Journal articles on the topic 'Guitar; musical performance; expressivity'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Guitar; musical performance; expressivity.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Brenner, Brenda, and Katherine Strand. "A Case Study of Teaching Musical Expression to Young Performers." Journal of Research in Music Education 61, no. 1 (March 7, 2013): 80–96. http://dx.doi.org/10.1177/0022429412474826.
Full textBlazhevych, Vasyl. "EVOLUTION OF GUITAR ART PERFORMANCE TRADITIONS IN THE NATIONAL CULTURAL AND EDUCATIONAL DIMENSION." Aesthetics and Ethics of Pedagogical Action, no. 15 (March 9, 2017): 107–15. http://dx.doi.org/10.33989/2226-4051.2017.15.175896.
Full textParrott, Mackenzie L., and John Nix. "Listener ratings of singer expressivity in musical performance." Journal of the Acoustical Society of America 139, no. 4 (April 2016): 2035. http://dx.doi.org/10.1121/1.4950015.
Full textSupriando, Supriando. "PERTUNJUKAN MUSIK GRANDE OUVERTURE, ASTURIAS, DAN KARAK LILISAN DALAM SOLO GITAR." Puitika 12, no. 2 (September 18, 2016): 160. http://dx.doi.org/10.25077/puitika.12.2.160--175.2016.
Full textTorge Claussen, Jan. "Gaming Musical Instruments." Digital Culture & Society 5, no. 2 (December 1, 2019): 121–30. http://dx.doi.org/10.14361/dcs-2019-0208.
Full textIvannikov, Tymur, and Tetiana Filatova. "Specific Sound Production Techniques in Academic Guitar Music." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (December 20, 2022): 111–25. http://dx.doi.org/10.24193/subbmusica.2022.spiss2.08.
Full textVuoskoski, Jonna K., Marc R. Thompson, Eric F. Clarke, and Charles Spence. "Crossmodal interactions in the perception of expressivity in musical performance." Attention, Perception, & Psychophysics 76, no. 2 (November 15, 2013): 591–604. http://dx.doi.org/10.3758/s13414-013-0582-2.
Full textZorzal, Ricieri, and Oswaldo Lorenzo. "Teacher–student physical contact as an approach for teaching guitar in the master class context." Psychology of Music 47, no. 1 (November 3, 2017): 69–82. http://dx.doi.org/10.1177/0305735617737154.
Full textCastro, Renato Moreira Varoni de. "Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão." Per Musi, no. 34 (August 2016): 35–61. http://dx.doi.org/10.1590/permusi20163402.
Full textIndrawan, Andre, Noer Iskandar Albarsani, Kustap Kustap, and Suryati Suryati. "Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis." Harmonia: Journal of Arts Research and Education 21, no. 2 (January 1, 2022): 204–20. http://dx.doi.org/10.15294/harmonia.v21i2.31750.
Full textGeringer, John M., and Justine K. Sasanfar. "Listener Perception of Expressivity in Collaborative Performances Containing Expressive and Unexpressive Playing by the Pianist." Journal of Research in Music Education 61, no. 2 (June 13, 2013): 160–74. http://dx.doi.org/10.1177/0022429413485246.
Full text., Paryono, Sarana ., and Suharto . "GUITAR SIDE BODY MAKING TECHNIQUE USING SCREW PRESS AND HEATER." International Journal of Innovative Research in Advanced Engineering 8, no. 7 (July 30, 2021): 161–66. http://dx.doi.org/10.26562/ijirae.2021.v0807.004.
Full textSuroso, Panji, Adina Sastra Sembiring, Uyuni Widiastuti, Muklis Hasbulah, and Bakhrul Khair Amal. "Performance Model of Kulcapi (Karo Musical Instrument) as a Teaching Material in Guitar Learning." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 1, no. 4 (December 22, 2018): 136–43. http://dx.doi.org/10.33258/birci.v1i4.102.
Full textVuoskoski, Jonna K., Marc R. Thompson, Charles Spence, and Eric F. Clarke. "Interaction of Sight and Sound in the Perception and Experience of Musical Performance." Music Perception 33, no. 4 (April 1, 2016): 457–71. http://dx.doi.org/10.1525/mp.2016.33.4.457.
Full textSulistiono, Sulistiono, Bambang Suhardi, F. Ishartomo, and I. Nugraha. "PRELIMINARY REVIEW OF MULTISCALE FRET AS INNOVATION OF ERGONOMIC GUITAR." Journal of Technology and Operations Management 16, Number 1 (July 29, 2021): 81–90. http://dx.doi.org/10.32890/jtom2021.16.1.7.
Full textVARWIG, BETTINA. "MUSICAL EXPRESSION: LESSONS FROM THE EIGHTEENTH CENTURY?" Eighteenth Century Music 17, no. 1 (February 12, 2020): 53–72. http://dx.doi.org/10.1017/s1478570619000447.
