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Journal articles on the topic 'Handicraft'
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1
Sawrov, Md Maksodul Haque. "Branding Handicrafts Products: a Study on Bangladesh." Economic Insights – Trends and Challenges 2022, no. 3 (2023): 21–29. http://dx.doi.org/10.51865/eitc.2022.03.03.
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"The aim of the study is to examine the branding of handicraft products in Bangladesh. This study has considered twelve districts in Bangladesh as the study area. Researcher has interviewed session with 6 branding and marketing experts first. Based on their opinions on how to brand handicrafts, structured questionnaires have been prepared to collect data from 40 respondents who are entrepreneurs, traders, marketers, suppliers, and other relevant people. Researcher extracts data on the perceptions towards various branding factors in categorical form. This study has used both qualitative and quantitative analysis to identify the impact of branding strategies on the demand for handicrafts. Exploratory factor analysis is used to sort out the statistically significant branding factors followed by multiple regression models to justify the relationship between different branding factors and the demand for handicrafts. This study reveals that the main four variables are handicraft studies, handicraft branding, handicraft promotion and handicraft branding patron associations. Multiple regression result shows that handicraft studies and handicraft branding have a large effect on increasing the demand for handicraft products. This is because handicrafts branding draw the attention to the potential customer about handicrafts products and the high possibility to increase the sales volume. This study recommends cumulative efforts from both public and private sectors to enlarge handicrafts market by incorporating handicraft as a course in each syllabus, advertising properly to encourage people to buy them and reminding the people that handicrafts was part of their ancestor’s lifestyle. Entrepreneurs, government and related organizations can take these steps of branding to increase demand for handicraft products."
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Zhang, Yaping, and Dongdong He. "Inheritance and Innovation of Traditional Handicraft Skills based on Artificial Intelligence." Transactions on Computer Science and Intelligent Systems Research 2 (December 21, 2023): 163–69. http://dx.doi.org/10.62051/rc69jc38.
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Today, with the strong return of traditional culture, the integration of the two will deeply affect the protection of traditional handicrafts and the field of cultural communication. The industrialized production mode has gradually replaced the labor-intensive production mode, and handicrafts have gradually faded out of the public consumption field. The brain drain is serious, and many handicrafts with a long history have no successors. Under the background of AI(artificial intelligence) empowerment, this paper combines AI with traditional handicraft skills, and makes an in-depth study on the inheritance and dissemination of traditional handicraft skills. On this basis, it further thinks about the relationship between traditional handicraft skills display and experience, and the relationship between technology and experience, and studies the change of design concept from technology-oriented to human experience-oriented in traditional handicraft skills display design, and explores the development trend of experience design concept in future traditional handicraft skills display design. Develop the path and method of innovation, protection and inheritance with the comprehensive digital virtual traditional handicraft skill framework. The integration of AI and traditional culture will inevitably broaden and upgrade the path of inheritance and innovation of traditional handicraft skills, and make it achieve new development.
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Upadhyay, Prakash. "Handicraft Tourism in Pokhara: Connecting the Past Tradition to the Present." Journal of Nepalese Business Studies 12, no. 1 (December 31, 2019): 33–44. http://dx.doi.org/10.3126/jnbs.v12i1.28181.
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Although the importance of handicraft has been widely recognized, the literature regarding the role of handicraft in tourism market is scarce. Based on empirical data, the present article aimed to explore the interplay between handicraft and tourism, the contribution of handicraft in tourism promotion and the challenges faced by handicraft sector in Pokhara, Nepal. This study identifies that there is a significant level of correlation and dependency between handicraft and foreign tourist arrivals, job creation and the increase in income and social status of handicraft shop proprietor. As a harbinger of past tradition, handicraft tourism/souvenir items has created a unique experience for tourist, enriched nation’s pride, belief and identity and connected the past tradition to the present. Lack of effective advertisement/marketing, inequitable price, scarcity of raw materials, intrusion of foreign goods, ineffective government policies are the key challenges of handicraft tourism. Policy improvement, increase in source/supply of raw materials, supply of handicrafts as per demand, creative production and marketing are the ways that can promote handicraft market. Handicraft tourism is not just about displaying and selling products, it is about allowing tourists to truly understand the skill/craft at rear and realize handicrafts unique tradition, linking tourists to artisans to facilitate them understand and appreciate the art. It is necessary recognizing the importance of local handicraft in sustainable tourism development and the importance of tourism as an agent for protection and preservation of traditional crafts, methods of production and cultural milieu.
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Sun, Xiaotian. "A Novel Method for Handicrafts Design Based on Fusion of Multi-Intelligent Decision Algorithm." Scientific Programming 2022 (January 3, 2022): 1–13. http://dx.doi.org/10.1155/2022/8495381.
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With the rapid development of artificial intelligence, handicraft design has developed from artificial design to artificial intelligence design. Traditional handicraft design has the problems of long time consumption and low output, so it is necessary to improve the process technology. Artificial intelligence technology can provide optimized design steps in handicraft design and improve design efficiency and process level. Handicrafts are regarded as important social products and exist in people’s daily life. In the current society, many people do handicrafts and there are major exhibitions. Furthermore, the display of handicrafts is also very grand and shocking. In the design of handicrafts, the traditional design method cannot completely keep up with the production speed and efficiency of handicrafts. Therefore, this paper adopts the fusion multi-intelligent decision algorithm of multi-node branch design in the design method of handicraft. The algorithm model combination is used to analyze and design the layout of the handicraft, which speeds up the design efficiency and production of the handicraft. In this paper, two intelligent algorithms will be used for fusion; they are genetic algorithm and GA-PSO fusion algorithm obtained by particle swarm optimization and they are embedded in handicraft design method for application through mathematical model construction and function construction. After comparing the performance parameter index data of three intelligent algorithms and GA-PSO fusion algorithm, it is obtained that GA-PSO fusion algorithm is 97% correct and has 82% readability, 72% robustness, and 61% structure, making it have better important indicators. Four algorithms optimize each design problem in all aspects of handicraft design at present. Design efficiency, image distribution rate, image optimization degree, and image clarity are compared by simulation experiments. Compared with three intelligent algorithms, traditional design methods, and manual design methods, GA-PSO fusion algorithm can effectively improve the design method and design effect of handicrafts with 92.1% design efficiency, 82.7% image distribution rate, 94.3% image optimization degree, and 84% layout void rate. Finally, the space complexity experiment of four algorithms shows that GA-PSO algorithm can achieve 9.73 dispersion with 11.42 space complexities, which makes the dimension reduction relatively stable, and the algorithm can maintain stability in the design and application of handicrafts.
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Le, Nguyen Vi, Nguyen Khac Huy, Chu Tien Minh, Vu Anh Tuan, and Nguyen Ngoc Diep. "Factors affecting Vietnam's handicrafts export." Uncertain Supply Chain Management 11, no. 2 (2023): 811–22. http://dx.doi.org/10.5267/j.uscm.2022.12.009.
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With the rapid development of international business activities and internationalization, export plays an important role in the existence and growth of businesses. Handicrafts, despite not being an essential product, have always been rated as a potential product for sustainable development and export. In Vietnam, a country with a lot of long-existing traditional handicraft villages, the export of handicrafts has always been considered as an advantageous activity that largely contributes to the economy as well as the society. According to statistics from the Vietnam Handicraft Exporter Association, every 1 million USD worth of handicraft export creates profit 5 to 10 times higher than that of the exploitation industry; as well as provides work for three to five thousand employees. Despite this fact, in the last few years the handicraft export in Vietnam has been modest and not fulfilled fully to its potential. In comparison with other export products, the export turnover of handicrafts still accounts for a low proportion. Recognizing this issue, the present study developed a model to analyze the effects of some certain factors to the handicraft export activity in Vietnam. The results of this paper will contribute to current literature as well as propose some solutions to promote the handicraft export in Vietnam.
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Upadhyay, Manali, and U. C. Jain. "MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 122–26. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3719.
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India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.
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JUNYA, MA, and TIM WRIGHT. "Industrialisation and Handicraft Cloth: The Jiangsu Peasant Economy in the Late Nineteenth and Early Twentieth Centuries." Modern Asian Studies 44, no. 6 (December 23, 2009): 1337–72. http://dx.doi.org/10.1017/s0026749x09990333.
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AbstractThis paper analyses the trajectories of handicraft cloth production in three major sub-regions of Jiangsu Province in the late nineteenth and early twentieth centuries. In contrast to traditional focus on the bankruptcy of rural handicrafts in the face of competition from the modern industry, it argues that the fate of handicrafts depended on the specific characteristics of each sub-regional economy. Thus in Song-Tai, handicraft weaving declined as labour was drawn off into modern industry. In Tong-Hai the availability of machine-spun yarn in the market enabled the development of a commercialised handicraft weaving sector. Finally, in Xu-Huai-Hai machine-spun yarn enabled the inhabitants to substitute their own subsistence handicraft production for cloth purchased from elsewhere.
