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1

M, Doran Pauline, ed. Hairy roots: Culture and application. Amsterdam: Harwood Academic, 1997.

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2

Srivastava, Vikas, Shakti Mehrotra, and Sonal Mishra, eds. Hairy Root Cultures Based Applications. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4055-4.

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3

M, Doran Pauline, ed. Hairy roots: Culture and applications. Amsterdam, The Netherlands: Harwood Academic Publishers, 1997.

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4

Malik, Sonia, ed. Production of Plant Derived Natural Compounds through Hairy Root Culture. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69769-7.

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5

Iturbe-Ormaetxe, I. Alkaloid production by immobilised and hairy root cultures of catharanthus roseus. Manchester: UMIST, 1993.

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6

Doran, John W. Hairy Roots: Culture and Applications. CRC, 1997.

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7

Srivastava, Vikas, Shakti Mehrotra, and Sonal Mishra. Hairy Root Cultures Based Applications: Methods and Protocols. Springer, 2020.

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8

Srivastava, Vikas, Shakti Mehrotra, and Sonal Mishra. Hairy Root Cultures Based Applications: Methods and Protocols. Springer Singapore Pte. Limited, 2021.

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9

Srivastava, Vikas, Shakti Mehrotra, and Sonal Mishra. Hairy Root Cultures Based Applications: Methods and Protocols. Springer, 2020.

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10

Malik, Sonia. Production of Plant Derived Natural Compounds through Hairy Root Culture. Springer, 2017.

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11

Malik, Sonia. Production of Plant Derived Natural Compounds Through Hairy Root Culture. Springer International Publishing AG, 2018.

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12

Nuutila, Anna Maria. Plant cell and hairy root cultures in bioreactor-based production processes. 1994.

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13

Thompson, Cheryl. Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture. Wilfrid Laurier University Press, 2019.

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14

Thompson, Cheryl. Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture. Wilfrid Laurier University Press, 2019.

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15

Zwarg, Christina. The Archive of Fear. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198866299.001.0001.

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Abstract:
Not about Haiti but about the haunting power of its revolution, The Archive of Fear explores the traumatic force field that continued to inflect U.S. discussions of slavery and abolition both before and after the Civil War, sometimes with surprising intensity and endurance. Focusing on U.S. slavery and its aftermath in the nineteenth century, it challenges the long-assumed distinction between psychological and cultural-historical theories of trauma, discovering a virtual dialogue between three central U.S. writers and Sigmund Freud concerning the traumatic response of slavery’s perpetrators. To do so, it shows how trauma theory before Freud first involves a return to an overlap between crisis, insurrection, and mesmerism found in the work of Frederick Douglass, Harriet Beecher Stowe, and W. E. B. Du Bois. Mesmer’s “crisis state” has long been read as the precursor to hypnosis, the tool Freud famously rejected when he created psychoanalysis. But the story of what was lost to trauma theory when Freud adopted the “talk cure” can be told through cultural disruptions of New World slavery, especially after mesmerism arrived in Saint Domingue where its implication in the Haitian revolution in both reality and fantasy had an impact on the history of emancipation in the United States. The Archive of Fear argues that a strain of trauma theory and practice comes alive in the temporal and spatial disruptions of New World slavery—and that key elements of that theory still inform the infrastructure of race relations today. Reviewing trauma theory through its pre-Freudian roots—especially as the alarm of slavery’s perpetrators relates to the temporal patterns of Mesmer’s “crisis state”—widens our sense of the affective atmospheres through which emancipation had to be sought. And it illuminates the fugitive approach Douglass, Stowe, and Du Bois devised to confront and defuse the archive of fear still blocking full emancipation today.
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