Academic literature on the topic 'Guitar picking'
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Journal articles on the topic "Guitar picking"
KATO, Tomoaki, and Yoshihiro SHIMOMURA. "Muscle activity during guitar picking." Japanese Journal of Ergonomics 58, Supplement (July 30, 2022): 2E2–04–2E2–04. http://dx.doi.org/10.5100/jje.58.2e2-04.
Full textZebua, Candra Gunawan. "PENERAPAN TEKNIK PERMAINAN GITAR ELEKTRIK GLASSGOW KISS KARYA JOHN PETRUCCI PADA LAGU LEBIH DARI PEMENANG." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 17, no. 2 (September 1, 2019): 34–54. http://dx.doi.org/10.46965/ja.v17i2.250.
Full textMachfudz, Shoiful, Supriando Supriando, and Yon Hendri. "Interpretasi Repertoar Sonata No.1, Dondang Sayang, dan Pagan Part II pada Pertunjukan Gitar (Interpretation of the Repertoire of Sonata No.1, Dondang Sayang, and Pagan Part II on Guitar Performance)." Musica: Journal of Music 3, no. 1 (July 3, 2023): 19. http://dx.doi.org/10.26887/musica.v3i1.3471.
Full textTANIDA, Ryo, Keita UCHINO, and Yuichi MATSUMURA. "740 Generation mechanism of transient response by picking the strings of the guitar with a pick." Proceedings of the Dynamics & Design Conference 2010 (2010): _740–1_—_740–6_. http://dx.doi.org/10.1299/jsmedmc.2010._740-1_.
Full textRigg, John L., Randy Marrinan, and Mark A. Thomas. "Playing-related Injury in Guitarists Playing Popular Music." Medical Problems of Performing Artists 18, no. 4 (December 1, 2003): 150–52. http://dx.doi.org/10.21091/mppa.2003.4026.
Full textNadeak, Salam Irianto, Yusmar Ali, and Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method." Jurnal Riset Informatika 5, no. 2 (March 14, 2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.518.
Full textNadeak, Salam Irianto, Yusmar Ali, and Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method." Jurnal Riset Informatika 5, no. 2 (March 25, 2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.214.
Full textMurphy, Jim, James McVay, Paul Mathews, Dale A. Carnegie, and Ajay Kapur. "Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones." Computer Music Journal 39, no. 1 (March 2015): 59–73. http://dx.doi.org/10.1162/comj_a_00285.
Full textRahmanadia, Hyunisa. "PRAGMATIC MARKERS AS CONTEXT BOUNDARIES IN INDONESIAN HUMOROUS TALK SHOWS DISCOURSE." Italiano LinguaDue 15, no. 2 (December 15, 2023): 179–92. http://dx.doi.org/10.54103/2037-3597/22026.
Full textNazuri, Nur Shuhamin, Mohd Roslan Rosnon, Sara Shakilla Mohd Salim, Mohamad Firdaus Ahmad, Siti Shazwani Ahmad Suhaimi, and Nur Syazwani Zulaikha Safwan. "Promoting Economic Empowerment Through Effective Implementation and Linking Social Capital in Urban Agriculture Programs." Journal of Law and Sustainable Development 11, no. 11 (November 28, 2023): e726. http://dx.doi.org/10.55908/sdgs.v11i11.726.
