Academic literature on the topic 'Haiku'
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Journal articles on the topic "Haiku":
OTA, Seiko. "CARACTERÍSTICAS DE LOS HAIKUS DE JOSÉ JUAN TABLADA." SIGLO DIECINUEVE (Literatura hispánica), no. 17 (May 7, 2011): 305–23. http://dx.doi.org/10.37677/sigloxix.vi17.165.
Ihanus, Juhani. "Therapeutic Poems for Advancing Coping, Empathy, and Cultural Well-Being." Creative Arts in Education and Therapy 8, no. 1 (August 23, 2022): 18–31. http://dx.doi.org/10.15212/caet/2022/8/8.
Iida, Atsushi. "The value of poetry writing." Scientific Study of Literature 2, no. 1 (August 13, 2012): 60–82. http://dx.doi.org/10.1075/ssol.2.1.04iid.
Genova, Pamela A. "Crossing Cultural and Aesthetic Frontiers: Yves Bonnefoy and the Dynamics of Haiku." Irish Journal of French Studies 15, no. 1 (December 1, 2015): 25–40. http://dx.doi.org/10.7173/164913315817039216.
Ramlan, Muhammad Nadzif. "Hana Wa Sakuragi: Discourse Analysis of Cherry Blossoms in Haiku of ‘The Great Four’." Japanese Research on Linguistics, Literature, and Culture 4, no. 1 (November 30, 2021): 1–15. http://dx.doi.org/10.33633/jr.v4i1.5285.
Luqyana, Mahdiah, and Tri Mulyani Wahyuningsih. "MAKNA DUA HAIKU BERUNSUR BUAH 柿」(KAKI) KARYA MASAOKA SHIKI: PENDEKATAN SEMIOTIK RIFFATERRE." Alayasastra 17, no. 1 (May 31, 2021): 1–18. http://dx.doi.org/10.36567/aly.v17i1.787.
Montaner Montava, María Amparo. "La tipología lingüística como factor determinante en la traducción poética." Hikma 21, no. 2 (December 23, 2022): 9–40. http://dx.doi.org/10.21071/hikma.v21i2.13420.
Gordon, Chris. "Haiku." Antioch Review 63, no. 4 (2005): 732. http://dx.doi.org/10.2307/4614896.
Mountain, Mary Tall. "Haiku." Wicazo Sa Review 4, no. 2 (1988): 64. http://dx.doi.org/10.2307/1409285.
Cook, Annischa. "Haiku." Anthurium A Caribbean Studies Journal 5, no. 1 (January 1, 2007): 8. http://dx.doi.org/10.33596/anth.94.
Dissertations / Theses on the topic "Haiku":
Smith, Steven Lyle. "Haiku Seasons." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2695/.
Lucas, Martin. "Haiku in Britain : theory, practice, context." Thesis, Cardiff University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599896.
Oliva, Dante. "El haiku. Camino de matsuo bashoo." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/77958.
Cisneros, Cox Alfonso. "Estética y Brevedad en el Haiku." Foro Jurídico, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/119913.
Kaneko, Michiko. "The poetics of sign language haiku." Thesis, University of Bristol, 2008. http://hdl.handle.net/1983/10e0f467-8d9d-4568-8215-9a3e1d77147d.
Benachir, Hynde. "Le "haiku" dans la littérature hispanique." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30036/document.