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Li, Wenhui, and Gaofeng Mi. "Protection of Handicraft Skills from the Perspective of Folklore Studies." Frontiers in Humanities and Social Sciences 4, no. 3 (March 28, 2024): 236–40. http://dx.doi.org/10.54691/j9yad930.
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Handicraft skills and material culture are a research perspective of folklore and a major landscape of various ethnic customs in China. The long history, vast territory, and clever and wise Chinese people have formed a colorful and diverse folk handicraft technique. Under the diverse paths of design participation in handicraft innovation, handicrafts have undergone semantic, functional, and situational transformations in contemporary times, presenting an ecosystem of alienation and diversification. This article takes the ceramic craftsmanship of Yaozhou kiln as an example to explore how to improve the construction of national cultural soft power by protecting local traditional handicrafts.
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Abdullah, Zulkeflee, Nurul Fadzlina, Mohd Amran, Shamsul Anuar, Mohd Shahir, and Khairul Fadzli. "Design and Development of Weaving Aid Tool for Rattan Handicraft." Applied Mechanics and Materials 761 (May 2015): 277–81. http://dx.doi.org/10.4028/www.scientific.net/amm.761.277.
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The main purpose of this project is to design and develop an assisting tool in manufacturing of rattan handicraft. Rattan is a non-timber forest resource which has a variety of functions in the making of handicrafts and furniture. The production of rattan handicraft typically carried out using manual and traditional methods. However, there are some problems to be faced by the craftsman in making the handicrafts such as the time constraints for the creation of products, due to the difficulty in term of the size, and the pain in the hands while making the handicraft products. Therefore, assisting tools or devices in manufacturing of rattan handicraft are needed to solve the problem. The methods used are questionnaire survey, CATIA software for RULA analysis and SolidWork software for FEA analysis.
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Anh Thu, Luong, Sun Fang, and Sham Sunder Kessani. "Factors influencing Vietnam’s handicraft export with the gravity model." Journal of Economics and Development 21, no. 2 (October 7, 2019): 156–71. http://dx.doi.org/10.1108/jed-08-2019-0021.
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Purpose The purpose of this paper is to investigate the factors that affect handicraft export from Vietnam to trading partners in the period 2007–2017, and how those factors influence the export of handicraft products of Vietnam. Design/methodology/approach The research uses the approach of gravity model based on panel data to evaluate the export of Vietnamese handicraft to 50 main trading partners, covering the period from 2007 to 2017. Findings The estimated results reveal that Vietnam’s GDP, importer’s GDP, trading partner’s population, Vietnam’s inflation, the economic distance between Vietnam and importer, the openness of Vietnam, importing country’s common language and the issue that both Vietnam and importer are member of APEC are the main factors affecting Vietnamese handicraft export. Research limitations/implications This study also has some limitations. It is limited in the data, as some other areas in the world have not been observed and included in the research. In the future, a study with large-scale data of space and time should be conducted, which will certainly give a universal result and fewer errors. However, this paper, in our opinion, provides a significant result and may help the government and policy makers to undertake appropriate measures to improve and promote the export of Vietnamese handicrafts to the world markets. Practical implications The research describes the current situation, and it studies factors influencing Vietnam’s handicraft export using the qualitative analysis. The result should be useful for the policy maker and enterprises to promote export activities of Vietnamese handicrafts to international markets. Social implications Handicraft export of Vietnam plays an important part in retaining the culture value and social development as well as encouraging sustainable development for the rural poor within the country. Originality/value The past research related to Vietnamese handicraft export almost analyzed the situation to promote export handicrafts. This research is based on the study of factors affecting trade and the gravity model to elaborate and supplement the factors that affect the export of handicraft in accordance with the actual conditions of Vietnam.
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Singh, Kavita, and Divya Rani Singh. "Handicraft Sector in India: An Instrument for Rural Economic Growth and Women Empowerment." Advances in Research 24, no. 5 (August 11, 2023): 238–46. http://dx.doi.org/10.9734/air/2023/v24i5974.
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Nowadays, the Indian government is paying more attention to handicraft products and promoting handicraft artisans. Indian handicraft has so much potential to generate employment and income. Data is used from the 3rd and 4th handloom census and the Export Promotion Council of Handicraft (EPCH). This paper tries to explore the workforce participation of handloom workers and the export performance of handicraft products. A major finding in this paper is that Indian handicrafts is rural and women-based industries. About 25 lakh women and 27 lakh rural workers are engaged out of 31 lakh workers. Major contributing states are Assam, West Bengal, Manipur, Mizoram, Meghalaya, Andhra Pradesh, Tamil Nadu and Uttar Pradesh. Also, observed that worker engagement has risen over decades. In 2021, a total of 4.3 billion US dollars in handicraft products were exported from India. The USA is the main trading partner of handicraft products. And it also shows that the share of export of every handicraft product has increased in past years, therefore, we can undoubtedly say that Indian handicraft is the future of the world handicraft market, especially in the aspect of employment and income. Hence, it concludes that Indian handicraft industries are instruments of rural growth and women empowerment.
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Wang, Xianghua. "Narrative Study of Chinese Traditional Handicraft Brand." Advances in Humanities Research 6, no. 1 (June 30, 2024): 65–68. http://dx.doi.org/10.54254/2753-7080/6/2024067.
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Shaping Chinese traditional handicraft brands through brand narratives is a systematic, comprehensive, and complex research and practical topic. This article innovatively adopts the perspective of brand stories and bases itself on brand narrative theory. It examines the current status of Chinese traditional handicraft brands in narrative practice, focusing on new narrative contexts such as the communication and consumption environments faced by the modern inheritance of traditional handicrafts. Furthermore, it proposes strategies for narrative construction of Chinese traditional handicraft brands, aiming to explore a path for shaping handicraft brands that is positive, modern, warm, and emotionally engaging.
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Mandal, Ram Krishna. "Present Scenario of Handloom and Handicrafts Industries of the ADIS." Journal of Global Economy 10, no. 3 (October 2, 2014): 191–203. http://dx.doi.org/10.1956/jge.v10i3.362.
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From beginning of the known history the handloom and handicrafts forms a valuable cultural trait of a society. The cultural pattern of a society is reflected in the quality and craftsmanship of their handicrafts. The term handloom and handicrafts refers those products of a common folk or a specific community, which are produced manually with their indigenous technology. The handicrafts of a society are one of the chief means of livelihood. The people of Arunachal Pradesh are artistically minded and gifted with deft hands and skilled fingers. Handloom and Handicraft for instance, offer wide scope to produce a variety of artistically blended and beautifully designed clothing. Handicraft is a very common craft in Arunachal Pradesh. The main handicraft items made in the state are masks, carpets, painted wooden vessels and silver articles. Cane and Bamboo play an important role in the rural economy of the state. Arunachal Pradesh has a rich tradition of Bamboo and Cane Handicrafts. The products reflect the rich and varied culture of the tribes inhabiting this enchanting State and the products featured are representative of the wide range of Handicrafts produced in the State.
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Rahayu, Kania Sofiantina, and Anida Shafa Salsabila Putri. "PERANCANGAN PROGRAM EKOWISATA KERAJINAN TANGAN KOTA PALEMBANG PROVINSI SUMATERA SELATAN." Jurnal Sains Terapan 10, no. 2 (July 31, 2021): 1–13. http://dx.doi.org/10.29244/jstsv.10.2.1-13.
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ABSTRAKKota Palembang memiliki keanekaragaman sumberdaya budaya. Kesenian merupakan salah satu unsur budaya yang mencerminkan ciri khas suatu daerah asal kesenian. Kerajinan tangan merupakan salah satu kesenian Kota Palembang yang berpotensi sebagai daya tarik wisata. Ekowisata kerajinan tangan memiliki pengaruh dalam melestarikan produk kerajinan, meningkatkan perekonomian dan mensejahterakan para pengrajin tradisional di Kota Palembang. Tujuan penelitian ini adalah menginventarisasi dan mengindentifikasi sumberdaya kerajinan tangan di kota Palembang agar dapat dijadikan objek dalam rancangan program ekowisata di Kota Palembang Provinsi Sumatera Selatan. Metode yang digunakan yaitu studi literatur, wawancara, observasi langsung dan penyebaran kuisioner. Sumber daya wisata kerajinan tangan yang diinventarisasi terbagi menjadi dua klasifikasi yaitu kerajinan bahan keras dan bahan lunak. Terdapat empat kerajinan tangan di Kota Palembang yaitu terdiri dari satu kerajinan bahan keras dan tiga kerajinan bahan lunak. Sumber daya kerajinan tangan dianalis berdasarkan tujuh indikator penilaian Avenzora (2008) untuk mendapatkan hasil penilaian potensi sumber daya kerajinan tangan unggulan. Potensi kerajinan unggulan di Kota Palembang yaitu kerajinan Laker, Kain Songket, Kain Jumputan dan Ukir Kayu. Berdasarkan hasil identifikasi menunjukkan bahwa stakeholders setuju dan siap jika kerajinan tangan kota Palembang dimasukan ke dalam objek program ekowisata. Program Ekowisata dirancang dengan konsep eksplorasi kerajinan tangan yang melibatkan interaksi antara wisatawan dengan para pengrajin. Adanya program ekowisata kerajinan tangan ini diharapkan dapat merangsang pertumbuhan ekonomi kawasan dengan kapasitas masyarakat untuk mengelola sumberdaya.
