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1

Ping, Larry L. "Gustav Freytag, theReichsgründung,and the National Liberal Origins of theSonderweg." Central European History 45, no. 4 (December 2012): 605–30. http://dx.doi.org/10.1017/s0008938912000623.

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In the opening passage of his memoirs, Gustav Freytag (1816–95) mused that the secret of his literary success came down to the fact that his life “on the whole, resembles the life experience (Bildungsgang) of thousands of my contemporaries.” A century of scholarship on theKaiserreichhas validated Freytag's claim to serve as crown witness for thementalitéof his generation.
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2

Keppler-Tasaki, Stefan. "PRUSSIAN ANGLOPHILIA: GUSTAV FREYTAG, VICKY AND THE KAISER." German Life and Letters 65, no. 4 (September 12, 2012): 421–38. http://dx.doi.org/10.1111/j.1468-0483.2012.01580.x.

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3

Schofield, Benedict, and Larry L. Ping. "Gustav Freytag and the Prussian Gospel: Novels, Liberalism, and History." Modern Language Review 103, no. 1 (January 1, 2008): 274. http://dx.doi.org/10.2307/20467741.

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4

Werber, Niels. "Geopolitik als Literatur – ein germanistischer Beitrag zur Genealogie der deutschen Politischen Geographie und Geopolitik." Geographica Helvetica 73, no. 3 (July 19, 2018): 215–24. http://dx.doi.org/10.5194/gh-73-215-2018.

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Abstract. This contribution of a literary scholar to the history of geopolitics argues for the consideration of literary sources as constituents of the „classical“ geopolitical discourse (Ratzel, Kjellén, Haushofer). It exemplifies this claim by revealing the geopolitical components through which Gustav Freytag's novel Soll und Haben (Debit and Credit, Freytag, 1855, 1858) creates spaces, civilizations, and stories. Approaching these issues from the perspective of literary history and the history of knowledge, this paper turns to Freytag's novel to examine whether the literature of the period of the so-called „bourgeois“ or „poetic“ realism belongs to the genealogy of German political geography and geopolitics and how to study its impact on their increasingly manifest political program after the beginning of the First World War. Especially the establishment of the topos of the „Volk ohne Raum“ (people without space) in the east of the German Reich and the reorientation of geopolitics „gen Osten“ (toward the east) in the early twentieth century find a highly compatible antecedent in Soll und Haben.
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5

Peterson, Brent O., and Alyssa A. Lonner. "Mediating the past: Gustav Freytag, Progress and German Historical Identity, 1848-1871." Modern Language Review 102, no. 3 (July 1, 2007): 888. http://dx.doi.org/10.2307/20467505.

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6

Tatlock, Lynne, and Gabriele Buchler-Hauschild. "Erzahlte Arbeit: Gustav Freytag und die soziale Prosa des Vor- und Nachmarz." German Quarterly 62, no. 2 (1989): 280. http://dx.doi.org/10.2307/407407.

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7

Schöning, Matthias. "Was es bedeutet, gegen Journalisten zu hetzen." Internationales Archiv für Sozialgeschichte der deutschen Literatur 43, no. 1 (June 5, 2018): 47–67. http://dx.doi.org/10.1515/iasl-2018-0003.

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AbstractThe problematization of journalistic work is a recurring theme in literature. This paper traces the reservations journalists see themselves confronted with according to literary representations, how criticism is solidified, and how the suspicion that journalists are making up facts is becoming more universal. This will be done by looking at a historical line of texts, ranging from Die Journalisten by Gustav Freytag to Josef Haslinger’s Opernball. There are two main criteria underlying the choice of texts: first, the figures of journalists play a central role in each of the texts; second, these texts make visible the stages of a presumed development process from the middle of the 19th century through to today in the most succinct way possible.
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8

Berghahn, Klaus L. "Literarischer Antisemitismus: Untersuchungen zu Gustav Freytag und anderen burgerlichen Schriftstellern des 19. Jahrhunderts (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 19, no. 4 (2001): 136–38. http://dx.doi.org/10.1353/sho.2001.0091.

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9

Wilson, Jeffrey K. "Environmental Chauvinism in the Prussian East: Forestry as a Civilizing Mission on the Ethnic Frontier, 1871–1914." Central European History 41, no. 1 (March 2008): 27–70. http://dx.doi.org/10.1017/s0008938908000034.

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The Tuchel Heath (Tucheler Heide, Bóry Tucholskie) and Kashubia (Kassubei, Kaszuby), the two regions comprising the geographical region known as Pomerelia (roughly the area of the “Polish Corridor”), came into Prussian possession with annexations from Poland in 1772, when Friedrich II seized most of what would become the provinces of Poznania and West Prussia from the ailing Polish Republic. These territories, some liked to imagine, resembled the North American frontier. Friedrich II apparently compared it to Canada and “jokingly named the inhabitants his Iroquois.” Gustav Freytag immortalized Friedrich's arrival on the frontier in his work Bilder aus der deutschen Vergangenheit, characterizing the place as “an abandoned land, without law, without authority; it was a wasteland.” Certainly, the harsh climate, the sprawling pine forests and barrens, and the impoverished populace suggested a certain affinity. In one description of the region from 1879, the author depicted the Slavic game poacher “as a red Indian on the warpath.”
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10

Achinger, Christine. "Benedict Schofield: Private Lives and Collective Destinies. Class, Nation and the Folk in the Works of Gustav Freytag." Jahrbuch der Raabe-Gesellschaft 55, no. 1 (May 1, 2014): 191–98. http://dx.doi.org/10.1515/jdrg-2014-0018.

