Relevant bibliographies by topics / Handicraft

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Handicraft'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Handicraft"

1

Sawrov, Md Maksodul Haque. "Branding Handicrafts Products: a Study on Bangladesh." Economic Insights – Trends and Challenges 2022, no. 3 (2023): 21–29. http://dx.doi.org/10.51865/eitc.2022.03.03.

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"The aim of the study is to examine the branding of handicraft products in Bangladesh. This study has considered twelve districts in Bangladesh as the study area. Researcher has interviewed session with 6 branding and marketing experts first. Based on their opinions on how to brand handicrafts, structured questionnaires have been prepared to collect data from 40 respondents who are entrepreneurs, traders, marketers, suppliers, and other relevant people. Researcher extracts data on the perceptions towards various branding factors in categorical form. This study has used both qualitative and quantitative analysis to identify the impact of branding strategies on the demand for handicrafts. Exploratory factor analysis is used to sort out the statistically significant branding factors followed by multiple regression models to justify the relationship between different branding factors and the demand for handicrafts. This study reveals that the main four variables are handicraft studies, handicraft branding, handicraft promotion and handicraft branding patron associations. Multiple regression result shows that handicraft studies and handicraft branding have a large effect on increasing the demand for handicraft products. This is because handicrafts branding draw the attention to the potential customer about handicrafts products and the high possibility to increase the sales volume. This study recommends cumulative efforts from both public and private sectors to enlarge handicrafts market by incorporating handicraft as a course in each syllabus, advertising properly to encourage people to buy them and reminding the people that handicrafts was part of their ancestor’s lifestyle. Entrepreneurs, government and related organizations can take these steps of branding to increase demand for handicraft products."
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Zhang, Yaping, and Dongdong He. "Inheritance and Innovation of Traditional Handicraft Skills based on Artificial Intelligence." Transactions on Computer Science and Intelligent Systems Research 2 (December 21, 2023): 163–69. http://dx.doi.org/10.62051/rc69jc38.

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Today, with the strong return of traditional culture, the integration of the two will deeply affect the protection of traditional handicrafts and the field of cultural communication. The industrialized production mode has gradually replaced the labor-intensive production mode, and handicrafts have gradually faded out of the public consumption field. The brain drain is serious, and many handicrafts with a long history have no successors. Under the background of AI(artificial intelligence) empowerment, this paper combines AI with traditional handicraft skills, and makes an in-depth study on the inheritance and dissemination of traditional handicraft skills. On this basis, it further thinks about the relationship between traditional handicraft skills display and experience, and the relationship between technology and experience, and studies the change of design concept from technology-oriented to human experience-oriented in traditional handicraft skills display design, and explores the development trend of experience design concept in future traditional handicraft skills display design. Develop the path and method of innovation, protection and inheritance with the comprehensive digital virtual traditional handicraft skill framework. The integration of AI and traditional culture will inevitably broaden and upgrade the path of inheritance and innovation of traditional handicraft skills, and make it achieve new development.
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Upadhyay, Prakash. "Handicraft Tourism in Pokhara: Connecting the Past Tradition to the Present." Journal of Nepalese Business Studies 12, no. 1 (December 31, 2019): 33–44. http://dx.doi.org/10.3126/jnbs.v12i1.28181.

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Although the importance of handicraft has been widely recognized, the literature regarding the role of handicraft in tourism market is scarce. Based on empirical data, the present article aimed to explore the interplay between handicraft and tourism, the contribution of handicraft in tourism promotion and the challenges faced by handicraft sector in Pokhara, Nepal. This study identifies that there is a significant level of correlation and dependency between handicraft and foreign tourist arrivals, job creation and the increase in income and social status of handicraft shop proprietor. As a harbinger of past tradition, handicraft tourism/souvenir items has created a unique experience for tourist, enriched nation’s pride, belief and identity and connected the past tradition to the present. Lack of effective advertisement/marketing, inequitable price, scarcity of raw materials, intrusion of foreign goods, ineffective government policies are the key challenges of handicraft tourism. Policy improvement, increase in source/supply of raw materials, supply of handicrafts as per demand, creative production and marketing are the ways that can promote handicraft market. Handicraft tourism is not just about displaying and selling products, it is about allowing tourists to truly understand the skill/craft at rear and realize handicrafts unique tradition, linking tourists to artisans to facilitate them understand and appreciate the art. It is necessary recognizing the importance of local handicraft in sustainable tourism development and the importance of tourism as an agent for protection and preservation of traditional crafts, methods of production and cultural milieu.
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Sun, Xiaotian. "A Novel Method for Handicrafts Design Based on Fusion of Multi-Intelligent Decision Algorithm." Scientific Programming 2022 (January 3, 2022): 1–13. http://dx.doi.org/10.1155/2022/8495381.