ABSTRACTPalembang City has the diversities of cultural resources. Art is the cultural element that reflects the characteristics of an area. The Handicraft is one of Palembang City's arts which has the potential as a tourist attraction. Handicraft ecotourism has the influences in preserving the handicraft products, improving the economy, and the welfare of traditional craftsmen in Palembang City. This research purpose is to inventory and identify the handicraft resources in Palembang city so that they can be used as objects in the ecotourism program design in Palembang City, South Sumatra Province. The method used is literature study, interview, direct observation, and the questionnaire distribution. The handicraft tourism resources that are inventoried are divided into two classifications, namely the handicrafts with hard materials and soft materials. There are four handicrafts in Palembang City, consisting of one hard material handcraft and three soft material handicrafts. The handicraft resources were analyzed based on the seven assessment indicators from Avenzora (2008) to get the results of the superior handicraft resources potential assessment. The superior handicrafts potentials in Palembang are Laker, Songket, Jumputan, and the wood carving. Based on the identification results, it shows that the Stakeholders agree and are ready if Palembang handicrafts are included in the ecotourism program object. The Ecotourism program is designed with the handicraft exploration concept that involves interaction between the tourists and the craftsmen. The handicraft ecotourism program is expected to stimulate regional economic growth through the resource arranged by the community.
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Ji, Yi, Peng Tan, and Damian Hills. "Chinese Traditional Handicraft Education Using AR Content." Leonardo 53, no. 2 (April 2020): 199–200. http://dx.doi.org/10.1162/leon_a_01863.
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This paper proposes a new Chinese traditional handicraft learning mode through embodied interaction using WebAR technology. It details how emergent technologies for cognitive learning can enhance learning in the teaching of a traditional handicraft. A study is presented where students learn about traditional handicrafts with a whole-body interactive simulation utilizing WebAR devices, and this is compared to traditional methods using a desktop version for the simulation. Results show that the Chinese traditional handicraft learning mode based on WebAR affords embodied interaction and improves learning between real context and virtual devices; thus WebAR devices enhance embodied interaction of traditional handicraft simulations. This contribution is highly relevant for users who aim to learn and be creative in different contexts that deliver new forms of Chinese traditional handicraft learning.
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Meng, Jiayun. "Innovative Marketing of Traditional Chinese Handicrafts." Advances in Economics, Management and Political Sciences 32, no. 1 (November 10, 2023): 23–28. http://dx.doi.org/10.54254/2754-1169/32/20231558.
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Traditional crafts are the continuation of the traditional culture and history of the nation. The cultural development of a group is documented by its artifacts, which also record the history of the nation or country and record its rise and fall. Marketing Innovation is an important contemporary marketing concept, and the effective use of innovation can rejuvenate traditional technologies. This paper analyzes the bottlenecks encountered by the contemporary Chinese traditional handicraft industry and provides new directions for the development of Chinese traditional handicraft industry by combining the innovation examples of related industries abroad. It can be concluded that modernizing the product and management structure of Chinese traditional handicrafts with modern advanced technology and management expertise, as well as innovating content marketing models and tools, can effectively enhance the development of Chinese traditional handicrafts. This can benefit the financial rewards of handicraft practitioners as well as the preservation of Chinese traditional handicrafts.
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Tekwani, Kritika, and Rinku Raghuvanshi. "GST: A Tax Reform for Sustainability of Indian Handicrafts." Humanities & Social Sciences Reviews 7, no. 1 (August 2, 2019): 354–59. http://dx.doi.org/10.18510/hssr.2019.7141.
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Purpose of the study: Taxation is one of a tool, which helps the Government for the achievement of the goal of sustainable development for every sector including handicraft. The objectives of this study are to know about Goods and Services Tax & its inferences on sustainable development of Indian handicrafts and to identify the role of GST as tax reform in the sustainable development of handicrafts sector in India. The Indian handicraft is economically important and it has more potential for exports. This sector places a major role in the Indian economy.
Methodology: The Descriptive method of research has been used to gather information about the existing conditions of GST and Handicraft sector of India. This study is based on secondary data. The data has been taken from different journals, books, magazines, websites, and published data from government institutions. This study is explanatory in nature. The collected data from different sources has been reviewed and data relevant to the handicraft sector further analyzed. The researcher concluded that how GST is helping Indian handicraft sector for sustainable development.
Main Findings: GST brought transparency in the tax system and it also eliminated the multiple taxes, which ultimately increases the final prices. This study revealed that GST would make Indian handicrafts more competitive in the domestic and foreign markets. GST is fiscal tax reform which helps in the sustainable development of Indian handicrafts. This research study found that the handicraft sector of India became more organized, centralized, and regulated after the implementation of Goods and Services Tax.
The implication of the study: GST implemented on July 01, 2017 with the aim of simplification of the tax system, fiscal structure, United Indian Market, and sustainable development in India. It is a comprehensive value-added tax which merged different taxes including VAT, service tax, surcharges, CST, etc. This study can be useful for future researchers, traders, and exporters to know the implication of GST in the handicraft sector. Traders and exporters can get knowledge about the GST, tax rates, and exports under LUT/ bond. This study may be benefited to the Government for further development in GST as per the findings of this study.
Novelty/Originality of this study: GST is new tax reform in India, only a few studies have been done on it. As per the researcher ’ s best knowledge few studies have been carried out on GST and handicraft sector, but none of the study is carried out on this topic. This study highlights the unrevealed facts and figures about the role of GST in the sustainable development of the handicraft sector.
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Rati Syafiana Putri and Desyandri. "JENIS TEKNIK DAN BAHAN BAHAN YANG DIGUNAKAN PADA KERAJINAN TANGAN SUMBER BELAJAR SENI BUDAYA DAN PRAKARYA DI SEKOLAH DASAR." Didaktik : Jurnal Ilmiah PGSD STKIP Subang 9, no. 3 (July 31, 2023): 994–1006. http://dx.doi.org/10.36989/didaktik.v9i3.1572.
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The study aims at describing a variety of handicraft techniques and materials which exist in Sumatera Barat. This study employed qualitative descriptive approach. The subject of this study was handicraft home industry in Sumatera Barat. The data collection of this study obtained by conducting observation, documentation, and interviews. The results indicated that (1) home industry of handicraft in Sumatera Barat is feasible to be utilized as a learning resource in elementary school. In addition, the variety of technique of making handicrafts noted within this study are wickerworking, carving, sewing, tie, stringing-beading, application, embroidering, batik, folding, clay crafting, spinning, rotating, printing, screen printing, painting, scratching and lathing. (2) The variety of handicrafts materials selected or used is in the form of natural and artificial materials such as clay, katu, corn husk, cloth, plastic, and paper.
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Aldina, Rima Puri, and Margunani Margunani. "Pengaruh Inovasi Produk, Tenaga Kerja, dan Pemasaran terhadap Perkembangan UMKM Kerajinan di Kecamatan Purwanegara Banjarnegara." Business and Accounting Education Journal 3, no. 1 (April 30, 2022): 83–91. http://dx.doi.org/10.15294/baej.v3i1.59271.
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This study aims to examine the effect of product innovation, labor, and marketing on the development of handicraft SMEs in Purwanegara District, Banjarnegara Regency. This quantitative study has a population of small and medium enterprises in handicrafts in Purwanegara District, Banjarnegara Regency, amounting to 75 entrepreneurs with a sample of 45 entrepreneurs. Data were collected by questionnaire and analyzed by descriptive analysis and multiple regression. The results of the study show that there is a positive influence of product innovation, labor, and marketing together on the development of handicraft SMEs. Product and labor innovation have a positive effect on the development of handicraft SMEs, while marketing does not have a positive effect on the development of handicraft SMEs.
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Bano, Shahina, Neelam Farid, Asia Ashfaq, and Siti Mas'udah. "Uplifting the socio-economic empowerment of women through handicraft industry." Masyarakat, Kebudayaan dan Politik 34, no. 4 (November 29, 2021): 367. http://dx.doi.org/10.20473/mkp.v34i42021.367-379.
