Relevant bibliographies by topics / Haggard, Henry Rider (1856-1925)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Haggard, Henry Rider (1856-1925)'

Author: Grafiati
Published: 17 February 2024

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Journal articles on the topic "Haggard, Henry Rider (1856-1925)"

1

Fike, Matthew A. "C. G. Jung on plagiarism in Pierre Benoît’s L’Atlantide." International Journal of Jungian Studies 9, no. 3 (2017): 167–82. http://dx.doi.org/10.1080/19409052.2017.1355331.

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ABSTRACTJung explained the possible plagiaristic relationship between Henry Rider Haggard’sSheand Pierre Benoît’sL’Atlantideas either cryptomnesia or archetypal inspiration, but he was misinformed about the case and unfamiliar with Benoît’s life. This essay critiques Jung’s statements about Benoît and then considers the case for plagiarism that was published inThe French Quarterlyin 1919–1920. Neither the typical reply – thatL’Atlantidereflects the author’s African experience and historical knowledge – nor the reading of the novel that arose from Jung’s 1925 seminar adequately refutes the plag
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2

Silva, Evander Ruthieri da Silva Ruthieri da. "A questão sul-africana: literatura, colonialismo e masculinidades em Marie (1912), de H. Rider Haggard." Diálogos 22, no. 1 (2018): 229. http://dx.doi.org/10.4025/dialogos.v22i1.43643.

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O escopo central do artigo converge na análise e problematização das relações entre colonialismo e masculinidade na produção literário-intelectual do romancista H. Rider Haggard (1856-1925), com destaque para seu romance Marie (1912). A narrativa literária cinge elementos da ficção e realidade ao narrar eventos do passado sul-africano, em especial o Great Trek, período de migrações e deslocamentos de colonos bôeres na década de 1830. No cerne de um contexto imaginado com as marcas da violência e do martírio, Haggard retrata a formação de seu protagonista, o caçador Allan Quatermain, de modo a
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3

Da Silva, Evander Ruthieri. "Visões do Império: A visualidade da África colonial na literatura de H. Rider Haggard (1856-1925)." Tempos Históricos 24, no. 1 (2020): 238–64. http://dx.doi.org/10.36449/rth.v24i1.22334.

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Na chamada Era dos Impérios do século XIX, os romances de H. Rider Haggard (1856-1925) alcançaram expressividade no mercado editorial, pois, ao enredarem tramas ambientadas no sul da África, informavam a imaginação de muitos dos seus leitores e leitoras acerca da ocupação de outros territórios, dos encontros interétnicos e interculturais tramados nas fronteiras geopolíticas dos interesses coloniais. Este artigo concentra-se na visualidade da África colonial em dois romances de Rider Haggard, Swallow (1899) e The Ghost Kings (1908). A ênfase da análise recai sobre as imagens e ilustrações que a
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4

Silva, Evander Ruthieri da. "Ação política, trabalho e resistência africana nos diários de viagem de H. Rider Haggard (África do Sul, 1914)." Revista de História, no. 180 (April 13, 2021): 1–36. http://dx.doi.org/10.11606/issn.2316-9141.rh.2021.168103.

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O período em torno da formalização da União Sul-Africana (1910) foi caracterizado por debates políticos acerca da identidade nacional sul-africana, bem como pela promulgação de legislações de caráter segregacionista e da negação de direitos políticos à população negra. Nesse contexto, o romancista britânico H. Rider Haggard (1856-1925) retornou à África do Sul, onde viveu em sua juventude, e registrou suas impressões de viagem em diários. O artigo visa analisar as marcas da articulação política e da resistência africana nos diários de viagem de Haggard, com atenção especial ao contexto laboral
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Dissertations / Theses on the topic "Haggard, Henry Rider (1856-1925)"

1

Senior, John. "Spirituality in the fiction of Henry Rider Haggard." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002252.

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Neither an unquestioning support for British imperialism nor a personal pre-Jungian philosophy were the driving forces behind Rider Haggard’s beliefs or his literature. These two concerns were secondary to the author’s fascination with the supernatural, a theme prominent in his era, but less so in our own. A declining faith in European religion provided the dominant focal point in Haggard’s work. Although there are important overtones of imperial concern and indeed points of Jungian significance in the texts, these are generally subservient to an intensive wide-ranging spiritual discourse. The
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2

Crouan-Veron, Patricia. "L' espace et le temps dans le cycle de Allan Quatermain et de She : une relecture des deux cycles mythiques de H. R. Haggard." Nantes, 2001. http://www.theses.fr/2001NANT3017.

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3

Langwith, Mark J. "'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.

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This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impul
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4

Marty, Christophe. "L’aventure coloniale dans le roman britannique vue par le cinéma américain : King Solomon’s Mines (1950), Kim (1950), The Quiet American (1958 ; 2002), The Man Who Would Be King (1975), Apocalypse Now (1979 ; 2001)." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030125.

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Portant sur six adaptations hollywoodiennes de récits de Rider Haggard, Kipling, Conrad et Greene, ce travail analyse la manière dont le cinéma américain retravaille divers aspects des supports littéraires à des fins esthétiques [attention aux détails exotiques, remaniements narratifs, jeu des acteurs, couleurs, décors] et idéologiques [réflexion sur l’impérialisme colonial]. En confrontant les films et les récits qui les précèdent, il s’agit d’examiner la manière dont le cinéma prend appui sur la littérature pour tisser un réseau où transparaît le regard que Hollywood porte sur la tentation i
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Books on the topic "Haggard, Henry Rider (1856-1925)"

1

Leibfried, Philip. Rudyard Kipling and Sir Henry Rider Haggard on screen, stage, radio, and television. McFarland, 2000.

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2

Imagining Africa: Landscape in H. Rider Haggard's African romances. Greenwood Press, 2001.

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3

Victorian quest romance: Stevenson, Haggard, Kipling, and Conan Doyle. Northcote House, in association with the British Council, 1998.

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4

Low, Gail Ching-Liang. White skins/black masks: Representation and colonialism in the prose writing of Henry Rider Haggard andRudyard Kipling 1882-1901. University of East Anglia, 1991.

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5

Haggard, H. Rider. A farmer's year: Being his commonplace book for 1898. Cresset Library, 1987.

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6

Haggard, H. Rider. The annotated She: A critical edition of H. Rider Haggard's Victorian romance with introduction and notes by Norman Etherington. Indiana University Press, 1991.

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7

Haggard, H. Rider. The annotated She: A critical edition of H. Rider Haggard's Victorian romance with introduction and notes. Indiana University Press, 1991.

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8

Colonial transitions: Literature and culture in the late Victorian age. Peter Lang, 2012.

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9

Haggard, H. Rider. She: King Solomon's mines ; and, Allan Quatermain. Gramercy Books, 1996.

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10

Haggard, H. Rider. She: A history of adventure. Broadview Press, 2005.

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Book chapters on the topic "Haggard, Henry Rider (1856-1925)"

1

Fike, Matthew A. "The anima’s many faces in Henry Rider Haggard’s She." In Four Novels in Jung’s 1925 Seminar. Routledge, 2020. http://dx.doi.org/10.4324/9780367821548-2.

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2

Crouan-Véron, Patricia. "En quête du temps passé : des romans de Mondes Perdus de Henry Rider Haggard (1856-1926) aux romans contemporains de E. Peters (1927-) et de W. Smith (1933-), l’histoire d’une empreinte littéraire." In L’Imaginaire du temps dans le fantastique et la science-fiction. Presses Universitaires de Bordeaux, 2011. http://dx.doi.org/10.4000/books.pub.20321.

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