Academic literature on the topic 'Handicraft Japan'

Historical wooden buildings can be seen not only in Japanese open-air museums and in the Japanese countryside, but also in the largest metropolises. On the individual Japanese islands we can find almost ten open-air museums, all of a different character. They include local, regional and national museums - thereby presenting several areas at the same time. Most of them are rural buildings that are primarily related to agricultural subsistence, while some of them also exhibit urban life. In addition to exhibitions of real life and thematic exhibitions, the museums also prepare such programmes as traditional festivities and handicraft courses. Numerous information boards in the museums that are visited, however, are already obsolete in terms of their technical workmanship and their graphics while at the same time they display a lot of information, which also makes the exhibitions chaotic. An interesting concept for using historic buildings is The Art House Project, where endangered buildings were offered to leading Japanese artists and architects for their up-to-date adjustment. A brief encounter with Japanese architecture at the same time confirms that the practical implementation of basic needs to ensure living is similar across the world.

<p class="p0">Bamboo craft is one of the components of the creative economy that can support the country's economic growth. It's the kind of cooperation needed between the government, academics, business people and the craftsman community so that handicrafts are not only oriented towards the domestic market but can penetrate the export market to obtain higher economic value. Therefore, small industries with innovative products will advance the regional and national economy and eventualy can contribute to the country's foreign exchange when it successfully penetratrates the export market. The product chosen to be developed, namely bamboo-batik craft, already has IPR registration. This training aims to transfer systematic and standardized production system knowledge for bamboo crafts in Yogyakarta. The training was attended by 12 participants of bamboo craftsmen in Rimpak Village, Wonosobo Sapuran Regency. This training was facilitated by Mrs. Takayuki Shimizu from Japan. Participants were taught to craft bamboo combined with batik to become an export-value art object. Based on the results of the evaluation, the participants were impressed with the ability of the facilitator to craft bamboo into a work of art. The result of the training was that the participants' abilities improved in crafting bamboo into art objects. The next stage, the craft of bamboo-batik, will be developed for sale in the domestic handicraft market and penetrate the international market through the stages of the commercialization process as follows: 1) imagination, 2) incubation, 3) demonstration, 4) promotion, and 5) sustainability.</p><p class="p0"><strong>Bahasa Indonesia Abstrak: </strong>Abstrak Kerajinan bambu merupakan salah satu komponen ekonomi kreatif yang dapat menudukung pertumbuhan perekonomian negara. Hanya saja, diperlukan kerja sama antara pemerintah, akademisi, pelaku bisnis dan komunitas pengrajin agar hasil kerajinan tidak hanya berorientasi pada pasar domestik namun bisa menembus pasar ekspor untuk mrndapatkan nilai ekonomis yang tinggai. Oleh karena itu industri kecil dengan produk yang inovatif akan memajukan perekonomian regional, nasional dan akhirnya bisa ikut menyumbang devisa negara ketika berhasil menembus pasar ekspor. Produk yang dipilih untuk dikembangkan, yaitu kriya bambu-batik sudah memiliki pendaftaran HKI. Pelatihan ini bertujuan untuk melakukan transfer pengetahuan sistem produksi yang sistematis dan terstandarisasi bagi kerajinan bambu di Yogyakarta. Pelatihan diikuti oleh 12 peserta yang berasal dari pengrajin bambu Desa Rimpak, Kecamatan Sapuran Wonosobo. Pelatihan ini didampingi oleh Mrs. Takayuki Shimuzu dari Jepang. Peserta diajarkan mengolah bambu yang digabungkan dengan batik untuk menjadi benda seni yang bernilai ekspor. Berdasarkan hasil evaluasi, peserta terkesan dengan kemampuan fasilitator mengolah bambu menjadi sebuah karya seni. Hasil dari mengikuti pelatihan, kemampuan peserta meningkat dalam hal mengolah bambu mejadi benda seni. Tahap selanjutnya, kriya bambu batik akan dikembangkan untuk dijual di pasar kerajinan domestik dan menembus pasar internasional melalui tahapan proses komersialisasisebagaiberikut: (1) imajinasi,(2) inkubasi,(3) demonstrasi,(4) promosi, dan (5) keberlanjutan.</p>