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Empowerment is seen as being capable of making choices about job, marriage, mobility, entertainment, and the number of children. The present study focused on the role of handicraft businesswomen, their experiences, and the role of handicraft business as a tool of empowerment for women in Gilgit, Pakistan. The study was limited to the experiences of women producing handicrafts and viewed as socio-economic empowerment for those who are producing handicrafts. This study employed a qualitative research design. The thematic analysis of interviews of the craftswomen showed that they were empowering themselves economically and socially through handicraft business. The research findings reinforced the objectives of the study that the craftswomen perceive empowerment as economic independence and the income generated through handicrafts strengthens their economic as well as social position in society. This study concludes that their economic and social position becomes stronger after starting to earn income. These women also felt like the source of change in terms of motivation, inspiration, and encouragement for the other women in the society. They viewed and regarded the skill of handicrafts as the source of income and financial support for their families.
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Ranamagar, Binita, and Sita Karki. "The Effectiveness of Handicrafts on Anxiety Reduction among Hospitalised Children in Paediatric Ward of Dhulikhel Hospital." Journal of Nepal Paediatric Society 41, no. 3 (December 31, 2021): 432–38. http://dx.doi.org/10.3126/jnps.v41i3.36115.
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Introduction: Disease and hospitalization can be the first crisis which a child encounters. It can cause acute anxiety to them which may sequel their uncooperative behavior to the treatment procedures. Furthermore, high level of anxiety if persisted for longer period can affect their physiological and psychological health. So, in order to deal this anxiety beforehand, handicraft has become an effective play intervention in the hospital. Hence, we conducted this study to investigate the effectiveness of handicrafts on anxiety reduction among hospitalized children. Method: This is a pre-experimental study administered to 30 admitted children in Paediatric Ward of Dhulikhel Hospital who were selected using consecutive sampling technique. Anxiety levels before and after intervening handicraft were assessed via interview using State-Trait Inventory of Cognitive and Somatic Anxiety - Child Version (STICSA-C) tool where intervention was making handicrafts with colorful paper as per children’s capacity and preference for total six times in two consecutive days at four hours interval. Results: The study showed significant difference between anxiety score before and after intervening handicraft (42.70 ± 10.60 Vs. 33.30 ± 8.70, p = < 0.001). While, anxiety level before intervening handicraft was not significantly associated with the selected demographic and clinical variables of children. Conclusions: In the study, handicraft was an effective play material in reducing anxiety among hospitalized children. But it is necessary to perform further studies that will take into account greater methodological stringency.
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Magomedov, Amirbek Dzhalilovich. "A. S. PIRALOV AS A RESEARCHER AND ORGANIZER OF ARTS AND CRAFTS OF THE CAUCASUS." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 24 (December 16, 2020): 99–102. http://dx.doi.org/10.31029/vestiyali24/14.
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The article analyzes the merits of the member-clerk of the Caucasian Handicraft Committee A. S. Piralov, his role in the study and organization of traditional trades and crafts of the peoples of Dagestan, the Caucasus as a whole. Artemiy Stepanovich Piralov headed the Caucasian Handicraft Committee from the time of its creation (1899). Under his leadership, the Committee conducted an extensive survey of Caucasian cloth weaving, the traditional dyeing business of Dagestan. The merit of A. S. Piralov was also the holding in 1902 of the Congress of the Caucasian handicraft industry, the preparation and publication of the book «A Brief Sketch of the Handicrafts of the Caucasus». He also distinguished himself by collecting products of folk craftsmen of the Caucasus for the collections of handicraft and ethnographic museums in Russia.
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Saparudin, Muhammad Agus, Rizal Justian Setiawan, Eko Budi, Aji Puspito, and Imam Fauzi. "DESIGN AND MANUFACTURE OF BAMBOO HANDICRAFT DRYER MACHINE BASED ON LPG GAS." Tadulako Science and Technology Journal 2, no. 1 (August 12, 2021): 01–09. http://dx.doi.org/10.22487/sciencetech.v2i1.15555.
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Bamboo plant is one of Indonesia's natural resources. People use bamboo to make household furniture, fences, frames, and handicrafts. Bamboo plant is a special commodity that can be used as various kinds of handicraft products in DIY, precisely in Brajan area, Sleman Regency. Based on observations that have been conducted on one of the bamboo craftsmen in the Brajan area, bamboo handicraft is in great demand due to they have a unique and ethnic appearance, but the production process is quite complicated and takes a long time. According to the literature, this is due to bamboo plants are classified as herbaceous plants, namely plants with watery or wet stems. So far, the method used is drying bamboo handicrafts under the hot sun, and using a dryer that can only be used for one type of handicraft. This method is not optimal and not effective for producing bamboo handicrafts. Therefore, it is necessary to apply appropriate technology to optimize the production of bamboo crafts, the solution is to manufacture bamboo dryers to facilitate bamboo handicraft producers in the bamboo drying process. In general, the appearance of this tool resembles a cupboard. This tool has a size of 1200x800x1800 mm with three chambers. This tool works by utilizing the heat from the LPG gas stove. As a temperature controller, this tool is equipped with a blower that has been programmed with Arduino Uno and functions to stabilize the temperature if the heat generated exceeds the maximum limit. The dryer machine can dry bamboo handicrafts to a water content of 2.5% in just 40 minutes, very efficient compared to conventional methods. This tool can facilitate and optimize the production of bamboo handicrafts in the Brajan area, Sleman, Special Region of Yogyakarta.
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Li, Wen-Tao, Ming-Chyuan Ho, and Chun Yang. "A Design Thinking-Based Study of the Prospect of the Sustainable Development of Traditional Handicrafts." Sustainability 11, no. 18 (September 4, 2019): 4823. http://dx.doi.org/10.3390/su11184823.
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Traditional handicrafts have a time-honored history and tremendous cultural value in China. However, even with the strong impact of globalization and consumerism in recent years, design-oriented scientific thinking and sustainable development models are not yet available. Based on Stanford Design Thinking, this study explores the prospect of the sustainable development of traditional handicrafts. First, a literature review and analysis were conducted to show that design science, as a bridge between natural science and humanities, aims to improve the important methods and research tools for the sustainable development of traditional handicrafts. Then, we studied ceramic product design via workshops. Methods such as action research, expert questionnaires, and factor analysis were adopted to establish 24 “indicators of the sustainable value of handicraft design” and four value dimensions, namely, “material and innovative value”, “handicraft and cultural value”, “empirical and local value”, and “sharing and interactive value”. Next, an experimental method was employed to make design product prototypes according to the design-thinking procedure. These prototypes were measured and evaluated with the indicators to form an evaluation report. In addition, the exploration of the sustainable development of traditional handicraft design also contributes to the establishment of a sustainable development model of design thinking. It was demonstrated that scientific design is the current trend and future of the sustainable development of traditional handicrafts. Finally, this study put forward five dynamic thinking methods and design strategies, providing the most direct methods and theoretical evidence for the sustainable development of traditional handicraft design. Finally, taking design thinking as the sustainable design framework, five dynamic thinking approaches were proposed: Thinking with the body, thinking with the mind, thinking with the heart, thinking with the hands, and thinking with the soul. Five design strategies were also proposed: Enquiry learning, values education, future problem solving, experiential design, and appropriate assessment. These approaches and strategies provide the most direct method and theoretical basis for the future of sustainable design regarding traditional Chinese handicraft products.
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Ugryumova, Mariya Viktorovna, and Marina Viktorovna Fomenko. "Production and sale of handicraft toys by Russian Zemstvos." Genesis: исторические исследования, no. 4 (April 2024): 1–13. http://dx.doi.org/10.25136/2409-868x.2024.4.70198.
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The activities of the zemstvo self-government bodies to support handicrafts occupied a special place in many territories of pre-revolutionary Russia. Through the creation of workshops for the production of handicrafts, special schools, creative associations, museums and connections with individual handicrafts, the zemstvo productively established the production of artisanal domestic toys. Individual zemstvos were actively engaged in advertising the toy, its sale both domestically and abroad through regional, Russian and European exhibitions. The organization of sales outlets and a specialized Moscow store, coordination of packaging and shipment of individual toys or their batches were also included in the scope of activity of the zemstvos. The subject of this study is the activity of Russian zemstvos in organizing the production and sale of handicraft toys in the second half of the XIX - early XX centuries. The main methodological foundations of this research are the principles of scientific objectivity, consistency and historicism. The center, of course, is the method of searching for archival documents, and a retrospective method of studying the activities of individual zemstvos in organizing training in the art of creating toys, its production and sale on domestic and foreign sites. During the research, the author discovered, analyzed and for the first time introduced into scientific circulation documents containing data on the organization of production and sale of handicraft toys by the zemstvo authorities, which were deposited in the fund of the Moscow Provincial Zemstvo (both in the cases of structural divisions of the zemstvo, the Handicraft Museum, and in individual cases of the county zemstvos of the Moscow province) and are stored in The Central State Historical Archive of Moscow (TSGIA of Moscow), various reports and indexes of handicraft, industrial and art exhibitions. Of course, the main centers of the appearance of handicraft toys, in the production and marketing of which the zemstvo participated, were the Moscow province with handicrafts from Sergiev Posad and S. Bogorodsky, Nizhny Novgorod, Vyatka, Tambov, Perm and Kazan provinces.