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11

Horch, Hans Otto. "GUSTAV FREYTAG UND BERTHOLD AUERBACH - EINE REPRÄSENTATIVE DEUTSCH-JÜDISCHE SCHRIFTSTELLERFREUNDSCHAFT IM 19. JAHRHUNDERT. Mit unveröffentlichten Briefen beider Autoren." Jahrbuch der Raabe-Gesellschaft 26, no. 1 (December 31, 1985): 154–74. http://dx.doi.org/10.1515/9783110243741.154.

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12

Załubska, Cecylia. "Zum Adelsverständnis der Realisten des 19. Jahrhunderts im deutsch-polnischen Bereich (Theodor Fontane, Gustav Freytag, Marie v. Ebner Eschenbach)." Studia Germanica Posnaniensia 17 (October 29, 2018): 125–46. http://dx.doi.org/10.14746/sgp.1991.17.08.

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13

Mellmann, Katja. "Bernt Ture von zur Mühlen, Gustav Freytag. Biographie. Wallstein, Göttingen 2016. 272 S., € 24,90. Hans-Werner Hahn / Dirk Oschmann (Hgg.), Gustav Freytag (1816–1895). Literat – Publizist – Historiker. (Veröffentlichungen der Historischen Kommission für Thüringen, Kleine Reihe 48) Böhlau, Köln u. a. 2016. 295 S., € 42,–." Arbitrium 36, no. 1 (April 9, 2018): 75–82. http://dx.doi.org/10.1515/arb-2017-0102.

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14

Sammons, Jeffrey L. "Im Zauberkreis der großen Waage. Die Romantisierung des bürgerlichen Kaufmanns in Gustav Freytags Soll und Haben Von Irmtraud Hnilica, and: Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895) by Benedict Schofield." Monatshefte 106, no. 2 (2014): 312–15. http://dx.doi.org/10.1353/mon.2014.0032.

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15

Sammons, J. L. "Gustav Freytag (1816-1895). Literat - Publizist - Historiker. Herausgegeben von Hans-Werner Hahn und Dirk Oschmann. Koln: Bohlau, 2016. 295 Seiten + 2 s/w Abbildungen. 40,00." Monatshefte 108, no. 4 (December 1, 2016): 661–63. http://dx.doi.org/10.3368/m.108.4.661.

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16

Sammons, Jeffrey L. "Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816–1895).By Benedict Schofield. London: Modern Humanities Research Association and the Institute of Germanic and Romance Studies Books, University of London, 2012. vii+219 pages. £19.99." Monatshefte 106, no. 2 (2014): 312.2–315. http://dx.doi.org/10.3368/m.106.2.312a.

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17

Schuchalter, Jerry. "'Mein Eden, lieber Sigismund, öffnet seine Pforten nicht in Amerika': dissenting Jewish images in German popular fiction." Nordisk Judaistik/Scandinavian Jewish Studies 12, no. 2 (September 1, 1991): 100–115. http://dx.doi.org/10.30752/nj.69488.

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Germanists in the post-holocaust era have assiduously searched the canon of German literature for other images besides the conventional demonization of the Jew. The legacy of Gustav Freytag’s Veitel Itzig and Wilhelm Raabe’s Moses Freudenstein – two of the most famous of such demonizations – however, remain representative figures for the image of the Jew in 19th century German fiction, although in both novels, other Jewish figures appear which reveal further aspects of anti-Semitic stereotyping.
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18

Göttsche, Dirk, and Florian Krobb. "150 Jahre 'Soll und Haben': Studien zu Gustav Freytags kontroversem Roman." Modern Language Review 102, no. 1 (January 1, 2007): 272. http://dx.doi.org/10.2307/20467250.

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19

Sammons, J. L. "Gespaltene Moderne. Gustav Freytags Soll und Haben. Nation, Geschlecht und Judenbild." Monatshefte 101, no. 1 (March 1, 2009): 124–26. http://dx.doi.org/10.1353/mon.0.0098.

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20

Betz, Frederick. "150 Jahre Soll und Haben. Studien zu Gustav Freytags kontroversem Roman." Monatshefte 99, no. 2 (2007): 237–39. http://dx.doi.org/10.1353/mon.2007.0035.

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21

Kreienbrock, Jörg. "The Border asRegulator of Life: Gustav Freytag's Uncontainable Realism." Germanic Review: Literature, Culture, Theory 90, no. 3 (July 3, 2015): 204–18. http://dx.doi.org/10.1080/00168890.2015.1056080.