The high volume of waste production and the absence of a Temporary Waste Disposal Site (TPS) in Singawada Village has resulted in neglect and accumulation of rubbish on riverbanks and on public roads. Conventional waste processing is no longer adequate, and therefore other methods of processing are needed. As a solution, training was held to process plastic waste from wasted goods into useful handicraft items which also have economic value. It was also helped that housewives who were the targets of this training could take advantage of their spare time by making crafts from plastic waste while also getting additional income. Through direct practice, it has been proven that processing plastic waste into handicrafts is able to reduce the total volume of plastic waste production seen in landfills. Abstrak Tngginya volume produksi sampah serta ketiadaan Tempat Pembuangan Sampah Sementara (TPS) di Desa Singawada menyebabkan tidak terurus dan menumpuknya sampah di pinggiran sungai maupun bahu jalan umum. Pengolahan sampah secara konvensional sudah tidak memadai, dan oleh karenanya dibutuhkan cara pengolahan lain. Sebagai solusi, diadakan pelatihan pengolahan sampah plastik dari barang terbuang menjadi barang kerajinan bermanfaat yang sekaligus juga memiliki nilai ekonomi. Para ibu rumah tangga yang merupakan sasaran dari pelatihan inipun terbantu karena mereka dapat memanfaatkan waktu luang dengan membuat kerajinan dari sampah plastik sekaligus juga mendapatkan penghasilan tambahan. Melalui praktek langsung, terbukti bahwa pengolahan sampah plastik menjadi kerajinan ini mampu mengurangi total volume produksi limbah plastik yang terlihat di pembuangan sampah.

Penerapan One Village One Product (OVOP) di Indonesia mengadopsi OVOP di Jepang. Diinisiasi oleh Kementerian Perindustrian Republik Indonesia, OVOP merupakanpendekatan dalam mengembangkan Industri Kecil Menengah (IKM), khususnya IKM bidang kerajinan, dengan produk unggulan tertentu termasuk di Kasongan dengan produk unggulan gerabah. Dengan mengacu pada keberhasilan OVOP di Jepang, penerapanOVOP di Kasongan tidak bisa lepas dari prinsip dasar OVOP. Penerapan OVOP diKasongan juga merupakan salah satu strategi pengembangan Klaster IKM Gerabah diKasongan melalui peningkatan daya saing sehingga efektivitas dan efisiensiimplementasinya harus dievaluasi. Penelitian ini bertujuan untuk menganalisis danmengevaluasi implementasi program OVOP di Kasongan yang selanjutnya dihasilkanrekomendasi. Penelitian ini menggunakan pendekatan kualitatif yang menitikberatkan padametode triangulasi dalam menganalisis data. Metode pengumpulan data primer dilakukanmelalui wawancara semi terstruktur dengan narasumber baik dari unsur pengelola OVOPdi Kasongan dan unsur IKM Gerabah di Kasongan peserta program. Data hasil wawancaradireduksi ke dalam tabel dan kemudian dianalisis. Data sekunder berasal dari datadokumentasi dan studi pustaka. Dari analisis data ditemukan bahwa implementasi ProgramOVOP di Kasongan belum dilengkapi dengan buku petunjuk teknis OVOP dan sangatbergantung pada keberadaan seorang tokoh. Prinsip Local but Global, prinsip Self relianceand creativity, dan prinsip Human resource development yang seharusnya ada ternyatabelum sepenuhnya dilakukan. Dengan kata lain, implementasi Program OVOP diKasongan belum sesuai dengan prinsip dasar OVOP. Ketidaksesuaian ini menjadikanProgram OVOP belum efektif dan efisien sebagai sebuah strategi pengembangan IKMsebagaimana yang diharapkan oleh Kementerian Perindustrian. Dalam hal ini,implementasi Program OVOP di Kasongan belum efektif dan efisien dari aspek pencapaian tujuan, integrasi, dan adaptasi. The implementation of One Village One Product (OVOP) in Indonesia adopts OVOP in Japan. Initiated by Ministry of Industry of the Republic of Indonesia, OVOP is the approach in developing Small and Medium Industries, particularly in the field of handicraft with certain featured product, including Kasongan with pottery as its featured product. By referring to the success of OVOP in Japan, the implementation of OVOP in Kasongan cannot be separated from the basic principles of OVOP. The implementation of OVOP in Kasongan is one of development strategies for cluster of Small and Medium Industries in the field of Pottery in Kasongan through the improvement of competitiveness, so effectiveness and efficiency of its implementation must be evaluated. This research aims to analyze and evaluate the implementation of OVOP program in Kasongan which then results in the recommendation. This research used the qualitative approach which focuses ontriangulation method in analyzing data. The method of primary data collection wasimplemented through a semi-structured interview with informants from the management ofOVOP in Kasongan and Small and Medium Industries of Pottery in Kasongan as theparticipants of program. The data of interview were reduced into table and analyzed. Thesecondary data are from documentation and literature review. From the data analysis, it isfound that the implementation of OVOP Program in Kasongan is not yet completed with thebook of technical instruction of OVOP and it highly depends on the existence of a figureThe principles of Local but Global, Self-reliance and creativity, and Human resourcedevelopment should exist, but they are not yet fully implemented. In other words, theimplementation of OVOP program in Kasongan is not yet in accordance with the basic principles of OVOP. This inconsistency makes OVOP Program ineffective and inefficient asa development strategy of Small and Medium Industries as expected by Ministry of IndustryIn this case, implementation of OVOP Program in Kasongan is not yet effective and efficientviewed from the aspects of goal achievement, integration, and adaptation.