The purpose of this thesis is set at a crossroads between linguistics and literature since it is about the haiku in Hispanic literature, which we aim to characterize as a poetic form in the Spanish-speaking literary context and as a "prototype" of the brief from the perspective of its discursive and enunciative terms. Traditionally associated with Japanese culture, in which it takes root, the haiku is one of the shortest poetic forms in the world. With its seventeen syllables in all, it compels to the greatest thoroughness in the choice of words, a concise expression and a "condensation" of the meaning that make it a succint poem, often to be pondered after reading. Neither verse nor rhyme are part of the metrical constraints of the Japanese haiku. Its aesthetics, influenced by Zen Buddhism, aims to be contemplative, supported by the subjectivity of the poetic voice, which appears as a "witness of the world", only transposing facts that are sometimes "unimportant", often trivial, yet nonetheless a part of any person's daily life. In Western poetry, the haiku has no equivalent, owing as much to its brevity as to its "puristic" aesthetics. However, it should be noted that it is strongly represented in contemporary Hispanic literature. Neither the Orientalism from the beginning of the XXth century nor the poetic re-assessments started by the Modernists and carried on by the Avant-Garde movements are enough to explain this enthusiasm of the Spanish-speaking poets for this Japanese poem. Indeed, Hispanic literature took hold of this literary phenomenon as soon as the first translations of Japanese anthologies were published, in the 1910s. There is, however, no linguistic connection between the haiku and Spanish-speaking poets. Nevertheless, the first collections of haikus also date back to the 1910s, which indicates that there was no latency between the appearance of the haiku and its adaptation into Spanish. Starting from these observations, we attempted, through a multi-focal approach notably based on literal analysis, to retrace this poetic form's literary and linguistic path, from the Japanese rice paper rolls to the so-called "Hispanic" haiku
Garrett, Hélène. "Identity in the Papiamentu haiku of Elis Juliana." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59717.pdf.
Hirschfeld, Caspar René. "Haiku IV: für Flöte solo (op. 66 b)." Caspar René Hirschfeld, 2020. https://slub.qucosa.de/id/qucosa%3A70682.
Szentiványi, Helga. "Frauen in der Bürgerkultur der Edo-Zeit : anhand von Beispielen aus der Haikai-Dichtung unter besonderer Berücksichtigung von Kaga no Chiyo /." München : Iudicium, 2008. http://d-nb.info/990593045/04.
Delteil, André. "Théorie et pratique du haiku dans la société japonaise contemporaine." Paris 3, 1988. http://www.theses.fr/1989PA030051.
Haiku is born, at the end of the xixth century, from the first verse ("hokku") of a collective poetical creation series (named "renga", then "haikai"; nowadays "renku"). It incorporates, as an exchange of salutations, a reference to a determined season. Concise and reduced to essentials, far from being a descriptive poetry, it ascribes or imputes feelings to things. It appeals to the visual sense and to resonances with poetry from the past. Pre-eminently a popular art, haiku is a neo-classical medium for cultural creation. The practice of reciprocal voting ("gosen") on each other's poems, where the author position yields to a reader's status, underlines the transitional specificity of the poetical exchange medium that is haiku, whose character is both aristocratic and popular
Books on the topic "Haiku":
Krynicki, Ryszard. Haiku, haiku mistrzów. Kraków: Wydawnictwo a5, 2014.
Evetts, Dee, and Jim Kacian. A new resonance 7: Emerging voices in English-language haiku. Winchester, VA: Red Moon Press, 2011.
Heese, Marié. Haiku: Haiku for Africa. Pretoria: University of South Africa, 1997.
Čekolj, Marijan. Haiku sekvence: Teorija haiku. Samobor: Hrvatsko haiku društvo, 2011.
Kawana, Hajime. Chōhatsusuru haiku iyasu haiku. Tōkyō: Chikuma Shobō, 2010.
Snively, Carolyn Schlosser. The smiling photo: Images of war. Stevensville, Mont: Stoneydale Press, 2012.
Hoshino, Tsunehiko. Haiku to haiku no sekai. 8th ed. Tōkyō: Waseda Daigaku Shuppanbu, 2002.
Takaha, Shugyō. Selected haiku: [Shugyō haiku shō]. Tokyo, Japan: Furansudo, 2003.
Bundgaard, Ole. Haiku: 366 nye danske haiku. Danmark: Forlaget Nielsens, 2006.
Ritchie, Ward. Haiku. [Los Angeles]: Imprenta Glorias, 1985.
Book chapters on the topic "Haiku":
Michaela, Morgan. "Haiku." In How to Teach Poetry Writing: Workshops for Ages 8–13, 31. Third Edition. | New York: Routledge, 2020. | Series: Writer’s workshop series | “Second edition published by Routledge: Routledge, 2019. http://dx.doi.org/10.4324/9781315103693-11.
Evans, Brian. "3D Haiku." In Practical 3D Printers, 99–127. Berkeley, CA: Apress, 2012. http://dx.doi.org/10.1007/978-1-4302-4393-9_5.