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Ho, Bach Q. "Customers’ Prior Knowledge in the Servitization of Traditional Handicrafts." Businesses 4, no. 1 (February 13, 2024): 53–63. http://dx.doi.org/10.3390/businesses4010004.
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To enhance the competitiveness of the traditional handicraft industry, providers should offer service experiences using their products (i.e., servitization) instead of merely selling them. Effective management for servitization in the traditional handicraft industry must consider the differences in customers’ prior knowledge. Nevertheless, previous studies have overlooked how this knowledge about traditional handicrafts impacts service experiences. This study explores which factors of consumer behavior (during services) and service outcomes (post-services) are affected by customers’ prior knowledge about a traditional handicraft. An organic food restaurant booth was provided at an annual summer festival about pottery as an experiment, and data were collected on customers’ meal experiences with a pottery plate through a questionnaire. The findings suggest that customers’ prior knowledge about a traditional handicraft promotes their search for information from service resources (i.e., organic foods) which are integrated with the traditional handicraft and their creativity during services, thereby changing their understanding of service resources and increasing satisfaction with service experience. This study contributes to services marketing by identifying the factors of during and post-services that are affected by customers’ prior knowledge about a traditional handicraft in the context of servitization.
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Kumar, Dilip, and P. V. Rajeev. "Present Scenario of Indian Handicraft Products." Asian Journal of Managerial Science 2, no. 1 (May 5, 2013): 21–27. http://dx.doi.org/10.51983/ajms-2013.2.1.1116.
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The epitome of India, lies in the art and craft, which symbolizes the culture, tradition and societal values. Indian handicraft industry is one of the oldest & biggest industries of India. It provides employment nearly sixty seven lakhs artisan and is one of the Important suppliers of Handicraft to the world Markets. The present research paper attempts to comprehend the essence of the art which hold the Indian craft in high esteem and demand in the international market. The paper primarily focuses on the immense opportunities that exist in the Indian handicraft industry and the impact of global recession on the industry and personnel associated with the craft. The paper tries to contemplate upon the hurdles in the marketing of handicraft products. In addition it would also plunge into the opportunities for Indian Handicraft products in its present state. The paper is divided into four sections as under: The first section speaks of the Indian Artifact industry and the recognition of Indian Handicraft sector in the Global market. It takes a look of the contribution of Indian handicraft industry in the Indian Economy. The dilemma of the growth in handicraft sector has become a thing of deep concern due to the recessionary trend witnessed in the global economy. Thus the first section prepares a convincing backdrop. The next section focuses on the review of existing research activities in the area of handicraft marketing. The third section is set to deal with the challenges faced in the marketing of handicraft products. It would delineate the bottlenecks in the marketing of Indian Handicraft products. Concluding observations would form the last section providing concrete information on the opportunities in marketing of handicrafts and the urgency the sector demands to sustain the traditional value of Indian Society.
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Kumohin, Aleksandr, and Aleksandr Antonovskiy. "Craft education as a perspective direction of development of modern professional education." Applied psychology and pedagogy 6, no. 3 (July 1, 2021): 136–47. http://dx.doi.org/10.12737/2500-0543-2021-6-3-136-147.
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The article considers the main aspects of craft activity in modern society and reviews the literature on craft education as one of the directions of development and improvement of professional education. The main organizational, technological and psychological characteristics of handicraft activity are highlighted. The analysis of trends in the development of professional work in the context of providing professional training for handicraft business is carried out. The main problematic areas of handicraft activity are noted: the lack of legislative and regulatory documents regulating the field of handicraft; federal state educational standards in the field of training of handicraft personnel have not been developed in vocational education; professional standards have not yet been developed for existing handicraft professions and craft activities; the lack of educational and scientific literature on handicraft activities and craft professions, which limits the opportunity to master craft education. Currently, the development of handicrafts is on the path of complicating the performance of professional activities. Modern craft education requires significant intellectual investment associated with the idea and design of future products, the presence of imagination and creativity in their work, an important role is played by the ability to build and maintain interpersonal relationships with various groups of people involved in the structure of the organization of a craft enterprise. Today, the organization of handicraft work requires a certain professional training with the need to form professional competencies of various directions (technological, legal, economic, pedagogical, aesthetic, etc.), which, in turn, will be able to stimulate professional improvement and professional development in handicraft activities.
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Akilandeeswari and C. Pitchai. "POTTERY INDUSTRY AND ITS DEVELOPMENT BY EFFECTIVE MARKETING THROUGH INFORMATION AND COMMUNICATION TECHNOLOGIES (ICT)." International Journal of Research -GRANTHAALAYAH 4, no. 4SE (April 30, 2016): 6–13. http://dx.doi.org/10.29121/granthaalayah.v4.i4se.2016.2737.
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Globalization has opened up the economy at a very high speed, as a result of that information technology has opened the sphere a global village and have facilitated global communications network that transcends national boundaries. Due to ICT there is a dramatic change in the society. Handicraft industry is the second largest industry which provides employment to rural and underemployed agricultural laborers. But large group of artisans are in the unorganized sectors like handicraft and cottage industry and these handicraft artisans are in inaccessible area of rural India. Majority of artisans are still bounded to traditional way of living so they are not enjoying the modern world benefits and adopted to modern scenario. These artisans are not access to available technology or participation and to promote for the contribution of societies development and these artisans are less engaged with Information and Communication Technologies (ICTs) than common man. Information and Communication Technologies are for everyone and handicraft artisans should equally benefit to the advantages offered by the technology to the products and processes.
Almost in all the States of the India, people are expert in producing handicraft items traditionally. The worth of Indian handicrafts in the international market was realized when the exports crossed Rs. 300,274.12 crores in 2012-13. The handicrafts sector has made considerable contribution to the Indian economy through exports. ICT brings success to marketing and export activities and production part of the craft. But knowledge on marketing technology was poor for artisans. So, an attempt has been made in this paper to bring out the problems and opportunities of artisans in the handicraft industry with the usage of ICT, and the opportunity for exporting to foreign countries and to help artisans improving their standard of living and thus the economy.
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Shafi, Mohsin, Liu Junrong, Yongzhong Yang, Deng Jian, Imran UR Rahman, and Mahdi Moudi. "Factors Influencing the Consumer Acceptance of Innovation in Handicraft Products." SAGE Open 11, no. 4 (October 2021): 215824402110615. http://dx.doi.org/10.1177/21582440211061528.
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This study investigates the factors influencing consumer acceptance of certain types of innovation in handicraft products. Another aim of the article is construct/scale development applicable to handicrafts because our study collected scale items from other studies and tried to develop constructs applicable to handicraft products. The descriptive analysis through a quantitative cross-sectional consumer survey was applied along with cluster analysis for consumer market segmentation following the acceptance of certain types of innovations. Eight factors were discovered through EFA. The construct scores for authenticity innovation, packaging innovation, value-adding, product improvement, product design innovation, alternative/new materials, quality materials, and technological innovations were used in the cluster analysis. The results show that most consumers are open to accepting innovation in handicrafts. Particularly, consumers prefer those innovations that do not modify the traditional features and characteristics of products, such as authenticity, packaging, and quality-related innovations. However, consumers considered technological innovations as more skeptical. The comparison of socio-demographic profile of consumer segments with their acceptance of innovation indicates that the younger generation and well-educated consumers are more willing to accept innovation in handicraft products. Contrarily, the old-age consumers were unwilling to accept the innovation and prefer to purchase authentic and quality products. Additionally, as income increases, people like more authentic and quality products. This study focused on an emerging topic for handicraft industry, that is, innovation considered controversial, challenging, and received less attention from scholars in past. Further, this study is the first of its kind to explore the consumer acceptance of innovation in handicraft products.
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Arum, Nathya, Gerardo Harisson Setianto, Sally Malinda, Widasapta Sutapa, and Nida Daniyatul Muhdirah. "Redesign Tas Hand Sanitizer dari Limbah Kain Batik Cirebon." Jurnal Teknologi dan Desain 2, no. 2 (January 31, 2021): 112–18. http://dx.doi.org/10.51170/jtd.v2i2.116.
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Abstract
Cirebon is one of big city in Java island that develops and preserves Batik handicraft. Batik maker in Cirebon mostly producing only in primary textiles or basic clothing, while many derivative products from residual shred pieces sere less developed. Actually big portions of good residual pieces can still be used for handicrafts, especially handicraft and handmade souvenir for local and international tourists. Cirebon also the oldest batik center which influences various batik patterns at the north coast of Java Island. The research team is Interior Design students tried to solving this problem through research methods . It aim to utilize existing batik waste and develop a recycle handicraft model so that it is beneficial to the surrounding community. The research method is carried out by conducting observations, interviews and experiments online so as to produce hand sanitizer bag products.
Keywords: handicraft, Cirebon batik, recycling, hand sanitizer bag
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Upadhyay, Prakash. "Promoting Employment and Preserving Cultural Heritage: A Study of Handicraft Products Tourism in Pokhara, Nepal." Journal of Tourism & Adventure 3, no. 1 (September 21, 2020): 1–19. http://dx.doi.org/10.3126/jota.v3i1.31354.