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With the rapid development of artificial intelligence, handicraft design has developed from artificial design to artificial intelligence design. Traditional handicraft design has the problems of long time consumption and low output, so it is necessary to improve the process technology. Artificial intelligence technology can provide optimized design steps in handicraft design and improve design efficiency and process level. Handicrafts are regarded as important social products and exist in people’s daily life. In the current society, many people do handicrafts and there are major exhibitions. Furthermore, the display of handicrafts is also very grand and shocking. In the design of handicrafts, the traditional design method cannot completely keep up with the production speed and efficiency of handicrafts. Therefore, this paper adopts the fusion multi-intelligent decision algorithm of multi-node branch design in the design method of handicraft. The algorithm model combination is used to analyze and design the layout of the handicraft, which speeds up the design efficiency and production of the handicraft. In this paper, two intelligent algorithms will be used for fusion; they are genetic algorithm and GA-PSO fusion algorithm obtained by particle swarm optimization and they are embedded in handicraft design method for application through mathematical model construction and function construction. After comparing the performance parameter index data of three intelligent algorithms and GA-PSO fusion algorithm, it is obtained that GA-PSO fusion algorithm is 97% correct and has 82% readability, 72% robustness, and 61% structure, making it have better important indicators. Four algorithms optimize each design problem in all aspects of handicraft design at present. Design efficiency, image distribution rate, image optimization degree, and image clarity are compared by simulation experiments. Compared with three intelligent algorithms, traditional design methods, and manual design methods, GA-PSO fusion algorithm can effectively improve the design method and design effect of handicrafts with 92.1% design efficiency, 82.7% image distribution rate, 94.3% image optimization degree, and 84% layout void rate. Finally, the space complexity experiment of four algorithms shows that GA-PSO algorithm can achieve 9.73 dispersion with 11.42 space complexities, which makes the dimension reduction relatively stable, and the algorithm can maintain stability in the design and application of handicrafts.
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Le, Nguyen Vi, Nguyen Khac Huy, Chu Tien Minh, Vu Anh Tuan, and Nguyen Ngoc Diep. "Factors affecting Vietnam's handicrafts export." Uncertain Supply Chain Management 11, no. 2 (2023): 811–22. http://dx.doi.org/10.5267/j.uscm.2022.12.009.

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With the rapid development of international business activities and internationalization, export plays an important role in the existence and growth of businesses. Handicrafts, despite not being an essential product, have always been rated as a potential product for sustainable development and export. In Vietnam, a country with a lot of long-existing traditional handicraft villages, the export of handicrafts has always been considered as an advantageous activity that largely contributes to the economy as well as the society. According to statistics from the Vietnam Handicraft Exporter Association, every 1 million USD worth of handicraft export creates profit 5 to 10 times higher than that of the exploitation industry; as well as provides work for three to five thousand employees. Despite this fact, in the last few years the handicraft export in Vietnam has been modest and not fulfilled fully to its potential. In comparison with other export products, the export turnover of handicrafts still accounts for a low proportion. Recognizing this issue, the present study developed a model to analyze the effects of some certain factors to the handicraft export activity in Vietnam. The results of this paper will contribute to current literature as well as propose some solutions to promote the handicraft export in Vietnam.
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Upadhyay, Manali, and U. C. Jain. "MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 122–26. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3719.

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India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.
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JUNYA, MA, and TIM WRIGHT. "Industrialisation and Handicraft Cloth: The Jiangsu Peasant Economy in the Late Nineteenth and Early Twentieth Centuries." Modern Asian Studies 44, no. 6 (December 23, 2009): 1337–72. http://dx.doi.org/10.1017/s0026749x09990333.

