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Journal articles on the topic 'Handel, George Frideric, Handel, George Frideric'

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1

Burrows, D. "George Frideric Handel." Early Music XXI, no. 2 (May 1, 1993): 320–23. http://dx.doi.org/10.1093/em/xxi.2.320.

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2

Radice, Mark A. "Agrippina. George Frideric Handel." Opera Quarterly 10, no. 2 (1993): 177–82. http://dx.doi.org/10.1093/oq/10.2.177.

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3

Shewan, Rodney. "Orlando. George Frideric Handel." Opera Quarterly 10, no. 2 (1993): 182–84. http://dx.doi.org/10.1093/oq/10.2.182.

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4

Law, J. K. "Tamerlano. George Frideric Handel." Opera Quarterly 20, no. 1 (January 1, 2004): 112–15. http://dx.doi.org/10.1093/oq/kbh011.

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5

Graeme, R. "Rinaldo. George Frideric Handel." Opera Quarterly 20, no. 1 (January 1, 2004): 131–34. http://dx.doi.org/10.1093/oq/kbh016.

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6

Rishoi, N. "Alcina. George Frideric Handel." Opera Quarterly 20, no. 2 (April 1, 2004): 304–7. http://dx.doi.org/10.1093/oq/kbh038.

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7

Radice, Mark A. "Floridante. George Frideric Handel." Opera Quarterly 10, no. 3 (1994): 185–87. http://dx.doi.org/10.1093/oq/10.3.185.

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8

Pines, R. "Ariodante. George Frideric Handel." Opera Quarterly 13, no. 2 (January 1, 1996): 141–43. http://dx.doi.org/10.1093/oq/13.2.141.

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9

Law, J. K. "Giustino. George Frideric Handel." Opera Quarterly 13, no. 2 (January 1, 1996): 143–45. http://dx.doi.org/10.1093/oq/13.2.143.

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10

Graeme, R. "Rinaldo. George Frideric Handel." Opera Quarterly 17, no. 4 (January 1, 2001): 732–36. http://dx.doi.org/10.1093/oq/17.4.732.

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11

Graeme, R. "Hercules. George Frideric Handel." Opera Quarterly 19, no. 1 (January 1, 2003): 138–42. http://dx.doi.org/10.1093/oq/19.1.138.

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12

Martin, George. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 126–31. http://dx.doi.org/10.1093/oq/3.3.126.

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13

Parker, Roger. "Books (George Frideric Handel." Opera Quarterly 3, no. 3 (1985): 131–33. http://dx.doi.org/10.1093/oq/3.3.131.

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14

Hansell, Sven. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 133–35. http://dx.doi.org/10.1093/oq/3.3.133.

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15

Somville, Marilyn. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 136–37. http://dx.doi.org/10.1093/oq/3.3.136.

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16

Hammond, Frederick. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 138–39. http://dx.doi.org/10.1093/oq/3.3.138.

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17

Newman, Joyce. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 139–41. http://dx.doi.org/10.1093/oq/3.3.139.

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18

Harris, Ellen T. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 142–44. http://dx.doi.org/10.1093/oq/3.3.142.

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19

Pendle, Karin. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 144–46. http://dx.doi.org/10.1093/oq/3.3.144.

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20

Pendle, Karin. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 146–48. http://dx.doi.org/10.1093/oq/3.3.146.

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21

Cole, Malcolm S. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 148–50. http://dx.doi.org/10.1093/oq/3.3.148.

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22

Parker, C. P. Gerald. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 151–52. http://dx.doi.org/10.1093/oq/3.3.151.

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23

Rimer, Thomas. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 152–53. http://dx.doi.org/10.1093/oq/3.3.152.

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24

Hatch, Christopher. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 154–55. http://dx.doi.org/10.1093/oq/3.3.154.

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25

Cumbow, Robert C. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 155–56. http://dx.doi.org/10.1093/oq/3.3.155.

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26

Fast, G. Allan. "Books (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 156–57. http://dx.doi.org/10.1093/oq/3.3.156.

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27

Hamilton, David. "Recordings (George Frideric Handel)." Opera Quarterly 3, no. 3 (1985): 176–80. http://dx.doi.org/10.1093/oq/3.3.176.

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28

Pendle, Karin. "Atalanta. George Frideric Handel." Opera Quarterly 4, no. 1 (1986): 177–78. http://dx.doi.org/10.1093/oq/4.1.177.

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29

Pendle, Karin. "Solomon. George Frideric Handel." Opera Quarterly 4, no. 2 (1986): 151–53. http://dx.doi.org/10.1093/oq/4.2.151.

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30

Schauer, John. "Imeneo. George Frideric Handel." Opera Quarterly 6, no. 2 (1988): 154–56. http://dx.doi.org/10.1093/oq/6.2.154.

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31

Graeme, Roland. "Alessandro. George Frideric Handel." Opera Quarterly 7, no. 3 (1990): 182. http://dx.doi.org/10.1093/oq/7.3.182.

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32

Link, N. "George Frideric Handel: Giulio Cesare." Opera Quarterly 24, no. 3-4 (June 1, 2008): 313–24. http://dx.doi.org/10.1093/oq/kbp030.