Abstract During the premodern era, folding fans were among the few handicrafts that China imported from Japan. The availability of Japanese folding fans in China changed along with Sino-Japanese relations. They were rare during the Northern Song due to the suspension of diplomatic relations, but after the Ming court reestablished a tributary relationship with the Ashikaga shogunate in the early fifteenth century, many more Japanese folding fans entered China via tribute trade. The scholar-officials, who generally admired the delicate Japanese-made folding fans, chose to emphasize different values of the fans in different contexts. The Japanese folding fans were “useless tribute” in the scholar-officials' public writings, but in reality the “Japan” brand actually increased the commercial value of the fans in the market.

Batu Daya Village is a village located in the Simpang Dua sub-district Ketapang Regency. The people of Batu Daya village still maintain customs and traditions in the use of natural resources. This study aims to analyze the types of rattan woven handicraft products, describe the processes and tools used in processing rattan woven handicraft products related to the typical motifs of the Simpakng Dayak tribe in Batu Daya village, Simpang Dua district, Ketapang Regency. The method used in this study is the census method. The results showed that there were 10 rattan woven handicraft product ; Krincok pemboneh, ragak tangkai, bajot, capan, agan padi, toming’k desa, kerampan’t, pamasok, sampau, dan pamasok pemboneh. The tools used in the weaving process are; parang, isok, sambal dan pengodat. The process carried out in the manufacture of webbing starts from the preparation of tools and materials, cleaning of rattan, drying, painting, weaving, installing clamps and attaching ropes. Keywords: Batu Daya Village, Dayak Simpakng, Ethnotechnology, Utilization Of Rattan AbstrakDesa Batu Daya merupakan desa yang terletak di Kecamatan Simpang Dua Kabupaten Ketapang. Masyarakat Desa Batu Daya masih mempertahankan adat dan tradisi dalam penggunaan sumber daya alam. Penelitian ini bertujuan untuk menganalisis jenis produk kerajinan anyaman rotan, mendeskripsikan proses dan alat yang digunakan dalam pengolahan produk kerajinan anyaman rotan yang berkaitan dengan motif khas suku Dayak Simpakng di Desa Batu Daya Kecamatan Simpang Dua Kabupaten Ketapang. Metode yang digunakan dalam penelitian ini adalah metode sensus. Hasil penelitian menunjukkan adanya 10 jumlah produk kerajinan anyaman rotan yaitu Krincok Pemboneh, ragak tangkai, bajot, capan, jagan padi, toming’k desa, kerampan’t, pamasok, sampau, dan pamasok pemboneh. Alat yang digunakan dalam proses menganyam yaitu; parang, isok, simbal, dan pengodat. Proses yang dilakukan dalam pembuatan anyaman dimulai dari persiapan alat dan bahan, pembersihan rotan, penjemuran, pengecatan, menganyam, pemasangan pengapit dan pemasang tali. Kata kunci: Desa Batu Daya, Dayak Simpakng, Etnotekologi, Pemanfaatan Rotan