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AbstractThis paper analyses the trajectories of handicraft cloth production in three major sub-regions of Jiangsu Province in the late nineteenth and early twentieth centuries. In contrast to traditional focus on the bankruptcy of rural handicrafts in the face of competition from the modern industry, it argues that the fate of handicrafts depended on the specific characteristics of each sub-regional economy. Thus in Song-Tai, handicraft weaving declined as labour was drawn off into modern industry. In Tong-Hai the availability of machine-spun yarn in the market enabled the development of a commercialised handicraft weaving sector. Finally, in Xu-Huai-Hai machine-spun yarn enabled the inhabitants to substitute their own subsistence handicraft production for cloth purchased from elsewhere.
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Li, Wenhui, and Gaofeng Mi. "Protection of Handicraft Skills from the Perspective of Folklore Studies." Frontiers in Humanities and Social Sciences 4, no. 3 (March 28, 2024): 236–40. http://dx.doi.org/10.54691/j9yad930.

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Handicraft skills and material culture are a research perspective of folklore and a major landscape of various ethnic customs in China. The long history, vast territory, and clever and wise Chinese people have formed a colorful and diverse folk handicraft technique. Under the diverse paths of design participation in handicraft innovation, handicrafts have undergone semantic, functional, and situational transformations in contemporary times, presenting an ecosystem of alienation and diversification. This article takes the ceramic craftsmanship of Yaozhou kiln as an example to explore how to improve the construction of national cultural soft power by protecting local traditional handicrafts.
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Abdullah, Zulkeflee, Nurul Fadzlina, Mohd Amran, Shamsul Anuar, Mohd Shahir, and Khairul Fadzli. "Design and Development of Weaving Aid Tool for Rattan Handicraft." Applied Mechanics and Materials 761 (May 2015): 277–81. http://dx.doi.org/10.4028/www.scientific.net/amm.761.277.

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The main purpose of this project is to design and develop an assisting tool in manufacturing of rattan handicraft. Rattan is a non-timber forest resource which has a variety of functions in the making of handicrafts and furniture. The production of rattan handicraft typically carried out using manual and traditional methods. However, there are some problems to be faced by the craftsman in making the handicrafts such as the time constraints for the creation of products, due to the difficulty in term of the size, and the pain in the hands while making the handicraft products. Therefore, assisting tools or devices in manufacturing of rattan handicraft are needed to solve the problem. The methods used are questionnaire survey, CATIA software for RULA analysis and SolidWork software for FEA analysis.
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Anh Thu, Luong, Sun Fang, and Sham Sunder Kessani. "Factors influencing Vietnam’s handicraft export with the gravity model." Journal of Economics and Development 21, no. 2 (October 7, 2019): 156–71. http://dx.doi.org/10.1108/jed-08-2019-0021.

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Purpose The purpose of this paper is to investigate the factors that affect handicraft export from Vietnam to trading partners in the period 2007–2017, and how those factors influence the export of handicraft products of Vietnam. Design/methodology/approach The research uses the approach of gravity model based on panel data to evaluate the export of Vietnamese handicraft to 50 main trading partners, covering the period from 2007 to 2017. Findings The estimated results reveal that Vietnam’s GDP, importer’s GDP, trading partner’s population, Vietnam’s inflation, the economic distance between Vietnam and importer, the openness of Vietnam, importing country’s common language and the issue that both Vietnam and importer are member of APEC are the main factors affecting Vietnamese handicraft export. Research limitations/implications This study also has some limitations. It is limited in the data, as some other areas in the world have not been observed and included in the research. In the future, a study with large-scale data of space and time should be conducted, which will certainly give a universal result and fewer errors. However, this paper, in our opinion, provides a significant result and may help the government and policy makers to undertake appropriate measures to improve and promote the export of Vietnamese handicrafts to the world markets. Practical implications The research describes the current situation, and it studies factors influencing Vietnam’s handicraft export using the qualitative analysis. The result should be useful for the policy maker and enterprises to promote export activities of Vietnamese handicrafts to international markets. Social implications Handicraft export of Vietnam plays an important part in retaining the culture value and social development as well as encouraging sustainable development for the rural poor within the country. Originality/value The past research related to Vietnamese handicraft export almost analyzed the situation to promote export handicrafts. This research is based on the study of factors affecting trade and the gravity model to elaborate and supplement the factors that affect the export of handicraft in accordance with the actual conditions of Vietnam.
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Dissertations / Theses on the topic "Handicraft"

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Szydlowski, Rachael A. "Expansion of the Vietnamese Handicraft Industry: From Local to Global." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1218497546.

