Dissertations / Theses on the topic 'Habitations d'un genre nouveau'
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Hamrouni, Anwar. "Médiance, ambiantalité et réadaptation desespaces « oukalisés » à valeur patrimoniale : éloge d’une « alter-patrimonialisation »." Electronic Thesis or Diss., Université Grenoble Alpes, 2023. http://www.theses.fr/2023GRALH033.
Over the last few decades, heritage interest in Tunisia has been translated intostrategies of intervention, conservation and enhancement of an existing site withhistorical, social and/or symbolic value, defining a set of practices and discourses.However, the technical nature of the various approaches and their institutional set-up,which is often heavy and slow, make it difficult to deal with the sensitive aspect, theemotional relationships, the ambient chronicles, the life stories and the memory of theplace.Starting from the case of oukalised spaces with heritage value, located in the olddistricts of the suburbs of Tunis, the present study raises the question of mediationand its entanglements with the feeling of the situation experienced by the users. Twoworlds cohabit: the building with heritage value, with its spatial wealth, its historicalimportance and its original atmosphere on the one hand, and on the other hand, thenew way of living in it, of transforming it into a home: "a new type of habitat" oftenshared and pooled, characterised by new atmospheres.Simultaneously places of diversity, precariousness and illegality, these spaces giverise to new ways of occupying and transforming the city, subject to multipletemporalities, 'chronotopias' (M. Bakhtine, 1978), dictated by the capacity of theoccupants to reinvest them, through ways of doing things, diversions, (re)adjustmentsand (re)appropriations.The present work thus attempts to question the process of patrimonialization of the"oukalised" buildings through an ethno-sociological and immersive approach, in orderto follow the occupants (squatters - oukalizers) in their daily practices and understandtheir motivations, interactions and investments. This moment of in-situ investigationwill allow us to detect 'alter-patrimonialisations'. These are defined by the capacity ofthese places to heal the social esteem of the occupants, to constitute an element ofidentification and affirmation of the self. Moreover, we will be able to understand theextent to which the environments experienced interfere with the logics of incrustation,the boundaries of promiscuity, of sharing and the trauma of expulsion
Pradalier, Nicole. "Femmes, hommes et parité communicationnelle : germination d'un nouveau genre." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20021/document.
After having identified the use of the masculine gender in the French language and the use of the word "man" as "a tool of disinformation", I conducted a research-action, during 10 years, within an optic of journalistic ethics, on the means used in the French language to inform about women as well as men, which led me to adopt a graphic mark (·) the single median dot, named 'dot of otherness' for its potential recognition of human diversity, so as to signify a common gender identification. This research’s review and its continuation within information and communication sciences have enabled me to develop functional linguistic and classical grammar analytical procedures within the scope of what I define as «francography». I used the analysis of a Tisséo poster (Toulouse public transportation) as a methodological matrix, to develop and display parity measures using the notions of feminine / masculine / outbound genre, arbitrary / semantically motivated and apparent / non apparent gender (read the above examples in French language). Finally didactical proposals are presented as a new way of "transmutation of values"
Augier-Grimaud, Johana. "Théâtre et théâtralité dans le Satyricon : la quête d'un nouveau genre." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040132.
The present study reexamines on the concept of theatricality often used about the Satyrica to try to specifyappearances and methods. For behind the visible simplicity of the term and the everyday acceptance of its use inrelation to this work, there hides a plurality of processes. The theatricality of the Satyrica takes on three forms. Itdefines itself spontaneously as the re-Use of codes particular to the funny dramatic genres from which Petroniusborrows situations, themes and linguistic processes. This first theatricality is complicated by its anchoring in adirected narrative universe, whose concerns it shares with those of the satiric genre. The falling back on theatricalelements outlines an excessive and inauthentic society, and thus sees itself filtered by the decadent world topos.And it is exactly because in the world of the Satyrica the traditional values are null and void that classicalliterature is obsolete. The way is then opens to the third theatricality, intrinsically connected to parody. It ismainly carried by the voice of the narrator, to whom the excessive practice of declamation entailed a systematicprojection to a fictional otherworld. The fracture existing from now on between reality and its perception has adouble consequence: on the one hand all the situations of everyday life can be reduced to representations ofliterary reference scenes ; on the other hand it deconstructs the traditional literature through clichés. Thistheatricality allows Petronius to renew literature and to lay the foundations for the novelistic genre
Deral, Joëlle. "Autour d'Erich Kästner : l'émergence d'un nouveau genre littéraire : la littérature pour enfants (1900-1949)." Saint-Etienne, 1993. http://www.theses.fr/1993STET2016.