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22

Twellmann, Marcus. "Das deutsche Bürgerhaus Zum oikonomisch Imaginären in Gustav Freytags Soll und Haben." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 87, no. 3 (September 2013): 356–85. http://dx.doi.org/10.1007/bf03375696.

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23

Putria, Anggia, and Muizzu Nurhadi. "DRAMATIC ELEMENTS IN DASHNER’S MAZE RUNNER NOVEL AND FILM ADAPTATION." ANAPHORA: Journal of Language, Literary and Cultural Studies 2, no. 2 (March 9, 2020): 80–88. http://dx.doi.org/10.30996/anaphora.v2i2.3368.

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The research aims to reveal how the application of dramatic elements of Dashner’s Maze Runner is transformed into its film adaptation. To achieve the purpose, the researcher analyzes seven dramatic elements by Gustav Freytag’s Pyramid which consist of exposition, inciting moment, rising action, climax, falling action, resolution, and denouement. This research uses the descriptive qualitative method. The results of this research are the differences of the dramatic elements in the novel and film adaptation are not significant because only the scenes of exposition and rising action are not similar.
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24

Maltby, Josephine. "Accounting and the soul of the middle class: Gustav Freytag's Soll und Haben." Accounting, Organizations and Society 22, no. 1 (January 1997): 69–87. http://dx.doi.org/10.1016/0361-3682(95)00050-x.

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25

Tatlock, Lynne. "Realist Historiography and the Historiography of Realism: Gustav Freytag's Bilder aus der deutschen Vergangenheit." German Quarterly 63, no. 1 (1990): 59. http://dx.doi.org/10.2307/406611.

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26

Griffiths, E. "A Nation of Provincials? German Identity in Gustav Freytag's Novel Cycle Die Ahnen (1872-80)." Monatshefte XCVI, no. 2 (June 1, 2004): 220–33. http://dx.doi.org/10.3368/m.xcvi.2.220.

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27

Afrianto, Damar Tri, and Putut Bayu Santiko. "THE DRAMATIC STRUCTURE OF TOURISM ADVERTISEMENT “WONDERFUL INDONESIA EPISODE TORAJA-MAKASSAR”." Capture : Jurnal Seni Media Rekam 11, no. 2 (July 17, 2020): 96–110. http://dx.doi.org/10.33153/capture.v11i2.3011.

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The study of digital advertisement of the tourism was based on the potential of dramatic elements seen in the "Wonderful Indonesia episode of Toraja-Makassar" advertisement released by the Ministry of Tourism of Republic Indonesia. This research uses the approach and theory of William Wells’s advertising video and Gustav Freytag's dramatic structural theory. The results of this study indicate that important elements in the "Wonderful Indonesia episode Toraja-Makassar" included Rambu Solo', Masilaga Tedong, creative process of weaving, carving, and Tau-Tau sculpture. Voice over in audio uses English. Talent is very good at material. Advertising props contains of South Sulawesi tourism destinations. Setting of advertisement video located in cultural centers in South Sulawesi. Lighting uses soft light and hard light. The graph varies by using long shots, and close ups. Pacing is in normal speed. This ads presents a coherent structure starting from exposition, conflication, climax, conclusion and resolution. In addition, the advertising scenario is packed close to the reality, so that the audience is carried away to the real life This is able to motivate the North Toraja government to create tourism promotion content through video ads that are more attractive.
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28

Betz, F. "150 Jahre Soll und Haben. Studien zu Gustav Freytags kontroversem Roman. Herausgegeben von Florian Krobb. Wurzburg: Konigshausen & Neumann, 2005. 326 Seiten. 39,80." Monatshefte XCIX, no. 2 (June 1, 2007): 237–39. http://dx.doi.org/10.3368/m.xcix.2.237.

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29

Farocki, Harun. "Empatia (Einfühlung)." Empatyczne obrazy/Empathic Images, no. 26 (2020). http://dx.doi.org/10.36854/widok/2020.26.2158.

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30

Hahn, Hans-Werner. "Bernt Ture von zur Mühlen, Gustav Freytag. Biographie. Göttingen, Wallstein 2016." Historische Zeitschrift 304, no. 1 (January 5, 2017). http://dx.doi.org/10.1515/hzhz-2017-1042.

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31

Schönert, Jörg. "Edward Bialek / Roman Polsakiewicz / Marek Zybura (Hgg.), Gustav Freytag an Theodor Molinari und die Seinen." Arbitrium 7, no. 2 (1989). http://dx.doi.org/10.1515/arbi.1989.7.2.223.

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32

Avşar, Rasim Erdem. "Aklın “Aksesuar”ları: Gustav Freytag’ın Dramatik Yapısından Bir Dünya Tasavvuruna." Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, November 20, 2019, 1–30. http://dx.doi.org/10.26650/jtcd.647966.

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33

Eberhardt, Otto. "Gustav Freytags Soll und Haben – Der Bestseller als ein höherer Trivialroman." Archiv für das Studium der neueren Sprachen und Literaturen, no. 2 (November 24, 2020). http://dx.doi.org/10.37307/j.1866-5381.2020.02.03.

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