Guy, Elizabeth. "Four Haiku." In Reflect & Write, 98. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-88.
Guy, Elizabeth. "Four Haiku." In Reflect & Write, 94. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-84.
Lee, Laura. "Four Haiku." In Reflect & Write, 81. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-71.
Needle, Cynthia. "Four Haiku." In Reflect & Write, 60. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-50.
Katona, Cynthia Lee. "Four Haiku." In Reflect & Write, 31. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-19.
Katona, Cynthia Lee. "Four Haiku." In Reflect & Write, 45. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-33.
Kazalarska, Zornitza. "Warum gerade Haiku? – Jiří Valochs Haiku-Interventionen." In Haiku – Epigramm – Kurzgedicht, 249–64. Köln: Böhlau Verlag, 2021. http://dx.doi.org/10.7788/9783412513481.249.
Wuthenow, Ralph-Rainer. "Wiederholung im Haiku?" In Dasselbe noch einmal: Die Ästhetik der Wiederholung, 109–20. Wiesbaden: VS Verlag für Sozialwissenschaften, 1998. http://dx.doi.org/10.1007/978-3-322-93549-6_6.
Conference papers on the topic "Haiku":
Helgason, Ingi. "Beat Haiku." In the 7th Nordic Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2399016.2399142.
Obara, Hideto, Naoko Tosa, and Michihiko Minoh. "Hitch haiku." In the international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1255047.1255108.
Tosa, Naoko, Hideto Obara, Michihiko Minoh, and Seigow Matsuoka. "Hitch haiku." In the 2nd international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1306813.1306821.
Tosa, Naoko. "Hitch-Haiku." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2007. http://dx.doi.org/10.1145/1280120.1280203.
Šimbelis, Vygandas 'Vegas', Elsa Vaara, Pedro Ferreira, Jarmo Laaksolahti, and Kristina Höök. "Delete by Haiku." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3027063.3049781.
Ito, Takuya, Jumpei Ono, and Takashi Ogata. "Haiku Generation Using Gap Techniques." In the 2018 International Conference. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3293663.3293666.
Nitta, Yoshihiko. "Language Education by HAIKU-Like Simple Sentences." In Computers and Advanced Technology in Education. Calgary,AB,Canada: ACTAPRESS, 2012. http://dx.doi.org/10.2316/p.2012.774-071.
Shao, Guanming, Yosuke Kobayashi, and Jay Kishigami. "Traditional Japanese Haiku Generator using RNN Language Model." In 2018 IEEE 7th Global Conference on Consumer Electronics (GCCE). IEEE, 2018. http://dx.doi.org/10.1109/gcce.2018.8574857.
Spence, Lucy. "The Affordances of Haiku as a Multimodal Text." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1571059.
Nitta, Yoshihiko. "Efficient but soft communication by Haiku-like fragmental sentences." In 2015 IEEE International Conference on Digital Signal Processing (DSP). IEEE, 2015. http://dx.doi.org/10.1109/icdsp.2015.7252024.
Reports on the topic "Haiku":
Ground water and surface water in the Haiku area, East Maui, Hawaii. US Geological Survey, 1999. http://dx.doi.org/10.3133/wri984142.
Geohydrology and Possible Transport Routes of Polychlorinated Biphenyls in Haiku Valley, Oahu, Hawaii. US Geological Survey, 1993. http://dx.doi.org/10.3133/wri924168.
Streamflow and Suspended-Sediment Loads Before and During Highway Construction, North Halawa, Haiku, and Kamooalii Drainage Basins, Oahu, Hawaii, 1983-91. US Geological Survey, 1996. http://dx.doi.org/10.3133/wri964259.
Statistical summary of hydrologic and water-quality data from the North Halawa, Haiku, and Kamooalii drainage basins, Oahu, Hawaii, water years 1983-89. US Geological Survey, 1992. http://dx.doi.org/10.3133/wri924049.
Streamflow and Suspended-Sediment Loads Before, During, and After H-3 Highway Construction, North Halawa, Haiku, South Fork Kapunahala, and Kamooalii Drainage Basins, Oahu, Hawaii, 1983-99. US Geological Survey, 2002. http://dx.doi.org/10.3133/wri20024005.