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BARROS, LUIZ ANTONIO DOS SANTOS. "DESIGN AND HANDICRAFT: THE POSSIBLE CHANGES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9596@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Essa pesquisa parte da premissa de que não é cabível questionar de se o designer deve ou não atuar junto ao segmento artesanal, mas sim, como deve se dar essa ação. A crescente participação do designer junto à cadeia produtiva do artesanato estabelece a presença deste profissional neste segmento e, configura um crescente campo para a atuação conjunta de designers e artesãos. Essa parceria busca através da comercialização dos produtos artesanais, a autosuficiência dos artesãos e das comunidades artesanais em nosso país. Nesta pesquisa é apontada a intermediação e a participação de designers no decorrer da trajetória de reconhecimento do artesanato na sociedade brasileira. O estudo apresenta as categorias artesanais, e suas particularidades, definindo parâmetros para a atuação dos designers neste segmento. A pesquisa apresenta diretrizes básicas para a atuação do designer, a partir do respeito e valorização das referências culturais de artesãos e comunidades. E determina que a atuação conjunta de designers e artesãos deve dispor como objetivo comum, agregar valor comercial aos produtos artesanais, otimizando seus processos de produção, comercialização, divulgação e manutenção, visando a auto-sustentabilidade do segmento artesanal.
This research departs from the assumption that is not appropriate to argue if the designer must or not to act attached to the handicraft segment but, indeed, how his action must take place. The increasing partnership of the designer attached to the productive chain of the handicraft establishes the presence of this professional in this segment and shapes a crescent field towards the joined operation of designers and craftsmen. This partnership aims, though the commercialization of the handicraft products, the self- sufficiency of the craftsmen and the handicraft communities in our country. In this research is pointed out the intermediation and the participation of designers in the process of recognition of the handicraft in the Brazilian society. The study presents the handicraft categories and their particularities, defining parameters for the performance of the designers in this segment. The research proposes basic directives for the performance of the designer, beginning with the respect and valorization of cultural references of craftsmen and communities. And, the research establishes that the joint performance of designers and craftsmen must envisage, as common objective, to aggregate commercial value to the handicraft products, maximizing their processes of production, commercialization, divulgation and maintenance, aiming to the self-sustaining handicraft segment.
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Rankin, Carin. "Development by design - an example in the South African craft industry the Due-South travel guide /." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-10082008-094907.

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RYBALOWSKI, TATIANA MESSER. "DIFFERENTIATED FASHION PRODUCT MANAGEMENT: HANDICRAFT MEETS APPAREL INDUSTRY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13059@1.

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Dentre as diferentes formas que a moda tem para se manifestar, uma das mais expressivas é a indústria de vestuário. A despeito de sua essência mutável que busca constantemente a novidade, o produto de moda não tem conseguido ser diferente a ponto de revelar sua identidade através de seus atributos físicos. A partir da percepção de certa homogeneização do produto de moda, este trabalho busca trazer subsídios ao desenvolvimento de produtos diferenciados de moda através da criação de atributos físicos que reforcem a identidade do produto. Dentre vários recursos que podem ser utilizados, podem-se destacar os processos que inserem o artesanal na confecção industrial, resultando em peças únicas e construindo um contraponto ao excesso de industrialização, impessoalidade e repetição de modelos produzidos em escala unicamente industrial. Como uma ferramenta estratégica para a manutenção da competitividade através da diferenciação, a Gestão de Design utiliza as competências, conhecimentos e experiências da empresa a fim de possibilitar a contínua reinvenção de produtos e processos que coloquem a empresa numa posição de destaque no mercado.
Apparel is one of fashion`s most expressive resources, and yet, in spite of its ever changing nature, the fashion product has not managed to achieve differentiation in a way that makes its physical attributes reveal its identity. Departing from a perception of a growing homogenization of fashion products, this study brings some insights for the development of differentiated fashion products through the use of physical attributes that reinforce a product`s identity. Among the several strategies to achieve this aim, we may emphasize the processes that promote the merging of handicraft production and apparel industry, thus yielding unique items and disrupting the pattern of excessively industrialized, repetitive and impersonal products. As a strategic tool to maintain competitive advantage through differentiation, Design Management exploits a company`s competence, knowledge and experience to continuously reinvent products and processes to achieve competitive positioning.
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Barringer, Michelle L. K. "An analysis of the need for product development training in cultural craft micro-enterprise projects." Online access for everyone, 2008. http://www.dissertations.wsu.edu/Thesis/Summer2008/M_Barringer_070808.pdf.