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Handicraft s form a fundamental part of tourist experience representing local traditions and indigenous population’s talents and skills, income and job opportunities. This paper aims at exploring the role of handicraft products in promoting employment as well as preserving the cultural heritage of Pokhara. The study result reveals that there is a significant level of correlation and dependency between handicraft products and tourist’s arrival, job creation and the increase in income and social status of artisans and handicrafts shopkeepers. As a unique experience for tourists, handicraft products have enriched national economy, identity and promoted cultural heritage, uniqueness and authenticity, and cultural commercialization. However, handicraft is notjust about commercialization of cultural arts or displaying and selling products, it is about allowing tourists to truly understand the skill and the craft at rear and realize handicraft s unique tradition, linking tourists to artisans to facilitate them understand and appreciate the art. Further it is about how culture is recognized through display of a new self-representation or ‘enterprising spirit’, but not with the total loss of primordial ‘pure culture’ albeit an authenticity of hybrid culture. Lack of effective advertisement and marketing, inequitable price, scarcity of raw materials, intrusion of foreign goods, ineffective government policies are the crucial tribulations of handicraft products tourism in Pokhara. State policy improvement, increase in supply of raw materials, creative production and marketing are the ways that can promote handicraft market. It is necessary recognizing the prominence of handicraft products tourism as a prodigious agent for preservation of traditional craft, methods of production and an effective means of socio cultural and economic empowerment, cultural renovation and national identity building.
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Yang, Xu Guang, and Bin Zhou. "Design of Decorative Glass Handicraft Products in Qinhuangdao." Advanced Materials Research 598 (November 2012): 289–92. http://dx.doi.org/10.4028/www.scientific.net/amr.598.289.
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The development of domestic and foreign decorative glass handicraft products is introduced, and the processing of glass handicrafts is described in this paper. It is an imperative to design with local characteristics glass handicrafts and make full use of local resources in Qinhuangdao so as to promote the local economic development.
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Adi Wiriatama, Gusti Ngurah, and Nyoman Dini Andiani. "Peluang dan Tantangan Pengembangan Souvenir Desa Wisata Berbasis Kerajinan Lokal." Masyarakat Pariwisata : Journal of Community Services in Tourism 2, no. 2 (August 1, 2021): 75–98. http://dx.doi.org/10.34013/mp.v2i2.397.
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Tigawasa Village is one of the Old Villages or Bali Aga villages in Banjar District, Buleleng Regency, Bali which is the center of bamboo handicrafts. The local handicraft really needs development, one of the developments of the local handicrafts of Tigawasa Village, namely tourism village souvenir products. The development of local handicraft-based tourism village souvenirs is the beginning of increasing the value of local crafts in Tigawasa Village. This article describes the opportunities and challenges of developing local handicraft-based tourist village souvenirs in Tigawasa Village, which is the center of bamboo handicrafts in the Bali Aga village environment, Buleleng, Bali. The method used is a descriptive qualitative method which begins with data collection from interviews with several informants, filling out questionnaires by tourists visiting Tigawasa Village and also direct documentation to Tigawasa Village such as traditional houses and also to craftsmen in Tigawasa Village. The results show that local crafts have the opportunity to develop as souvenirs because the crafts produced are of good quality, besides that the tourism development component is also an opportunity in the development of these souvenirs such as tourists visiting Tigawasa Village will be invited to do weaving activities (something to do) with the woven results can be used as a souvenir to take home (something to buy). The results of the questionnaire also stated that 70% of tourists strongly agree with the existence of local handicraft-based tourism village souvenirs, and 30% agree and there are no opinions disagree and strongly disagree. The challenges faced related to the development of tourism village souvenirs include the limitations of existing bamboo sources so that craftsmen buy materials from outside the village so that additional capital is needed so that capital is also a challenge for Tigawasa Village crafts, lack of innovation from bamboo crafts, and lack of promotion. With the development of local handicraft-based souvenirs in Tigawasa Village can increase the selling value of local crafts, can make it a tourist attraction and as a memory for every tourist who comes to Tigawasa Tourism Village.
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Yadav, Uma Shankar, Ravindra Tripathi, and Mano Ashish Tripathi. "Strategies for Development of Handicraft Sector (Small Industries) in India." SEDME (Small Enterprises Development, Management & Extension Journal): A worldwide window on MSME Studies 47, no. 3 (September 2020): 175–93. http://dx.doi.org/10.1177/09708464211037466.
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Handicrafts products are made by hand, often with the use of simple tools and generally artistic and traditional. It is sometimes in the current scenario called Handomen craft (women handicraft) because most of the handicraft products are related to women artisans, and women have an apex role in the handicraft products of the rich Indian cultural heritage of the country. Indian handicraft industry is a decentralised, unorganised, labour-intensive cottage industry. The sector that has a strong potential to provide massive employment to the rural sector. However, it now faces several problems, and significant competition from machine-made and electronic products, and technology and artificial intelligence, and there is an increasing state of unemployment and jobless growth. For the welfare of Artisans especially women and their social and economic justice there is requirement of strong strategies for uplifting the standards of their life. This paper would discuss and cover important strategies in Handicraft sector and better labour relation, for their development and focused on level of Strategies and sustainable development of labour relation (SDR), Not only in India but also whole of the world and labour relation in management.
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Putra, Ardhansyah. "PRODUKSI LIMBAH BONGGOL JAGUNG DI DESA SAENTIS." Jurnal Pengabdian Kepada Masyarakat MEMBANGUN NEGERI 4, no. 1 (April 30, 2020): 34–40. http://dx.doi.org/10.35326/pkm.v4i1.503.
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The purpose of activities is to help solve the problems of partners to become independent and lead to a productive economy by utilizing corncob waste. The PKM partner is corn farmers in Desa Saentis which is ± 25 km or 40 minutes from UMN Al-Washliyah. The partner priority issues are ; (1) aspects of production, including; a) partners do not have the knowledge and skills in processing corncobs; b) partners never to training processing corncobs from the government or the private sector; c) partners don’t have the appropriate technology to process corncobs into handicraft items. (1) aspects of production, including: a) Focus Group Discussion on the potential of corn waste into handicraft items; b) the use of appropriate technology in the form of grinding machines and hacksaw to make handicrafts from corncobs; c) Benchmarking partners corn cob crafter; and d) training to design handicraft made from corn cobs. Output targets include: 1) grinding machines and hacksaw; 2) enhancing partner skills in the production of handicraft items made from corn cobs; 3) design of handicraft made from corn cobs such as tissue boxes, decorative lamps, placemats
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Ghosal, Indrajit, Bikram Prasad, and Mukti Prakash Behera. "Delineating the Exchange Environment of Handicraft Industry from Market Space to Marketplace: An Inclusive Map for RURBAN Development." Paradigm 24, no. 2 (October 29, 2020): 133–48. http://dx.doi.org/10.1177/0971890720959533.
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India is one of the significant merchants of handicrafts and handloom to the world arcade. From economic standpoint, the sector is important in terms of foreign exchange that it earns, aided by low investments and increased value addition. As per the latest estimates available, there are more than 23 million handloom and handicraft artisans in India now, constantly engaged in growth of Indian handicraft and handloom industry. In addition to maintaining the aristocracy, handicraft goods provide primary maintenance to the nation’s tremendous number of rural citizens. However, these goods’ contemporary markets are slowly collapsing. A big number of examines are evident of this datum. Major factors attributed to this can be due to lack of sales promotions and exposure. This study will excavate out the public opinion through an empirical approach. Implied findings of this investigation will strongly advocate the policy level implication as well as managerial governance to boost the promotion of handicraft through online sales and e-commerce platform through the development of RURBAN centres. Besides these, the researches will uniquely pistil ate out the unique value creation of Indian handicraft industry to a global platform.
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Fan, Kuo-Kuang, and Ting-Ting Feng. "Discussion on Sustainable Development Strategies of the Traditional Handicraft Industry Based on Su-Style Furniture in the Ming Dynasty." Sustainability 11, no. 7 (April 4, 2019): 2008. http://dx.doi.org/10.3390/su11072008.
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The fabrication of traditional handicrafts is both an art creation activity and a social economic activity, meaning that the resulting works have dual artistic and economic characteristics. With the development of industrial mass production, the traditional handicraft industry is facing a series of challenges. For sustainable development of the traditional handicraft industry, first the establishment of its historical context and experience is necessary. Therefore, through an analysis of the competitive advantages of the Su-style furniture industry in the Ming Dynasty, this study first sorts out and summarizes the historical experience of the industry’s successful development. Next, sustainable development strategies for the contemporary traditional handicraft industry are explored, and opinions on the inheritance and development of the traditional handicraft industry at the present stage are put forward. Based on the diamond model, this study of Su-style furniture in the Ming Dynasty shows that its competitive advantages in this period included style, material, and skill, and the contributions of the government and consumer demand played important roles in these competitive advantages. Therefore, the current development of the traditional handicraft industry requires both external heritage protection of the government and the internal transformation and innovation of the industry.