Full textEstrada Yarce, Emanuel. "ARTICULANDO CON TRASTES. ACERCA DE LA ARTICULACIÓN COMO ELEMENTO ESTRUCTURADOR DE LA EJECUCIÓN MUSICAL EN LA GUITARRA." Ricercare 2018, no. 10 (March 5, 2019): 6–36. http://dx.doi.org/10.17230/ricercare.2018.10.1.
Full textCastro-Magas, Diego. "GESTURE, MIMESIS AND IMAGE: ADORNO, BENJAMIN AND THE GUITAR MUSIC OF BRIAN FERNEYHOUGH." Tempo 70, no. 278 (September 28, 2016): 16–28. http://dx.doi.org/10.1017/s0040298216000310.
Full textWalker, Timothy M. "Instrument‐specific constraints on musical performance: Playing the piano and the guitar." Journal of the Acoustical Society of America 99, no. 4 (April 1996): 2481–500. http://dx.doi.org/10.1121/1.415577.
Full textSloboda, John A., and Andreas C. Lehmann. "Tracking Performance Correlates of Changes in Perceived Intensity of Emotion During Different Interpretations of a Chopin Piano Prelude." Music Perception 19, no. 1 (2001): 87–120. http://dx.doi.org/10.1525/mp.2001.19.1.87.
Full textMiteva-Dinkova, Stela. "THE ARPEGGIO IN DIDACTIC LITERATURE FOR CLASSICAL GUITAR." Knowledge International Journal 28, no. 3 (December 10, 2018): 1069–74. http://dx.doi.org/10.35120/kij28031069s.
Full textDewi, Christine, and Rung-Ching Chen. "Combination of Resnet and Spatial Pyramid Pooling for Musical Instrument Identification." Cybernetics and Information Technologies 22, no. 1 (March 1, 2022): 104–16. http://dx.doi.org/10.2478/cait-2022-0007.
Full textOkhotnikov, Vladimir E. "The Semantic Explicitization of the Musical Text in Work with Beginner Guitarists." ICONI, no. 3 (2020): 107–20. http://dx.doi.org/10.33779/2658-4824.2020.3.107-120.
Full textOverholt, Dan, Edgar Berdahl, and Robert Hamilton. "Advancements in Actuated Musical Instruments." Organised Sound 16, no. 2 (June 28, 2011): 154–65. http://dx.doi.org/10.1017/s1355771811000100.
Full textWoody, Robert H. "The Effect of Various Instructional Conditions on Expressive Music Performance." Journal of Research in Music Education 54, no. 1 (April 2006): 21–36. http://dx.doi.org/10.1177/002242940605400103.
Full textDüvel, Nina, Reinhard Kopiez, Anna Wolf, and Peter Weihe. "Confusingly Similar: Discerning between Hardware Guitar Amplifier Sounds and Simulations with the Kemper Profiling Amp." Music & Science 3 (January 1, 2020): 205920432090195. http://dx.doi.org/10.1177/2059204320901952.
Full textTudor, Brînduşa. "The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)." Review of Artistic Education 17, no. 1 (March 1, 2019): 100–105. http://dx.doi.org/10.2478/rae-2019-0010.
Full textSokolskaya, Anna. "“Obedient bodies”: Space, time and sound in the operas by Christoph Marthaler." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 1 (March 1, 2020): 34–49. http://dx.doi.org/10.18522/2415-8852-2020-1-34-49.
Full textDotsenko, Volodymyr, and Viktoria Tkachenko. "CREATIVE STRATEGIES FOR THE GUITAR CLASS AT I. P. KOTLYAREVSKY KHNUA." Aspects of Historical Musicology 22, no. 22 (March 2, 2021): 72–85. http://dx.doi.org/10.34064/khnum2-22.04.
Full textTyas, Danang Sandy. "Rosette Guitar Quartet : Proses Kreatif Melalui “Youtube” Sebagai Pasar Industri Musik Digital." JMD : Jurnal Riset Manajemen & Bisnis Dewantara 4, no. 1 (March 24, 2021): 1–8. http://dx.doi.org/10.26533/jmd.v4i1.763.
Full textArdila Wahyuni, Lusi Selvia Fitri, and Rekaza Akbar. "ANALISIS KREATIVITAS MUSIKALISASI PUISI MELALUI MODEL COOPERATIVE LEARNING OLEH SISWA KELAS XI DI SMA NEGERI 1 DARUL HASANAH." Tuwah Pande: Jurnal Ilmu Pendidikan dan Pengajaran 1, no. 1 (June 30, 2022): 185–99. http://dx.doi.org/10.55606/tuwahpande.v1i1.20.
Full textAmundsen, Michael. "Out in the cold: Busking Copenhagen’s Nørreport Station and the urban affects of music." Journal of Urban Cultural Studies 6, no. 1 (March 1, 2019): 113–22. http://dx.doi.org/10.1386/jucs_00006_1.