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Norwood, Karen. "Propensity of West Virginia craftspeople to use electronic media for marketing their products." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2746.

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Thesis (Ed. D.)--West Virginia University, 2002.
Title from document title page. Document formatted into pages; contains vii, 165 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 118-124).
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Basnet, Sandhya. "Women in handicraft production of Kathmandu city in Nepal." Thesis, University of North Bengal, 2001. http://hdl.handle.net/123456789/231.

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Baugh, Carol Traylor. "To teach and to learn settlement and missionary school fireside industry programs in eastern Kentucky, 1900-1930 /." Click to access To teach and to learn (Online), 2005. http://www.ohiolink.edu/etd/view.cgi?miami1123167119.

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Urdziņa-Deruma, Mara. "HISTORICAL DEVELOPMENT OF HANDICRAFT EDUCATION IN GENERAL SCHOOLS IN LATVIA." 名古屋大学大学院教育発達科学研究科 技術・職業教育学研究室, 2006. http://hdl.handle.net/2237/12065.

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Pritchard, J. G. "Development of handicraft teaching in Welsh schools up to 1966." Thesis, Bangor University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332712.

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Books on the topic "Handicraft"

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Indonesia. Kementerian Kebudayaan dan Pariwisata. Indonesia handicraft. Jakarta: Ministry of Culture and Tourism, Republic of Indonesia., 2010.

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James, Kyle, Smith John A. R, Johnston David H, and Pye Walter 1853-1892, eds. Pye's surgical handicraft. 2nd ed. Oxford: Butterworth Heinemann, 1992.

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Zakariyya, Ahmed. Handicraft in Maldives. 2nd ed. Male: Ministry of Economic Development, Republic of Maldives, 2011.

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Dana, Léo-Paul, Veland Ramadani, Ramo Palalic, and Aidin Salamzadeh, eds. Artisan and Handicraft Entrepreneurs. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-82303-0.

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Nguyẽ̂n, Hà. Hanoi handicraft trade villages. Hà Nội: Information and Communication Pub. House, 2010.

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(Mauritius), National Handicraft Centre, Mauritius. Ministry of Industry and Commerce., and ʼAssises de lʼartisanatʼ (1996 : University of Mauritius), eds. Strategy for Handicraft Development. Port Louis, Mauritius: National Handicraft Centre, 1997.

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Company, Deseret Book, ed. Christmas with Mormon handicraft. Salt Lake City, Utah: Deseret Book Company, 1992.

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Shukla, Ghosh, ed. The crafts of Manipur. Kolkata: Firma KLM, 2003.

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Vijayagopalan, S. Economic status of handicraft artisans. New Delhi: National Council of Applied Economic Research, 1993.

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Ismail, Siti Zainon. The traditional Malay handicraft design. Kuala Lumpur: Dewan Bahasa dan Pustaka, 1997.

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Book chapters on the topic "Handicraft"

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Scott, Mary Katherine. "Handicraft." In Encyclopedia of Tourism, 419–21. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_367.

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Igarashi, Yuki. "Computational Handicraft." In Emotional Engineering, Vol. 8, 43–64. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38360-2_4.

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Scott, Mary Katherine. "Handicraft – Tourism." In Encyclopedia of Tourism, 1–3. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-01669-6_367-2.

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Scott, Mary Katherine. "Handicraft, tourism." In Encyclopedia of Tourism, 1–3. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_367-1.

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Ranjan Mishra, Bikash, Prasanta Patri, Bharat Kumar Dash, and Lopamudra D. Satpathy. "Empowerment via handicraft." In Mainstreaming the Marginalised, 123–40. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003000983-10.

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Haiyan, Wang, and Liu Yingchun. "Handicraft in Traditional China." In The Routledge Encyclopedia of Traditional Chinese Culture, 330–51. Abingdon, Oxon ; New York : Routledge, [2019]: Routledge, 2019. http://dx.doi.org/10.4324/9781315453491-19.