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Choudhary, Akanksha, and Poonam Mishra. "Indian Handicrafts: A Sustainable future of Utilitarian Consumer Goods." Ushus Journal of Business Management 21, no. 3 (November 22, 2022): 01–23. http://dx.doi.org/10.12725/ujbm.60.1.
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Utilitarian products are those which are designed to be useful rather than attractive. Handmade products are, thus, one among the wonders of Indian artisans, which are both useful and attractive at the same time. World-renowned Indian handicrafts are imported by several countries, which is highly supporting Indian art and culture. This is a source of livelihood for more than half of the unskilled labours and artisans of the Handicraft Industry. But with high-quality décor, luxurious items being exported to foreign lands, middleman income and trade fairs are sucking up most of the profits. Indian artisans and handicraft workers are therefore left with little income in hand except for the very famous art workers of big businessmen. This is one of the major problems which can be solved by encouraging the supply of handicrafts and domestic consumer demand. Since Indian consumers have been evolving through manufactured products, globalization, industrialization, etc. they are producing harmful effects on the environment and socio-economic conditions. Hence, it is very alarming for the handicraft sector to be able to protect its art and small business during an economic crisis. To address the small businesses and art of poor craftworkers this study intends to focus on the utilitarian aspect of handicrafts as being the sustainable alternative. The research broadly focusses on the socio-economic conditions of rural artisans and the environmental benefits of handicrafts by assessing the demand of domestic consumers and their perspectives. Based on primary data collected through the survey method, the study finds that domestic consumers are aware of the sustainable alternative handicrafts have to offer, while the utilitarian aspect has a vague response when it comes to purchasing handicrafts. However, demand for handicrafts is high because of their utilitarian aspect only. The study applied multiple regression analysis to analyse the results and conclude with suggestions based on qualitative research analysis to support rural handicraft artisans and small businesses. The study initiates a broad scope of research in consumer behaviour towards handicrafts in India as a sustainable alternative to mass production. This is one of the ways of supporting the cultural art forms as well as replenishing sustainability in the three major directions, which are economic, environmental & societal. Based on the empirical findings of this study, it concludes with the suggestions of co-existence with culture and sustainable development in India.
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Sriayudha, Yayuk, Suswita Roza, Sylvia Kartika Wulan Bhayangkari, and Ade Octavia. "Studi Empiris Hubungan Kesadaran Konsumen, Sikap Konsumen Dan Kepuasan Konsumen terhadap Intensitas Pembelian Produk Handicraft Daur Ulang." J-MAS (Jurnal Manajemen dan Sains) 7, no. 2 (October 26, 2022): 841. http://dx.doi.org/10.33087/jmas.v7i2.764.
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Recycled products are sustainable products designed to minimize environmental impact throughout their life cycle. The purpose of product development through the manufacture of recycled handicrafts is to reduce the effect of pollution, reduce plastic waste and maximize resource efficiency. The increased purchasing intensity of recycled handicraft products is inseparable from the basic theory that explains the relationship between consumer attitudes and purchase intention. This study aims to (1) analyze and explain the effect of environmental awareness and consumer attitudes on the intensity of purchasing recycled handicraft products, (2) analyze and explain the influence of environmental awareness and consumer satisfaction and the intensity of purchasing recycled handicraft products and (3) analyze and explain the effect of consumer awareness on the intensity of purchasing recycled handicraft products. The study used a quantitative research design. The population in this study are consumers of recycled handicraft products in Jambi Province. The questionnaire prefers as a research instrument for 200 samples. The statistical model used is the Structural Equation Model (SEM) of Variance with the SmartPLS analysis tool. The study showed that consumer awareness significantly influences attitudes and satisfaction with recycled handicraft products. A significant influence is also seen in consumer satisfaction and purchase intensity. But on the other hand, the study results showed no significant effect between consumer awareness and satisfaction on the intensity of purchasing recycled handicraft products. It is hoped that the research results can be a reference for consumers, the wider community, MSME actors, academics who conduct similar research, and the government as strategic policymakers.
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Dash, Pratima Kumari. "Tourism and community development-A Study on Handicraft Artisans of Odisha." International Journal for Innovation Education and Research 3, no. 3 (March 31, 2015): 61–72. http://dx.doi.org/10.31686/ijier.vol3.iss3.328.
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Artisans all ways create a new rethym and driven the world into a sphere of imagination of colours, pattern and beauty. Handicrafts are an important productive sector and export commodity for many developing countries and in some countries constitutes a significant part of the export economy. The growth of international markets for home accessory products and an increased interest in global goods have opened up new-market opportunities for artisans. In India, handicraft industry is a major source of income for rural communities employing over six million artisans including a large number of women and people belonging to the weaker sections of the society. It has been observed that in a poor state like Osisha, Hadicraft industry is one of the everlasting, age old and professional attitude of the rural unemployed women and children for their livelihood. Observation says, Artisans either neglected or they never got proper recognisation from the society. Sometimes even they fail to feed their family and which driven they to go for other categories of labour than promoting the age old traditions of our country. However, observers of the handicrafts sector predict that the escalating number of small businesses turning to handicraft production is unlikely to decline significantly in the future. The present study entails the various problems of the handicraft industry which can be worked upon by the mutual association ship of the Indian government, State government and the handicraft exporters in order to boost and promote the traditional sector.
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Ovchinnikov, V. A. "The Role of Educational and Demonstration Workshops in the Development of Vocational Education and Training for the Handicraft Industry of Tomsk Province in the Early XX Century." Bulletin of Kemerovo State University 21, no. 4 (December 31, 2019): 948–61. http://dx.doi.org/10.21603/2078-8975-2019-21-4-948-961.
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The present research featured educational and demonstration handicraft workshops in the Tomsk Province in the early XX century. The research objective was to determine the general course and features of the workshops that played a significant role in the modernization of technology and handicrafts in the region, along with other institutions of the Tomsk State Handicraft Committee, e.g. museums, warehouses, and libraries. The workshops became an important part of vocational education. A major role on the state level belonged to the administration of land management and agriculture and the Imperial Russian technical society. In the Tomsk province it belonged to the Tomsk Provincial Handicraft Committee and the Tomsk Department of the Russian Technical Society. By 1917, seventeen settlements in six parishes of the Province had seventeen workshops in nine areas of handicraft industry. Weaving, wagon-making, and agricultural engineering workshops predominated. They became centers for the development of vocational education and the popularization of new technologies. They organized educational support workshops for the adult population, sold modern machinery and materials, built warehouses for handicrafts and repair shops, instructor schools, etc. The network of workshops, along with vocational educational institutions, became the basis for the Soviet system of vocational education in Siberia in the post-revolutionary period. The paper contains an analysis of researches and historical sources. The results helped to fill the gaps in the history of vocational education in the South of Western Siberia.
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Rahmatika, Tiara Putri, Syamswisna Syamswisna, and Asriah Nurdini Mardiyyaningsih. "Ethnobotany of Plants as Handicrafts by The Dayak Kerambay Tribe Community in Raut Muara Village." Jurnal Biologi Tropis 23, no. 2 (December 3, 2023): 209–19. http://dx.doi.org/10.29303/jbt.v23i2.6151.
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Ethnobotany is a depiction of the use of natural plants by local people for various activities such as rituals, handicrafts, food, cosmetics, and medicinal materials. The Dayak Kerambay etnic still uses many plants as handicraft materials. This study aims to determine the types of plants that can be used as handicrafts by the people of Raut Muara Village, Sanggau Regency from the results of ethnobotany. The collection of ethnobotanical results was carried out by triangulation techniques, namely semi-structured interviews, documentation of handicraft plants and observation to the field. From the results of this study, 29 types and 11 families of plants were obtained that have the potential to be handicraft plants and are widely used by the Kerambay dayak tribe community in Raut Muara Village for generations. There are 10 types of rattan plants that are often used by the people of the Kerambay dayak tribe for the needs of life and work activities with the products produced, namely bubu (Ju), takin, penampi', bakul, keranjang and ayakan. The potential use of rattan as a source of income because it has high economic value, such as being used household furniture and completeness of work activities.
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Dewi Martha, Indah Intani, Rizkinisa Afsyah, Rodiatun Mukarama, Susi Aritonang, and Yurike Milenia. "Pelatihan Kewirausahaan “Menerapkan Strategi Pemasaran Yang Efektif Agar Produk Kerajinan Tangan Yang Dihasilkan Diterima Pasar” (Panti Asuhan Annisa, Pekanbaru, Riau)." NUSANTARA : Jurnal Pengabdian Kepada Masyarakat 2, no. 4 (November 7, 2022): 100–110. http://dx.doi.org/10.55606/nusantara.v2i4.385.