The periode of time targeted here stretches from 1900 to 1949; taking into account historical factors, refering to earlier so-called "works for the young" and probing into various writings from that particular period, enable to locate the bases of a children's literature in its own right. From the study of novels for children by Erich Kastner, a German writer, the purpose is to derive the deciding factors that helped establish a literature specific to children (writings for teenagers have been left out of this study). Along with the very special interest granted to the various aspects of the works of a writer of German extraction, in a historical context rich in events, the worldwide scope of this literature shows itself as a criterium of the utmost importance in modern trends. The acknowledgement of children's literature as such is a contemporary more as it is intended for an ever renewed public, the child
Boblet, Marie-Hélène. "Le roman dialogue apres 1950. Poetique d'un genre hybride." Paris 3, 2000. http://www.theses.fr/2000PA030103.
Yaacoub, Hélène. "L'émergence d'un nouveau genre romanesque dans la littérature francophone : le roman à histoire d'Amin Maalouf." Paris 3, 2006. http://www.theses.fr/2006PA030047.
The orient haunts the writings of Amine Maalouf. His characters continue to embark on adventurous voyages to diverse lands. His novels are compared to the stories of the Orient with a refined blend of history and fiction. Rich with the symbolisms of the world we live in, his books deal with our daily concerns, highlighting issues such as our sense of identity and present day fanaticism. The originality of the author resides in his ability to bring out a new dimension in the spatiotemporal relationships in modern history Maalouf reinstates man at the center of his novels. He makes amends between literature and the other human sciences. Maalouf imbues his characters and other beings with a message of worldly reconciliation. He proves that one can be both a Francophone and a hard core orientalist. In trying to impart the true face of the orient, Maalouf attempts to reconcile the occident with the orient
Grard, Gilda. "Génomique et évolution des flavivirus transmis par les tiques et découverte d'un nouveau lignage du genre flavivirus." Aix-Marseille 2, 2006. http://www.theses.fr/2006AIX20679.
Alduy, Cécile. "Les "Amours" en France : poétique et génèse d'un genre français nouveau (1544-1560) : le leurre de l'unité." Reims, 2003. http://www.theses.fr/2003REIML008.
With the success of petrarchan sonnet sequences such as Délie by Scève (1544), L'Olive by Du Bellay (1549) or the Amours by Ronsard (1552-1560), a new genre is born between 1544 and 1560: the "Amours". These works differ from other poetic collections of the time by their strong longing for formal, lyrical, stylistic and thematic unity, achieved thanks to a minute rhetorical dispositio. From their explicit model, Petrarch, to hidden sources (Venetian anthologies, Marot), the genealogy of this genre exposes the novelty of a platform that, in spite of its Italian origins, imposes a specifically French poetics of variation. The genesis of the works is then analyzed through a comparison of their successive editions. Finally, the poetics of the sonnet sequences shows how they are structured and what they signify through the tensions of their paradoxical form, at once unified and discontinuous, exploited in favor of a collective agenda, that of "Defense and Illustration of the French Tongue"
Carbajo, Jiménez Patricia. "Méthodologie d'optimisation d'un nouveau concept de système solaire thermique hybride eau-air." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAA025/document.
Thermal regulation demands the construction of more efficient buildings that use less energy, in particular for heating. Air renewal, which is necessary to guarantee indoor air quality, represents a significant thermal loss in the energy balance of efficient buildings. Moreover, domestic hot water (DHW) needs become more important than heating needs. In this context, solar thermal systems can produce a significant part of the thermal needs in buildings. Indeed, this work studies a solar thermal system producing DHW and fresh air preheating. The operating principle is first analysed experimentally. As the system seems promising, a co-simulation between Dymola (using the Modelica language) and EnergyPlus is used to do a detailed study of the system performances in a building based on different assumptions and for different design parameters. The results show a better collector yield and tank efficiency regarding a classic solar water heater, as well as an increase of the solar fraction including DHW production, air preheating and space heating
Elie, Bénédicte. "Le Deuil de l'Epopée ˸ origine d'un genre nouveau dans "les ouvrages d'imagination" d'Edgard Quinet. Ahasvérus, Prométhée, Napoléon, Les Esclaves." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA084.