Full textStachó, László. "Mental virtuosity: A new theory of performers’ attentional processes and strategies." Musicae Scientiae 22, no. 4 (November 13, 2018): 539–57. http://dx.doi.org/10.1177/1029864918798415.
Full text이계창. "A study on actors' applying the methodology of lyric analysis for musical performance -Focusing on 'the Guitar man' in Korea Musical -." Journal of Korean drama and theatre ll, no. 41 (September 2013): 211–52. http://dx.doi.org/10.17938/tjkdat.2013..41.211.
Full textMeals, Cory D., Steven J. Morrison, and Deborah A. Confredo. "The Effects of Temporal Action-Sound Congruence on Evaluations of Conductor Quality." Music & Science 2 (January 1, 2019): 205920431989196. http://dx.doi.org/10.1177/2059204319891968.
Full textOdoyevsky, Victor A., and Nataliya V. Korchagina. "Performing on Acoustic Guitar in the Fingerstyle Technique: Historical and Methodical Aspects." Musical Art and Education 8, no. 2 (2020): 124–39. http://dx.doi.org/10.31862//2309-1428-2020-8-2-124-139.
Full textFinan, Donald, and Deanna Meinke. "A Novel Interdisciplinary Course: Musical Acoustics and Health Issues." Perspectives of the ASHA Special Interest Groups 1, no. 19 (March 31, 2016): 15–25. http://dx.doi.org/10.1044/persp1.sig19.15.
Full textHnativ, Nataliya. "“Tollers Zelle” by Anna Korsun: at intersection of Musical Interpretations." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 51–62. http://dx.doi.org/10.31318/2522-4190.2021.131.243212.
Full textJin, Cong, Tao Wang, Shouxun Liu, Yun Tie, Jianguang Li, Xiaobing Li, and Simon Lui. "A Transformer-Based Model for Multi-Track Music Generation." International Journal of Multimedia Data Engineering and Management 11, no. 3 (July 2020): 36–54. http://dx.doi.org/10.4018/ijmdem.2020070103.
Full textGuerrero-Turrubiates, Jesus, Sergio Ledesma, Sheila Gonzalez-Reyna, and Gabriel Avina-Cervantes. "Guitar Chords Classification Using Uncertainty Measurements of Frequency Bins." Mathematical Problems in Engineering 2015 (2015): 1–9. http://dx.doi.org/10.1155/2015/205369.
Full textNusseck, Manfred, and Marcelo M. Wanderley. "Music and Motion——How Music-Related Ancillary Body Movements Contribute to the Experience of Music." Music Perception 26, no. 4 (April 1, 2009): 335–53. http://dx.doi.org/10.1525/mp.2009.26.4.335.
Full textOkhotnikov, Vladimir E. "About the Development of Artistry in Elementary School Pupils in a Guitar Class." ICONI, no. 3 (2021): 173–81. http://dx.doi.org/10.33779/2658-4824.2021.3.173-181.
Full textReily, Suzel Ana. "Música sertaneja and migrant identity: the stylistic development of a Brazilian genre." Popular Music 11, no. 3 (October 1992): 337–58. http://dx.doi.org/10.1017/s0261143000005183.
Full textFurdui, Yulia, and Оlena Yehorova. "GENRE CHARACTERISTICS OF ROMANTIC FANTASY FOR THE GUITAR ON A BORROWED THEME BY F. TARREGA." Музикознавча думка Дніпропетровщини, no. 18 (November 13, 2020): 115–24. http://dx.doi.org/10.33287/222022.
Full textDarussalam, Najwa Leonita, and Joko Wiyoso. "Creating Process of Composition Of The “Kulino” Musical Drama At Theater Aura Indonesia." Jurnal Seni Musik 10, no. 2 (December 31, 2021): 150–59. http://dx.doi.org/10.15294/jsm.v10i2.45925.
Full textВан, Ч. "Performance and pedagogy of an ensemble of woodwind instruments." Management of Education, no. 2(48) (April 14, 2022): 37–43. http://dx.doi.org/10.25726/t5807-7274-9656-f.
Full textGavito, Cory M. "The Guitar in Stuart England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2019. xx + 288 pp. $29.99." Renaissance Quarterly 74, no. 2 (2021): 681–82. http://dx.doi.org/10.1017/rqx.2021.73.
Full textMarsh, Christopher. "The Guitar in Tudor England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2015. xx + 248 pp. $99.99." Renaissance Quarterly 71, no. 4 (2018): 1552–54. http://dx.doi.org/10.1086/702118.
Full textBolshakova, T. V. "Formation of performance on string-plucked instruments in Kharkiv (based on periodicals of the mid-XIX — early XX centuries)." Culture of Ukraine, no. 76 (June 29, 2022): 126–38. http://dx.doi.org/10.31516/2410-5325.076.14.
Full textKjus, Yngvar, and Anne Danielsen. "Live mediation: performing concerts using studio technology." Popular Music 35, no. 3 (September 14, 2016): 320–37. http://dx.doi.org/10.1017/s0261143016000568.
Full text