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Handicraft is an artistic activity that focuses on hand skills and functions to process raw materials that are often found in the environment into objects that are not only of use value but also of aesthetic value. In the Community Service (PKM) activity of STIE Mahaputra Riau, lecturers and students involved in this activity came directly to the Annisa Pekanbaru Orphanage to provide training on making handicrafts with simple ingredients to produce handicraft products that have a high selling value in the market, conduct discussions , questions and answers and counseling about effective marketing strategies to market the handicraft products produced as well as providing motivation about the concepts and benefits of entrepreneurship for school-age children at the Annisa Orphanage Pekanbaru. This PKM activity aims to generate and foster an interest in entrepreneurship for school-age children at the Annisa Orphanage, Pekanbaru, Riau, so that they are motivated to realize their own business or business independently and succeed with their own business by engaging in the handicraft business.
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Andriani, Nabila, Afif Nur Rahmadi, Nonni Yap, and Andy Chandra Pramana. "Pelatihan Pembuatan Karya Tangan Minimalis Bernilai Ekonomis Di Desa Jarak Kabupaten Kediri." COMSEP: Jurnal Pengabdian Kepada Masyarakat 2, no. 3 (December 6, 2021): 355–60. http://dx.doi.org/10.54951/comsep.v2i3.178.
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someone can turn waste into a handicraft that can generate profits and moreover can be sold. Cardboard waste is one of the wastes that can be reprocessed into a useful handicraft. By empowering existing human resources in Jarak Village, Plosoklaten District, Kediri Regency, this Community Service activity is carried out by providing entrepreneurial insight, providing training to make handicrafts from cardboard waste. As a result of this activity, the community in the Jarak Village, Ploso Klaten District, Kediri Regency, got additional entrepreneurial insights which included how to obtain raw materials, production techniques, and product marketing.
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Fabeil, Noor Fzlinda. "SUSTAINABALITY OF HANDICRAFT PRODUCTION: A STUDY OF SMALL-SCALE HANDICRAFT PRODUCERS IN RURAL SABAH." Journal of BIMP-EAGA Regional Development 2, no. 1 (December 12, 2016): 1–16. http://dx.doi.org/10.51200/jbimpeagard.v2i1.3055.
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This paper presents the emergent issues arising from a preliminary fieldwork (local desk research and key informant interviews) on the nature of handicraft production in rural Sabah. It is surprisingly that despite the government supports and initiatives under its handicraft development program that clearly wishes to encourage full-time workshop-based production, vast majority (93 percent) of handicraft producers in Kota Belud, Sabah still produce their handicrafts from home, in fact, half proportion of these home-based producers are part-timers. This finding has provided some valuable insight to question “why home-based production is so favoured among handicraft producers in rural Sabah”. Several issues related to producers’ decisions to go (or not) workshop-based production is argued in this paper: (1) “do workshop-based producers always high-performers and home-based producers always low-performers?” (2) perceived advantages or disadvantages of producing handicraft in a workshop or from home, (3) how are relationships with trader/retailers formed. In addition, based on the key informant interviews, several main challenges likely to inhibit producers’ decision to produce their handicraft in a formal commercialised manner, i.e. full-time workshop-based are also discussed: (1) difficulties in access to technical and financial resources (2) lack of motivations to move to higher level of commercialisation, and (3) the absence of young successor to sustain the craft production. This paper hoped to offer valuable insight for future research, specifically on factors for commercialisation process and performance among handicraft producers in rural Sabah, in spite of their “advantaged” or “disadvantaged” production status. In addition, this paper provides insight to government and policymakers about the current nature of handicraft production in Sabah, in which home-based and less formally managed production, in spite of their ‘disadvantaged’ status, might as well generate higher revenues to handicraft producers. Furthermore, it is expected that this paper will help to improve the guiding principles in reducing poverty in those remote areas in Sabah as well as to sustain Malaysian culture for future generation.
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Ayesh, Saleem, Amer Al shishany, Osamah Bani Milhem, Issam Aldwairi, Manal Barqawi, and Abdullah Obeidat. "Investigating the Socio-Economic Impacts of COVID-19 Pandemic on Jordanian Traditional Handicraft Sector." Dirasat: Human and Social Sciences 50, no. 5 (September 30, 2023): 227–33. http://dx.doi.org/10.35516/hum.v50i5.5839.
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Objectives: The traditional Handicraft sector in Jordan is encountering significant challenges due to the measures adopted by the Jordanian government to curb the spread of COVID-19. These measures threaten the handicrafts sector’s sustainability and compromise artisans’ livelihoods. This research aims to examine the socioeconomic impact of COVID-19 on the Traditional Handicraft sector in Jordan.
Methods: The research utilizes a qualitative methodology to collect and analyze data. The research attempted to cover mostly widespread handicrafts in Jordan. These crafts were concentrated in Jordan's capital 'Amman'. A random sample of craftsmen working in ceramics, mosaics, olive wood carving, embroidery, and accessories was chosen. Semi-structured interviews, with open-ended questions, were conducted to collect the essential data.
Results: The research results revealed that the pandemic badly affected the business activity and operational environment. The research also shows the low and marginal support workers within the sector received during the pandemic were not adequate to help the artisans. Furthermore, it shows a relationship between changing strategies in the conduct of business and the sustainability of the studios.
Conclusions: The research concluded that changing the management strategies of the studios and the marketing methods for handicraft products greatly helped the sustainability of handicraft studios during the pandemic. The research recommends training the artisans to be familiar with the social media platforms and utilize those platforms to sell their products, training courses in e-marketing managerial, packaging, and design skills are highly recommended for building capacities of the artisans and sustaining their studios.
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Nair, Amshitha Sajikumar, Atharvi Ashok Nair, Disha Manjunatha Shenoy, Ishika Shailesh More, and Roshani Vinod Bhaskarwar. "Unspoken Craft: e-commerce site for handlooms and handicrafts." Brazilian Journal of Development 10, no. 3 (March 12, 2024): e68002. http://dx.doi.org/10.34117/bjdv10n3-034.
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India has a rich cultural heritage, and its many different ethnic groups produce a vast variety of unique arts and crafts. In order to accurately represent the culture and traditions of our country, handicrafts and handlooms are crucial. Compared to other e-commerce sectors in the modern world, the handicrafts and looms industry is less developed. With the help of this e-commerce website, people can simplify and optimize their shopping experience. The project aims to strengthen positive relationships between businesses and consumers so that businesses can charge customers a fair price for their goods. The handicraft sector creates a variety of products utilizing traditional technology. Even while the handicraft business employs millions of artisans, it is still small compared to the whole industry. This paper aims to demonstrate how essential e-commerce is for the growth of Indian rural craftsmen.
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Tao, Ran, and Qi Guo. "Artificial Intelligence Technology Driven Environmental Factors Extraction and Analysis Method in Traditional Clothing Handicraft." Journal of Environmental and Public Health 2022 (October 12, 2022): 1–9. http://dx.doi.org/10.1155/2022/1883641.
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The application of artificial intelligence (AI) technology in the field of clothes can provide a good development mode and system under the social context of AI technology development. AI provides help for the development of intelligent clothing. Intelligent clothing is a high-tech product that integrates intelligent technology and clothing. It combines cutting-edge technologies in electronic information technology, sensor technology, textile science, and material science. In the extraction and analysis of environmental factors in clothing handicraft, AI technology has a considerable application prospect and a certain development potential. In order to improve the accuracy of environmental factors extraction in clothing handicraft, this paper uses convolutional neural network (CNN) to extract and analyze environmental factors in traditional clothing handicraft. We carried out experiments on the extraction of environmental factors in clothing handicrafts with pure color, few patterns, patterns, and complex background. The experimental results show that the CNN has a good effect on the extraction of environmental factors in clothing handicraft under different backgrounds. In addition, the model in this paper has good stability, accuracy, and feature extraction speed, which has high practical value and research significance.
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Pramono, Rudy, July Hidayat, Cherry Dharmawan, and Juliana. "Hybrid Bamboo and Batik Handicraft Development as Creative Tourism Product." International Journal of Design & Nature and Ecodynamics 16, no. 5 (October 29, 2021): 601–7. http://dx.doi.org/10.18280/ijdne.160515.
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A new bamboo-based industry has been developed to meet market demands. Traditional crafts practiced by local communities provide a substantial contribution to the legacy of intangibles. This research situates traditional bamboo handicrafts in Yogyakarta and emphasises their importance as well as concerns for their influence. The research goal is to determine the amount of consumers interested in bamboo handicraft products marketed publicly as tourism products and to evaluate the entrepreneurial landscape. The accidental sampling methodology was employed with 76 respondents, and the research method included qualitative and quantitative descriptive methods such as observation and semi-structured interviews. To comprehend the study outcomes, the primary respondents of Sahabat Bamboo from the data analysis approach using SPSS analysis provide descriptive data defining the respondent's condition. The market research analysis shows that bamboo batik handicraft has potential in demand; most respondents like bamboo batik handicraft products.