The epic around 1830: an extinct genre? The theoretical death of the epic results from a triple condemnation: a national condemnation, “les Français n’ont pas la tête épique [the French have no head for epic poetry]” ; but also an historical condemnation “les modernes n’ont pas la tête épique [modern men have no head for epic poetry]” ; and lastly an aesthetic condemnation, “Voilà évidemment le poème épique condamné. […] Le poème épique nous apparaît donc esthétiquement comme un paradoxe [And with that, the epic poem evidently condemned. […] The epic poem therefore appears to us, aesthetically, as a paradox]” .And yet, numerous publications spring forth at that time. How to understand this apparent paradox? At the crossroads of a historical poetics of the genres, of literary history, and of hermeneutics, this doctoral thesis endeavours to move beyond said paradox, by converting the death of the epic into the origin of a new genre.The notion of mourning has allowed us to conceive of the link between the death of the classical epic and the birth of the epic of the 1830s. What we held then to be the twilight of the epic was in fact its dawn, but the pallid dawn of a genre in mourning.Indeed the epic poems of Quinet are laden with the mourning of a lost genre. An epic in verse transitions into an epic in prose, but an epic in prose which tells the poetry of the world; an epic of expanse transitions into a “shortened” epic, but one that tells of the completeness of the human being; an epic filled with marvels transitions into an epic mourning the marvelous, but which reenchants reality; a national epic transitions into an epic mourning the homeland, but so as better to consolidate the nation; an epic of battle transitions into an epic of debate which tells of the splitting of consciences
Wirbel, Ducoulombier Laure. "Conception d'un nouveau système d'isolation par l'exterieur pour le bâtiment." Thesis, Ecole centrale de Lille, 2014. http://www.theses.fr/2014ECLI0013/document.
In France, the building industry represents 40% of the total energy consumption and 25% of the total carbon dioxide emissions. In the objective of decreasing those impacts, a new thermal regulation called “Réglementation Thermique 2012” (RT2012), has been applied. In that context, the Ecole Centrale de Lille and the company Norpac, have chosen to engage a CIFRE thesis in order to develop a new external thermal insulation system for buildings. It was chosen to use textile materials to compose that system called “Isolpac”, in partnership with Dickson, PEG and the CLUBTEX association. At first, the research work was devoted to the hygrothermal, mechanical and chemical characterisation of the different materials composing the new insulation panel, to define the intrinsic properties of different materials, to compare them with conventional materials, in order to validate the choice of materials for the new insulation system. Two accelerated ageing methods were applied on the fabrics.Then, a particular interest is focused on the hygrothermal equilibrium of the panel by using a dynamic simulation on the software Wufi® following the previous characterization. Moreover, a work on the fire reaction of the panel and on the perspectives of other tests needed to guarantee the mechanical strength was carried out.Finally, the search of fixation and assembling techniques for the panels is presented. Installation in situ at scale one were made. The perspectives of tests for qualifying the mechanical strength and the fire resistance are described. A project of a demonstrating façade is presented to be the support for a demand of an Experimental Technical Agreement of the CSTB
Menon, Sandrine. "Repenser l'anthologie en traduction : réflexion sur les enjeux de la constitution d'une anthologie de nouvelles latino-américaines traduites d'un nouveau genre." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31785.
Janichon, Daniel. "Le nouveau cours de langue française de E. Rotgès, Belin 1896, un manuel au tournant du siècle : approche d'un genre du discours." Dijon, 2004. http://www.theses.fr/2004DIJOL003.
We first define the actors of his utterance. Upstream, the addressers of the school programs of 1882 direct us towards an all-powerful enunciator. In the handbook itself, they are the literary authors quoted by E. Rotgès who bring to the discourse their guarantee of authority. Then, we examine the discourse formations existing in the handbook. The grammar lessons try to structure the world of their enunciate. The lectures, exploiting the ambigui͏̈ty of the personal deictics, try to involve the reader, imposing to him who to be, what to do and who to. . . Become. The vocabulary lessons impose a normative vision of the story and moral. Lastly, we find in the grammar lessons, and in the subjects of french composition, traces of a founder deixis identified : the catholic catechisms. Then, we establish the contextual, enunciatives, intertextual and hypertextual characteristics of a specific genre to this handbook, genre attested between 1871 and 1968
Rustrian, Elena. "Dépollution phosphorée par voie biologique : physiologie de bactéries déphosphatantes du genre Acinetobacter : conception d'un nouveau procédé d'élimination combinée du carbone, de l'azote et du phosphore." Lyon 1, 1996. http://www.theses.fr/1996LYO10295.
Kamecki-Duriez, Luce. "Développement d'un nouveau test de détection par fluorimétrie des bactéries sulfato-réductrices du genre Desulfovibrio : évaluation en laboratoire des moyens de lutte chimique contre l'activité de ces bactéries en biocorrosion." Compiègne, 1989. http://www.theses.fr/1989COMPD184.