Full textDissertations / Theses on the topic "Guitar picking"
Maia, Marcos da Silva. "Tecnica hibrida aplicada ao violão." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285051.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T11:50:06Z (GMT). No. of bitstreams: 1 Maia_MarcosdaSilva_M.pdf: 1288060 bytes, checksum: 0d432b91de9c8e88dcfd6fb1d21df8d0 (MD5) Previous issue date: 2007
Resumo: Cordofones beliscados são instrumentos musicais que apresentam características variadas de timbres, advindas de suas formas, tamanhos, qualidade das cordas e diferentes maneiras de fazê-las vibrar. Desde a Antigüidade, as preferências oscilam entre o som obtido pelo pulsar das cordas com os dedos ou aquele produzido pela utilização de um plectro ou palheta. A técnica híbrida (do inglês, hybrid picking) refere-se à utilização simultânea da palheta e dos dedos. No violão, os bordões são tocados com palheta, presa entre o indicador e o polegar da mão direita, e as primas tangidas com qualquer combinação dos dedos médio, anular e mínimo. Dessa forma, a técnica funciona bem tanto para bases rítmico-harmônicas, como para músicas polifônicas e linhas melódicas. No presente trabalho, a tradicional simbologia do violão p-i-m-a (polegar, indicador, médio e anular) foi alterada. As letras p e i foram substituídas pelos símbolos usuais dos movimentos alternados da palheta: ou, mantendo-se as letras m-a e incluindo-se a letra c (chico, dedo mínimo em espanhol). Assim, a pesquisa objetivou contextualizar a técnica híbrida e sua aplicação ao violão, discorrendo sobre aspectos históricos referenciais ao uso da palheta e dedos; indicando exemplos musicais para a aplicação da técnica; enfatizando a importância da adequada seleção de palhetas para a mesma, bem como investigando sua aplicação por diversos músicos na atualidade e sua eficácia na realização de variados repertórios
Abstract: Plucked chordophones are musical instruments that offer a great variety of tones from their forms, sizes, quality of the strings and different ways of making them vibrate. Since ancient times, the preferences sway between the sound obtained by the vibration of the strings with the fingers or that produced by the use of a pick. Hybrid Picking refers to the simultaneous use of the pick and the fingers. In nylon strings guitar, the bass-strings are played with the pick, held between the right forefinger and the thumb, and the first strings are played with any combination of the middle, the ring and little fingers. Therefore, the technique works well for rhythm-harmonic bases, polyphonic music and melodic lines. In the present work, the traditional guitar terminology of p-i-m-a (from the Portuguese, polegar [thumb], indicador [forefinger], médio [middle finger] and anular [ring finger) was altered. The letters p and i were changed for the usual symbols of the picks¿ up and down movementsor, maintaining the m-a (middle and ring fingers) and including the c letter (chico, Spanish for little finger). So, this study aimed at contextualizing the hybrid picking applied for nylon strings guitar by discussing referential historical aspects of the use of the pick and the fingers; indicating musical examples for applying the technique; emphasizing the importance of adequate selection of picks for that, as well as by examining its application by diverse musicians from actuality and its efficacy for different repertoire
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Books on the topic "Guitar picking"
Stump, Joe. Guitar sweep picking & arpeggios. Boston, MA: Berklee Press, 2017.
Find full textKaufman, Steve. My first bluegrass guitar picking songs. Pacific, Mo: Mel Bay, 2010.
Find full textSokolow, Fred. The dictionary of strum & picking patterns. Milwaukee, WI: H. Leonard Corp., 1995.
Find full textJohnson, Chad. Guitarist's guide to economy picking: Learn to play fast, lean and clean with the picking techniques of the masters. Milwaukee, WI: Hal Leonard, 2017.
Find full textHanson, Mark. The art of contemporary Travis picking: How to play alternating-bass fingerpicking style. Palo Alto, CA: Accent on Music, 1986.
Find full textGuitar Picking Tunes - Spirituals. Mel Bay Publications, Incorporated, 2022.
Find full textBrasil, Gustavo Assis. Hybrid Picking for Guitar. Gustavo Assis Brasil Music, 2005.
Find full textEconomy Picking Guitar Technique. www.fundamental-changes.com, 2021.
Find full textGambale, Frank. Speed Picking - Frank Gambale. Hal Leonard Corporation, 1994.
Find full textCarlson, Ed. Guitar Etudes: 25 Picking Studies. Independently Published, 2019.
Find full textBook chapters on the topic "Guitar picking"
Keebler, Joseph R., Travis J. Wiltshire, Dustin C. Smith, and Stephen M. Fiore. "Picking Up STEAM: Educational Implications for Teaching with an Augmented Reality Guitar Learning System." In Virtual, Augmented and Mixed Reality. Systems and Applications, 170–78. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39420-1_19.
Full text"Basic Picking and Plucking Patterns." In Acoustic Guitar Styles, 19–23. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-11.
Full text"More Flat-picking and Fingerpicking Patterns." In Acoustic Guitar Styles, 58–65. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-14.
Full text"Using Alternating Bass Notes to Vary Picking and Strumming Patterns." In Acoustic Guitar Styles, 24–35. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-12.
Full textCoelho, Victor Anand. "Picking through cultures: a guitarist's music history." In The Cambridge Companion to the Guitar, 1–12. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol9780521801928.002.
Full textStarr, Larry. "Accompanying Bob Dylan." In Listening to Bob Dylan, 81–88. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043956.003.0006.
Full textConference papers on the topic "Guitar picking"
Yoshida, Nozomu, and Katsutsugu Matsuyama. "A picking interface seamlessly connecting passive and active performance on guitar." In International Workshop on Advanced Imaging Technologies 2020 (IWAIT 2020), edited by Phooi Yee Lau and Mohammad Shobri. SPIE, 2020. http://dx.doi.org/10.1117/12.2566285.
Full textMatsushita, Soichiro. "A wrist-worn motion evaluation system for fast and powerful down picking of heavy metal guitar." In UbiComp '19: The 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3341163.3347726.
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