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Wölfel, Kim, Jörg Müller, and Dominik Henrich. "ToolBot: Robotically Reproducing Handicraft." In Human-Computer Interaction – INTERACT 2021, 470–89. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85613-7_32.

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Ning, Ou. "Handicraft, Design, and Art." In Contemporary East Asian Visual Cultures, Societies and Politics, 237–66. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5791-0_12.

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Blaauwendraad, J., and A. W. M. Kok. "Handicraft in Finite Elements." In Numerical Techniques for Engineering Analysis and Design, 543–52. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3653-9_60.

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Millard, Edward. "5. Support for Handicraft Exporters." In Export Marketing for a Small Handicraft Business, 76–88. Rugby, Warwickshire, United Kingdom: Practical Action Publishing, 1992. http://dx.doi.org/10.3362/9781780442129.005.

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Conference papers on the topic "Handicraft"

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Semina, Shezhana. "New Trends in the Development of Handicraft Industry in Irkutsk Province in the Second Half of the 1920s." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.19.

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The article highlights trends in the development of handicraft production in the conditions of recognition of market relations, mechanisms of socio-economic incentives to cooperative forms of Association, difficulties of transition of handicraft industry to cooperation, results and results of socio-economic development of handicraft production by the end of the 1920s.
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Jingga, Fredy, Lisky Wiranatan, and Devin Yuda. "FYLO Gallery: Handicraft business Branding application (a case study of Indonesia Handicraft Branding portal)." In CHIuXiD '20: 6th International ACM In-Cooperation HCI and UX Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3431656.3432059.

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Rinne, Kelli, and Ene Lind. "Factors Influencing Learning Interest in Handicraft Lessons." In 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.022.

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Interest in learning is a topic that has provided research material to many researchers around the world. The causes of declining learning interest in different subjects have been studied, as well as how to support and stimulate students’ interest in learning. Research has shown that the main reasons for declining learning interest are the nature of the learning tasks (too easy or too difficult, not interesting) and the attitude of the teacher. Handicraft and home economics in the Estonian general education curriculum is a practical integrated subject where students can apply the knowledge they have acquired in different subjects and realize their creative ideas. Thus, it could be assumed that the subject is of interest to students. At the same time, based on student surveys and classroom observations, it can be stated that there are students in almost every class and school who are not interested in learning a craft and are not motivated to participate in the learning activities. As craft lessons differ from other lessons due to their practical nature, it was decided to investigate the learning interest in handicraft. The aim of the study was to identify the factors influencing learning interest in handicraft lessons in order to understand how handicraft teachers could support students’ learning. A quantitative research method was chosen for the research, and a survey was used as a research instrument. As a result of the research, it can be stated that comparing the factors influencing learning interest in handicraft lessons with the results of other similar research, we can state that although handicraft is slightly different from other subjects due to its practical nature, the factors influencing learning interest are similar across the subjects. The interest in the subject largely depends on the age of the students and the activities of the teacher.
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Semina, Shezhana. "Transition to Industrialization and the Fate of the Small and Handicraft Industries of the Irkutsk Province (Late 1920s)." In Irkutsk Historical and Economic Yearbook 2021. Baikal State University, 2021. http://dx.doi.org/10.17150/978-5-7253-3040-3.25.

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Сonsideration of the impact of the command and control on the development of handicraft and trade cooperation; specifics of the gradual growth of small and handicraft industries into large-scale production, which was one of the leading areas of public policy in the late 1920s and early 1930s.
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Chen, Junchun, and Jian Peng. "Artistic Characteristics and Multi-value of Huayao Cross-stitch from the Perspective of Cultural Ecology." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003643.

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Huayao cross-stitch is a traditional handicraft with distinctive regional characteristics in China. Aesthetically appealing with rich cultural implications, Huayao cross-stitch has been listed in the first national list of intangible cultural heritage of China since 2006. With the rapid development of cultural consumption globally, the innovative design and industrial transformation potential have made traditional handicrafts highly-valued resources, and the analysis of cultural representation and multi-value of traditional handicrafts is the basis of cultural reuse. From the perspective of cultural ecology, the current study aims to summarize the spatial organization mode of Huayao cross-stitch patterns and conduct a deep analysis of the concepts and beliefs represented in Huayao cross-stitch by examining 70 samples of cross-stitch skirt pieces collected from the composition and semantics of patterns. The study then analyzes the basis of multi-value of the Huayao cross-stitch from both aesthetic and cultural dimensions, providing a research basis for the innovation and regeneration of Huayao’s cross-stitch, through which its value can be seen in contemporary times as well as in the future.
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Lice-Zikmane, Iveta. "Handicraft in the Context of Sustainable Education." In Rural environment. Education. Personality. Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2018. http://dx.doi.org/10.22616/reep.2018.036.