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33

Burrows, D. "Marc Minkowski, George Frideric Handel." Early Music XXI, no. 3 (August 1, 1993): 505–6. http://dx.doi.org/10.1093/em/xxi.3.505.

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34

Rishoi, N. "Two Alcinas. George Frideric Handel." Opera Quarterly 17, no. 2 (January 1, 2001): 300–304. http://dx.doi.org/10.1093/oq/17.2.300.

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35

Jellinck, George. "Julius Caesar. George Frideric Handel." Opera Quarterly 4, no. 1 (1986): 156–58. http://dx.doi.org/10.1093/oq/4.1.156.

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36

Frosch, William A. "The Case of George Frideric Handel." New England Journal of Medicine 321, no. 11 (September 14, 1989): 765–69. http://dx.doi.org/10.1056/nejm198909143211120.

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37

Hunt, Christopher. "Arias for Cuzzoni. George Frideric Handel." Opera Quarterly 9, no. 2 (1992): 167–69. http://dx.doi.org/10.1093/oq/9.2.167.

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38

Graeme, Roland. "Amadigi di Gaula. George Frideric Handel." Opera Quarterly 9, no. 3 (1993): 195–99. http://dx.doi.org/10.1093/oq/9.3.195.

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39

Pendle, Karin. "Apollo e Dafen. George Frideric Handel." Opera Quarterly 4, no. 2 (1986): 118–20. http://dx.doi.org/10.1093/oq/4.2.118.

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40

Pines, Roger. "Acis and Galatea. George Frideric Handel." Opera Quarterly 8, no. 1 (1991): 137–39. http://dx.doi.org/10.1093/oq/8.1.137.

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41

Hunt, Christopher. "Arias for Montagnana. George Frideric Handel." Opera Quarterly 8, no. 1 (1991): 139–41. http://dx.doi.org/10.1093/oq/8.1.139.

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42

Carpenter, Alexander. "Barockstar: George Frideric Handel (review)." Notes 68, no. 1 (2011): 161. http://dx.doi.org/10.1353/not.2011.0098.

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43

McKee, David. "Giulio Cesare in Egitto. George Frideric Handel." Opera Quarterly 10, no. 4 (1994): 118–21. http://dx.doi.org/10.1093/oq/10.4.118.

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44

Glasow, E. T. "Ottone, re di Germania. George Frideric Handel." Opera Quarterly 12, no. 4 (January 1, 1996): 120–24. http://dx.doi.org/10.1093/oq/12.4.120.

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45

Pines, R. "Riccardo Primo, re d'Inghilterra. George Frideric Handel." Opera Quarterly 15, no. 1 (January 1, 1999): 142–45. http://dx.doi.org/10.1093/oq/15.1.142.

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46

Shewan, Rodney. "Aci, Galatea e Polifemo. George Frideric Handel." Opera Quarterly 6, no. 1 (1988): 124–26. http://dx.doi.org/10.1093/oq/6.1.124.

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47

Adams, Aileen K., and B. Hofestädt. "Georg Händel (1622–97): The Barber-Surgeon Father of George Frideric Handel (1685–1759)." Journal of Medical Biography 13, no. 3 (August 2005): 142–49. http://dx.doi.org/10.1177/096777200501300308.

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George Frideric Handel was born in Halle (Saale) in Germany. After initial musical education in Germany and Italy, he came to London as a young man and spent the rest of his life in England. Until recently, little has been written of his early life in either the English or the German literature, and it is not widely known that he was the son of Georg Händel, a barber-surgeon of repute. When his father's name is mentioned, it is usually to claim that he actively discouraged his son's musical education. Georg Händel lived in a turbulent time; he became an eminent surgeon who served as valet and barber to the Courts of Saxony and Brandenburg, as well as a distinguished citizen of Halle. In describing his surgical duties, we show how these differed from those of barbers in England and France at that time. Barbers in Germany were less controlled, freer to practise as they pleased, and Händel himself had important duties in public health and forensic medicine. George Frideric was the first son of the second marriage, born when his father was 63 years of age. We aim also to dispel the notion that Händel's influence on his son's career was as obstructive as has been claimed, but rather that he was a responsible father with his children's interests at heart. This is shown in the success achieved by all his children, most of whom followed their father into medicine, while George Frideric became the most famous of them all, being regarded by posterity as one of the greatest composers.
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48

Adams, A. K., and B. Hofestadt. "Georg Handel (1622-97): the barber-surgeon father of George Frideric Handel (1685-1759)." Journal of Medical Biography 13, no. 3 (August 1, 2005): 142–49. http://dx.doi.org/10.1258/j.jmb.2005.04-49.

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49

Gardner, Matthew. "The Lives of George Frideric Handel. By David Hunter." Music and Letters 97, no. 3 (August 2016): 507–9. http://dx.doi.org/10.1093/ml/gcw079.

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50

Saglietti, Benedetta. "The Lives of George Frideric Handel by David Hunter." Notes 73, no. 4 (2017): 725–26. http://dx.doi.org/10.1353/not.2017.0049.

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