Derex, Anne Juliette Hélène. "Angelo Costantini (1654-1729), Mezzetin de la Comédie Italienne. : héritier d'une tradition ou précurseur d'un nouveau modèle de comédien ?" Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC041/document.
.We know the character of Mezzetino thanks to Watteau. He is without doubt the character of the Commedia dell'arte the most painted in the 17th and 18th century iconography. It was Angelo Costantini who made him famous. But what do we know exactly about this comedian and his character? Born in Verona in 1654, son of an italian comedian and musician, he starts to play the theater in Italy before coming in France in the royal troupe. To emphasize, he invents a new type adventurer and servant, but mostly musician : Mezzetino, short for mezzetta, which means half portion. This new zanni between Scapino and Brighella made Costantini famous in Paris. The audience liked him very much and forced him to play without a mask because he was handsome. But the character is it really his invention? In this thesis, we attempt to thwart the prejudices which accompany traditionally the papers on the actor. Costantini marked his time, he was called to play in the biggest european courts (Varsovia, Dresden, Madrid or London). We followed his tracks in a first part to study then the character of Mezzetino and his peculiarities. Were both inseparable?
Mossière, Géraldine. "Des femmes converties à l'islam en France et au Québec : religiosités d'un nouveau genre." Thèse, 2009. http://hdl.handle.net/1866/4160.
In present-day Europe and in North America, conversions to Islam suggest that modernity and secularization have engendered new unusual forms of subjectivity. However, the seemingly incompatibility between Muslim identity on the one hand, and Quebecois or French ones on the other hand stems more from the sociopolitical context where those identities are built, than from any obstacle related to Muslim and Western visions of the world. This research draws on an ethnographic study I have conducted in France and in Quebec. It shows that although conversion to Islam is part of an hermeneutical project of the self that is accomplished in the course of a spiritual trajectory, the action of conversion is framed by the social and political that shapes its meaning and impact. In this regard, the new Muslims' identities are negotiated through the social relationships that build their local universe of discourse. The social and political projects around conversion aim at transcending dominant models by proposing an alternative that combines inherited and chosen symbolic resources. My project is based on a comparative perspective conducted in two political spaces that differ in their ways of governing religious and ethnic diversity, and in how they manage religious belongings in the public domain. Considering that the change of religion is both a subjective and social process, I argue that the convert's new identity is continuously and dynamically organized around the realization of the self and the reconstruction of social belonging. In consequence, the act of conversion reveals as much a critical and constructive discourse about the social and political environment for which it proposes an alternative as a quest for spirituality and a pious way of life Drawing on theoretical perspectives from Ricœur, Foucault, and Calhoun, I examine the process of formation of the subject and the construction of its identity, as much through the production of discourse (conversion narrative), as through the modeling of the body (learning of religious and social practices). This performative approach of everyday rituality emphasizes the fluidity, idiosyncrasy and historicity of belongings and subjectivities. For the women I met, the narrative production of their conversion trajectory plays a key role in the constitution and actualization of their Muslim self. Through the subject's reflexivity, narratives produce indeed a new hermeneutics of the self, one driven by the objective of personal accomplishment, worked through the médium of spirituality. I identify standardized discourses that represent nodes of tension around which converts build piety, subjectivity and identity. Among them, the gender model they formulate displays their wish for acquiring new morals of modesty, intimacy, body and the care of the self. This new code of conduct revisits the polarized rhetorics between the Western feminism and the patriarchal excesses of political Islam, both seen as extreme. In this sense, I consider that women converts to Islam represent an archetype of Muslim feminist subject. The formation of conversion identities reveals the social and political forces underlying national contexts as well as global dynamics. The converts' performances compete with the discourses constructed as much by Muslim born groups as by the host society. Accordingly, conversion involves the recomposition of gendered, national and biographic identities of new Muslim women. As the attributes of alterity are enmeshed with those of the self, such referents are constructed at the limits of the new categories of modernity (knowledge, religion and gender). They also reconfigure social relationships at the frontier of new groups of inclusion and exclusion (ethnicity, piety, generation, etc.). In Quebec, the attraction toward Islam is part of a new quest for meaning and a desire for participating in the dominant cosmopolitan rhetoric of the society. Adhering to Islam celebrates the return to community solidarity, after accelerated processes of modernization and secularization. In France, the turn to Islam exemplifies a critique of modes of social differentiation, and a new strategy of belonging to a stigmatized group classes. Adhering to the religion of the minority highlights the failure of the Republican model and its ambition of universalism. In both Quebec and France, the project of conversion is presented as an alternative to dominant secular models; at the same time, it redefines the domains of public and private, while revealing the contradictions of the center as opposed to peripheral groups.