PKM partners are product craftsmen in Acrylic Village, which is located on Jalan Gunung Pangilun, North Padang District. The problems that occur in Acrylic Village include (a) the absence of social media facilities to promote handicraft products of acrylic village members (b) The lack of knowledge of the craftsmen of Acrylic Village products on how to promote their products on social media, and (c) the lack of knowledge of craftsmen on how to promote their products. products using digital techniques through Android applications. The solutions to the problems obtained are (a) The implementation of this PKM is expected to be able to hold training in making promotional media for product promotion produced by members in Acrylic Village, (b) It is hoped that social media training for this promotional media can facilitate craftsmen members to be able to make promotional advertisements. handicraft vendors in increasing product sales, (c) Providing knowledge to craftsmen members about the tricks and ways of promoting products on social media using digital techniques in the Android application (d) The results of their creativity, in the form of product photos, can be useful and advertised on social media to increase product sales. The method of implementing the activities includes four stages, namely: program planning, program implementation, observation and evaluation. In program planning, there are several plans that will be carried out, namely (a) Field Study, (b) Training and provision of craftsman group members. (c) Program socialization. (d) Preparation of training programs. In the implementation of the program, (a) Formation of several working groups of craftsmen based on the type of product, (b) Improving the knowledge and skills of the craftsmen to make their own mini studio to make product photos to be marketed, (c) Demonstrating how to use digital techniques on mobile phones and directly practiced, (d) coaching and training in making promotions with social media to increase sales. At the observation stage, what will be done is to see the obstacles, shortcomings and weaknesses that arise in the training process on how and tricks to promote simple acrylic village handicraft products using digital techniques on the Android application.

Tujuan pengabdian ini untuk membantu mitra dalam meningkatkan produktivitas dan penjualan usahanya sehingga dapat meningkatkan penjualan produk kerajinan rotan bermuatan budaya daerah. Luaran yang dihasilkan dari pengabdian ini antara lain: (1) produk kerajinan rotan bermuatan budaya daerah: dan (2) laporan keuangan UKM. Metode yang dipakai untuk mencapai tujuan pengabdian ini adalah pendidikan dan praktek diversifikasi kerajinan rotan bermuatan budaya daeerah. Kegiatan pengabdian ini dilaksanakan di kecamatan Medan Sunggal Jalan Amal Nomor 121 C Kotamadya Medan Provinsi Sumatera Utara. Hasil capaian kegiatan yang telah dihasilkan adalah: (1) mitra telah memperoleh pendidikan dan keterampilan dalam melakukan diversifikasi produk kerajinan rotan bermuatan budaya daerah, dan (2) mitra memperoleh teknologi tepat guna berupa mesin pemotang rotan untuk meningkatkan penjualan produknya.Kata kunci: Diversifikasi; Rotan; Penjualan; Pendidikan.AbstractThe purpose of this dedication to increasing productivity and sales of their businesses so as to increase sales rattan handicraft products with regional culture. Resultant of output from this dedication activity, such as: (1) ) Rattan Product with local feature; and (2) Financial statement for Small-Medium Enterprises. The method used to achieve the purpose of dedication activity are education and practicing diversification of rattan product with local feature. This activity located in Medan Sunggal District, Amal Street Number 121C, Medan City, North Sumatra. The activities of achievement result are: (1) Partners getting knowledge and skill diversification of rattan product with local feature; and (2) Partners got an efficient technology like cutter device for rattan to increase their sales.Keywords: Diversification; Rattan,Sales; Education.

Shopping center Malioboro offers a variety of souvenirs typical of Yogyakarta such as shirts, batik, blankon, sandals, and various types of handicrafts. In addition, Malioboro also serves as a culinary center with stalls along the street serving typical food and beverages at very cheap prices. Malioboro also has old buildings of Dutch colonial heritage. This research is located at Jalan Malioboro, Sosromenduran, Gedong Tengen, Yogyakarta City, Special region of Yogyakarta. The aims of this research to understand the attraction, accessibility, amenities, and ancillary also the tourist motivations in this tourist destination. The accidental sampling technique using for informants to collecting data. This research uses qualitative methods with techniques of observation, interview, questionaire, and documentation study. The data analysist technique used descriptive qualitative analysis. The research finds that many variety of attractions (culinary, shopping tour, building architecture, and street artists), accesibility (by transportation and information), amenities (hotels and tourism support facilities) and ancillary (UPT and merchant associations) existed in Malioboro. The motivation of visitors divided by two factors that is the push factor (out of saturation and curiosity) and pull factor (images owned, cheap prices provided, and the atmosphere offered by Malioboro). Keywords: Tourist Motivations, Leisure and Recreation, Malioboro