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Purwasih, Joan Hesti Gita, and Nur Hadi. "The Failure of Regeneration Traditional Pottery Handicraft." In The 2nd International Conference on Sociology Education. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007113512181223.

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Zhiwen, Zhou, Sone Simatrang, Eakachat Joneurairatana, and Ninggang. "Review of Chinese Traditional Handicraft: Fahua Ceramic." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008546401050109.

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Miyakawa, A., T. Ishida, K. Sugita, and Y. Shibata. "Proposal of tradition handicraft searching method using DCML." In Proceedings. 15th International Workshop on Database and Expert Systems Applications, 2004. IEEE, 2004. http://dx.doi.org/10.1109/dexa.2004.1333498.

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Zhaoying, Xiang. "Cultural Studies of Tibetan Packaging of Handicraft Products." In 2015 International Conference on Social Science and Technology Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icsste-15.2015.3.

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Reports on the topic "Handicraft"

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Kachhipati, C. P., and S. Shahi. Collective Marketing; The Case of Handicrafts in Nepal. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1999. http://dx.doi.org/10.53055/icimod.297.

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Kachhipati, C. P., and S. Shahi. Collective Marketing; The Case of Handicrafts in Nepal. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 1999. http://dx.doi.org/10.53055/icimod.297.

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Ahmed AlGarf, Yasmine. Harnessing the Power of the Collective: The Women’s Handicrafts Production Cooperative in Aswan, Egypt. Oxfam IBIS, August 2021. http://dx.doi.org/10.21201/2021.7857.

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The Women’s Handicrafts Production Cooperative is a success story that has transformed the lives of its members, who had been finding it hard to obtain employment. They are now focused on creating their own enterprise. Started in 2018, today the cooperative’s membership has expanded tenfold and created employment opportunities by using the principles of social solidarity economy and collective business models. The Youth Participation and Employment (YPE) project in Egypt, developed in partnership with the Better Life Association for Community Development (BLACD), provided technical training to the cooperative in handicrafts production, as well as life skills training, to empower the workers to continue despite all the societal pressure for them to give up. Assistance from BLACD came in when it was needed. Particularly during the COVID-19 crisis, with the tourism market shut down, BLACD has provided crucial technical advice and support, supporting the cooperative to brainstorm and identify several parallel income-generating activities. This case study contains some testimonies from members of the cooperative on how their collective strength was harnessed to create employment and income.
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Mikkelsen, Lene. Good Practices in Marketing for Micro and Small Enterprise Products: Cases from Latin-America. Inter-American Development Bank, December 1999. http://dx.doi.org/10.18235/0008889.

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It has been established that access to profitable markets is a key factor which determines the long-term success for all businesses. For small and microenterprises, however, various constraints limit this access, such as inadequate technology, geographic isolation, lack of raw materials and inefficient production. By providing ways to overcome these constraints, marketing service providers play an essential role in developing the businesses of small and micro producers. Based on three case studies of marketing service providers -from Colombia, Nicaragua and El Salvador- dealing with handicrafts, nontraditional agricultural products, and household goods, this study focuses on the possibility for short and long-term sustainability of marketing services. The study discusses the impact ancillary services have on the ability for partial or full cost-recovery and for institutional sustainability, and the business strategies adopted by each marketing service provider.
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Norwegian Alternatives: Decorative and Applied Arts. Inter-American Development Bank, December 1999. http://dx.doi.org/10.18235/0006420.

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Fifty-two contemporary craft, decorative and applied art objects by thirty-one members of the Norwegian Association for Arts and Handicrafts, made in wood, fiber, clay, glass and as jewelry, from the collections of the Kunstindustrimuseet in Oslo, the Vestlandske Kunsindustrimuseum in Bergen, the Nordenfjeldske Kunstindustrimuseum in Trondheim, the Hadeland Glassverk in Jevnaker, and from independent artists who loaned their pieces for the exhibition.
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