian Association for Arts and Handicrafts, made in wood, fiber, clay, glass and as jewelry, from the collections of the Kunstindustrimuseet in Oslo, the Vestlandske Kunsindustrimuseum in Bergen, the Nordenfjeldske Kunstindustrimuseum in Trondheim, the Hadeland Glassverk in Jevnaker, and from independent artists who loaned their pieces for the exhibition.
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